Muse/News: Basquiat on Film, Poetry on the Radio, and the Digital Hereafter

SAM News

The New York Times’ Glenn Kenny reviews Sara Driver’s new documentary on the young Basquiat. Boom for Real premieres at the Seattle Art Museum on May 18 in partnership with Northwest Film Forum.

“Basquiat’s art — raw, inventive, socially engaged — continues to speak to us even as the artist himself cannot. Near the end of the movie, one of Basquiat’s friends refers to him as ‘a true investigator.’ In Ms. Driver, the artist finds a kindred spirit, a fellow investigator who pays him proper and enthralling tribute.”

Jeffrey Gibson: Like a Hammer opened at the Denver Art Museum on Sunday; Cultured Magazine visits the artist’s studio to discuss his artistic goals and methods. Save the date: the exhibition opens at SAM on February 28, 2019.

“’It’s always been about using my personal narrative to complicate the popular notions of being queer, being gay, being Native American—any of these singular adjectives,’ says Gibson.”

Local News

The Seattle Times’ Moira Macdonald previews this year’s edition of the Seattle International Film Festival—and shares the colorful, analog way the massive schedule is built.

Seattle radio is beautiful this week: KEXP announces OCnotes as their new Sunday night DJ, playing soul, funk, and R&B, and KUOW launches #NewsPoet, which features PNW poets waxing about a news story.

The Station coffee shop on Beacon Hill has new digs, and in their old space across the street will be Estelita’s Library, a “justice-focused community bookstore and library” from UW professor Edwin Lindo.

“’You’ll find books on Latinx identity next to a book about Harriet Tubman, next to Karl Marx, next to a first edition John Steinbeck,’ he says, gesturing toward a packed shelf. Though some of the titles have Dewey Decimal stickers (‘They’re really hard to remove!’ he marvels), the books aren’t arranged in any particular order. Lindo hopes instead that people will make discoveries by proximity, or perhaps by suggestion from someone sitting at the next table.”

Inter/National News

Lessons From the Institute of Empathy artist Jacolby Satterwhite has a solo show at NYC’s Gavin Brown’s Enterprise; Blessed Avenue is a “mythical place created by the fantasies of cyborgs — possibly a digital hereafter.”

Artnet on a new grad program created by LACMA and Arizona State University that allows students to pursue studies while working at the museum—its purpose is to increase diversity in museum leadership, especially curation.

Donald Glover, AKA Childish Gambino, debuted the video “This is America” and everyone watched it (and watched it…); Interview Magazine spoke with the video’s choreographer, Sherrie Silver.

“The video is full of madness and reflects what’s going on in America and around the world right now. The kids and the choir are supposed to be the happy part of that, so there are two different worlds at the same time. Multiple parts of the video are meant to catch the viewer off-guard, with people smiling and enjoying themselves before it goes dark.”

And Finally

Hoping everyone had a wonderful Mother’s Day on Sunday: mothers, departed mothers, in-all-but-name mothers, unjustly absent mothers.

– Rachel Eggers, SAM Manager of Public Relations

Image: Courtesy of Magnolia Pictures

Muse/News: Basquiat Unpacked, Public Poetics, and The Magic of The Shirelles

SAM News

The latest episode of Seattle Channel’s ArtZone features their interview with curator Catharina Manchanda about Jean-Michel Basquiat’s Untitled.

Artsy debuts their “Vanguard” series, recognizing influential contemporary artists at various points in their careers. Gwendolyn Knight and Jacob Lawrence Prize-winner Sondra Perry is included among the “newly established”—artists at “crucial tipping points in their careers.”

Los Angeles-based magazine Riot Material reviews Figuring History, in advance of its closing on May 13.

“Figuring History is as visually stunning as it is historically significant. For Robert Colescott, Kerry James Marshall and Mickalene Thomas, the show is validation that they succeeded in their passionate quest to make themselves visible. These artists matter and their art will be a beacon for us all, for those who write the histories and create the shows and for those are able to see themselves represented in museums for perhaps the first time.”

Local News

Seattle Times has the first look at the Nordic Museum as it prepares for its grand opening this weekend.

The Stranger staff picks their top 15 art shows in Pioneer Square for the month of May.

City Art’s Margo Vansynghel reviews A LONE, a series of 10 public artworks across the city co-curated by Vignettes and Gramma Poetry.

“Dealing with themes such as gentrification and the mass media’s (biased) coverage of the events in Charlottesville, the works in A LONE blend poetry and visual art and speak to the intricacies of being alone in a big city full of people. ‘You’re alone together,’ Stinson says. ‘That’s kind of a fascinating thing.’”

Inter/National News

The fun we’re not having at Frieze: Roberta Smith of the New York Times goes on the hunt for “artistic gems” at the annual art fair. (There’s a shout-out to Everyday Poetics artist Sonia Gomes!)

The American Antiquarian Society has digitized 225 photographs of Native people; taken decades before Edward S. Curtis began his project, these photos “represent the chapter one of the photographic history of Native people.”

The Baltimore Museum of Art has an “absolutely transformative” plan for their collection: deaccessioning works by artists such as Andy Warhol, Franz Kline, and Robert Rauschenberg in order to acquire works by contemporary artists who are women and artists of color.

“’The decision to do this rests very strongly on my commitment to rewrite the postwar canon,’ Bedford told artnet News. And while institutions sell art to fund new acquisitions every so often, the BMA’s latest deaccession stands out. ‘To state it explicitly and act on it with discipline—there is no question that is an unusual and radical act to take,’ Bedford says.”

And Finally

I will still love them tomorrow—and forever. The New Yorker’s Elon Green interviews Beverly Lee of The Shirelles about a “magical ten seconds” of the legendary group.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of Basquiat—Untitled at Seattle Art Museum, 2018, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

In honor of World Book Day, Culture Type recommends reading an exhibition catalogue; among the picks is the catalogue for Figuring History (only two weeks left to see it!).

“Few have the opportunity to travel around the country to view all of the important and compelling museum exhibitions featuring work by African American artists. While there is no substitute for seeing art in person, exhibition catalogs are the next best thing.”

The solo exhibition of the 2017 Betty Bowen Award winner is now on view! Margo Vansynghel of City Arts interviewed the artist for this feature story.

“I don’t want to only talk about myself,” Vaughan says when we meet to talk about the Betty Bowen Award and the associated show. “The project is about raising awareness about what’s happening: Last year was the most dangerous year on record for trans people, and specifically for womxn of color. Over 92 percent of trans people killed are trans people of color. That intersectionality is important.”

In her recurring series Art of Our City, Marcie Sillman of KUOW features dancer, Renaissance man, and SAM public programs coordinator David Rue (I really hope you didn’t miss him perform last week in Dani Tirrell’s Black Bois).

My older brother was in a production of “Into the Woods.” He was in 6th grade or something like that, but it was the first time I saw the curtain rise to expose this world of the imagination and I was like, “Oh my god! This is what I should be doing! This is it!’

Local News

Seattle Times food writer Bethany Jean Clement reviews Oh, You STILL Work There?, The Factory’s recent show about artists working in the service industry.

Carla Bell for Crosscut interviews ChrisTiana ObeySumner, Seattle Opera’s first social impact consultant; they will work to “encourage more access to communities of color.”

City Art’s Margo Vansynghel on Photographic Center Northwest’s current show on the deep visual legacy of the Black Panther Party, curated by Michelle Dunn Marsh and Negarra Kudumu.

“The Black Panthers were very aware of the power of imagery and of the effects of repetition,” Kudumu says. “The key markers and unifying aesthetic were always present, as a constant reminder of who they were and what they stood for.”

Inter/National News

The National Memorial for Peace and Justice—“the first public museum and memorial to the victims of racial terror in the US”—opened last week in Montgomery, Alabama. The New York Times’ Campbell Robertson has an unmissable look at this extraordinary new institution.

The Institute for Contemporary Art has opened in Richmond, Virginia. Hyperallergic’s Amanda Dalla Villa Adams visits their inaugural exhibition, Declaration, featuring artists such as Deb Sokolow, Titus Kaphar, and Paul Rucker.

Artsy’s Tess Thackara on the “must-see” exhibition of sculpture by the late Jack Whitten, now on view at the Baltimore Museum of Art.

“They were talismans and memorials; expressions of reverence to his ancestors; objects intended to create hope and to keep his family safe. They bring African and European cultural pasts together, rejecting the binaries of West and non-West. Indeed, they represent something like a loose roadmap for the future of humanity, offering some clues for how we might face the twin threats of technological and ecological crisis.”

And Finally

RIP to Bob Dorough, who has passed away at 94. I will always be grateful for your undeniably funky earworms that made learning magical.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Natali Wiseman

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

The solo exhibition of Molly Vaughan, winner of the 2017 Betty Bowen Award, is now on view. Project 42 raises awareness of a persistent pattern of extreme violence against transgender people by commemorating 42 murdered individuals. The show was recently highlighted by both City Arts and Seattle Weekly.

“When Molly Vaughan accepted the Betty Bowen Award at the Seattle Art Museum, she opted not to speak about her own work, as is custom. Instead, she invited three local artists with Native heritage to memorialize Fred Martinez, Jr., a trans-identified Navajo teen who was murdered in Cortez, Colo., in 2001.”

The Evergrey features artist April Soetarman’s Museum of Almost Realities, about objects “from the life you might have had.” The project popped up at March’s edition of Remix.

Local News

For the Seattle Times (and all the nerds), writer Paul Constant and novelist G. Willow Wilson preview MoPOP’s MARVEL: Universe of Super Heroes, which opened last Saturday.

Crosscut’s Brangien Davis interviews Pacific Northwest Ballet artistic director Peter Boal about a controversial work that premiered in their recent program.

Margo Vansynghel of City Arts reviews the Tacoma Art Museum’s retrospective of Seattle photographer Ella McBride (1862-1965).

“If the flower in the vase of the 1925 black-and-white gelatin silver print ‘A Shirley Poppy’ could speak, it might say, My heart is wide open. I’ve unfurled my petals so you can see it all. Tracing the valleys of light within the crepe-like petals, one imagines photographer Ella McBride responding from behind her single-lens reflex camera, I notice you.”

Inter/National News

Last week, TIME magazine published its list of the year’s 100 most influential people; Kehinde Wiley, Judy Chicago, and JR were three visual artists selected.

Beychella was certainly the event of the last couple of weeks (year? life?), but don’t miss Solange’s video and dance performance that recently took place at the Hammer Museum in Los Angeles.

The Legacy Museum and the National Memorial for Peace and Justice—“the first public museum and memorial to the victims of racial terror in the US”—will open next week in Alabama.

“There is still so much to be done in this country to recover from our history of racial inequality,” says Bryan Stevenson, the founding director of the Equal Justice Initiative (EJI), which spearheaded the project. “We can achieve more in America when we commit to truth-telling about our past.”

And Finally

He doesn’t do it for the gram—or the Pulitzer. But this was all of us when rapper and songwriter Kendrick Lamar won the prestigious award this week.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Jono Vaughan: Project 42 at Seattle Art Museum, 2018, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Lots of love for SAM’s Olympic Sculpture Park: Rachel Gallaher for Surface Magazine sang its praises, Artsy named it one of the world’s greatest sculpture parks, and new Stranger contributor (I better update my press list!) Seth the Miniature Pinscher deems the park a nice place to do his business in the paper’s inaugural dog issue.

KCTS interviewed Catharina Manchanda, SAM’s Jon & Mary Shirley Curator of Modern & Contemporary Art—as well as artist Marita Dingus and gallerist Greg Kucera—for this story on the historical context of the Basquiat painting now on view at SAM.

And here’s a must-read from Emily Pothast for Art Practical on the embarrassment of riches that is two Sondra Perry installations in the Pacific Northwest: ours, and another at Disjecta Contemporary Art Center in Portland.

“Virtual space ‘allows one to build digitally what one cannot build in reality,’ she says in her statement about the Seattle show. The role of science fiction has always been to imagine new possibilities for the future. Once they are imagined, the only remaining challenge is how to build them.”

Local News

Misha Berson for Crosscut asks, “Where are the plays by women?” and answers: right here in Seattle, with a bevy of works by female dramatists debuting this spring.

After five fantastic years, Courtney Sheehan has announced that she’ll be departing as executive director of Northwest Film Forum, says City Arts’ Brett Hamil.

Calling all aspiring, soulful DJs: Jeff Albertson of the Seattle Times reports that KEXP is searching for a DJ for their new Sunday evening show. Also: Shake the Shack is being retired, with Michele Myers and Stas THEE Boss taking over Friday nights.

Inter/National News

The Art Newspaper and others reported on the hiring of Max Hollein as the next director of the Met; here’s a dissenting opinion from Dr. Liza Oliver in the New York Times.

Hyperallergic on the news that ICA Boston has closed an exhibition of Nicholas Nixon photographs early, following allegations of sexual harassment raised by some of his former students.

“Perhaps if you truly want to understand a drawing,” he said, “you have to just eat it.” The New York Times chats with Eduardo Navarro about his new show at the Drawing Center.

And Finally

Spring is here and that means one thing.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Robert Wade

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Artnet interviewed Catharina Manchanda, SAM’s Jon & Mary Shirley Curator of Modern & Contemporary Art, for this piece on the different paths to success as a curator of contemporary art.

KOMO’s Seattle Refined also interviewed Catharina for this story about the Jean-Michel Basquiat painting now on view at SAM.

AFAR Magazine highlighted Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas on their list of “10 Art Exhibitions in the U.S. Worth Traveling for This Spring.”

Blaxploitation films, Carrie Mae Weems, and the female gaze: Dazed profiles Figuring History artist Mickalene Thomas.

Local News

“I’ve seen orcas. Twice!” City Arts’ Margo Vansynghel reports that the next arts hub might be just across the water—in Bremerton.

Brangien Davis of Crosscut talks with Victoria Haven about Banner Year, an installation in the windows of her South Lake Union studio that beams out messages to passing motorists like “MONEY BALL” and “CULT CLASSIC.”

Lisa Edge of Real Change on the Tacoma Art Museum’s current exhibition, Native Portraiture: Power and Perception, which addresses issues of identity by juxtaposing older and contemporary works alongside each other.

“’We can say, let’s look at this artwork and appreciate the work that the artist has done to create this, but let’s use a contemporary lens to unpack where these artists were coming from and why they painted the work in this manner,’ said curator Faith Brower. ‘Thankfully our views have now changed over time so we can see this work and critique it in a way that they weren’t capable of critiquing it in the time it was made.’”

Inter/National News

Still “seat of the Muses”? Mitchell Kuga of Hyperallergic explores the trend of adopting the name “museum” to describe commercial enterprises.

Sara Cascone of Artnet interviews author Joy McCullough about her novel on the incredible life of Baroque painter Artemisia Gentileschi; notably, McCullough used the 400-year-old court records of the trial of the artist’s rapist.

Jason Farago of the New York Times on Beyond the Fall, the current show at New York’s Neue Galerie that explores connections between art and German political history.

“Such was the reality of German and Austrian art, and German and Austrian society, in the initial years of Nazi rule: the awkward coexistence of fascists, democrats and Communists, who heard the rhetoric, who witnessed the hatred, but who still could not see how much horror lay ahead.”

And Finally

“How are we meant to feel about art that we both love and oppose?”

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas at Seattle Art Museum, 2018, photo: Stephanie Fink.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Last week, SAM’s Associate Director for Community Programs, Priya Frank, appeared on KING 5’s morning talk show New Day NW to talk about Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas and a couple of the dynamic events the Education team has produced for the exhibition. She killed it!

SAM staff was everywhere last week: another member of the Education team, Public Programs Coordinator David Rue, was featured in Seattle Refined’s recurring “Movers and Shakers” series. He talked about the connections between his work for SAM and in the Seattle arts community at large.

“If your heart is in the right place, if you put in the work, and have the diligence to be the best at your craft, and people can see that, they’ll want to help you. When I do my job better, people get to interact with the arts better, so that demands that I rise to the occasion because there’s a lot of other people’s work on my shoulders that I don’t want to disappoint.”

Also: Basquiat—Untitled was highlighted in Lisa Edge’s First Thursday preview in Real Change; the Seattle Times included our upcoming Molly Vaughan solo show in their preview of spring’s hottest events, and KING 5’s Evening Magazine featured Seattle Magazine’s Gwendolyn Elliott talking about their spring arts preview that included our summer exhibition, Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson.

Local News

Gayle Clemans of the Seattle Times on the celebration of the local artist Michael Spafford, with his work on view in an “unprecedented collaboration” among Davidson Galleries, Greg Kucera Gallery, and Woodside/Braseth Gallery.

Brett Hamil of City Arts on Zoo Break Productions, a huge soundstage owned by Mischa Jakupcak and Robyn Miller that’s proposing an “alternate future for Seattle filmmaking.”

In case you missed it: last week saw a new work by choreographer Alice Gosti about the objects we hold onto at On the Boards; Michael Upchurch of Crosscut even donated something to the community “ritual release” of emotionally fraught objects.

“We have a very particular way of relating to objects,” she notes. “They can generate emotion. They can literally transport you to the moment in which you received the object. Or they can tell you the story of your whole family or of your whole culture.”

Inter/National News

The Art Newspaper is out with their annual survey of the most popular exhibitions for the year; they’re also celebrating the impressive milestone of their 300th issue. Long live print!

Artsy on the psychedelic cats of British illustrator Louis Wain, who “wine and dine, grin and wink, dress up and boogie down.”

This week, on April 4, marks 50 years since the assassination of Martin Luther King, Jr., in Memphis. The New York Times asks what the National Civil Rights Museum at the Lorraine Hotel can tell us about this moment.

“What they’ll find in its permanent collection is a monument to a movement and, secondarily, to a man, in a display that focuses on difficult, sometimes ambiguous historical data more than on pure celebration. And they’ll find, if they are patient, useful information for the 2018 present, and for the future.”

And Finally

“Did somebody mention ART?” Art history + celebrity culture = genius.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas at Seattle Art Museum, 2018. Photo: Natali Wiseman

Muse/News: Art News from SAM, Seattle, and beyond

SAM News

Definitely not that same old, same old: Seattle Times photojournalist Alan Berner was there to capture opening day of Basquiat—Untitled on Wednesday; his image ran on the front page of the Seattle Times’ Thursday edition. See more of his images in their online gallery.

Stories on the painting also appeared on KOMO News and on Crosscut.

“The piece is a stunner. A thickly sketched, disembodied skull floats on a vivid blue background that disintegrates in places, revealing primary colors and countless more layers of paint. The skull is possibly alive, and definitely vibrating. Its square mouth is agape, exposing piano-key teeth. At lower left, an uppercase A sits next to its lowercase sibling, as in a children’s primer. It looks like it might be a sound, like Aaaah. But is the skull shouting or singing?” –arts writer Brangien Davis.

Local News

Geekwire shares that New York-based conceptual artist Tavares Strachan is the first-ever artist-in-residence at nonprofit research organization the Allen Institute; his show at the Frye Art Museum is on view through April 15.

Lizz Giordano of Crosscut reports on the passage of an ordinance by the King County Council that tightens its control over arts and culture agency 4Culture—and what it will mean for the arts in Seattle.

The National Arts Education Association was in town last week. Here’s a Q&A with their convention speaker, artist Barbara Earl Thomas, on her years as an artist and community leader.

Inter/National News

Never seen a ceiling, but got a lot of walls: six-year-old Blue Ivy Carter placed the winning bid at the Los Angeles’ Wearable Art Gala for a work by Samuel Levi Jones.

“It’s definitely art. I would say. I think…” You’ve got to see Will Ferrell and Joel McHale visiting a contemporary art exhibition, Stories of Almost Everyone at the Hammer Museum.

The New York Times Style Magazine with “an ode to joyful, self-consciously naïve design,” including drawings by Andy Warhol and Gregory Blackstock (now on view at the Greg Kucera Gallery).

And Finally

“Ich möchte eine Weissweinschorle”—“I would like a white wine spritzer”: A new tongue-in-cheek book teaches important German phrases for navigating the art world.

—Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of “Basquiat—Untitled” at Seattle Art Museum, 2018, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

The spring edition of the Stranger’s Art & Performance Quarterly hit newsstands last week; recommended SAM shows in the visual arts listings include Basquiat—Untitled, Molly Vaughan: 2017 Betty Bowen Award Winner, Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, Everyday Poetics, and Sondra Perry: Eclogue for [in]HABITABILITY. Don’t miss their recurring “Anatomy of a Painting” feature, which takes you through the finer points of Resist, the incredible painting by Mickalene Thomas created specifically for our exhibition.

And the reviews keep coming in for Figuring History. Lisa Edge of Real Change writes up the exhibition for the cover story of their current edition, and the Stranger’s Katie Kurtz shares her thoughts on the show that’s “about righting the wrongs of erasure” in their arts section lead story.

Also out last week: The New York Times’ annual “Museums” section. Figuring History was mentioned in a round-up of exhibitions around the country showing “art in startling variety.”

“This show of three African-American artists creates a solid counternarrative on general history, art history, black identity and gender identity.”

Local News

The Seattle Times was there as 2,800 high-school students from 39 area schools attended a matinee of Hamilton—and performed raps, songs, and poems inspired by the musical and their own studies.

The art of food: last week, Edouardo Jordan of JuneBaby and Salare was nominated for two James Beard Awards and glowingly reviewed in the New York Times. That oxtail tho!

Rachel Gallaher interviews Pacific Northwest Ballet soloist and choreographer Ezra Thomson; his work The Perpetual State has its world premiere in the ballet’s Director’s Choice program, showing now through March 25.

“One thing I always try to do in my choreography is to make the dancers as human as possible. I want the audience to be able to relate to them as people, as opposed to classical 18th-century ballet figures.”

Inter/National News

Christopher Knight of the Los Angeles Times broke the news of the sudden firing of MOCA Los Angeles curator Helen Molesworth, which stunned many in the art world last week.

Brian Boucher of Artnet on the historic vote last week by the board of New York arts and engineering school, which approved a 10-year plan to offer free tuition for every student.

Photographer Dawoud Bey’s The Birmingham Project brings to life the four girls and two boys who died violently in 1963, with portraits of children their ages alongside adults the same age that the kids would be if they’d lived.

“It hurts because those Birmingham girls, often commemorated in what look like class portraits, could have been goofy, self-conscious, bookish, or disobedient. Maybe they didn’t even want to go to church that day; maybe one had a sore throat. They were kids.”

And Finally

Former mallrats may be just as moved as the New Yorker’s Jia Tolentino by this video of “Toto’s ‘Africa’ edited to sound as though it were playing in an empty mall.”

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas at Seattle Art Museum, 2018, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Boom for real! SAM announced last week that a famed and rarely seen painting by legendary artist Jean-Michel Basquiat is headed to the museum beginning March 21. The Seattle Times shared the news, and KUOW’s The Record hosted a conversation about the painting’s rarity and impressive auction price with KUOW’s Marcie Sillman and City Arts’ Margo Vansynghel.

Diana Cherry of ParentMap reviewed Figuring History with an eye towards kids and families, declaring that “the message is undeniable: Black is beautiful — in art, in history and in this country.”

“To tell you that these paintings made my heart sing would be an understatement. I found it truly uplifting to see Seattle Art Museum center black people—especially black women—and their stories with art that includes, but isn’t limited to, slavery, black suffering and black oppression.”

The Bellevue Reporter previewed the upcoming installation by artist Molly Vaughan at SAM, sharing quotes from the artist.

“We’ve become de-sensitized to violence, and violence against the trans community in particular,” Vaughan said. “Project 42 is an opportunity to share space with that life that was lost, engage with each other, and elevate the discussion. I feel really humbled to be a part of it.”

Local News

For Crosscut, Double Exposure artist Tracy Rector offers her reflections on the allegations against Sherman Alexie and recommends an impressive list of female Native authors for your reading list.

Seattle Times columnist Nicole Brodeur profiles photographer Eddie Rehfeldt, whose new photography show at The Piranha Shop in Sodo tackles ideas about isolation and technology.

City Arts’ Margo Vansynghel reviews the Ko Kirk Yamahira exhibition, now on view at the Frye.

“In his first solo museum exhibition, Yamahira builds beautifully on this minimalist-modernist legacy with deadpan reverence and delicate sensuality.”

Inter/National News

The New York Times on Billy Graham, the “Renaissance man and bon vivant” who was largely unknown, even though he was the first Black artist for Marvel to draw Black Panther and Luke Cage.

Artnet on the “showstopper” booth of new work by British-Liberian artist Lina Iris Viktor at New York’s Armory Show from Seattle’s own Mariane Ibrahim Gallery.

Jonathan Jones of The Guardian with a powerful write-up of Sondra Perry’s latest gallery show, Typhoon, now on view in London. Her show at SAM is now on view.

“Perry juxtaposes the shallowness of our media-saturated lives with the power of true art and properly held memory. If we carried the bloodstained Atlantic that Turner painted in our hearts, maybe we could address the crimes and wrongs of the present. Yet forgetfulness is winning. There is a typhoon coming on.”

And Finally

“Place your ‘Left Ring Finger’ in the undulating bug next to your keyboard.” David Lynch teaches typing.

– Rache Eggers, SAM Manager of Public Relations

Image: “Untitled,” 1982, Jean-Michel Basquiat, American, 1960–1988, acrylic, spray paint, and oilstick on canvas, 72 1/8 x 68 1/8 in., Yusaku Maezawa Collection, © 2018 The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Seattle Met’s Spring Arts Preview included the solo show of Betty Bowen Award-winner Molly Vaughan as one of the “Top Things to See and Do in Seattle” this spring.

And their cover story, uncovering the gems of “hidden Seattle,” included SAM Gallery—“a space where art appreciation turns into acquisition.”

SAM’s summer exhibition, Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson, is featured in Seattle Magazine’s Spring Arts Preview as one of the “can’t-miss” upcoming shows.

Chris Juergens of The International Examiner interviewed Manish Engineer, SAM’s first-ever Chief Technology Officer, about what he’s looking forward to in his new role.

“A higher profile, innovative art museum scene coalesces well with a rapidly growing local economy and world tech hub. Just like Engineer’s professional and educational background is a fusion of many worlds, with Engineer’s help, Seattle too will become a fusion of technology, business and art.”

Local News

Emily Pothast of the Stranger reviews C. Davida Ingram’s solo show A Book with No Pages, now on view at UW’s Jacob Lawrence Gallery, saying it “doesn’t just imagine that love. It’s a portal to a world where it has always existed.”

Karen Ducey of Crosscut takes her camera to the historic Louisa Hotel to capture the life-size murals from an underground after-hours jazz club that were discovered after a fire in 2013.

Rosin Saez of Seattle Met talks with Janelle Abbott and Camilla Carper, the creators of art/fashion line Femail, which is currently housed in the former Lusty Lady space.

“’This one I struggled with, but I think I’m happy now,’ she explained as she gazed at a patchwork dress made with her grandma’s sweatshirt. ‘It’s really, wonderfully, heinous.’”

Inter/National News

Beloved activist and patron Peggy Cooper Cafritz recently passed away; the story of her incredible art collection—and how she had to rebuild it after a fire—is told in a just-released Rizzoli book.

Taylor Dafoe of Artnet on New York-based arts nonprofit Creative Time’s upcoming spring exhibition, which “uses house music to explore issues of mass incarceration and criminal justice reform” in a decommissioned fire station.

Hope you enjoyed your bubbly and takeout for the Oscars last night. Mekado Murphy of the New York Times shares how four artists approached creating alternative posters for Get Out, the film which earned its writer/director Jordan Peele the award for best original screenplay.

And Finally

If SAM ever needs to hire someone to help write wall labels, this might be the person.

– Rachel Eggers, SAM Manager of Public Relations

Image: Studio visit with Molly Vaughan, 2017, photo: Natali Wiseman

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Wall Street Journal Magazine features Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas; Sara Morosi interviewed SAM curator Catharina Manchanda and artist Mickalene Thomas for this preview of the exhibition that “retells America’s past.”

Margo Vansynghel of City Arts lauds the exhibition’s “dazzling brilliance” in her review, which includes interviews with both Kerry James Marshall and Mickalene Thomas, conducted while the artists were in Seattle for the opening.

“…filled to the brink with visual sumptuousness. Chambers to remember. Spaces filled with Black joy and Black books. Behind every corner, there’s texture and depth, and dazzling brilliance.”

Brendan Kiley of the Seattle Times reports on the recent launch of Beyond the Frame, the regional initiative marking the 150th anniversary of Edward S. Curtis’ birth, which also includes SAM’s upcoming exhibition Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson.

Local News

Donald Byrd, choreographer and executive artistic director of Spectrum Dance Theater, shares his experience seeing Black Panther and its “beautiful, awe-inspiring Afro-futuristic vision.”

Rich Smith of the Stranger posted this update on the recent hearing at King County Council chambers on a proposed bill to expand the council’s authority over 4Culture.

Seattle Magazine profiles the Seattle Artist League, a new “people come first” art school in Northgate.

Inter/National News

Artnet with a peek at Basquiat. Boom For Real. now on view at the Schirn Kunsthalle Frankfurt, which shows the artist’s work in context with the music, text, and city that inspired him.

In what’s definitely the most fascinating interview I read this week, Artnet spoke with Arthur Jafa about intersectionality, blackness, and “not going for ‘good.’”

Hyperallergic reviews the Monarchs exhibition, now on view at the Bemis Center for Contemporary Arts, which features work by “people native to the Americas,” including Jeffrey Gibson, Nicholas Galanin, and Wendy Red Star.

And Finally

What DOES one get Rihanna on the occasion of her 30th birthday?? One artist decided on this.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas at Seattle Art Museum, 2018, photo: Stephanie Fink.

Muse/News: Art News from SAM, Seattle & Beyond

SAM News

Figuring History is now! The New York Times included the exhibition among their “Week in Culture” highlights, calling it “flawless.”

Cultured Magazine shared this interview with Mickalene Thomas—along with stunning portraits of Mickalene and her partner Racquel Chevremont in the Figuring History galleries.

The Seattle Times’ coverage includes a video, photos, and full review; the video features interviews with SAM curator Catharina Manchanda and the artists Kerry James Marshall and Mickalene Thomas.

“Their work is brought together for the first time in a powerful, important exhibition that really must be experienced in person to get the full impact of these enormous, vibrant works.”

Following the unveiling last week of the official portraits of Barack and Michelle Obama at the Smithsonian’s National Portrait Gallery, SAM curator SAM curator Chiyo Ishikawa appeared on KING5’s New Day NW on Wednesday morning along with artist C. Davida Ingram to discuss the portraits.

Local News

Public art curator and author Nato Thompson has been named the artistic director of this year’s Seattle Art Fair; City Arts’ Margo Vansynghel spoke with Nato about his plans.

Crosscut’s Matt Mills McKnight interviewed Sifu David Leong, owner of Northwest Kung Fu Academy, about the art of lion dancing; he also captured photos of the team at last week’s Lunar New Year kickoff celebrations.

Emily Pothast of The Stranger reviews the Zohra Opoku show now on view at the Mariane Ibrahim Gallery.

“’When I see someone who is fully veiled, I’m always thinking about what’s underneath, and become curious about the person I don’t see,’ she says. ‘I tried different ways of veiling myself to create different versions of myself in a veiled situation.’”

Inter/National News

The Louis Comfort Tiffany Foundation awarded thirty artists a $20,000 Biennial Grant. Lots of SAM favorites included! Kerry James Marshall served on the jury; Titus Kaphar, Ebony G. Patterson, Sondra Perry, and Wendy Red Star were among the recipients.

Artnet takes a look at the MCA Denver’s show of works made by Jean-Michel Basquiat—and photos taken by roommate Alexis Adler—during a rambunctious year spent in an small apartment on East 12th Street.

Philip Kennicott of the Washington Post addresses the Hirshhorn’s decision to postpone a projection on its building exterior by Krzysztof Wodiczko that features a gun and a candle.

“One fundamental strategy of political art is to say: This ugly image is who we are, and then challenge the audience to deny that, in word and deed.”

And Finally

Nothing is more fun than scrolling through #WakandaForever.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas at Seattle Art Museum, 2018, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Last week, we announced the hiring of SAM’s first-ever Chief Technology Officer (CTO), Manish Engineer, who will oversee technology and digital efforts across the institution. Artdaily and Geekwire shared the news.

Figuring History artist Kerry James Marshall is this month’s cover story in Juxtapoz. Don’t miss their wide-ranging interview with him—plus their online story on SAM’s exhibition.

Local News

The Stranger’s Charles Mudede reviews Everyday Black at the Northwest African American Museum, which features a portrait that he calls “the masterpiece of the show” of SAM’s Public Programs Coordinator David Rue.

Capitol Hill Times reports on the efforts of The Friends of the Benson Trolleys, who hope to retrofit the abandoned vintage trolleys to run on Seattle’s streetcar line.

City Arts’ Margo Vansynghel sits down with Zhi Lin, whose incredible solo show about the 1885 forced expulsion of Chinese inhabitants from Tacoma is on view until February 18 at the Tacoma Art Museum.

“Originally, I wanted to create an old history painting with old buildings, tailors, saloons and so on. I decided not to. Instead, I re-staged the scene in a contemporary setting, with the light rail track, skyscrapers, traffic signage nearby. To say, we are repeating history. Literally.”

Inter/National News

I know we’re all ready for spring, but let’s just enjoy Hyperallergic’s collection of dreamy Instagrams taken during the recent snowstorm in Paris. Scroll and le sigh.

Artnet’s Javier Pes reports on the happenings at art fairs Salon Acme and Material in Mexico City; Everyday Poetics artist Fritzia Irízar is named one of seven memorable artists from Material.

Artnet’s Ben Davis focuses in on the merits of Basquiat’s Untitled, which is now on view at the Brooklyn Museum.

“Untitled (1982) is built to be what it has become, a high-energy icon that can spread easily as a media image. But at the same time it also whispers that it doesn’t want to be reduced to just that; it doesn’t just want to be looked at, it wants to be seen.”

And Finally

Meet Banda Didá, the all-female Brazilian drum group.

– Rachel Eggers, SAM Manager of Public Relations

Image: Souvenir I, 1997, Kerry James Marshall, acrylic, collage, and glitter on unstretched canvas, 108 x 157 in., Collection Museum of Contemporary Art Chicago, Bernice and Kenneth Newberger Fund, 1997.73, © MCA Chicago, photo: Joe Ziolkowski.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Kimerly Rorschach, SAM’s Illsley Ball Nordstrom Director and CEO, is featured in the February edition of Seattle Met as one of the “50 Most Influential Women in Seattle.”

The Stranger put together a list of all the best Black History Month events: SAM exhibitions Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas and Sondra Perry: Eclogue for [in]HABITABILITY both make the cut.

The Seattle Times’ Moira Macdonald recommends seeing Oscar nominees on Cinerama’s big screen—as well as two upcoming SAM Films events: “Alfred Hitchcock’s Britain” series and “David Lynch’s First Seven Films: From The Alphabet to Eraserhead.”

Local News

Seattle Sketcher Gabriel Campanario visited the new Amazon Spheres and came away underwhelmed.

The King County Council has proposed an ordinance that would involve more control over arts and cultural agency 4Culture.

Seattle Times’ Jerry Large introduces the new leader at Northwest African American Museum, LaNesha DeBardelaben; City Arts recently reported on the celebratory opening of their current exhibition, Everyday Black.

‘”Once I stepped foot in this museum, I immediately knew that this is the place for me,’ she said. ‘NAAM has so much potential and so much dynamism to it.’”

Inter/National News

The New York Times on responses from the National Gallery and Seattle University following accusations of sexual harassment against Chuck Close; ARTnews reports on Pennsylvania Academy of Fine Arts’ plan.

“It’s often difficult to know which way up a painting should be.” A Morris Lewis painting at the Jewish Museum is on view with a new name—and a new orientation.

Joyce J. Scott’s sculptures, quilts, and necklaces are on view in her most comprehensive exhibition to date at New Jersey’s Grounds for Sculpture; one of the exhibition’s curators is Lowery Stokes Sims, who contributed an essay to the Figuring History catalogue.

“’My work is politically and socially oriented because that’s what keeps me up at night,’ Scott added. ‘It’s important to me to use art in a manner that incites people to look and carry something home — even if it’s subliminal — that might make a change in them.’”

And Finally

What happens when an artist and her emotional support peacock simply try to get from here to there.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Robert Wade

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Big news! The project to renovate and expand the Asian Art Museum was approved unanimously last week by the Seattle City Council. Curbed Seattle was among the outlets who reported the story.

The Seattle Times names Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas as one of the “hottest Seattle events” to look forward to in February.

Local News

Marcie Sillman of KUOW on artist Christopher Paul Jordan’s banner year, which— memorably for us—included his Latent Home Zero installation at the Olympic Sculpture Park.

Margo Vansynghel of City Arts interviewed Jolyn GC, curator of Perspectives in Portraiture, a new online gallery and ongoing pop-up space at WeWork.

32 fouettés! It’s exhausting/exhilarating just watching Pacific Northwest Ballet’s Lesley Rausch prepare for their production of Swan Lake, as the Seattle Times video team did recently.

Inter/National News

Donatello was the best, but this still rules: The Metropolitan Museum of Art’s exhibition, Michelangelo: Divine Draftsman and Designer, had a totally tubular visit this week by someone who happens to share the legendary artist’s name.

Los Angeles isn’t known for its public transportation system. Perhaps the many planned improvements, and this, will help: public art for the planned Crenshaw Line by Mickalene Thomas, Carlson Hatton, Shinique Smith, and more.

“It is, of course, extremely valuable and somewhat fragile.” Guggenheim curator Nancy Spector had a better idea for a loan to the White House; instead of the requested Van Gogh, she thought they needed Maurizio Cattelan’s “America.”

And Finally

Art history classes were never like this: Drunk History presented the story of art historian/war hero Rose Valland with help from actor/life hero Tiffany Haddish. Because she likes us, Haddish also made the Oscar announcements Emmy-worthy last week.

– Rachel Eggers, SAM Manager of Public Relations

Image: Colored TV, 1977, Robert Colescott, acrylic on canvas, 84 x 66 in., San Francisco Museum of Modern Art, Gift of Vicki and Kent Logan, © 2017 Estate of Robert Colescott / Artists Rights Society (ARS), New York, photo: Don Ross

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

In a ceremony at the Seattle Art Museum last Wednesday, Dr. Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture, was awarded the Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters), joining a prestigious group of artists, writers, scholars, and producers recognized for fostering French arts and culture. ARTnews and Vanguard Seattle both shared the news.

The project to renovate and expand the Asian Art Museum met some important milestones in recent public hearings with the Seattle City Council. Last week, Brendan Kiley of the Seattle Times filed an update on the project.

Local News

Seattle says farewell to educator Mona Humphries Bailey, who passed away recently at the age of 85. We here at SAM were honored to have her once serve on our Education & Community Engagement Committee.

Last week’s New Yorker cover featured an illustration by Mark Ulriksen depicting Seahawk and activist Michael Bennett kneeling with Colin Kaepernick and Martin Luther King, Jr.

Alison Marks: One Gray Hair, now on view at the Frye Art Museum, was reviewed by Erin Langner for Hyperallergic.

“ . . . instigates an urgent conversation about the perspectives that are lost in a monolithic world, with questions and answers moving fluidly between the work, the viewer and the artist.”

Inter/National News

The Brooklyn Museum has announced that they’ll present a painting by Jean-Michel Basquiat in a one-painting exhibition (which will then go on tour); the work made headlines last spring after it was purchased by collector Yusaku Maezawa.

Meredith Mendelsohn of the New York Times profiles artist Derrick Adams, whose exhibition opening this week at the Museum of Arts and Design was inspired by the “Green Book,” guides for black travelers published from 1936 through 1966.

Antwaun Sargent writes for Artsy about LaToya Ruby Frazier—2013 winner of SAM’s Gwendolyn Knight and Jacob Lawrence Prize—who has a new show at Gavin Brown’s Enterprise in Harlem.

‘”Whenever I’m making a portrait,’ says Frazier, and its subjects are ‘looking back at me, showing their dignity and pride and humanity, they are a marker on the timeline of history.’”

And Finally

This past weekend saw the Women’s March 2.0 take over cities and towns across the country. Here’s a song for those who want to keep the party going.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Natali Wiseman

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

As a farewell to Andrew Wyeth: In Retrospect, enjoy this SAM video featuring Gwendolyn DuBois Shaw, author of the exhibition catalogue essay that explores the importance of Wyeth’s portraits of the black community in Chadds Ford, Pennsylvania.

Culture Type takes a look at what’s on the horizon for African American art in 2018, including SAM’s exhibition Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, which opens February 15.

February also brings the return of Seattle Museum Month, during which visitors to participating downtown hotels get half-price admission to area museums (including SAM!). For that, Travel + Leisure and Architectural Digest both included Seattle among their winter travel recommendations.

Local News

KUOW’s Marcie Sillman talks with artists and arts leaders Vivian Phillips, Dani Tirrell, and Tim Lennon to ask the question: can art save the soul of Seattle’s Central District?

Does this count as “art news?” I say YES: Former Zig Zag barman Erik Hakkinen is turning the basement of the Lusty Lady into a cozy cocktail bar—conveniently located across the street of the Seattle Art Museum.

City Art’s Margo Vansynghel interviews Seattle/Baltimore artist Paul Rucker, who was just named one of 20 TED Fellows for 2018.

“There’s nothing that I’ve created in the gallery that’s more horrifying than what’s outside those doors. The lynchings have not stopped, they’ve merely changed forms—from rope to guns. I created a new piece called ‘You Might be Disturbed by Images Beyond This Point.’ I’ll place it at the exit of every gallery I show at, because I can’t make anything more disturbing than reality.”

Inter/National News

Who’s a good museum employee? The Museum of Fine Arts, Boston gets a 12/10 for hiring Riley, a Weimaraner puppy, who will learn how to detect insects and bugs in order to help protect the art.

Artsy tells the fuzzy story behind the first work by a female artist to be acquired by the Museum of Modern Art for its permanent collection.

Hyperallergic interviews Daniel Weiss of the Met about its new admissions policy and how it affect visitors.

And Finally

Everyday Africa is a project that shares images of the ordinary, nuanced, and beautiful in Africa in order to combat harmful, racist clichés.

— Rachel Eggers,

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

“Lust and death”? Sign us up! The Stranger’s Charles Mudede features the upcoming Ingmar Bergman film series in the latest edition of the paper.

“Look at it this way: A film like The Commuter, which must not be missed, is your fat-rich steak, and a movie like Bergman’s Through the Glass Darkly or Silence or Persona is your broccoli. You just can’t eat steak all of the time. You will die from just eating steak. You need your veggies. You can almost live forever on a diet of just films of the great Swedish director Ingmar Bergman.”

Tiffany Y. Ates featured the “redefining art history” work of Mickalene Thomas in the January/February edition of Smithsonian Magazine. Thomas will be one of three artists featured in Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas.

Le déjeuner sur l’herbe: Les Trois Femmes Noires (The Three Black Women), part of a new group exhibition at the Seattle Art Museum, depicts the subjects in a mosaic of vibrant colors, fragmented shapes, rhinestones and glittered Afros. ‘These women are so grounded and perfectly comfortable in their own space,’ says Catharina Manchanda, a curator at the museum. ‘While we might be looking at them, they are also sizing us up.’”

Local News

City Arts released their annual Future List: the “artists and trailblazers who will illuminate the year to come.” On the list are some SAM friends: Sculptured Dance alum Randy Ford and Wyeth Film Sprint fan favorite director Claire Buss.

Gayle Clemans of the Seattle Times takes note of the recent growth of galleries in homes, garages, and Airbnbs, as artists and curators try to work around rising rents.

The Stranger’s Emily Pothast features Natasha Marin (of the Reparations.me project) and her latest collaboration at CORE Gallery, BLACK Imagination: The States of Matter.

“It’s home-baked bread with butter for a stomach tight with growling. BLACK Imagination is for black people first. It’s a celebration of ourselves.”

Inter/National News

Major news: The Metropolitan Museum of Art abandons its pay-what-you-wish policy for out-of-towners, requiring those visitors to pay a mandatory admission fee of $25.

Artsy has an appropriately visual feature highlighting 25 people who defined the visual culture of 2017, including Agnes Gund, Beyonce and Solange, and da Vinci (still got it!).

Victoria L. Valentine of Culture Type recalls “the year in black art,” including Sondra Perry winning SAM’s Knight Lawrence Prize among many other moments.

And Finally

Please enjoy Moonlight director Barry Jenkins’ recent epic Tweetstorm as he watched his seatmate on an airplane watch Notting Hill.

– Rachel Eggers, SAM Manager of Public Relations

Image: Courtesy of Photofest.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

For those still holiday shopping, consider a Calderesque desktop mobile from SAM Shop, featured in Seattle Met’s gift guide, or give the gift of art with a SAM membership, as recommended in the Seattle Times’ Shop NW.

If you’ve got visitors in town for the season—or if you still need to check out Andrew Wyeth: In Retrospect yourself!—take the recommendation of the Seattle Times and head to the museum. As they note, we’ll have extended and holidays hours through the end of the exhibition on January 15.

Local News

The Seattle Times’ Brendan Kiley highlights the difference arts funding can make, profiling local musician and student Angel Rodriguez—winner of the NEA’s first “musical theater songwriting challenge.”

City Arts’ Margo Vansynghel invites a tech worker to join her for a visit to SOIL’s new show, Tech Support, trying to understand how local tech workers might engage more with the art scene.

“I think it’s one of the most beautiful pieces of jazz ever composed.” Charles Mudede of the Stranger is 100% correct; read his interview with pianist Jose Gonzales about the story behind Vince Guaraldi’s “Christmas Time Is Here.”

Inter/National News

The New York Times features artist Alexandra Bell and her “Counternarratives” series, which examines biases in media coverage.

“Museums are living, breathing organisms,” she said. “We need to make space for other voices.” Priscilla Frank for the Huffington Post on how museum educators are dealing with “art history’s problematic faves.”

The Minneapolis Institute of Art is establishing the world’s first Center for Empathy and the Visual Arts, which aims to “to spark and nurture empathy […] to contribute even more toward building a just and harmonious society.”

And Finally

For those celebrating, have yourself a very Happy Hanukkah and a truly Merry Christmas.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Andrew Wyeth: In Retrospect at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

City Arts’ Margo Vansynghel interviewed Sondra Perry, winner of the 2017 Gwendolyn Knight and Jacob Lawrence Prize, about her newly opened installation at SAM.

“When I meet her in the darkened gallery, she speaks softly and fast, her ideas and sentences tumbling over each other like waves without arrest. One can find a similar sense of intellectual excitement and multiplicity in Perry’s work.”

The winter edition of the Stranger’s Art & Performance Quarterly is out! Zoom in on Winter 1946, a painting from Andrew Wyeth: In Retrospect, in their recurring “Anatomy of a Painting” feature.

Zagat features their picks for best restaurants and bars near SAM—hey, thanks for the tips!

Local News

City Arts on the impending closure of INCA in Queen Anne; this avant-garde gallery hosted Sondra Perry’s first solo show back in 2015.

Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture, lent her thoughts to this KUOW story by Marcie Sillman on the artistic and civic legacy of the Tsutakawa family.

City Arts names the local artists of the year in a colorful two-page spread, with illustrations by Kelly Björk.

Inter/National News

Hyperallergic reviews Mentors, Muses, and Celebrities, Mickalene Thomas’ show that’s now on view at the Contemporary Art Museum Saint Louis.

“[It] is not only about looking at black women, it is about them observing the world around them and finding their place in it, and even amidst the trials and tribulations waged against them, finding ways to rejoice.”

Kerry James Marshall has designed a monumental public sculpture for Des Moines honoring the National Bar Association, the nation’s oldest network of African-American attorneys and judges.

Rumaan Alam for the New Yorker with a charming piece about bringing his children to art museums—and how they’ve changed how he sees and experiences art himself.

And Finally

Kendrick Lamar’s video “ELEMENT.” was inspired by the photography of Gordon Parks; now, the Gordon Parks Foundation presents an exhibition of the video and the works that inspired them.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Sondra Perry: Eclogue for [in]HABITABILITY at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Arts New from SAM, Seattle, and Beyond

SAM News

#AsiaNow, the blog of the Association for Asian Studies, interviews SAM curator Ping Foong about her book, The Efficacious Landscape, which won the 2017 AAS Joseph Levenson Book Prize, Pre-1900 Category.

“During a field trip with classmates to The Metropolitan Museum of Art, we were able to see a handscroll attributed to Guo Xi, believed to be painted in his style centuries after he lived. At that moment, I had a strong reaction to the imagery, causing me several nights of sleep: I was seeing the very poems about Guo Xi’s paintings, composed by Su Shi and his circle that I just read.”

Art in America reviewed SAM’s recently closed installation, Denzil Hurley: Disclosures, noting how its formalist explorations transmit a “foreboding ambiguity.”

“With the subtlest of moves, he weds abstraction to extra-aesthetic concerns: Black Lives Matter protests come to mind, with the chilling recollection that the white-clad Klan has had a presence in the state of Washington since the 1920s.”

Local News

Claudia Castro Luna has been named the 2018-2020 Washington State Poet Laureate; the poet and teacher is the first immigrant and woman of color to assume the role.

City Arts offers this helpful summary of recent leadership changes at Seattle arts organizations, including the appointments of Rachel Cook at On the Boards and Tim Lennon at LANGSTON.

Seattle Times film critic Moira Macdonald shares a nostalgic look at the city’s historic moviehouses.

“Old moviehouses, where we sit in the dark with the ghosts of generations and get lost in someone’s dream of flickering light, just might do the same. They hold our stories; they become part of our stories.”

Inter/National News

Hyperallergic exclusively shares the trailer for Beuys, a documentary about the legendary conceptual artist Joseph Beuys; his Felt Suit (1978) is currently on view in Big Picture: Art After 1945.

On December 2, artist Cai Guo-Qiang will present an explosive performance piece on the site on the first-ever human-made, self-sustaining nuclear chain reaction in Chicago.

Check out exciting photos from Prospect 4 Triennial in New Orleans, which includes work by 73 artists from the United States, Latin America, and the Caribbean, as well as Africa, Europe, and Asia.

And Finally

8,000-year-old rock engravings reveal that dogs have been good dogs for millennia

– Rachel Eggers, SAM Manager of Public Relations

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Here’s Jennifer Sokolowsky of the Seattle Times on how social media is shaping art; SAM curator Catharina Manchanda speaks about the Yayoi Kusama: Infinity Mirrors experience.

For art institutions evolving with technology and visitors’ tastes, it’s a delicate balance. “In the end, it’s, ‘How do you have a meaningful experience of art?’ and the answers will depend. From a curatorial perspective, I just want to make sure that the traditional and core mission of the museum lives on,” Manchanda said.

The Stranger’s Slog revived their Short Film Fridays feature to share the winning short films from the Wyeth Film Sprint; the results are appropriately strange and sad and surreal.

SAM earned a reader’s “Rave” in the Seattle Times for Andrew Wyeth: In Retrospect; they noted among the patrons “a keen concentration I’ve never seen before.”

Local News

Seattle Magazine recognizes the “Most Influential Seattleites of 2017,” including SAM friends such as C. Davida Ingram, Inye Wokoma, and the KEXP Gathering Space.

Bookend the Jacob Lawrence centennial celebrations with Woodside/Braseth Gallery’s “William Cumming & Jacob Lawrence,” which, the Seattle Times notes, “offers a chance to dig deeper into these two artists’ legacies.”

KING’s Evening Magazine visits MOHAI’s exhibit of the expressive black-and-white photography of Al Smith, which “chronicles 65 years of Seattle history, the Central District neighborhood, and the people who inspired him.”

Inter/National News

Clearly the biggest art world news recently was the dramatic and record-breaking sale of Leonardo da Vinci’s “Salvator Mundi.”

Antwaun Sargent for Artsy on the recent unveiling at Princeton of a public sculpture by Titus Kaphar, which was commissioned as part of the university’s reckoning with its history of slavery. Kaphar was the inaugural recipient of SAM’s Gwendolyn Knight | Jacob Lawrence Prize in 2009.

Madrid’s Reina Sophia unveils “Rethinking Guernica,” a free website—available in Spanish and English—that offers a visual timeline of Picasso’s most famous painting.

And Finally

Hyperallergic on a forthcoming book that investigates the aspirational kitsch of midcentury album art that expressed “an era of shifting desires.”

– Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of Yayoi Kusama: Infinity Mirrors at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

November 13, 2017

SAM News

In advance of next summer’s exhibition, Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson, Seattle Times photographer Alan Berner captured Will Wilson and his mobile tintype studio, creating works that will appear in the exhibition.

The Seattle Times featured SAM’s Art Beyond Sight program, which host free tours of the museum’s collection and special exhibitions for visitors with low or no vision.

“We are so lucky to have this. Art is hard to hear and it’s difficult to describe. But they make it come alive.”

Here’s the Stranger’s Katie Kurtz on Andrew Wyeth: In Retrospect and the artist’s many secrets.

“The long artistic life of Andrew Wyeth—born in 1917, painting by 15, dead at 91 in 2009—is a portrait of a man forever wrangling with secrets. In Andrew Wyeth: In Retrospect, the secrets are hidden in landscapes, anchored to weather-beaten rowboats moored in fallow fields, and etched in the bends of grass blades.”

Local News

KUOW’s “City of Dreams” project explores “why Seattle is a special place for artists, innovators and creators.” (I think it IS the rain!)

Sarah Margolis-Pineo interviews C. Davida Ingram for Art Practical about her practice, in advance of her Jacob Lawrence Legacy Residency project in 2018.

Here’s City Arts’ Margo Vansynghel on Alison Marks: One Gray Hair, now on view at the Frye Art Museum.

“The silence lengthens. It almost reverberates from the shining halls of the Frye Art Museum on a gray November morning. I’ve just asked Juneau-based artist Alison Marks (Tlingit) why she decided to name her first solo museum exhibit One Gray Hair, opening here on Saturday. All she says is, ‘Hmm.’”

Inter/National News

Check out the Holland Cotter’s review—and the big, beautiful images!—of Michelangelo: Divine Draftsman and Designer, now on view at the Metropolitan Museum of Art.

Add this to your art vocabulary: digital residencies. Here’s Artnet on how Instagram “may be the hottest new exhibition space.”

Conservator to exterminator: how a dead grasshopper was found in a Van Gogh painting.

And Finally

The New York Times Magazine offers this dispatch from “one of the quietest places on earth.” Doesn’t that sound nice?

– Rachel Eggers, SAM Manager of Public Relations

Photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

JiaYing Grygiel reviews Andrew Wyeth: In Retrospect for ParentMap, with tips from curator Patti Junker and education director Regan Pro for how kids and families can enjoy the show.

“Go on a hunt for the sleeping dog, the cows, the tin soldiers on a windowsill and the portrait of Wyeth’s young son, Nicholas. Every picture is filled with characters, strong emotions—and an opportunity to tell a story.”

Art in America profiles artist Michael Nicoll Yahgulanaas and his “Haida manga” style; a short mention announces an upcoming work planned for SAM—stay tuned for more information on that!

“An upcoming mural project for the Seattle Art Museum, titled The Carpenter’s Fin, will extend that aspiration. Scheduled for completion in fall 2018, the watercolor-and-ink mural consists of 108 sections on six panels of mulberry paper and is about twenty feet long.”

Local News

Put down that book for some good news: Seattle is officially a City of Literature. The UNESCO designation means we’ll be able to participate in cultural exchange programs with other cities in the network.

Here’s City Arts on the goals of the Artists of Color Expo & Symposium, featuring two days of speakers, panels, workshops and networking on November 17 and 18. SAM is one of many organizing partners.

Look inside the bag of Seattle Times’ Gabriel Campanario, AKA the Seattle Sketcher, who captures city life in hand-drawn sketches. I see tools…but where’s the snacks?

Inter/National News

“We have entered a new golden age of black painting,” says W Magazine’s Antwaun Sargent, noting the Obamas’ choice of portraitists and the recent prominence of black figurative painting and portraiture.

The New York Times on Kahlil Joseph: Shadow Play at the New Museum, the artist’s first solo exhibition in New York; the film is an “impressionistic collage of Harlem’s past and present.”

Art historian Linda Nochlin passed away this week at age 86; she made her name with the landmark essay “Why Have There Been No Great Women Artists?” and worked for over six decades.

“I feel that in some sense, all my work is provisional: that is to say, while I believe in it very strongly, I still remain open to what I hear, learn, and experience…Feminist art history—like feminism itself—is a product of give and take, talking and listening.”

And Finally

My, my MetroCard: Some New Yorkers will get a limited-edition Barbara Kruger card the next time they ride the subway. Your move, King Country Metro.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Andrew Wyeth: In Retrospect at Seattle Art Museum, 2017, photo: Stephanie Fink.

Muse/News: Art News from SAM, Seattle, and beyond

October 30, 2017

SAM News

Last week, SAM announced that it has received a $3.5 million challenge grant from The Andrew W. Mellon Foundation to establish and endow the Asian Paintings Conservation Center at the Seattle Asian Art Museum. The only one of its kind in the western United States, the Center will be devoted to the conservation, mounting, and study of Asian paintings. The Art Newspaper exclusively announced the news.

Reviews for Andrew Wyeth: In Retrospect continue to pour in. Here’s Margo Vansynghel for City Arts on the “sweeping yet intimate” retrospective:

“You can and you should get up close to inspect Wyeth’s technical prowess, his impossible white winter light, the finest strains of hair and the harshness of his landscapes.”

Arts writer Erin Langner shares her experience as a volunteer contributor to John Grade: Middle Fork in the fall issue of ARCADE. For the large-scale sculpture now spanning the museum’s Brotman Forum, hundreds of volunteers recreated the form of a living tree out of thousands of pieces of reclaimed old-growth cedar.

The New York Times on Nandipha Mntambo, whose sculptures made using cowhide were a highlight of Disguise: Masks and Global African Art and is now part of SAM’s collection; her solo show is now on view at Zeitz MOCAA.

Local News

Michael Upchurch of the Seattle Times on the Mary Ann Peters show now on view at the James Harris Gallery, in which she “turns her energetic imagination to the migration crisis.”

If you missed the binocular telescope that was installed over the summer at the Olympic Sculpture Park as part of Christopher Paul Jordan: Latent Home Zero, you can see it as part of the artist’s upcoming solo show at Kittredge Gallery Tacoma; City Arts’ Margo Vansynghel has the details.

And here’s City Arts on a fantastic Hillman City spot: vintage furniture shop Jacob Willard Home, owned by “walking index of design” Karl Hackett.

Inter/National News

What a difference a word makes: Hyperallergic on the stand the Charles H. Wright Museum takes when it calls the events of Detroit in 1967 a “rebellion” and not a “riot.”

Use up that vacation time: Here’s Artsy with “9 Famous Artists’ Studios You Can Visit.”

The Newseum in Washington, DC, is a “cathedral to the craft” of journalism, but it’s facing financial challenges, reports the New York Times.

And Finally

It’s not Halloween until I’ve watched this canonical internet video. Have fun tomorrow!

– Rachel Eggers, SAM Manager of Public Relations

Photo: Courtesy of Nick Dorman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Walls of Wyeths! Check out this Seattle Times slideshow by staff photographer Alan Berner. And don’t miss Michael Upchurch’s full review of the exhibition.

“Confounds expectations…lets you see Wyeth’s genius with fresh eyes.”

In his review for Seattle Weekly, T.S. Flock goes in-depth on the “critical re-imagining” found in Andrew Wyeth: In Retrospect.

“This isn’t a best-of show, nor a hagiography. It’s an expansive view of the artist’s life and the lives of those around him through his work, an exhibit that will satisfy both longtime fans and first-time audiences. More important, it is a chance to have a conversation about the role of art—what agendas it has served in recent history and what wisdom may yet be found in it.”

Your daily dose of cuteness: Here’s what a day at Tiny Trees preschool at the Olympic Sculpture Park sounds like, thanks to Rachel Belle of KIRO Radio.

Local News

Seattle/Baltimore artist Paul Rucker’s Birth of a Nation Project appeared (unforgettably) at Out of Sight 2016; York College recently decided to close his Rewind exhibition to the public, citing the “potentially disturbing” work.

The Seattle Times explores the fascinating and poignant story of Centralia’s founder, George Washington, and plans to honor his legacy with a statue.

File under: “Seattle’s dramatic media landscape.” The Seattle Weekly is shifting to a broadsheet “community news” format and will employ only three staffers.

Inter/National News

What’s a “cultural experience” to you? A new study shows that shifting definitions has major implications for museums and similar institutions.

Photographer Stefan Draschan likes museums. Which is good, because it takes a lot of time for him to capture these perfect “people matching artworks” images.

The New York Times on archival record label Numero Group’s rediscovery of transgender soul pioneer Jackie Shane, who walked away from her career in 1971.

And Finally

Jerome Robbins + Chopin + Instagram = Perfection.

– Rachel Eggers, Public Relations Manager

Image:  Installation view of Andrew Wyeth: In Retrospect, photo: Natali Wiseman

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

“See Wyeth whole and re-evaluate his stature as an artist,” says Michael Upchurch in his exhibition preview featuring an interview with curator Patricia Junker that appeared in Sunday’s print edition of the Seattle Times. Andrew Wyeth: In Retrospect opens this Thursday.

“Because reproductions of his work circulated far more widely than the paintings themselves, Junker says, few people in recent years have had a chance to take true measure of his achievement. Younger people she talks to know his name, but don’t know the art. The SAM show promises to change that.”

Welcome the return of layers with SAM’s video featuring Haida artist/fashion designer Dorothy Grant talking about her exquisite Raven Great Coat, now on view on the third floor.

Local News

City Arts’ Margo Vansynghel on Pantry by Joey Veltkamp and Ben Gannon, which ran for one night only as the final show of Calypte Gallery.

“The jam became a personal metaphor for loss, and the act of making jam a means of preserving something inevitably slipping through their fingers—‘canning the memory of something that was,’ as Gannon says.”

Seattle Times’ Gayle Clemans invites you to get “[UN]contained” at CoCA’s new artist residency site held in three shipping containers; the first three artists were Anastacia Renee Tolbert, Anissa Amalia, and Edward Raub.

Darren Davis of Seattle Met interviews the inimitable Waxie Moon on the eve of his (non-singing) opera debut in The Barber of Seville at Seattle Opera.

Inter/National News

Behold, 24 newly minted geniuses. OK, they prefer to say “MacArthur Fellows.” Amongst the ranks are painter Njideka Akunyili Crosby, photographer Dawoud Bey, and two authors soon visiting Seattle.

Yes, wire hangings! The innovative wire sculptures of mid-century artist Ruth Asawa are now on view at David Zwirner. Artnet asks: why did this re-appraisal of her work take so long?

Kehinde Wiley and Amy Sherald will paint the official portraits of Barack and Michelle Obama for the National Portrait Gallery. They are the first black artists commissioned to paint a presidential couple.

And Finally

I think we can all agree that GIFs are an important and moving art form. Now, there’s an instant camera that creates GIFs you can hold in your hand.

– Rachel Eggers, Public Relations Manager

Photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Like the suddenly falling leaves, fall arts happenings are swirling all around. The Stranger offered their “complete guide” to the best of October—including SAM picks like Andrew Wyeth: In Retrospect, the Jean-Pierre Melville film series, and the (sold out!) Diwali Ball.

Noted architect Tom Kundig leads a tour of the best Seattle architecture in this CNN Travel video; the Olympic Sculpture Park is one of his picks.

We enjoyed this Architects Newspaper salute to Denise Scott Brown on her 85th birthday; in which they share notable stories of her general awesomeness. Scott Brown—along with her partner, Robert Venturi—designed the original Seattle Art Museum that opened in 1991.

“There’s a million ways to be a woman. There’s a million ways to be a mother. And there’s a million ways to be an architect.” –Denise Scott Brown.

Local News

Watch this lovely KCTS tribute to ceramicist Akio Takamori, featuring interviews with his former UW colleagues and students, including Patti Warashina and Jamie Walker. His Blue Princess (2009) is currently on view at SAM.

“The boundary between the figurative and the abstract is erased in curious ways,” says the Seattle Times’ Michael Upchurch in this glowing review of the Frye Museum’s two new photography shows.

Farewell to Jon Rowley, the “fish missionary” whose art form was teaching us to appreciate perfect things like Copper River salmon and Olympic oysters.

Inter/National News

Author Kazuo Ishiguro was awarded the 2017 Nobel Prize in Literature. You really need to read Tacoma bookseller/Ishiguro Superfan Kenny Coble’s tweetstorm when he heard the news.

The Art Newspaper takes you inside two new recently opened museums: the Zeitz Mocaa in Cape Town and the Yves Saint Laurent museum in Paris.

What’s the most iconic artwork of the 21st century? Artnet asked experts to weigh in. Mentioned: Mickalene Thomas’s Le Déjeuner sur L’herbe: Les Trois Femmes Noires, coming to SAM’s walls in February as part of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas.

And Finally

We can now listen to ripples in space-time. (Really!)

– Rachel Eggers, Public Relations Manager

Image: Installation view of European art galleries at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Art News from SAM, Seattle, and Beyond

SAM News

The Stranger launched their new format last week! The art section’s lead story was on Latent Home Zero by Christopher Paul Jordan at the Olympic Sculpture Park, which closes today—so head over there!

“Equal parts historian and visionary, Jordan uses the overlapping histories of land use, urban planning, and displacement in Tacoma as a microcosm to address the whole history of black migration across the United States. ‘We’ve been everywhere,’ says Jordan. ‘Urban space, rural space, but with every generation comes a new form of displacement, mass migration, and exclusion. Take a step back, how do we take agency of how we construct our belonging away from our homeland?’”

SAM’s Art Beyond Sight tours for visitors with low or no vision were featured in the Seattle Times last week with photos from a recent tour this summer at the Olympic Sculpture Park.

City Arts gets on our level: Priya Frank, SAM’s Associate Director of Community Programs, was interviewed for the October edition of Taste Test. #Radbassador

Local News

The Seattle Times’ Michael Upchurch reviews Humaira Abid: Searching for Home at Bellevue Art Museum, noting that the sculptor “hits a new peak, combining technical prowess with fierce vision to produce charged political drama.”

Via KUOW: Prompted by their daughter’s concern, a Seattle family returned to the Sealaska Heritage Institute a Chilkat robe that hung in their dining room for years, unaware that it was a sacred clan object.

Seattle Magazine highlights Forced From Home, a traveling virtual reality exhibit at SLU’s Discovery Center this week that offers “a more nuanced understanding of the refugee crisis.”

Inter/National News

The New York Times on the Studio Museum’s superstar director/chief curator Thelma Golden and its plans for a new David Adjaye-designed building.

“’So many of the shows she did were not just great shows but reframed art history,’ said Adam D. Weinberg, the Whitney’s current director. ‘Thelma was instrumental in making possible the whole rethinking of not just African-American art but American art.’”

WIRED takes on art in the age of Instagram, asking “where do we draw the line between art and Instagram filler?”

Cabbage Patch Kids, inflatable air dancers, and Shake Shack: Just a few of the wonderful, everyday things that started out as art.

And Finally

Those production values tho! Our friends at Analog Coffee with a helpful tutorial on an art form we at SAM have perhaps overlooked.

– Rachel Eggers, Public Relations Manager

Image: Installation view of Latent Home Zero, 2017, Christopher Paul Jordan, American, Seattle Art Museum Commission, photo: Mark Woods.
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