muse/news Archives - Page 9 of 9

Muse/News: Arts New from SAM, Seattle, and Beyond

Rachel Eggers on Nov 27 2017

SAM News

#AsiaNow, the blog of the Association for Asian Studies, interviews SAM curator Ping Foong about her book, The Efficacious Landscape, which won the 2017 AAS Joseph Levenson Book Prize, Pre-1900 Category.

“During a field trip with classmates to The Metropolitan Museum of Art, we were able to see a handscroll attributed to Guo Xi, believed to be painted in his style centuries after he lived. At that moment, I had a strong reaction to the imagery, causing me several nights of sleep: I was seeing the very poems about Guo Xi’s paintings, composed by Su Shi and his circle that I just read.”

Art in America reviewed SAM’s recently closed installation, Denzil Hurley: Disclosures, noting how its formalist explorations transmit a “foreboding ambiguity.”

“With the subtlest of moves, he weds abstraction to extra-aesthetic concerns: Black Lives Matter protests come to mind, with the chilling recollection that the white-clad Klan has had a presence in the state of Washington since the 1920s.”

Local News

Claudia Castro Luna has been named the 2018-2020 Washington State Poet Laureate; the poet and teacher is the first immigrant and woman of color to assume the role.

City Arts offers this helpful summary of recent leadership changes at Seattle arts organizations, including the appointments of Rachel Cook at On the Boards and Tim Lennon at LANGSTON.

Seattle Times film critic Moira Macdonald shares a nostalgic look at the city’s historic moviehouses.

“Old moviehouses, where we sit in the dark with the ghosts of generations and get lost in someone’s dream of flickering light, just might do the same. They hold our stories; they become part of our stories.”

Inter/National News

Hyperallergic exclusively shares the trailer for Beuys, a documentary about the legendary conceptual artist Joseph Beuys; his Felt Suit (1978) is currently on view in Big Picture: Art After 1945.

On December 2, artist Cai Guo-Qiang will present an explosive performance piece on the site on the first-ever human-made, self-sustaining nuclear chain reaction in Chicago.

Check out exciting photos from Prospect 4 Triennial in New Orleans, which includes work by 73 artists from the United States, Latin America, and the Caribbean, as well as Africa, Europe, and Asia.

And Finally

8,000-year-old rock engravings reveal that dogs have been good dogs for millennia

– Rachel Eggers, SAM Manager of Public Relations

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Nov 20 2017

SAM News

Here’s Jennifer Sokolowsky of the Seattle Times on how social media is shaping art; SAM curator Catharina Manchanda speaks about the Yayoi Kusama: Infinity Mirrors experience.

For art institutions evolving with technology and visitors’ tastes, it’s a delicate balance. “In the end, it’s, ‘How do you have a meaningful experience of art?’ and the answers will depend. From a curatorial perspective, I just want to make sure that the traditional and core mission of the museum lives on,” Manchanda said.

The Stranger’s Slog revived their Short Film Fridays feature to share the winning short films from the Wyeth Film Sprint; the results are appropriately strange and sad and surreal.

SAM earned a reader’s “Rave” in the Seattle Times for Andrew Wyeth: In Retrospect; they noted among the patrons “a keen concentration I’ve never seen before.”

Local News

Seattle Magazine recognizes the “Most Influential Seattleites of 2017,” including SAM friends such as C. Davida Ingram, Inye Wokoma, and the KEXP Gathering Space.

Bookend the Jacob Lawrence centennial celebrations with Woodside/Braseth Gallery’s “William Cumming & Jacob Lawrence,” which, the Seattle Times notes, “offers a chance to dig deeper into these two artists’ legacies.”

KING’s Evening Magazine visits MOHAI’s exhibit of the expressive black-and-white photography of Al Smith, which “chronicles 65 years of Seattle history, the Central District neighborhood, and the people who inspired him.”

Inter/National News

Clearly the biggest art world news recently was the dramatic and record-breaking sale of Leonardo da Vinci’s “Salvator Mundi.”

Antwaun Sargent for Artsy on the recent unveiling at Princeton of a public sculpture by Titus Kaphar, which was commissioned as part of the university’s reckoning with its history of slavery. Kaphar was the inaugural recipient of SAM’s Gwendolyn Knight | Jacob Lawrence Prize in 2009.

Madrid’s Reina Sophia unveils “Rethinking Guernica,” a free website—available in Spanish and English—that offers a visual timeline of Picasso’s most famous painting.

And Finally

Hyperallergic on a forthcoming book that investigates the aspirational kitsch of midcentury album art that expressed “an era of shifting desires.”

– Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of Yayoi Kusama: Infinity Mirrors at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Nov 13 2017

November 13, 2017

SAM News

In advance of next summer’s exhibition, Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson, Seattle Times photographer Alan Berner captured Will Wilson and his mobile tintype studio, creating works that will appear in the exhibition.

The Seattle Times featured SAM’s Art Beyond Sight program, which host free tours of the museum’s collection and special exhibitions for visitors with low or no vision.

“We are so lucky to have this. Art is hard to hear and it’s difficult to describe. But they make it come alive.”

Here’s the Stranger’s Katie Kurtz on Andrew Wyeth: In Retrospect and the artist’s many secrets.

“The long artistic life of Andrew Wyeth—born in 1917, painting by 15, dead at 91 in 2009—is a portrait of a man forever wrangling with secrets. In Andrew Wyeth: In Retrospect, the secrets are hidden in landscapes, anchored to weather-beaten rowboats moored in fallow fields, and etched in the bends of grass blades.”

Local News

KUOW’s “City of Dreams” project explores “why Seattle is a special place for artists, innovators and creators.” (I think it IS the rain!)

Sarah Margolis-Pineo interviews C. Davida Ingram for Art Practical about her practice, in advance of her Jacob Lawrence Legacy Residency project in 2018.

Here’s City Arts’ Margo Vansynghel on Alison Marks: One Gray Hair, now on view at the Frye Art Museum.

“The silence lengthens. It almost reverberates from the shining halls of the Frye Art Museum on a gray November morning. I’ve just asked Juneau-based artist Alison Marks (Tlingit) why she decided to name her first solo museum exhibit One Gray Hair, opening here on Saturday. All she says is, ‘Hmm.’”

Inter/National News

Check out the Holland Cotter’s review—and the big, beautiful images!—of Michelangelo: Divine Draftsman and Designer, now on view at the Metropolitan Museum of Art.

Add this to your art vocabulary: digital residencies. Here’s Artnet on how Instagram “may be the hottest new exhibition space.”

Conservator to exterminator: how a dead grasshopper was found in a Van Gogh painting.

And Finally

The New York Times Magazine offers this dispatch from “one of the quietest places on earth.” Doesn’t that sound nice?

– Rachel Eggers, SAM Manager of Public Relations

Photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Nov 6 2017

SAM News

JiaYing Grygiel reviews Andrew Wyeth: In Retrospect for ParentMap, with tips from curator Patti Junker and education director Regan Pro for how kids and families can enjoy the show.

“Go on a hunt for the sleeping dog, the cows, the tin soldiers on a windowsill and the portrait of Wyeth’s young son, Nicholas. Every picture is filled with characters, strong emotions—and an opportunity to tell a story.”

Art in America profiles artist Michael Nicoll Yahgulanaas and his “Haida manga” style; a short mention announces an upcoming work planned for SAM—stay tuned for more information on that!

“An upcoming mural project for the Seattle Art Museum, titled The Carpenter’s Fin, will extend that aspiration. Scheduled for completion in fall 2018, the watercolor-and-ink mural consists of 108 sections on six panels of mulberry paper and is about twenty feet long.”

Local News

Put down that book for some good news: Seattle is officially a City of Literature. The UNESCO designation means we’ll be able to participate in cultural exchange programs with other cities in the network.

Here’s City Arts on the goals of the Artists of Color Expo & Symposium, featuring two days of speakers, panels, workshops and networking on November 17 and 18. SAM is one of many organizing partners.

Look inside the bag of Seattle Times’ Gabriel Campanario, AKA the Seattle Sketcher, who captures city life in hand-drawn sketches. I see tools…but where’s the snacks?

Inter/National News

“We have entered a new golden age of black painting,” says W Magazine’s Antwaun Sargent, noting the Obamas’ choice of portraitists and the recent prominence of black figurative painting and portraiture.

The New York Times on Kahlil Joseph: Shadow Play at the New Museum, the artist’s first solo exhibition in New York; the film is an “impressionistic collage of Harlem’s past and present.”

Art historian Linda Nochlin passed away this week at age 86; she made her name with the landmark essay “Why Have There Been No Great Women Artists?” and worked for over six decades.

“I feel that in some sense, all my work is provisional: that is to say, while I believe in it very strongly, I still remain open to what I hear, learn, and experience…Feminist art history—like feminism itself—is a product of give and take, talking and listening.”

And Finally

My, my MetroCard: Some New Yorkers will get a limited-edition Barbara Kruger card the next time they ride the subway. Your move, King Country Metro.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Andrew Wyeth: In Retrospect at Seattle Art Museum, 2017, photo: Stephanie Fink.

Muse/News: Art News from SAM, Seattle, and beyond

Rachel Eggers on Oct 30 2017

October 30, 2017

SAM News

Last week, SAM announced that it has received a $3.5 million challenge grant from The Andrew W. Mellon Foundation to establish and endow the Asian Paintings Conservation Center at the Seattle Asian Art Museum. The only one of its kind in the western United States, the Center will be devoted to the conservation, mounting, and study of Asian paintings. The Art Newspaper exclusively announced the news.

Reviews for Andrew Wyeth: In Retrospect continue to pour in. Here’s Margo Vansynghel for City Arts on the “sweeping yet intimate” retrospective:

“You can and you should get up close to inspect Wyeth’s technical prowess, his impossible white winter light, the finest strains of hair and the harshness of his landscapes.”

Arts writer Erin Langner shares her experience as a volunteer contributor to John Grade: Middle Fork in the fall issue of ARCADE. For the large-scale sculpture now spanning the museum’s Brotman Forum, hundreds of volunteers recreated the form of a living tree out of thousands of pieces of reclaimed old-growth cedar.

The New York Times on Nandipha Mntambo, whose sculptures made using cowhide were a highlight of Disguise: Masks and Global African Art and is now part of SAM’s collection; her solo show is now on view at Zeitz MOCAA.

Local News

Michael Upchurch of the Seattle Times on the Mary Ann Peters show now on view at the James Harris Gallery, in which she “turns her energetic imagination to the migration crisis.”

If you missed the binocular telescope that was installed over the summer at the Olympic Sculpture Park as part of Christopher Paul Jordan: Latent Home Zero, you can see it as part of the artist’s upcoming solo show at Kittredge Gallery Tacoma; City Arts’ Margo Vansynghel has the details.

And here’s City Arts on a fantastic Hillman City spot: vintage furniture shop Jacob Willard Home, owned by “walking index of design” Karl Hackett.

Inter/National News

What a difference a word makes: Hyperallergic on the stand the Charles H. Wright Museum takes when it calls the events of Detroit in 1967 a “rebellion” and not a “riot.”

Use up that vacation time: Here’s Artsy with “9 Famous Artists’ Studios You Can Visit.”

The Newseum in Washington, DC, is a “cathedral to the craft” of journalism, but it’s facing financial challenges, reports the New York Times.

And Finally

It’s not Halloween until I’ve watched this canonical internet video. Have fun tomorrow!

– Rachel Eggers, SAM Manager of Public Relations

Photo: Courtesy of Nick Dorman.

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Oct 23 2017

SAM News

Walls of Wyeths! Check out this Seattle Times slideshow by staff photographer Alan Berner. And don’t miss Michael Upchurch’s full review of the exhibition.

“Confounds expectations…lets you see Wyeth’s genius with fresh eyes.”

In his review for Seattle Weekly, T.S. Flock goes in-depth on the “critical re-imagining” found in Andrew Wyeth: In Retrospect.

“This isn’t a best-of show, nor a hagiography. It’s an expansive view of the artist’s life and the lives of those around him through his work, an exhibit that will satisfy both longtime fans and first-time audiences. More important, it is a chance to have a conversation about the role of art—what agendas it has served in recent history and what wisdom may yet be found in it.”

Your daily dose of cuteness: Here’s what a day at Tiny Trees preschool at the Olympic Sculpture Park sounds like, thanks to Rachel Belle of KIRO Radio.

Local News

Seattle/Baltimore artist Paul Rucker’s Birth of a Nation Project appeared (unforgettably) at Out of Sight 2016; York College recently decided to close his Rewind exhibition to the public, citing the “potentially disturbing” work.

The Seattle Times explores the fascinating and poignant story of Centralia’s founder, George Washington, and plans to honor his legacy with a statue.

File under: “Seattle’s dramatic media landscape.” The Seattle Weekly is shifting to a broadsheet “community news” format and will employ only three staffers.

Inter/National News

What’s a “cultural experience” to you? A new study shows that shifting definitions has major implications for museums and similar institutions.

Photographer Stefan Draschan likes museums. Which is good, because it takes a lot of time for him to capture these perfect “people matching artworks” images.

The New York Times on archival record label Numero Group’s rediscovery of transgender soul pioneer Jackie Shane, who walked away from her career in 1971.

And Finally

Jerome Robbins + Chopin + Instagram = Perfection.

– Rachel Eggers, Public Relations Manager

Image: Installation view of Andrew Wyeth: In Retrospect, photo: Natali Wiseman

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Oct 16 2017

SAM News

“See Wyeth whole and re-evaluate his stature as an artist,” says Michael Upchurch in his exhibition preview featuring an interview with curator Patricia Junker that appeared in Sunday’s print edition of the Seattle Times. Andrew Wyeth: In Retrospect opens this Thursday.

“Because reproductions of his work circulated far more widely than the paintings themselves, Junker says, few people in recent years have had a chance to take true measure of his achievement. Younger people she talks to know his name, but don’t know the art. The SAM show promises to change that.”

Welcome the return of layers with SAM’s video featuring Haida artist/fashion designer Dorothy Grant talking about her exquisite Raven Great Coat, now on view on the third floor.

Local News

City Arts’ Margo Vansynghel on Pantry by Joey Veltkamp and Ben Gannon, which ran for one night only as the final show of Calypte Gallery.

“The jam became a personal metaphor for loss, and the act of making jam a means of preserving something inevitably slipping through their fingers—‘canning the memory of something that was,’ as Gannon says.”

Seattle Times’ Gayle Clemans invites you to get “[UN]contained” at CoCA’s new artist residency site held in three shipping containers; the first three artists were Anastacia Renee Tolbert, Anissa Amalia, and Edward Raub.

Darren Davis of Seattle Met interviews the inimitable Waxie Moon on the eve of his (non-singing) opera debut in The Barber of Seville at Seattle Opera.

Inter/National News

Behold, 24 newly minted geniuses. OK, they prefer to say “MacArthur Fellows.” Amongst the ranks are painter Njideka Akunyili Crosby, photographer Dawoud Bey, and two authors soon visiting Seattle.

Yes, wire hangings! The innovative wire sculptures of mid-century artist Ruth Asawa are now on view at David Zwirner. Artnet asks: why did this re-appraisal of her work take so long?

Kehinde Wiley and Amy Sherald will paint the official portraits of Barack and Michelle Obama for the National Portrait Gallery. They are the first black artists commissioned to paint a presidential couple.

And Finally

I think we can all agree that GIFs are an important and moving art form. Now, there’s an instant camera that creates GIFs you can hold in your hand.

– Rachel Eggers, Public Relations Manager

Photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Oct 9 2017

SAM News

Like the suddenly falling leaves, fall arts happenings are swirling all around. The Stranger offered their “complete guide” to the best of October—including SAM picks like Andrew Wyeth: In Retrospect, the Jean-Pierre Melville film series, and the (sold out!) Diwali Ball.

Noted architect Tom Kundig leads a tour of the best Seattle architecture in this CNN Travel video; the Olympic Sculpture Park is one of his picks.

We enjoyed this Architects Newspaper salute to Denise Scott Brown on her 85th birthday; in which they share notable stories of her general awesomeness. Scott Brown—along with her partner, Robert Venturi—designed the original Seattle Art Museum that opened in 1991.

“There’s a million ways to be a woman. There’s a million ways to be a mother. And there’s a million ways to be an architect.” –Denise Scott Brown.

Local News

Watch this lovely KCTS tribute to ceramicist Akio Takamori, featuring interviews with his former UW colleagues and students, including Patti Warashina and Jamie Walker. His Blue Princess (2009) is currently on view at SAM.

“The boundary between the figurative and the abstract is erased in curious ways,” says the Seattle Times’ Michael Upchurch in this glowing review of the Frye Museum’s two new photography shows.

Farewell to Jon Rowley, the “fish missionary” whose art form was teaching us to appreciate perfect things like Copper River salmon and Olympic oysters.

Inter/National News

Author Kazuo Ishiguro was awarded the 2017 Nobel Prize in Literature. You really need to read Tacoma bookseller/Ishiguro Superfan Kenny Coble’s tweetstorm when he heard the news.

The Art Newspaper takes you inside two new recently opened museums: the Zeitz Mocaa in Cape Town and the Yves Saint Laurent museum in Paris.

What’s the most iconic artwork of the 21st century? Artnet asked experts to weigh in. Mentioned: Mickalene Thomas’s Le Déjeuner sur L’herbe: Les Trois Femmes Noires, coming to SAM’s walls in February as part of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas.

And Finally

We can now listen to ripples in space-time. (Really!)

– Rachel Eggers, Public Relations Manager

Image: Installation view of European art galleries at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Art News from SAM, Seattle, and Beyond

Rachel Eggers on Oct 2 2017

SAM News

The Stranger launched their new format last week! The art section’s lead story was on Latent Home Zero by Christopher Paul Jordan at the Olympic Sculpture Park, which closes today—so head over there!

“Equal parts historian and visionary, Jordan uses the overlapping histories of land use, urban planning, and displacement in Tacoma as a microcosm to address the whole history of black migration across the United States. ‘We’ve been everywhere,’ says Jordan. ‘Urban space, rural space, but with every generation comes a new form of displacement, mass migration, and exclusion. Take a step back, how do we take agency of how we construct our belonging away from our homeland?’”

SAM’s Art Beyond Sight tours for visitors with low or no vision were featured in the Seattle Times last week with photos from a recent tour this summer at the Olympic Sculpture Park.

City Arts gets on our level: Priya Frank, SAM’s Associate Director of Community Programs, was interviewed for the October edition of Taste Test. #Radbassador

Local News

The Seattle Times’ Michael Upchurch reviews Humaira Abid: Searching for Home at Bellevue Art Museum, noting that the sculptor “hits a new peak, combining technical prowess with fierce vision to produce charged political drama.”

Via KUOW: Prompted by their daughter’s concern, a Seattle family returned to the Sealaska Heritage Institute a Chilkat robe that hung in their dining room for years, unaware that it was a sacred clan object.

Seattle Magazine highlights Forced From Home, a traveling virtual reality exhibit at SLU’s Discovery Center this week that offers “a more nuanced understanding of the refugee crisis.”

Inter/National News

The New York Times on the Studio Museum’s superstar director/chief curator Thelma Golden and its plans for a new David Adjaye-designed building.

“’So many of the shows she did were not just great shows but reframed art history,’ said Adam D. Weinberg, the Whitney’s current director. ‘Thelma was instrumental in making possible the whole rethinking of not just African-American art but American art.’”

WIRED takes on art in the age of Instagram, asking “where do we draw the line between art and Instagram filler?”

Cabbage Patch Kids, inflatable air dancers, and Shake Shack: Just a few of the wonderful, everyday things that started out as art.

And Finally

Those production values tho! Our friends at Analog Coffee with a helpful tutorial on an art form we at SAM have perhaps overlooked.

– Rachel Eggers, Public Relations Manager

Image: Installation view of Latent Home Zero, 2017, Christopher Paul Jordan, American, Seattle Art Museum Commission, photo: Mark Woods.

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Sep 25 2017

SAM News

Andrew Wyeth: In Retrospect was featured in the Seattle Times’ fall arts preview among the visual arts recommendations.

“This major career survey of the American artist who bucked every ‘-ism’ of the late 20th century to follow his own distinctive path in figurative art looks like a stunner. SAM curator Patricia Junker has assembled 110 works by Wyeth for the show and written an impressive-looking catalog that digs deep into the accomplishments of the painter on the 100th anniversary of his birth.”

And Seattle Met’s October print edition recommends In Retrospect as one of their picks for the month, noting the “profound emotional stakes underneath all the quotidian realism” found in Wyeth’s work.

The Seattle Times film critic Moira Macdonald previews the upcoming 40th edition of our film noir series, the longest-running in the world. SAM’s own Greg Olson is interviewed.

“’These films have so much charisma, so much dark, wicked glamour to the way the stories are told and visualized,’ said SAM film curator Greg Olson, who has curated the series since its beginnings in the mid-70s. ‘It’s kind of intoxicating.’”

Local News

Seattle Weekly’s Minh Nguyen reviews the “luminous, underrated” media art of Doris Totten Chase, now on view at the Henry.

Now at the Frye: Three photomedia collections from three different artists. Seattle Met has the details on these “unmissable” exhibitions.

Ferry over soon to the Women in Photography exhibition at the Bainbridge Island Museum of Art, says Crosscut. It closes there October 1.

Inter/National News

artnet News on the amicus brief signed by over 100 arts institutions that supports overturning Trump’s immigration ban; SAM signed on when it was filed several months ago.

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas artist Kerry James Marshall is everywhere! Here’s ARTnews on his upcoming mural for the Chicago Cultural Center with portraits of 20 women who’ve influenced the city, including Oprah and Gwendolyn Brooks.

Recent things that have been inspired by Andrew Wyeth: An accessory line’s lookbook, an indie film that premiered at TIFF, and Darren Aronofsky’s latest, mother!. Something’s in the water.

And Finally

My Best Friend™ Tracee Ellis Ross answers Vogue’s 73—yes, 73—questions and is DELIGHTFUL.

—Rachel Eggers, Public Relations Manager

Photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Sep 18 2017

SAM News

Thump! For me, fall officially starts when I hear the New York Times fall arts preview being delivered. Featured in the visual arts listings was SAM’s exhibition opening in February, Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas—alongside a BIG image in the print edition (long live print).

Last Friday, SAM announced that Molly Vaughan is the winner of the 2017 Betty Bowen Award; The Stranger and Seattle Gay Scene shared the news. Deborah Lawrence and Ko Kirk Yamahira also won Special Recognition Awards. Join us for a free award ceremony honoring all the winners on Thursday, November 9 at the Seattle Art Museum. Vaughan’s installation premieres at SAM on April 21, 2018.

SAM Gallery’s latest show at TASTE, Immaculate Disaster Series by Troy Gua, was highlighted in City Arts.

Local News

UW’s School of Art + Art History + Design and the Jacob Lawrence Gallery announced this week that artist C. Davida Ingram is the recipient of the 2018 Jacob Lawrence Legacy Residency. Go, Davida!

This fall, the Office of Arts & Culture brings you the Seattle Center Sculpture Walk, featuring eight temporary installations—including one from our recent Emerging Arts Leader Intern, Kalina Chung. Go, Kalina!

Here’s critic Mary Ann Gwinn on Barbara Johns’ new book on artist Takuichi Fujii, who painted throughout his incarceration in Minidoka; his work will also be in an upcoming exhibition at the Washington State History Museum.

Inter/National News

Hyperallergic on We the People, now on view at the M in Minneapolis, featuring “pieces that grapple not only with American identity but with an all-out call for revolution.” Molly Vaughan is one of the exhibition’s artists (hey, we know her!).

Could be that first bit of fall chill in the air, but I enjoyed this Artnet article—inspired by a show on view at Bowdoin College Museum of Art—on the art historical roots of memento mori.

Ezra Jack Keats’s bestselling children’s book The Snowy Day has charmed generations—and now its hero, Peter, will be featured on U.S. Postal Service Forever stamps.

And Finally

Crayola debuted “Bluetiful,” its new hue inspired by chemist Mas Subramanian’s accidental pigment discovery. Bliss out on the magic of crayon-creation with this Sesame Street throwback.

—Rachel Eggers, SAM’s Public Relations Manager

Photo: Courtesy of Molly Vaughan.

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Sep 11 2017

As of today, Yayoi Kusama: Infinity Mirrors is closed! What a wild ride the last few months have been during this blockbuster exhibition. Now we’re looking ahead to Andrew Wyeth: In Retrospect and so is the press. Take a gander at this past week’s press clippings, hand selected by SAM’s PR Manager.

*Clutches Yayoi Kusama exhibition catalogue and cries while Boyz II Men’s “End of the Road” plays*

SAM News

Seattle Times photographer Alan Berner visited during the final days of Yayoi Kusama: Infinity Mirrors and filed this dot-filled send-off. Don’t miss the cameo from our mascot, Sammy the Camel. (Why a camel? Here’s the scoop.)

SAM lands on the celebrity news beat: When Seahawks quarterback Russell Wilson and singer Ciara had a date night at SAM after we’d closed, the news hit Page Six, W Magazine, Artnet, Ebony, Yahoo, Daily Mail, Entertainment Tonight, Jet, and HuffPo.

Love this Seattle Times RAVE for SAM staff: A visitor lauds our “daily, herculean efforts” during the Kusama run. We couldn’t have done it without our awesome visitors!

Seattle Magazine’s September print edition features our Andrew Wyeth retrospective among their picks for “Fall’s Most Buzzworthy Arts and Culture Events.”

“’The goal was to show that this unrelenting realist evolved and changed, sometimes quite dramatically, over time,’ Junker says. ‘If you think you know Wyeth’s art from the examples we see reproduced and hanging in the well-known museums, I feel certain you will come away from this exhibition totally surprised.’”

Local News

The Seattle Times reports on The Grocery, a new “cutting-edge” arts center in a former—you guessed it—grocery store in Beacon Hill.

Also in the neighborhood: Artist Ari Glass unveiled a new installation at Beacon Hill’s Art Deco building Pacific Tower, featuring his signature gold leaf and mica elements.

This should be an amazing show: The Stranger’s A&P features the sculpture of Humaira Abid, coming soon to a solo show at Bellevue Arts Museum.

Inter/National News

The journey continues for the home of Rosa Parks, recently shipped to Berlin and restored by an American artist. The house now has a ticket back home to the US—with an uncertain future ahead.

Poet John Ashbery died on Sunday at the age of 90; did you know he was also a collage artist, who made his solo debut as a professional at the age of 81?

Pierre Bergé, longtime business partner of Yves Saint Laurent, died Friday at the age of 86. We were honored to share his legacy during Yves Saint Laurent: The Perfection of Style.

And Finally

The art of eating: Artsy with seven recipes from artists, including—wait for it—avocado toast (by Salvador Dalí, of course).

– Rachel Eggers, SAM’s Manager of Public Relations

Muse/News: Arts News from SAM, Seattle, and Beyond

Rachel Eggers on Sep 5 2017

All the news that’s fit to blog about. See what SAM’s PR Manager, Rachel Eggers, has been reading to find out what’s happening inside the museum and around the art world.

SAM News

For Crosscut, artist and writer Don Fels asks the question: “What has made Yayoi Kusama the hottest ticket in Seattle?” Don’t miss the fun time lapse video from the lines outside the museum (if only they had gone that fast!).

“It’s very fitting, almost willfully symbolic, that people are talking with one another as they stand together outside. She couldn’t have engineered delivery of her message better if she had tried, or maybe she’s been working at that very accomplishment all these years.”

Last week, SAM announced the five artists selected as finalists for the 2017 Betty Bowen Award, which honors a Northwest artist for their original, exceptional, and compelling work. The Stranger shared the news, along with Hyperallergic, Artnet, Artdaily, and The Skanner. Stay tuned for the announcement of the winner in mid-September—and for the winner’s solo show at SAM in April 2018.

Last week’s glorious Sculptured Dance event at the Olympic Sculpture Park was everywhere; dance writer Sandra Kurtz previewed it for Seattle Weekly:

“With the audience close enough to see the dust that those sneakers kick up and hear the slap of hands as they clasp in a fast turn (not to mention the mountains in the background), we get a fresh sense of a vital art form.”

The Stranger, Seattle Met and Crosscut also recommended the event; for those who missed it, helpful Instagrammers captured a bit of the evening’s magic.

Local News

Where’d You Go, Cate Blanchett? She and director Richard Linklater were spotted filming their adaptation of a famous Seattle book at the Central Library this week.

Coming soon to the airwaves of Rainier Valley: KVRU 105.7 FM, a low-power FM station serving the community.

The Mayor’s Arts Award winners were announced last week; CityArts reported from the sunny ceremony at Seattle Center.

Inter/National News

MoMA curator Sarah Suzuki and illustrator Ellen Weinstein teamed up to create a children’s book starring Kusama as the heroine.

Prepare for the film/art connections to be explored in Andrew Wyeth: In Retrospect with this Artsy round-up of 17 artists and the films that influenced them.

The perfection of style: The New York Times files this inspiring slideshow of street style from the recent Afropunk Festival in Brooklyn.

And Finally

The project that’s achieving “a sense of shared destiny and common civic purpose” with one of my favorite things: LISTS.

– Rachel Eggers, Manager of Public Relations

Image: A pop-up performance during Summer at SAM by The Purple Lemonade Collective during Sculptured Dance at the Olympic Sculpture Park on August 31, 2017. Photo: Robert Wade.

Muse/News: Arts news from SAM, Seattle, and beyond – August 28

Rachel Eggers on Aug 28 2017

We love keeping an eye on contemporary artists once featured at SAM as they continue to make their mark. Also this week: dancing + statues + late Seattle summer.

SAM News

With the departure of Thomas Campbell at the Metropolitan Museum of Art, and calls for the first woman director to be hired, Artnet names 11 woman art museum directors who could take on the job, including a familiar name.

“Go expecting a bit of a squish—and have a wonderful Seattle summer evening,” says the Seattle Times’ Moira Macdonald about this Thursday’s Sculptured Dance event.

Artsy highlights eight artists who are revealing the radical possibilities in knitting and crocheting—including Haegue Yang from SAM’s 2015 exhibition, Paradox of Place: Contemporary Korean Art.

Here’s Hyperallergic on the Kemper Museum of Contemporary Art exhibition Magnetic Fields: Expanding American Abstraction, 1960s to Today, the first US exhibition of abstract art created exclusively by women of color; SAM’s 2015 Gwendolyn Knight and Jacob Lawrence Prize-winner Brenna Youngblood is included.

Local News

The Seattle Office of Arts & Culture announced last week that funding has been increased for its Cultural Facilities Fund, which supports capital projects for arts and cultural organizations (hurray!).

Inter/National News

Jets to Marfa! This October, Solange will perform in Marfa, Texas, in front of Donald Judd’s “15 Untitled Works in Concrete.”

Now streaming on Netflix: Kino Lorber’s collection “The Pioneers of African-American Cinema.” Learn more and watch a video about the restoration process.

Artnet collects the thoughts of 12 art historians and scholars on the debate over what to do with Confederate monuments.

And Finally

Put my thing down, flip it, and reverse it: A Portsmouth, Virginia resident has an idea for his town’s Confederate monument: replace it with one of Portsmouth native Missy “Misdemeanor” Elliott.

– Rachel Eggers, Manager of Public Relations

Image: A visitor takes in Haegue Yang’s Female Natives series in Paradox of Place: Contemporary Korean Art, Photo: Mark Woods.

Muse/News: Arts news from SAM, Seattle, and beyond

Rachel Eggers on Aug 21 2017

Let’s get to it! Here’s Rachel Eggers, SAM’s PR Manager with your weekly round up of the art news you need to read.

SAM News

#InfiniteKusama, indeed: The New York Times reports that Yayoi Kusama will open her own museum in the Shinjuku neighborhood of Tokyo; SAM’s exhibition is mentioned.

“Winter is always,” says Forbes, as they reference Game of Thrones and feature a gallery of chilly images from SAM’s upcoming Andrew Wyeth: In Retrospect.

“Surprises abound. Historically, Wyeth’s style was called mechanical and unremarkable, but this does not seem so of the diaphanous curtains in the windows of his houses, or the feathers he captures floating in the air on a stormy day.”

Here’s Artsy on the resurgence of shamanic practices in contemporary art; Saya Woolfalk, whose ChimaTEK: Virtual Chimeric Space from SAM’s Disguise exhibition was recently acquired for the SAM collection, is included.

Local News

“…a joyful and awkward water ballet titled ‘Ankle Deep’ in the kiddie wading pool at Volunteer Park.” How local artist Briar Bates wanted her death commemorated.

In the Seattle Weekly, comic artist Tatiana Gill illustrates the life of Seattle civil rights legend Reverend Dr. Samuel B. McKinney (now 90 years old!).

The Seattle Times reviews exhibitions in Tacoma and Auburn featuring work by Northwest Coast indigenous artists.

Inter/National News

All 16 of the artists, authors, performers, and architects on the President’s Committee on the Arts and the Humanities resigned last Friday in protest of Trump.

Canadian Art profiled Claudia Rankine and a recent lecture she gave in Banff on white supremacy in art and how institutions can respond to it.

Now on view at the Princeton University Art Museum: paintings by Howard Russell Butler (1856-1934) depicting solar eclipses before photography could capture them in detail.

“While a Navy officer stood by with a stopwatch, Butler worked in 10- or 20-second blocks as he drew the outline of the corona, assessed the colors of the sky and moon, and sketched the contours of the gaseous prominences that bloomed from the eclipse’s edge. Only then did he begin to paint.”

“I don’t know that a person enjoys ‘Total Eclipse of the Heart’ so much as submits to it.” Celebrate today’s celestial event here.

– Rachel Eggers, Manager of Public Relations

Image: Laara Garcia performs in Saya Woolfalk’s installation ChimaTEK: Virtual Chimeric Space during SAM’s 2015 exhibition, Disguise: Masks and Global African Art.

Muse/News: Arts news from SAM, Seattle, and beyond

Rachel Eggers on Aug 15 2017

Another week, another story… Or try 10. Here’s Rachel Eggers, SAM’s PR Manager with your weekly round up of the art news you need to read.

SAM News

SAM’s Next Top Model: In a recent edition of the Seattle Times’ ShopNW, Kusama swag from SAM Shop was featured—and modeled by SAM’s Public Programs Coordinator, David Rue.

Following a visit to Yayoi Kusama: Infinity Mirrors, Loney Abrams of Artspace leads a tour through each Infinity Mirror Room. SAM’s Jon and Mary Shirley Curator of Modern and Contemporary Art, Catharina Manchanda, shared some fascinating details about Kusama’s connections to Seattle.

“’Initially, she thought she wanted to go to Paris because up until World War II, Paris was the center of the art world,’ SAM’s curator Catharina Manchanda tells Artspace. But then, Kusama stumbled upon a painting by Georgia O’Keeffe—and everything changed. She went to the U.S. embassy in Tokyo, got a mailing address for O’Keeffe, and sent the artist a stack of drawings with a letter asking for advice on how to get to the United States. ‘At the same time, she also wrote to Kenneth Callahan, a member of the school of Northwest Modernists in Seattle,’ says Manchanda. ‘Luckily, Callahan wrote her back a welcoming letter and introduced her to Zoë Dusanne, an art dealer in Seattle who offered her an exhibition.’ So, Kusama moved to Seattle, and the rest is art history.”

Seattle Weekly profiles SAM’s three-times-a-year event Remix, now in its tenth year. Members of SAM’s Education department—Regan Pro, Philip Nadasdy, and David Rue—are quoted throughout along with choreographer Dani Tirrell, who presented excerpts from the forthcoming Black Bois in this edition:

“’My experience with SAM has been one that they are always pushing conversations forward,’ he told Seattle Weekly. ‘They bring in art and artists that are relevant to the times we live in. SAM does not shy away from things that may make people uncomfortable, and I think that is how they are able to engage with what is taking place in Seattle.’”

Local News

Seattle Times’ Gayle Clemans reviews the Frye’s current exhibition, Storme Webber | Casino: A Palimpsest, for which the artist aimed to “indigenize the gallery.”

ICYMI: Here was Emily Pothast’s Seattle Art Fair wrap-up in the Stranger earlier this week.

And here’s Margo Vansynghel for CityArts on BorderLands, on view through October 29 at King Street Station (go!).

“With such poetic, poignant offerings, BorderLands deals with nationalism, allegiance and resistance. The most arresting works on show tackle the flippant use of language—words often thrown around carelessly since last Nov. 8. What do these signifiers mean to the people who saw their land stolen, to the new arrivals in a nation of immigrants and, finally, to the art world? Some of the most impressive works on view—including Feddersen’s and Kahlon’s—ultimately question the enduring complicity in a system that feeds and sells us a too-easily digestible and unchallenged story about identity.”

Inter/National News

BuzzFeed News announced AM to DM, its new morning show to be livestreamed on Twitter. Hosted by Saeed Jones and Isaac Fitzgerald, you will need to watch it (ideally with avocado toast).

The New York Times’ Holland Cotter reviews the Pulitzer Arts Foundation’s Blue Black exhibition; curated by artist Glenn Ligon, it includes works by Kerry James Marshall, Lynette Yiadom-Boakye, and David Hammons (all represented in SAM’s collection).

A new study reveals that your Instagram “may hold clues to your mental health.” (Wait, was does excessive use of the Amaro filter mean??)

To those who fret about the state of arts journalism, I present TV’s catchiest theme song (I warned you) finally getting the deep dive it deserves.

– Rachel Eggers, Manager of Public Relations

Image: David Rue, SAM’s Public Programs Coordinator, is still in the running towards becoming SAM’s Next Top Model, photo: Natali Wiseman.

Muse/News: Art News from SAM, Seattle, and Beyond

Rachel Eggers on Aug 7 2017

Welcome to our newest blog series, Muse/News—your weekly recap of what’s happening in art news at the Seattle Art Museum and across the world. Check back Mondays for updates on the artists and events making headlines around the world. With the Seattle Art Fair come and gone over the weekend, there’s plenty to digest and our PR Manager, Rachel Eggers delivers the scoop here in a perfect bite size. Enjoy!

All was fair in the city this past week as the Seattle Art Fair breezed into town for the third year in a row. What initially seemed an ambitious experiment is quickly becoming a welcome mainstay of the Seattle cultural calendar.

SAM News

Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture (phew!) has been named Best Curator in Seattle Weekly’s annual readers’ poll. We’re glad everyone loves her as much as we do. Congrats, Chiyo!

Loved this substantial dive into the tensions of “selfie obliteration” in the Yayoi Kusama: Infinity Mirrors exhibition by Erin Langner for ARCADE.

“…Kusama’s inclination to control and present her own image in the 1960s seems well ahead of its time. Accepting the way images are consumed, she chose to control the construction, proliferation, and obliteration of hers rather than allowing someone else to do so. Some of her true self was left out in the fiction of the performance. But, she also ensured the performance was conveyed the way she envisioned it. To this end, maybe taking selfies, in an Infinity Mirror Room or elsewhere, can have meaning when done with similar intent—when they give us the chance to perform and let go of ourselves at the same time.”

Local News

Emily Pothast of the Stranger offered compelling thoughts on the fair and offered her five don’t-miss highlights.

SAM staff got out and about this weekend; check out tips for the Seattle Art Fair from SAM’s Chiyo Ishikawa in Crosscut and David Rue in CityArts.

Michael Upchurch of the Seattle Times recently reviewed the Henry show on local sculptor Doris Totten Chase (looks groovy!).

Inter/National News

Are you “here for the right reasons”? The New York Times visits a rose-filled one-night show. After the recent casting call here, maybe we’ll see a Seattleite embark on the “journey” next season (ugh, you know you’ll watch again).

Artist Julie Mehretu, represented in SAM’s collection, is working on a monumental commission for the San Francisco MoMA; her paintings “are trying to make sense of where we are in our country right now.”

“What should one do when faced with images of violence?” That’s the question writer and critical theorist Sarah Sentilles took up this week for the New Yorker. She appears tonight at Elliott Bay Book Company to discuss her new book, Draw Your Weapons.

– Rachel Eggers, Manager of Public Relations

Photo: Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture, dresses the part while considering Kusama’s multiverse.