COVID-19 Update: All SAM Locations Currently Closed »

Muse/News: Reflections, Lives They Lived, and Room Tone

SAM News

All SAM locations are currently closed until further notice, but we continue to reflect and plan for the future.

The Seattle Times shared remembrances of 11 cultural figures we lost in 2020. Chiyo Ishikawa, SAM’s former Deputy Director for Art and Curator of European Painting and Sculpture, wrote about Virginia “Jinny” Wright. Jinny and her enormous contributions to SAM and to the Puget Sound region are celebrated in SAM’s exhibition City of Tomorrow: Jinny Wright and the Art Shaped A New Seattle, which closes January 18.

Seattle Times columnist Naomi Ishisaka asked four leaders in the region to reflect on the past year and on what they’ll take into 2021; Priya Frank, SAM’s Director of Equity, Diversity, and Inclusion, reflected on creativity, care, and an ubiquitous sweatshirt. And in case you missed it: Priya appeared on KUOW’s The Record back in November talking museums and accessibility.

Local News

2020 feel like a blur? Seattle Met has you covered with this timeline of the year, including the February reopening of the reimagined Asian Art Museum (we hardly knew ye!).

“A giant of Native Northwest Coast art”: Artist, curator, and teacher Bill Holm passed away at the age of 95 earlier in December. Barbara Brotherton, SAM’s Curator of Native American Art, spoke with the Seattle Times about how she “found her calling” in his classes.

Also in the Seattle Times: The largest-ever edition of their annual Pictures of the Year project. Take a moment to reflect on the visual stories that their team of photojournalists captured, against all odds.

“Everything we needed was suddenly in short supply. One photographer sewed masks for the entire staff. Others dredged masks out of their garages and closets. Yet another photographer found a supply of hand sanitizer made by a local distiller. Not wanting to worsen the shortage of PPE in this country, we eventually found a supply of more masks overseas. We’ve gone through a lot of them.”

Inter/National News

Artnet writers name 10 acclaimed exhibitions they wish they could have seen this year, including Artemisia at London’s National Gallery, Awol Erizku’s show at FLAG Art Foundation, and—what’s this?—Jacob Lawrence: The American Struggle at the Met? Lucky you, the exhibition arrives at SAM next spring.

Artist John Outterbridge passed away December 23 at the age of 87. Celebrated for his assemblage work, he was also a former director of the Watts Towers Arts Center; read more about his life and practice in the Los Angeles Times obituary.

The New York Times Magazine shares its annual end-of-year project, “The Lives They Lived.” Don’t miss Jenna Wortham on grappling with the afterlife of Breonna Taylor.

“I’ve come to see the thousands of images of Taylor as a memory of our collective will — even though it was betrayed by the state. Anti-lynching efforts were ultimately successful in reshaping the historical and cultural memory of the brutality and immorality of those deaths. ‘We shouldn’t see them — or this — as a failure, but as a project on the road to redemption,’ [Leigh] Raiford told me. She reminded me that memory and memorialization are necessary for that work, as is the honest appraisal of the past to work toward justice in the present and the future.”

And Finally

Let’s get some room tone.

– Rachel Eggers, SAM Associate Director of Public Relations

Muse/News: Amada Reflects, Black Santa, and the Deaf Experience

SAM News

All SAM locations are currently closed until further notice, but in the meantime, reflect on the state of the arts in Seattle with the Stranger’s new online series. It kicked off with an interview between Jasmyne Keimig and Amada Cruz, SAM’s Illsley Ball Nordstrom Director and CEO, in which she shared some of the challenges and endeavors going on at the museum.

“The focus is on maneuvering this big institution through the toughest financial challenge it has ever had. For many museums across the country, this is an existential crisis. 30% of the art museums across the country could close, right? SAM is not in that position, but we’re certainly not immune to the challenges.”

Local News

Crosscut’s Margo Vansynghel celebrates the “cultural innovators” in the city who creatively responded to the challenges of the pandemic.

Mentioned in the article: New Archives, the local arts journal that launched this year. Catch up with a recent review by Kym Littlefield of Algorithm: Archetype, Christopher Shaw’s show at the Northwest African American Museum (NAAM).

Also at NAAM: Black Santa returns! Seattle Times photographer Bettina Hansen was there to capture the annual tradition, which went virtual this year. She spoke with the museum’s executive director, LaNesha DeBardelaben.

“We have to hold on to our children and protect our joy,” DeBardelaben said. “We are not derailed by the challenges we have faced this year. This is just a glimmer of hope and light in what has been a very difficult year for our community and our nation.”

Inter/National News

Art & Object is just in time with a list of “7 Films About Art to Beat the Winter Blahs.”

Join critic and historian Hal Foster as he contemplates art and lockdown for Artforum’s December print edition.

Artnet’s Kate Brown speaks with Christine Sun Kim about Trauma, LOL, the artist’s exhibition of drawings at François Ghebaly in Los Angeles.

“Kim is fascinated with phrases that can have multiple definitions, that can be translated and mistranslated by different audiences. Her new works illustrate the complicated nature of trauma within Deaf experience—something she says is ‘layered’ due to a lifetime of living in a ‘hearing world.’”

And Finally

Meet Noor and Aziz.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Natali Wiseman

Muse/News: Aboard the Ark, a Reporter’s Next Move, and a Desert Mystery

SAM News

All SAM locations are currently closed until further notice. But you can still prepare to board the Ark once SAM reopens; UW Daily’s Katie Newman explores the video installation by Lynne Siefert that we can’t wait to push “play” on once again. 

“On a cruise ship, an eerie voice announces the postapocalyptic realities of our capitalist society. In a snowfield, a man walks alone, children play on a beach, and life goes on — all under the shadows of gargantuan, smoke-belching coal power plants. Welcome to Lynne Siefert’s world of film.”

SAM Shop remains open, with safety protocols in place, and its awesomely diverse offerings are popping up in holiday gift guides. Seattle Met says yes to the SAM-exclusive “NO” tote by Tariqa Waters, 425 Magazine recommends a museum membership, and ARTFIXdaily toasts the glass wine bulbs by Oliver Doriss. Or: Shop SAM Shop online. Easy!

2020 may not have been the best, but SAM still is. Thank you to the readers of Seattle Magazine, for naming Seattle Art Museum the best museum!

Local News

Isamu Noguchi’s Floor Frame (1962) was recently installed on the east terrace of the White House’s Rose Garden—the first work by an Asian-American artist to enter its collection. The Stranger’s Jasmyne Keimig walks us through this unusual art moment

Randy Engstrom, the director of Seattle’s Office of Arts & Culture, will be stepping down after eight years. Here’s the office’s full announcement

And another bittersweet change: Marcie Sillman retires from KUOW after 35 years reporting on the arts. But you won’t be missing her thoughtful stories for long; she’s planning to launch an arts podcast with Vivian Phillips.

“I think mostly what I want to say is that this isn’t a frill,” Sillman said of the arts. “It’s something that is just central to our lives. During this pandemic, where have we all turned for comfort? I’m sure people are really happy that sports teams are playing again, but you’re still listening to your favorite song or watching great movies, streaming online or reading good books or just contemplating beautiful nature in Instagram posts. So, it’s something that we need for our souls.”

Inter/National News

Pumla Dineo Gqola for the New York Times on the Zanele Muholi career retrospective that has finally opened at the Tate Modern, after some delay due to COVID closures. The exhibition includes works from several of Muholi’s series, including Somnyama Ngonyama, which came to SAM in 2019.

“More than a little tumultuous”: The editors of ARTnews reflect on 2020.

A 12-foot-tall polished steel monolith appeared in the Utah desert. Then it disappeared. Then it was pondered. Then there were copycats? We can’t keep up. What does it all mean?

“We are currently in an environment of epidemic over-explanation, a surplus of commercially incentivized information production. That is literally sending people into the desert looking, not for answers, but for questions.”

And Finally

Muse/News Recommends: Poem-a-day in your inbox. 

Installation view of Lynne Siefert: Ark at Seattle Art Museum, 2020, photo: Natali Wiseman.

Muse/News: Tomorrow Is Here, Candy-Colored Art, and Aftershocks

SAM News

The current episode of Seattle Channel’s Art Zone was hosted from the Seattle Art Museum; Nancy Guppy takes viewers on a tour of City of Tomorrow and cellist Lori Goldston fills the empty galleries with music. Here’s the full episode.

The Seattle Times’ Moira Macdonald previews “Reflections,” a virtual dance festival presented by Seattle Public Library, Friends of Waterfront Seattle, Seattle Office of Arts & Culture, and Seattle Art Museum. The free festival features Indigenous and Black artists, all of whom consider the question: “If you could sum up 2020 with a dance, what would it be?”

Local News

After Kamala Harris became Vice President-Elect, Seattle Times columnist Naomi Ishisaka speaks with Black women and women of color about the historic win, including Priya Frank, SAM’s Director of Equity, Diversity, and Inclusion, who said, “Today I get to see my mom, my aunts and myself reflected in our vice president of the United States.”

Seattle Magazine shares an excerpt from Ron Chew’s new memoir, My Unforgotten Seattle, ‘a deeply personal memoir about the tight-knit Asian American community in the region.” Chew is the former editor of the International Examiner and a former director of the Wing Luke Museum.

Crosscut’s Margo Vansynghel on artist and Martyr Sauce-owner Tariqa Waters, who curated an “immersive, candy-colored show” now on view at Bellevue Arts Museum. The article also mentions Waters’s recent Kayla Skinner Special Recognition Award, part of SAM’s annual Betty Bowen Awards.

“I want the space to look like a children’s museum,” Waters says. “I want it to be all immersive where it’s a bit disorienting. It’s almost like we’re having a whole conversation with each other through our work, and people are walking into this conversation.”

Inter/National News

“Meret Oppenheim’s fur-lined porcelain teacup, Object (1936), made her an international art star,” begins Artnet’s Katie White, in this exploration of the now-celebrated surrealist work.

Hyperallergic’s Valentina Di Liscia provides a rundown of the many ballot measures voters took up that will impact arts and culture.

Artforum invites artists—including Glenn Ligon, Christine Sun Kim, Paul Chan, and more—to share a text, video, or image for a series of posts responding to the election called Aftershock.

“What stands between Democracy and mass deception is the genuine experience of art, because aesthetics heightens epistemic fitness if and when art is practiced and experienced with more than a return-on-investment or tastemaking in mind.”

And Finally

What is, “grief”?

– Rachel Eggers, SAM Associate Director of Public Relations

Installation view of City of Tomorrow: Jinny Wright and the Art That Shaped a New Seattle at Seattle Art Museum, 2020, photo: Natali Wiseman.

Muse/News: SAM on the syllabus, Indigenous authors, and fashion under quarantine

SAM News

Seattle Times food writer Jackie Varriano opens the syllabus on legendary restaurant Canlis and their new “community college,” a series of programs to support the restaurant as well as FareStart. Among the “core curriculum,” PE classes, and top-notch cafeteria food, look out for SAM curator Catharina Manchanda’s talk on SAM’s fall exhibitions——featuring collector Virginia Wright and artists Barbara Earl Thomas—on Wednesday, October 21.

Local News

Special to the Seattle Times, Seattle Public Library’s David Wright has recommendations for seven audiobooks by Indigenous authors; a good idea any time, it’s especially resonant in time for Indigenous Peoples’ Day next Monday.

What’s “Currently Hanging”: Inside Out by Marela Zacarías at MadArt. Well, almost hanging. The Stranger’s Jasmyne Keimig caught a glimpse of the in-progress work—a “mesh temple to the Aztec goddess Cihuacoatl, who provides strength to women during childbirth”—which opens October 15.

For her weekly editor’s letter, Crosscut’s Brangien Davis recommends some visual art to see, some Bruce Lee philosophy to consider, and some dancing from Whim W’Him created with the fraught times in mind.

“For a moment, maybe only mentally, they escape to the beach and do somersaults on wet sand. It’s a good reminder during these fraught days to take a breath, dance around the block, put a houseplant on your head.”

Inter/National News

BOMB Magazine’s fall 2020 issue is out; the visual arts section features an interview with Trenton Doyle Hancock—whose work has graced the Olympic Sculpture Park’s PACCAR Pavilion—about his forthcoming graphic novel, which expands the artist’s narrative universe.

A 25-minute listen: Hyperallergic editor-in-chief Hrag Vartanian interviews National Gallery of Art director Kaywin Feldman on the controversial decision to delay the international tour of a Philip Guston retrospective.

Artnet’s Melissa Smith looks at artist residencies established by high-profile Black artists, including Titus Kaphar, and how they’re reshaping the art world.

“Residencies like Kaphar’s provide young artists an environment outside of art school—where the proportion of Black students (and faculty) still generally maxes out in the single digits—to hone their craft while not second-guessing their worth. ‘It’s just really draining to try to change it all on your own time when really all you want to do is focus on your work,’ says Tajh Rust, a former Black Rock fellow and Yale School of Art alum.”

And Finally

For Seattle Met, boutique owner Adria Garcia interrogates the necessity of fashion under quarantine.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Amada Cruz

Muse/News: Moments of Grace, Artists in Bridges, & A Hero Rat

SAM News

Fiona Ye of University of Washington’s The Daily interviews artist Barbara Earl Thomas on her upcoming exhibition at SAM, The Geography of Innocence, and talks about the intention behind her new portraits of Black children.

“Its intent is to bring us into contact with the destabilizing forces of our perceptions and biases that disrupt our innocence. It is to make us conscious of our interdependency and marvel at how individual actions can lead to changes that are transformative or disruptive. It is to situate us in a moment of grace.”

Priya Frank, SAM’s Director of Equity, Diversity, and Inclusion, is interviewed for Visit Seattle’s SEAforSHE series, which celebrates women leaders in Seattle.

Gather, the LED-light installation created by Kenzan Tsutakawa-Chinn that graces the renovated and reimagined Seattle Asian Art Museum, recently won an Architectural Lighting (AL) Design Award. While the Asian Art Museum remains closed, you can still engage with virtual programming like the upcoming series on color in Asian art.

Local News

Consider some merch with “a little sass”: Seattle Met’s Nicole Martinson recommends seven salty Seattle pieces, including Tariqa Water’s “NO” tote, available at SAM Shop.

The Stranger’s Jasmyne Keimig sees what’s “currently hanging”: this time, it’s Untitled Anxious Men Drawings by Rashid Johnson, on view virtually from Hauser & Wirth.

Crosscut’s Agueda Pacheco Flores introduces you to the artists making comics in Seattle’s historic drawbridges while living in residence.

“‘I’m really excited,’ Russian says, as cyclists speed by. ‘The University Bridge is a drawbridge, so it’s very dynamic, tons of people walk and run across the bridge every day, plus all the boats going by underneath —’ then a boat’s air horn interrupts them.”

Inter/National News

Alex Greenberger of ARTnews on a new retrospective of Imogen Cunningham and “why the proto-feminist photographer has grown so popular.” The exhibition heads to SAM next fall.

The American Alliance of Museums’ blog talks about children’s museology and the COVID-19 crisis, sharing how museums across the country are working to prioritize young people’s learning. SAM’s Teen Arts Group (TAG) is mentioned.

The New York Times’ Holland Cotter reviews the “stirring” new exhibition at MoMA PS1, Marking Time: Art in the Age of Mass Incarceration, curated by Nicole R. Fleetwood.

“It’s a society in which racism often determines presumption of guilt; in which imprisonment — human disempowerment and erasure — is chosen over righting the inequities that lead to prison. It’s a society in which caging people is big corporate business, with connections reaching everywhere, including the art world.”

And Finally

A medal for Magawa.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Grace, 2019, Barbara Earl Thomas, American, cut paper and hand-printed color, 26 x 40 in., Courtesy of Claire Oliver Gallery, photo: Spike Mafford.

Muse/News: Dawn Cerny Wins Award, Venus Suggests Life, and RBG’s Love for Operas

SAM News

SAM announced last week that Dawn Cerny is the winner of the 2020 Betty Bowen Award, an annual juried award for Pacific Northwest artists. Cerny will receive $15,000 and a solo exhibition at SAM in 2021. The Stranger’s Jasmyne Keimig shared the news, as did Artdaily.

Beverly Aarons for South Seattle Emerald interviews Barbara Earl Thomas about her upcoming exhibition at SAM, The Geography of Innocence, which features cut-paper portraits of Black children, many from the artist’s life.

“But she didn’t want to just capture them exactly as they were — she wanted to answer in her work the question, ‘What do I wish for them?’ Thomas didn’t want to talk about what she didn’t want — racism, violence, tragic deaths — but she wanted the work to embody the hope for the children’s futures.”

Tamara Gane for The Washington Post on “art alfresco,” recommending the best sculpture parks in the US to commune with art outside—and leading with SAM’s Olympic Sculpture Park.

Local News

The Stranger’s Jasmyne Keimig and Chase Burns previews four “don’t-miss” documentaries at the upcoming Local Sightings Film Festival.

“Washington State Is All Over the National Book Awards Longlist,” reports Seattle Met’s Stefan Milne. Get reading!

Muse/News really can’t take one more story about penguins visiting locked-down museums. Where are the penguins for SAM?? Anyway, here’s Crosscut’s Brangien Davis with her weekly editor’s letter, where she talks life on Venus, penguins in museums (sob!), and art classes for your health.

“I would argue that the Venus discovery is cultural, in the vein of Carl Sagan’s assertion that we’re all ‘made of star stuff.’ The mystifying connections across our vast universe contribute to the culture we humans create, even if subconsciously, or via some microscopic cellular nudge.”

Inter/National News

Yinka Elujoba for the New York Times on Jacob Lawrence: The American Struggle, which “succeeds in making visible, and even visceral, America’s history with the struggle for racial and political equality.” The exhibition is now on view at The Met and heads to SAM early next year.

The Brooklyn Museum made headlines last week when it announced it would sell twelve works from its collection at auction, to support the “management and care” of its full collection. They are the first major museum to take advantage of loosened regulations—due to the difficulties brought on by the coronavirus—around deaccessioning of works.

Justice Ruth Bader Ginsburg has passed away at the age of 87, leaving an immense legacy as a scholar, jurist, human—and opera lover. This tribute offers insights into the legal scholar’s intense advocacy for the arts.

“…those kinds of cases she made her career of are the stuff of opera. The underdog, the ill-served character: Manon Lescaut, Violetta, women who have to struggle their way to the top for survival. They connected to her sense of right and wrong and what is a humane way of living.”

And Finally

“A good time for thinking about Francisco Goya is while the world stumbles.”

– Rachel Eggers, SAM Associate Director of Public Relations

Image: The farm that was there and then not, 2020, wood, handblown glass, plaster tape, wire, paint, clay, 27 x 22 x 14 in., Courtesy of the artist, © Dawn Cerny

Muse/News: Fall into Art, Madrigal’s Music, and Painting A Democracy

SAM News

The Seattle Times’ Fall Arts Guide landed this Sunday; here, Megan Burbank looks at the upcoming season of visual arts. Burbank also visited SAM on its first day being open again to the public; she reported on the “subtle, early-bird cheer” of the galleries.

“And for the most part, things were surprisingly normal. Traffic in the museum flowed easily. Between a pair of spectators chatting casually on a bench and the lack of windows, time passed easily, and aside from the masks and the crowd level, it didn’t seem all that different from visiting a museum pre-COVID.”

Last week, the Seattle Times’ Alan Berner dropped by for a visit to Alexander Calder’s The Eagle at the Olympic Sculpture Park, which has been tented all summer for a major repainting. Keep an eye out for its unveiling in all its Calder-red glory.

Local News

The Seattle Times’ Paige Cornwell recently profiled Edy Hideyoshi Horikawa, a decorated veteran who served with the celebrated 442nd Regiment while his family lived in an incarceration camp and who became an artist and teacher upon his return. He celebrated his 100th birthday in August and was fêted with a drive-by parade.

Rena Priest shares her essay with Seattle Met from a forthcoming collection that explores Seattle’s storytelling heritages and what its UNESCO City of Literature designation means.

Crosscut’s Agueda Pacheco Flores interviews Seattle conductor Paula Nava Madrigal about how she’s “disrupting the traditionally white, male discipline of conducting.” Madrigal will once again conduct a Mexican Independence Day concert, which this year is going virtual.

“‘There’s an energy that comes from the orchestra that I’m communicating to the public,’ she explains. ‘It’s like a time machine where I am bringing the past into the present and creating the future.’”

Inter/National News

The New York Times reports on two important New York art-world news items: The Met’s hiring of Dr. Patricia Marroquin Norby (Purépecha) as its first full-time Native American curator, and the Studio Museum’s continued innovation of its artist-in-residence program, with four artists named to remote residencies this season, including Jacolby Satterwhite as a mid-career artist.

Artnet is out with its annual Intelligence Report on the art market, which this year launches an “Innovators List”: “a group of 51 entrepreneurs, artists, dealers, and others who are lighting the way toward the future with vision, chutzpah, and grit.”

Hyperallergic’s Valentina Di Liscia reports on Vote.org’s nonpartisan initiative that “seeks to channel the power of art to encourage voter participation,” working with artists such as Sanford Biggers, Jenny Holzer, and Julie Mehretu.

“Vote.org CEO Andrea Hailey believes that art may hold the key to educating and mobilizing citizens across the nation to exercise their right to vote… ‘If we lower the barriers to political engagement and turn more people out to vote, together, we can paint a more representative democracy.’”

And Finally

The Comedy Wildlife Photography Award finalists are out. Tag yourself; I’m Faceplant Baby Elephant.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: L Fried

Muse/News: SAM Reopens, ID Favorites, and Lawrence Revisited

SAM News

Museums in Seattle can now reopen! With new safety protocols in place, the Seattle Art Museum will reopen to the general public on September 11. Catch up on all the details covered in The Seattle Times, The Stranger, Capitol Hill Seattle, ARTnews, and Artdaily.

Amada Cruz, SAM’s Illsley Ball Nordstrom Director and CEO, was Marcie Sillman’s guest on KUOW The Record’s Wednesday show, sharing details on what SAM has been working on and how much we’ve missed you.

Also last week, SAM’s Priya Frank appeared on KING5’s New Day NW, talking with guest host Angela Poe Russell about equity at SAM and artists & organizations she loves.

Local News

“All creative people love a good challenge”: Pacific Northwest Ballet artistic director Peter Boal speaks with Seattle Times’ Moira Macdonald about their upcoming, all-digital season.

The Stranger’s Jasmyne Keimig covers the covers of Vogue and Vanity Fair, both of which feature Black artists (Kerry James Marshall, Jordan Casteel, Amy Sherald) creating new paintings of Black women (someone imagined, Aurora James, Breonna Taylor).

JiaYing Grygiel shares restaurant recommendations in the International District from Seattle notables, including SAM’s recently retired Deputy Director of Art, Chiyo Ishikawa. The article is a part of a series, Chinatown USA, which is meant as both a celebration and a call to action amid economic devastation and anti-Asian racism.

“The history of the Asian communities in Seattle isn’t all just barbecue pork buns and egg tarts. The ugly side of Seattle’s past includes anti-Chinese riots, discriminatory laws, and the internment of Japanese-Americans during World War II. Now here we are, in the middle of a pandemic that has been tinged, including by the president, with anti-Asian overtones, and restaurants in the ID are hurting badly. Yet they’re remaining open.”

Inter/National News

Hyperallergic’s Valentina Di Liscia reports on the newly unveiled monument in Central Park to Susan B. Anthony, Elizabeth Cady Stanton, and Sojourner Truth.

Artnet’s Naomi Rea reports on the recent controversy at the Whitney Museum of American Art, in which they came under fire for acquiring works of activist art from discounted benefits and fundraisers.

In advance of the opening of Jacob Lawrence: The American Struggle at the Met (which heads to SAM next year), the New York Times revisits a 1996 interview with Jacob Lawrence. The artist spoke with their then chief art critic Michael Kimmelman during visits to the Met and MoMA, discussing art and technique as they went along.

“The three of us looked at whatever interested him, from Dogon sculptures to Dubuffet. Lawrence was a bearish, humble man, courtly, endearing. ‘I guess there’s nothing wrong with a negative statement,’ he reassured himself out loud at one moment, before screwing up his courage to dis Jackson Pollock.”

And Finally

“The Shooting of John T. Williams, 10 Years Later.”

– Rachel Eggers, SAM Associate Director of Public Relations