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Muse/News: Fall into Art, Madrigal’s Music, and Painting A Democracy

SAM News

The Seattle Times’ Fall Arts Guide landed this Sunday; here, Megan Burbank looks at the upcoming season of visual arts. Burbank also visited SAM on its first day being open again to the public; she reported on the “subtle, early-bird cheer” of the galleries.

“And for the most part, things were surprisingly normal. Traffic in the museum flowed easily. Between a pair of spectators chatting casually on a bench and the lack of windows, time passed easily, and aside from the masks and the crowd level, it didn’t seem all that different from visiting a museum pre-COVID.”

Last week, the Seattle Times’ Alan Berner dropped by for a visit to Alexander Calder’s The Eagle at the Olympic Sculpture Park, which has been tented all summer for a major repainting. Keep an eye out for its unveiling in all its Calder-red glory.

Local News

The Seattle Times’ Paige Cornwell recently profiled Edy Hideyoshi Horikawa, a decorated veteran who served with the celebrated 442nd Regiment while his family lived in an incarceration camp and who became an artist and teacher upon his return. He celebrated his 100th birthday in August and was fêted with a drive-by parade.

Rena Priest shares her essay with Seattle Met from a forthcoming collection that explores Seattle’s storytelling heritages and what its UNESCO City of Literature designation means.

Crosscut’s Agueda Pacheco Flores interviews Seattle conductor Paula Nava Madrigal about how she’s “disrupting the traditionally white, male discipline of conducting.” Madrigal will once again conduct a Mexican Independence Day concert, which this year is going virtual.

“‘There’s an energy that comes from the orchestra that I’m communicating to the public,’ she explains. ‘It’s like a time machine where I am bringing the past into the present and creating the future.’”

Inter/National News

The New York Times reports on two important New York art-world news items: The Met’s hiring of Dr. Patricia Marroquin Norby (Purépecha) as its first full-time Native American curator, and the Studio Museum’s continued innovation of its artist-in-residence program, with four artists named to remote residencies this season, including Jacolby Satterwhite as a mid-career artist.

Artnet is out with its annual Intelligence Report on the art market, which this year launches an “Innovators List”: “a group of 51 entrepreneurs, artists, dealers, and others who are lighting the way toward the future with vision, chutzpah, and grit.”

Hyperallergic’s Valentina Di Liscia reports on Vote.org’s nonpartisan initiative that “seeks to channel the power of art to encourage voter participation,” working with artists such as Sanford Biggers, Jenny Holzer, and Julie Mehretu.

“Vote.org CEO Andrea Hailey believes that art may hold the key to educating and mobilizing citizens across the nation to exercise their right to vote… ‘If we lower the barriers to political engagement and turn more people out to vote, together, we can paint a more representative democracy.’”

And Finally

The Comedy Wildlife Photography Award finalists are out. Tag yourself; I’m Faceplant Baby Elephant.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: L Fried

Muse/News: SAM Reopens, ID Favorites, and Lawrence Revisited

SAM News

Museums in Seattle can now reopen! With new safety protocols in place, the Seattle Art Museum will reopen to the general public on September 11. Catch up on all the details covered in The Seattle Times, The Stranger, Capitol Hill Seattle, ARTnews, and Artdaily.

Amada Cruz, SAM’s Illsley Ball Nordstrom Director and CEO, was Marcie Sillman’s guest on KUOW The Record’s Wednesday show, sharing details on what SAM has been working on and how much we’ve missed you.

Also last week, SAM’s Priya Frank appeared on KING5’s New Day NW, talking with guest host Angela Poe Russell about equity at SAM and artists & organizations she loves.

Local News

“All creative people love a good challenge”: Pacific Northwest Ballet artistic director Peter Boal speaks with Seattle Times’ Moira Macdonald about their upcoming, all-digital season.

The Stranger’s Jasmyne Keimig covers the covers of Vogue and Vanity Fair, both of which feature Black artists (Kerry James Marshall, Jordan Casteel, Amy Sherald) creating new paintings of Black women (someone imagined, Aurora James, Breonna Taylor).

JiaYing Grygiel shares restaurant recommendations in the International District from Seattle notables, including SAM’s recently retired Deputy Director of Art, Chiyo Ishikawa. The article is a part of a series, Chinatown USA, which is meant as both a celebration and a call to action amid economic devastation and anti-Asian racism.

“The history of the Asian communities in Seattle isn’t all just barbecue pork buns and egg tarts. The ugly side of Seattle’s past includes anti-Chinese riots, discriminatory laws, and the internment of Japanese-Americans during World War II. Now here we are, in the middle of a pandemic that has been tinged, including by the president, with anti-Asian overtones, and restaurants in the ID are hurting badly. Yet they’re remaining open.”

Inter/National News

Hyperallergic’s Valentina Di Liscia reports on the newly unveiled monument in Central Park to Susan B. Anthony, Elizabeth Cady Stanton, and Sojourner Truth.

Artnet’s Naomi Rea reports on the recent controversy at the Whitney Museum of American Art, in which they came under fire for acquiring works of activist art from discounted benefits and fundraisers.

In advance of the opening of Jacob Lawrence: The American Struggle at the Met (which heads to SAM next year), the New York Times revisits a 1996 interview with Jacob Lawrence. The artist spoke with their then chief art critic Michael Kimmelman during visits to the Met and MoMA, discussing art and technique as they went along.

“The three of us looked at whatever interested him, from Dogon sculptures to Dubuffet. Lawrence was a bearish, humble man, courtly, endearing. ‘I guess there’s nothing wrong with a negative statement,’ he reassured himself out loud at one moment, before screwing up his courage to dis Jackson Pollock.”

And Finally

“The Shooting of John T. Williams, 10 Years Later.”

– Rachel Eggers, SAM Associate Director of Public Relations

Muse/News: Online learning, quarantine portraits, and Wendy Red Star’s school

SAM News

Seattle’s Child has a round-up of online learning activities from area museums, zoos, and more—including a mention of Stay Home with SAM art-making activities.

Local News

Chris Talbott for the Seattle Times reports on KEXP’s recent shifts in leadership and programming, as the beloved radio station works to become an anti-racist organization.

Crosscut’s Margo Vansynghel joins Seattle dancers as they pivot to performances outdoors in local parks.

Stefan Milne explores why Steven Miller’s quarantine portraits of friends have struck such a deep chord.

“American culture often talks of queerness in terms of visibility, ‘in the closet’ or ‘out.’ In these photos, Miller looks in on a more literal enclosure. He told me his way of dealing with this imposed invisibility is having people ‘come as they want to be seen.’”

Inter/National News

Rebecca Ann Proctor reports for the Art Newspaper on the devastation in Beirut after an explosion in the port left more than 70 people dead and over 4,000 injured. Many museums and galleries were severely impacted in the blast.

Artnet’s Kate Brown reports on the turmoil within the Paris-based International Council of Museums (ICOM), as an effort that began last year to redefine “museum” has now resulted in a series of resignations.

Hyperallergic’s Karen Chernick speaks with Wendy Red Star—winner of SAM’s 2016 Betty Bowen Award—about her new solo exhibition at the Massachusetts Museum of Contemporary Art (MASS MoCA)’s Kidspace, which acts as a corrective to the lack and misrepresentation of Native history in public school curriculums.

“For me, it’s very important that the ancestors that are presented in the exhibition are really thought of as people. And relatable people…And really humanizing them, because Native people have been dehumanized so much or made into this mythical part of the West that doesn’t exist. My hope is that there’s a human connection that the kids can make and relate to.”

And Finally

Setsuko Thurlow bears witness.

– Rachel Eggers, SAM Associate Director of Public Relations

Muse/News: Art walks, Juneteenth reflections, and George Floyd’s eyes

SAM News

Jeff Totey of Seattle Refined has “100 Things To Do in Seattle Right Now (or Very Soon),” including an “art walk” in SAM’s Olympic Sculpture Park, whose grounds are open to the public during this time.

Local News

South Seattle Emerald and Crosscut collaborated on a series of portraits of and reflections from Black Seattleites in honor of Juneteenth.

The Seattle Times’ Lewis Kamb shares all the details on how Capitol Hill’s Black Lives Matter mural came to be. Don’t miss Ken Lambert’s incredible drone image of the mural.

The Stranger’s Jasmyne Keimig returned to her post at the paper in time to cover all the happenings at CHOP. But her arts & culture beat still goes on. Here, she reflects on the many eyes of George Floyd.

“When I’m inside CHOP, I feel like I’m being watched—by the nation, by police, by the government, by history, by those we are fighting for. The whittling away of Floyd’s other features, leaving just his eyes, seems to underscore that idea: Floyd is present, here, watching over us.”

Inter/National News

Last Friday, many around the nation commemorated Juneteenth; the holiday is now officially observed at SAM. Here’s a quick listen from 2017 of Pulitzer Prize-winning author Isabel Wilkerson on why she thinks it should be an official national holiday.

Peruse these Artnet editors’ picks for virtual art events to attend this week.

The New York Times presents “Sources of Self-Regard,” self-portraits by Black photographers with an accompanying essay by Deborah Willis.

“As I look at these images, I can envision how the photographers shifted their focus to construct new works or culled their own archives to revisit ideas — seeking answers to their own questions about one’s sense of self and responsibility during this unspeakable time.”

And Finally

Drive-in movie theaters to visit this summer.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Benjamin Benschneider

Muse/News: Curator Journeys, Black Imagination, and A Cry for Action

SAM News

Last week, Stay Home with SAM visited the town of Étretat with Monet and SAM curator Chiyo Ishikawa and made poetry inspired by a Ming dynasty calligraphy painting.

Local News

Capitol Hill Seattle Blog reports on a long-planned redevelopment now steadily moving ahead in the wake of the protests: The Fire Station 6 property at 23rd Ave and Yesler is slated to become the William Grose Center for Cultural Innovation, a project led by Africatown. King County Equity Now Coalition on Monday called for specific next steps.

The Seattle Times has started a new series, The Future of Policing, “an examination of what that future could look like and the hurdles ahead.” Here, Nina Shapiro talks to community leaders and their views on the reimagining of public safety.

Crosscut’s Brangien Davis reflects on “how ‘what ifs’ become realities” in her weekly editor’s letter, exploring acts of collective imagination happening now, as well as those by Black artists and cultural workers long in the works such as Wa Na Wari, Africatown, Natasha Marin, and more.

Inter/National News

“A cry for action from the inside out and the outside in”: The director of the Oakland Museum of Art, Lori Fogarty, writes an opinion piece for Artnet, laying out their ongoing equity efforts—social impact evaluations, board representation benchmarks, paid internships, and community collaborations—as well as “how much further [they] have to go.”

Billy Anania for Hyperallergic points you to a viewable archive of the Los Angeles Free Press (1964–1978), which covered police violence and racial inequality with always-compelling design.

Museums across the country are collecting artifacts from the recent protests as they’re happening, reports Artnet’s Sarah Cascone, ensuring this historical moment can be further taught and explored.

“The artifact actually stands as a metaphor,” Aaron Bryant, curator of photography and visual culture and contemporary collecting at the Smithsonian National Museum of African American History and Culture. In many ways, it becomes a portal by which we can connect our visitors with the story we are trying to tell.”

And Finally

No end in sight.

– Rachel Eggers, SAM Associate Director of Public Relations

Fishing Boats at Étretat, 1885, Claude Monet, French, 1840-1926, oil on canvas, 29 x 36 in. Partial and promised gift of an anonymous donor, 92.88.

Muse/News: We heart Asian art, holding down the fort, and a zoo-riffic museum visit

SAM News

The May/June issue of Hong-Kong based magazine Orientations is out, and the reimagined Asian Art Museum is the cover story. “Flip” through the digital edition to page 46 to read the essay by SAM curators Foong Ping and Xiaojin Wu, along with consulting curator Darielle Mason.

This week, Stay Home with SAM sends love letters to Seattle’s Chinatown-International District, explores the major-ness of Kehinde Wiley, and gathers under the light installation of Kenzan Tsutakawa-Chinn.

Teen Tix reviewers spend some time navigating the “well-written” and “brilliant” SAM Blog and share this review.

“The piece was captivating. This sentence put what I originally thought were just a couple whimsical cement radios into a bizarre and uncanny context, something that, without an entire article to accompany it, a run of the mill museum exhibit could not have done.”

Local News

Crosscut’s Margo Vansynghel talks with artist Monyee Chau, who created a poster to buoy up the Chinatown-International District in response to an increase of anti-Asian racism.

Seattle Met’s Steve Luikens has some great recommendations for “what to stream in Seattle this week,” including herstory lessons, dystopian film, and Samantha Irby.

Real Change’s Ashley Archibald on Totem Star, a recording studio and music workshop for youth, and how it’s continuing to mentor its young artists remotely.

“Opening the online platform has helped with the isolation of the lockdown, giving structure to a week when days blur together in a miasma of monotony. ‘It’s a consistent thing we look forward to in our days,’ Amina said. ‘It’s been hard, but they’ve been making it easier, for sure.’”

Inter/National News

23 mayors across the US—including Seattle’s Jenny Durkan—signed a joint letter to Congress urging the government to provide more aid to artists, arts workers, and cultural organizations in the next federal stimulus package, reports Artforum.

“Holding down the fort”: Artnet’s Sarah Cascone looks at the guards, groundskeepers, and collection managers still working on-site at closed museums.

The New York Times’ Thomas Rogers explores how some European museums are reopening and reinventing themselves during the pandemic.

“It has largely been up to the institutions to iron out the details, including whether to require masks. For museum directors, this involves balancing public safety against the desire to allow people to freely engage with art; for visitors, this means navigating a patchwork of new rules.”

And Finally

“They seemed to react much better to Caravaggio than Monet.”

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Robert Wade

Muse/News: SAM style leaders, virtual First Thursday, and llama heroes

SAM News

“The passion in David Rue’s voice is palpable.” Andrew Hoge of Seattle Magazine talks with SAM Public Engagement Associate David Rue for their May edition of Style Profile about his eclectic approach to personal style and arts programming.

This week, Stay Home with SAM gets you ready for SAM Book Club’s exploration of Octavia Butler, flips through a powerful youth zine responding to the pandemic, and ducks for cloud cover with Teresita Fernández.

The Seattle Times collects “5 fun ways to stretch your kid’s brain” with “Weekly Wonder” recommendations by Kris Gilroy Higginson, including SAM’s “tree-mendously cool” Middle Fork-inspired art project.

Vox Magazine’s Hannah McFadden of Vox Magazine, Columbia Missourian’s award-winning student magazine, has a very enthusiastic recommendation of SAM Blog in her round-up on online arts experiences.

“This blog is colorful and incredibly detailed in the descriptions of its exhibits and related art history. Plus, the blog’s tags make it easy to navigate.”

Local News

Did you virtually art walk with everyone this First Thursday? You can still watch all the virtual tours and talks presented by Lauren Gallow and Gabriel Stromberg with By The Hour, including talks from Pam McClusky and Foong Ping.

Unstreamable is back! In this recurring column, Chase Burns and Jasmyne Keimig watch and review films that are unavailable to stream; they’ve got helpful information on how to sign up for Scarecrow’s safe rental-by-mail program.

Brangien Davis of Crosscut with her essential weekly “editor’s notebook”; she talks about the effect of the shutdown extension on the arts in Seattle, highlighting creative efforts thriving in spite of the hardships.

“There’s a lesson in here somewhere, for these COVID days, about learning to trust in a new way of thinking, about seeing things differently when the world is turned upside down.”

Inter/National News

Nominated three previous times, Los Angeles Times art critic Christopher Knight won the 2020 Pulitzer Prize for criticism, one of very few visual arts critics to win the prize.

“A small show that’s built around a sensational painting, and that has an unreadable relationship at its heart.” The New York Times’ Holland Cotter recommends a virtual visit to Boston’s Apollo: Thomas McKeller and John Singer Sargent at the Isabella Stewart Gardner Museum.

“A Wedding Photographer Took an Online Archaeology Class During Lockdown—and May Have Discovered a Lost Stonehenge-Like Structure.” Artnet’s Sarah Cascone with an incredible story of novice archaeology.

As he scanned along the River Trent, near the village of Swarkestone, he noticed something strange. “I thought, ‘what’s that? It looks a bit odd, and a bit round,’” Sedden told the Guardian.

And Finally

Not all heroes wear capes. Some are llamas with “envy-inducing eyelashes.”

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view of John Akomfrah: Future History at Seattle Art Museum, 2020, photo: Natali Wiseman.

Muse/News: A journey to Amerocco, book nerds, and environmental art

SAM News

The Seattle Times’ Brendan Kiley reported on the huge financial impacts of the coronavirus on local arts organizations. He spoke with SAM director Amada Cruz.

“Despite this, Cruz said SAM has been able to preserve all of its 217 staff jobs through June, with a combination of executive pay cuts and a $2.8 million loan from the CARES Act.”

Nancy Kenney of the Art Newspaper also reported on the payroll loan program and the financial status of US museums, mentioning SAM.

This week, Stay Home with SAM offered Earth Day tips and an art project inspired by El Anatsui, introduced the SAM Book Club’s latest pick (Octavia Butler!), and explored the in-between identities of Aaron Fowler’s Amerocco.

The Seattle Times’ Brendan Kiley included details on Stay Home with SAM in his round-up of “the most intriguing streaming and online arts events” for the week.

And Geekwire’s Lisa Stiffler on the “digital lifeline” provided by local arts organizations, including Stay Home with SAM.

Local News

Special to the Seattle Times, writer Sarah Neilson connects with six creatives on what inspires them about Seattle and the Pacific Northwest.

Stefan Milne of Seattle Met looks at two “ambitious” streaming events on the horizon, and whether they can fill the void for what would have been a busy summer of festivals and fundraising.

Crosscut Brangien Davis has her weekly editor’s letter, with lots of arts recommendations and on Seattle’s popular Silent Reading Party, which has gone remote.

“At chapter breaks, I’d glance up to check in on my fellow book nerds, who were reading while sipping a drink, rocking a baby or petting an insistent cat. It felt so nice to go to a party — even one that’s silent and virtual — where people allow a camera into their private rooms, just to read and be together.”

Inter/National News

Muse/News recommends: a streamable documentary on Hilma af Klimt, The Rubin Museum of Art’s Daily Offerings, and, well, all the things the Artnet editors recommend.

For Earth Day, Artsy explores “10 Artists. . .Making Urgent Work about the Environment,” including John Akomfrah.

Phillips’ blog talks with art world leaders for their series, How We’re Adapting. Bobbye Tigerman, a curator at LACMA, shares her new Zoom background and thoughts for the future.

“This experience has stimulated my thinking about the role that museums can play for those who are not physically able to visit them, whether for health, economic, or other reasons. I wholeheartedly believe in the transformative experiences by a physical encounter with a work of art, but when that is not feasible, how else can we offer authentic engagement to our visitors near and far?”

And Finally

Test Kitchen Hive, assemble.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Natali Wiseman

Muse/News: Projecting hope, art world pets, and a Biscuit Klimt

SAM News

This week, Stay Home with SAM takes you inside the Asian Art Museum’s new Asian Paintings Conservation Center and building (literally) for the community with SAM educator Rayna Mathis.

The Stranger helpfully rounds up arts organizations you can support during the now-earlier Give Big campaign, including SAM.

Local News

Seattle Met has a reading list of books by Washingtonians—“recent releases, stone-cold classics”—along with links to indie booksellers.

Seattle Times’ Moira Macdonald picks “8 of the most interesting arts events to stream” this week, including Seattle Public Library’s Virtual Story Time, Elizabeth Kolbert’s Earth Day virtual lecture for Seattle Arts & Lectures, and Sir Patrick Stewart reading Shakespeare’s sonnets.

Crosscut’s Brangien Davis shares from her “isolation bubble” all the ways creatives are making art to lift spirits; don’t miss Electric Coffin’s video from their recent nighttime light projections, including on the façade of SAM.

“Each of the ‘rogue’ screenings featured a balloon decorated with a floral pattern and a message such as ‘We Will Not Desert You,’ ‘Hang in There’ or ‘We Will Survive.’”

Inter/National News

“Pets of the Art World!” says the Artnet headline. Tag yourself, I’m Olga, Rachel Corbett’s cat.

Smithsonian Magazine shares details of the free online courses in art, fashion, and photography being offered by MoMA.

The New York Times’ Will Heinrich recommends 15 art documentaries to stream, including Frederick Wiseman’s wonderful “National Gallery.”

“It’s a good batch of films guaranteed to transport you out of your living room, whether it’s to the glamour of the Mediterranean coast, to the excitement of a contemporary art auction, to the otherworldly ecstasy of a Sun Ra concert, or even to the squalid claustrophobia of Edvard Munch’s Norwegian adolescence.”

And Finally

Explore the #GettyMuseumChallenge. (Biscuit Klimt has to be the winner.)

– Rachel Eggers, SAM Associate Director of Public Relations

Images courtesy of Electric Coffin.