Muse/News: Gramming SAM, Dance Language, and Eco Immersion

SAM News

You love to ’gram it: Lindsay Major reports for Seattle PI that SAM is “one of the most Instagrammed museums in America.”

Seattle Met’s Allecia Vermillion joins the chorus welcoming MARKET Seattle, Chef Shubert Ho’s seafood cafe, to SAM.

And stay tuned for Imogen Cunningham: A Retrospective, SAM’s special exhibition opening November 18. Seattle Met previews the show, which features over 200 genre-spanning examples from the pioneering modernist photographer.

“This show is worth seeing not only for the consensus masterworks, but also for the stunning versatility of Cunningham’s lens, from nudes to street shots to portraiture.”

Local News

Crosscut’s Brangien Davis devotes much of her weekly ArtSEA letter to the new show at the Henry Art Gallery, Packaged Black, a duo show for Derrick Adams and Barbara Earl Thomas, whose cut-paper portraits are also on view at SAM.

“Filastine Spent the Pandemic Sailing an Artsy Rustbucket Across the Pacific.” I don’t know what these words mean, either! Gregory Scruggs for the Stranger is here to elucidate.

Moira Macdonald of the Seattle Times: UW’s Chamber Dance Company celebrates 30 years of preserving and performing modern dance masterpieces.”

“[Mary Ann Santos] Newhall noted that just as languages can be lost from oral tradition, dances can likewise disappear. ‘It has to be passed on from body to body, or we lose our language.’ she said. ‘What Hannah [C. Wiley] is doing is preserving our language of dance.’”

Inter/National News

The New York Times’ Holland Cotter is “Looking Close at the Fragile Beauty of Chinese Painting,” on the occasion of 60 landscapes going on view at the Met.

Sarah Cascone for Artnet on Really Free: The Radical Art of Nellie Mae Rowe, now on view at the High Museum of Art, with national touring dates to be announced.

Louise Bury for Art in America on Sun & Sea (Marina), the Lithuanian opera about climate change that recently had its US debut at the Brooklyn Academy of Music.

“The performance can be understood as artistic consciousness-raising, which has been one of two main historical rationales for eco-oriented art (the other being more direct environmental remediation). Yet it’s a quite particular kind of consciousness-raising, one that offers sensory immersion rather than abstract information.”

And Finally

“The Curious Case of the British Telephone Booth in Madison Park.”

– Rachel Eggers, SAM’s Associate Director of Public Relations

Photo: Installation view of Barbara Earl Thomas: The Geography of Innocence at Seattle Art Museum, 2020, © Seattle Art Museum, Nina Dubinsky.

Muse/News: History at SAM, Overheard at the Frye, and Sculptures with the Blues

SAM News

“SAM picks new board chair, making national history.” That’s the Seattle Times headline announcing that Dr. Constance W. Rice is the museum’s new board Chair. She is believed to be the first Black woman to assume the role at a major US art museum. ARTnews, Artdaily, The Seattle Medium and others also shared the news.

“She says she wants to ‘keep doors wide open’ in the museum to communities that might not see the museum as a place they belong, in the way she felt comfortable roaming the halls of MoMA when she was younger. ‘For me, every citizen of Seattle owns the art museum,’ Rice says. ‘I want them, when they walk in, to feel like I felt years ago as a kid: welcome.’”

The Seattle Times’ Tan Vinh reports on restaurant openings, including MARKET SEATTLE, SAM’s new restaurant partner.

“Arguably the most popular seafood spot in the North End…expands to downtown Seattle with a 60-seat restaurant inside the Seattle Art Museum. All of its greatest hits are here: lobster rolls, fried soft-shell crab, seafood chowder and fish and chips.”

Local News

All aboard: Brangien Davis of Crosscut on the new public art debuting along with the expanded light rail. Also mentioned: The Frye Art Museum’s new exhibition of recent acquisitions, including a work by SAM’s 2021 Betty Bowen Award-winner, Anthony White.

The Stranger’s Jas Keimig on Alden Mason: Fly Your Own Thing, now on view at the Bellevue Arts Museum through October 10.

The Seattle Times’ Brendan Kiley has their “A&E Pick of the Week”: Duane Linklater’s new exhibition at the Frye Art Museum. Kiley dives deep with five of the works on view.

“There are stories and ideas in “mymothersside,” currently occupying several rooms at Frye Art Museum, but we only catch fragments and echoes, like we’re overhearing something — or being permitted to overhear little bits of something that isn’t ours to fully comprehend.”

Inter/National News

Artnet’s Melissa Smith has the first major interview with Naomi Beckwith since she became chief curator and deputy director of the Guggenheim; Beckwith talks about why she’s exactly where she needs to be.

The MacArthur Foundation named its 25 new fellows (yep, “geniuses”), including visionaries from the art world such as painter Jordan Casteel, art historian/curator Nicole Fleetwood, and sculptor/painter Daniel Lind-Ramos.

“Woody de Othello’s ceramic sculptures give Funk art a musical twist.” That’s Glenn Adamson for Art in America on the artist’s “heartbreaking” sculptures that have roots in face jugs, the blues, and the Funk art movement.

“Pathos is very much the point, but the effect is anything but delusional: one object, one figure at a time, Othello is making a world that’s almost too true to bear.”

And Finally

White lines.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Courtesy of MARKET Seattle.

Muse/News: Falling at SAM, Coltrane in Seattle, and the Year 2000

SAM News

Get out your calendars: The Seattle Times is out with their extensive fall arts guide! Megan Burbank previews both of SAM’s fall shows, Frisson: The Richard E. Lang and Jane Lang Davis Collection and Imogen Cunningham: A Retrospective. And JiaYing Grygiel has details on “for free or cheap” ways to visit local museums, mentioning free days at the Seattle Art Museum and Seattle Asian Art Museum, as well as the always-free Olympic Sculpture Park.

Brendan Kiley of the Seattle Times appears on KUOW to talk end-of-summer arts picks; he highly recommends Barbara Earl Thomas: The Geography of Innocence at SAM, which closes January 2, 2022. See it again or for the first time before heading to the Henry Art Gallery in October for more from this local arts legend.

Don’t miss the final days of Dawn Cerny: Les Choses, the solo exhibition for the 2020 winner of the Betty Bowen Award closing September 27. Here’s Emily Zimmerman interviewing the artist for BOMB Magazine.

Last week, SAM announced that Anthony White is the 2021 winner of the award, which grants $15,000 and a solo show to a Northwest artist. Here’s the news in Artdaily and The Stranger.

Local News

The Puget Sound Business Journal reveals their list of Directors of the Year for area boards. On the list are two board members of SAM: Sheila Edwards Lange and Maggie Walker. Congratulations, and thank you!

Crosscut’s Brangien Davis logs a hefty fall reading list in the latest edition of ArtSEA, inspired by the recent Washington State Book Awards announcement.

Paul de Barros for the Seattle Times on the story of how two local saxophonists discovered a recording of a live-in-Seattle performance by John Coltrane of his masterpiece, “A Love Supreme.”

“I heard ‘Psalm’ first,” he says, “and I was blown away, because I knew it was rare, that he never played it in public, except in France. But then when I turned the tape over and realized here’s Joe Brazil doing his matinee set, then it ends, then the next thing is the opening fanfare [of “Acknowledgment”], and — Oh my God, I realized the whole suite is here!”

Inter/National News

“George Lucas’ new L.A. museum moves full speed ahead”: The Los Angeles Times with an update on the forthcoming museum of narrative art, led by former SAM leader Sandra Jackson-Dumont. Also mentioned: the appointment of another former SAM education leader, Regan Pro, as their deputy director of public programs and social impact.

“In honor of National Hispanic Heritage Month, which takes place from September 15 to October 15, five of Getty’s most popular online exhibits on Google Arts & Culture will now be permanently available in Spanish as well as their original English,” reports Sarah Rose Sharp of Hyperallergic.

Artnet’s Sarah Cascone on the illustrations created by Jean-Marc Côté in 1900 that offered “fantastical visions of the future,” that is, the year 2000.

“They remain relevant, and become increasingly more so as time passes,” [Rebecca] Romney said. “One of the cards depicts a scientist interacting with microbes; another shows something very akin to a Zoom session…Looking at these cards is a bit like catching up with a friend you haven’t seen since high school—that contraction of time in which it feels as if you experience two time periods at once, thinking of all that was different in the past, and how much has changed now.”

And Finally

Met Gala looks inspired by art.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Night Watch, 1960, Lee Krasner, American, 1908–1984, oil on canvas, 70 x 99 in.Seattle Art Museum, Gift of the Friday Foundation in honor of Richard E. Lang and Jane Lang Davis, 2020.14.4 © The Pollock-Krasner Foundation. Photo: Spike Mafford / Zocalo Studios.Courtesy of the Friday Foundation.

Muse/News: Fall Into Frisson, Black Papers Unite, and Guston For Real

SAM News

Crosscut presents its fall arts preview, with an asterisk in case of COVID-related changes. Among their picks to pencil in: Frisson: The Richard E. Lang and Jane Lang Davis Collection at the Seattle Art Museum, which debuts the recent gifts of pivotal Abstract Expressionist works of art (Krasner! Guston! Rothko! And more!).

Local News

The Seattle Times’ David Gutman reports on the $20 million in federal COVID-19 recovery funds that King County will distribute to theaters, music venues, clubs, and other artistic spaces.

Seattle Met’s fall fashion spread celebrates the return of performers to the stage with theatrical looks (all the world’s, etc.).

The Seattle Medium is one of 10 Black newspapers in the US that have come together in a “new online collaborative” called Word In Black, reports Ernie Suggs of the Atlanta Journal-Constitution.

“The 10 different publishers ‘sometimes have different mindsets, different politics, and they live in different parts of the country’…said [Nick] Charles. ‘But their affection and love for communities are what binds them. Collaboration is going on because people realize that to survive and to meet our mission as journalists, we have to band together.’”

Inter/National News

Shanti Escalante-de Mattei for ARTnews on the new artist residency on Long Island for Black, Indigenous, and POC creators, created by Jeremy Dennis in his family home.

On Artnet’s Art Angle Podcast: Four artists (Naomi Ben-Shahar, Monika Bravo, Simon Eldridge, and Jeff Koenigsberg) who were participating in the World Views Residency during 9/11 reflect on their experiences.

The New York Times’ Roberta Smith on Philip Guston: 1969-1979 at Hauser & Wirth.

“These paintings have their amusing aspects as images; their enthralling, startling qualities as fields of manipulated paint; and their painful auras as ridiculous yet heart-rending pictures of the hell that is being an artist, or maybe just the hell that was being Philip Guston.”

And Finally

An update on Cotton Candy Girl.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: To B.W.T., 1952, Philip Guston, American (born in Canada), 1913–1980, oil on canvas, 48 1/2x 51 1/2 in.Seattle Art Museum, Gift of the Friday Foundation in honor of Richard E. Lang and Jane Lang Davis, 2020.14.10 © The Estate of Philip Guston. Photo: Spike Mafford /Zocalo Studios. Courtesy of the Friday Foundation.

Muse/News: Nature Calls, Still Here, and An Art Rx

SAM News

Katie White for Artnet: These 6 Fall Museum Shows Will Make You Rethink the Way You Look at the Natural World.” On the list? SAM’s special exhibition, Imogen Cunningham: A Retrospective, which opens November 18 and explores the photographer’s seven-decade body of work, including her pioneering modernist botanicals.

“I mean, rightfully.” Meg van Huygen understands why people are obsessed with the lobster rolls from The MARKET in Edmonds. You can indulge very soon when they arrive at SAM’s restaurant space.

Local News

Ann Guo for the Seattle Times on Gerard Tsutakawa’s sculptures, which are now on view at the Wing Luke Museum alongside those of his father, George.

Seattle Met says, get yer tickets now! To this fall’s best events and performances.

“We were here, and we are still here, and we will be here.” Reporting by Margo Vansynghel and photos by Matt McKnight for Crosscut on the wave of Black art in Seattle’s Central District.

“It also sends an important signal, [Vivian Phillips] says. ‘With the severe reduction of Black residents in the Central Area, part of what this represents is that we were here, and we are still here, and we will be here, in some form. We’re making our mark … through art, to make sure that people cannot forget or erase us.’”

Inter/National News

Carlos Aguilar for the New York Times looks back at Alfonso Cuarón’s Y Tu Mamá También, 20 years after its release, speaking with the filmmakers and actors.

Marc Garrett and Ruth Catlow with an opinion piece for Hyperallergic: “What Public Art Might Look Like After the Pandemic.”

Artnet’s Caroline Goldstein on the doctor’s orders: museum visits. That’s right: Doctors in Brussels are prescribing visits to museums for patients coping with pandemic-related stress. (So, everyone?)

“Numerous studies have confirmed the benefits of art in raising patient’s spirits, even when they are confined to hospitals. The World Health Organization even operates an entire program dedicated to the study and support of arts as vital components of maintaining well-being.”

And Finally

Michael K. Williams’s Black joy.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Two Callas, 1925/1929, Imogen Cunningham, American, 1883–1976, gelatin silver print, 11 13/16 × 8 7/8 in., The Art Institute of Chicago, Julien Levy Collection, Gift of Jean Levy and the Estate of Julien Levy, 1988.157.24, 2021 © The Imogen Cunningham Trust

Muse/News: Asian Intersections, Kinsey’s Stories, and Mickalene’s Freedom

SAM News

KING’s New Day NW visits the Seattle Asian Art Museum, which is open Friday through Sunday. Curator Xiaojin Wu walks host Amity Addrisi through the thematic galleries and talks about a few of the incredible objects on view.

“4 easy art projects inspired by a visit to the Seattle Art Museum.” JiaYing Grygiel for Seattle’s Child sharing her ideas and her kids’ creations.

“[SAM] is a surprisingly kid-friendly excursion, especially on weekday mornings, when you pretty much get the galleries to yourself. Two hours is the perfect amount of time for a museum walk-through and a snack. After that, you can head home for a nap—and art projects.”

“13 Fall Restaurant Openings in Seattle to Get Excited About.” Naomi Tomky for Thrillist includes MARKET SEATTLE at Seattle Art Museum on her list! The lobster roll fav from Edmonds arrives at SAM soon—stay tuned for an opening date.

Local News

OK, SAM’s new restaurant is making us hungry. Here’s Seattle Met with “Seattle’s 100 Best Restaurants.”

Crosscut’s Brangien Davis with her weekly ArtSEA dispatch; in this edition she highlights a floating circus.

In a recent Muse/News, we shared Crosscut’s coverage of the Kinsey Collection at Tacoma Art Museum. Now, here’s Crystal Paul for the Seattle Times on her visit to the extraordinary collection of Black art and history.

“‘There are the stories that made America and there are the stories that America made up,’ said [curator] Bernard Kinsey. ‘Everything we learned in school was made up, because [Black Americans] weren’t in it … We’re here, we’re just not part of the narrative and we should be.’”

Inter/National News

Artnet’s Eileen Kinsella on that whole “new Basquiat + Tiffany’s + Bey + Jay” thing.

If you really don’t know clouds at all: Art & Object on a new exhibition at UNC Chapel Hill’s Ackland Art Museum that focuses on clouds in East Asian art.

Dodie Kazanjian on Mickalene Thomas for Vogue! Thomas has work on view everywhere this fall and a forthcoming monograph from Phaidon. She has continued to create her Resist series, the first example of which debuted as part of Figuring History at the Seattle Art Museum.

“‘This is my first social-political body of work,’ she says. The first Resist appeared in a 2018 three-artist show at the Seattle Art Museum, alongside Robert Colescott and Kerry James Marshall. ‘I was so honored to be chosen for that show,’ she tells me. ‘These artists created a platform for artists like me to freely make whatever the f*ck I want to make.’”

And Finally

Dorothy Parker finally gets a tombstone.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Photo: Adam Hunter/LMNArchitects

Muse/News: Chiyo on Monet, Leaders Reflect, and A Major Acquisition

SAM News

Chiyo Ishikawa, the curator of Monet at Étretat, recently appeared on New Day NW to talk about the exhibition’s fresh look at the beloved artist.

“I hope they [visitors] will see him with fresh eyes. I hope that they will be able to put themselves in his shoes and see somebody in the midst of a struggle … when we look back, we think of Monet’s career as one long success—well that’s not how he experienced it.”

For those who couldn’t tee off, Seattle Refined dropped by SAM’s artist-designed mini-golf course at the Olympic Sculpture Park, sharing this photo gallery.

Local News

“A Pied Piper of modern dance.” The Seattle Times’ Moira Macdonald reviews Ailey, the new documentary on choreographer Alvin Ailey.

“15 photos of memorable 2021 moments (so far)”: Crosscut photojournalists reflect on the year so far in photos.

Also from Crosscut: Their latest podcast features three Seattle arts leaders—Erin Johnson, Tim Lennon and Vivian Hua—sharing their pandemic tales of survival and transformation.

“Now that audiences are tentatively beginning to gather again, they are returning to a landscape that has been forever changed, for worse and for better.”

Inter/National News

Jesse Green of the New York Times reviews Antoinette Chinonye Nwandu’s play, Pass Over, which he says “inaugurates the new season with unexpected joy.” Celebrating its Broadway debut, the play had a hugely popular run at ACT Theatre in 2019.

Filippo Lorenzin for Hyperallergic on immersive art rooms and why we love to escape.

The Smithsonian American Art Museum (SAAM) in Washington, D.C. has acquired 286 early photographs from Larry J. West’s collection, reports Artnet, including “40 daguerreotypes by three of the most prominent Black studio photographers of their day: James P. Ball, Glenalvin Goodridge, and Augustus Washington.”

“John Jacob, SAAM’s curator for photography, said that… ‘SAAM now can show an inclusive history of photography, with African Americans among its earliest practitioners, conveying to viewers their contributions as innovators and entrepreneurs.’”

And Finally

The Isley Brothers: Tiny Desk Concert.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Courtesy of New Day NW

Muse/News: Art + Golf, NW Art Trip, and the Fate of Afghan Art

SAM News

“A hole-in-one for the arts.” That’s the Seattle Times on Par-Tee in the Park, SAM’s fundraiser featuring an artist-designed mini-golf course! Moira Macdonald spoke with Kimisha Turner, Eroyn Franklin, and LMN Architects about their creations that will support SAM programs. 

Also in the Seattle Times: Trevor Lenzmeier with a “Seattle tourism starter pack” that will have you visiting key downtown landmarks in a cool 90 minutes, including a few of the Olympic Sculpture Park’s monumental sculptures.

Local News

#FromTheArchives: Seattle Channel interviews artist Fay Jones. You’ll recognize her style from many public art projects around the city; her work is also in SAM’s collection

My fellow On The Boards-goers must also be obsessed with this little storefront: The Stranger’s Dave Segal reports on the impending arrival of Almost Everyday Music on Queen Anne. 

Crosscut’s Brangien Davis takes a Northwest arts road trip

“Stepping out of my car in Edmonds on a recent sunny Friday, I detected a scent as layered as a fine wine: a bouquet of salty sea air with notes of star jasmine and a fleshy finish of fried fish. It was only the first stop on my arts road trip, and already I’d drunk deeply from a full-bodied Northwest blend.”

Inter/National News

“Can the Arts Help Drive Vaccinations? Yes, According to the CDC.” From Hyperallergic’s Valentina Di Liscia.

“Can We Ever Look at Titian’s Paintings the Same Way Again?” asks Holland Cotter for the New York Times.

Artforum on the uncertain fate of Afghanistan’s museums and archeological sites.

“‘We have great concerns for the safety of our staff and collections,’ said Mohammad Fahim Rahimi, the institution’s [Afghan National Museum] director. At present, there is no plan for moving the items out of harm’s way. ‘The question is how to find a safe location,’ said a government source, additionally noting, ‘There is no way for them, or the staffs, to leave the country.’”

And Finally

Sometimes you’re just an art pumpkin being tossed in a typhoon.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Courtesy of LMN Architects

Muse/News: Monet at SAM, Art Walks, and Cave Cinema

SAM News

Seattle Met continues to recommend our Monet special exhibition on their list of “what to do in Seattle.” Monet at Étretat is on view through October 17.

And Curocity highlights SAM’s upcoming fundraiser, Par-Tee in the Park, featuring an artist-made mini-golf course in the Olympic Sculpture Park. Tickets are still available for the cocktail night on August 21!

Local News

Gabriel Campanario, AKA “Seattle Sketcher,” is retiring his regular sketch column in the Seattle Times for new challenges as the paper’s staff artist. His final column features a moment with a trail, a rabbit, and Echo at the Olympic Sculpture Park.

Crosscut’s Margo Vansynghel on Daybreak Star Radio, a new Seattle-based station on which “more than 90% of the songs aired…are written, produced or performed by Native American or First Nation peoples.”

The Stranger’s Jasmyne Keimig returns to Pioneer Square Art Walk and luxuriates in its in-person-ness (but needs more time for the art!).

“I happily sweat ever so lightly in Pioneer Square’s tiny galleries; roamed the neighborhood’s cobblestones, looking for a free cup of wine (which I never found); pleasurably avoided the people I wanted to avoid; and took in art IRL next to living (and masked-up) patrons. Their body heat, errant observations, and awkwardness are part of what makes looking at art so much fun.”

Inter/National News

“The call is clear: Museums must change.” Artforum kicks off the first of two editions exploring how art institutions might evolve to meet an urgent moment.

Art-related beach reads? Art-related beach reads! Via Artnet.

“An ancient version of cinema”? Artnet’s Sarah Cascone on studies of prehistoric lamps and how they may have been used to animate cave paintings.

“The play of the firelight on the paintings likely added a sense of motion to the static images, seemingly animating the artwork in a precursor to today’s movie theaters.”

And Finally

“I, too, am a person and get another chance every day the sun comes up.”

– Rachel Eggers, SAM’s Associate Director of Public Relations

Image: Installation view of Monet at Étretat at Seattle Art Museum, 2021, photo: L Fried.

Muse/News: Artist Mini-Golf, Untold Histories, and Kerry Can Do

SAM News

Patti Payne of Puget Sound Business Journal devotes her latest column to “two uplifting programs to celebrate,” including SAM’s upcoming Par-Tee in the Park series at the Olympic Sculpture Park. This year, our annual fundraiser in support of SAM programs features an artist-designed, nine-hole mini-golf course! Tickets are still available for the cocktail night on August 21.

Lobster roll with it: Seattle PI and Eater Seattle both reported on the new chef and caterer, Shubert Ho of The MARKET, headed to the café space at Seattle Art Museum. Stay tuned for an opening date, and prepare yourself for seafood, noodles, and frosé.

Local News

“After a lapse of two years, the Seattle Art Fair will resume next summer under new management,” reports Megan Burbank of the Seattle Times. Art Market Productions (AMP) Events is taking over for the event, so save the date for July 21–24, 2022.

Also in the Seattle Times: Crystal Paul on the “new generation of Asian American artists… expanding Bruce Lee’s legacy.”

Taha Ebrahimi for Crosscut on a “stunning survey of Black arts and culture” at the Tacoma Art Museum, featuring works from the Kinsey Collection.

“The [Kinsey] family began researching and seeking out objects, original art, artifacts, and historical documents that gave voice and expression to obscured and often untold stories of African American achievement and contribution. Fiercely committed to sharing the full narrative of our nation’s history, the collection is not restricted by medium, and pieces are both by and about Black Americans.”

Inter/National News

Dushko Petrovich Córdova for Art in America on the state of art book publishing.

The latest episode of Artnet’s “Art Angle” podcast explores Martin Johnson Heade, Thomas Cole, and Frederic Church, “three of the greatest visionary artists America has ever known”; Church’s A Country Home is in SAM’s American art collection and on view now.

A lovely long read on Kerry James Marshall, who can do anything, by Calvin Tomkins in the New Yorker.

“He also wanted to be a painter of social and political history, and the question he asked himself was: ‘How do you address history with a painting that doesn’t look like Giotto or Géricault or Ingres, but without abandoning the knowledge that painters had accumulated over the centuries?’”

And Finally

“This is the house that Whitney built.”

– Rachel Eggers, Associate Director of Public Relations

Photo: Kimisha Turner

Muse/News: Inclusive Art, Writing Spots, and Alma’s Energy

SAM News

Monet at Étretat is still on Seattle Met’s list of “things to do in Seattle.” Get your tickets now!

. . . And save the date for fall 2022, when SAM will debut its reinstalled American art galleries following a collaborative curation process with artists, advisors, and interns. KIRO’s Graham Johnson spotlights the project, interviewing Theresa Papanikolas, SAM’s Ann M. Barwick Curator of American Art, and Inye Wokoma, one of the three artists taking part. It’s part of their recurring series “Western Washington Gets Real.”

Local News

The Seattle Times’ Meghan Burbank reports on the recent arts forum featuring many of the mayoral candidates for the city outlining their platforms for the culture sector.

Here’s Andy Chia in the UW Daily with an installment of the history/ecology series, “Between Two Pines”; he writes about several examples of public art in Seattle green spaces, including the Noguchi sculpture and the Seattle Asian Art Museum in Volunteer Park.

In one of her last stories for the Stranger (what a loss!), Nathalie Graham writes about The Seattle Twitter Account Realizing the Dream of the Perfect Writing Spot.”

“In his posts, he included descriptions of the writing spot, its coordinates, and a little review of what the writer could expect. The UPS Waterfall Park in Pioneer Square, for instance, is loud. Some holey tables require something thick to write on. The tables in Westlake Park come with the ‘buzz of downtown’ and shade depending on the time of day. . . . However, his most popular post is a picnic table in a grove at Volunteer Park.”

Inter/National News

The Strange Joy of Watching the Police Drop a Picasso”: Sophie Haigney in the New York Times Magazine.

“Curator and Museum Trustee Isolde Brielmaier Has Been Named Deputy Director at the New Museum,” reports Artnet’s Eileen Kinsella.

ARTnews’ Alex Greenberger on Alma Thomas, whose vibrant abstractions are on view in a new traveling survey.

“In 1976, she made her most ambitious work, a 13-foot-long painting called Red Azaleas Singing and Dancing Rock and Roll Music…When it debuted in 1976 at New York’s Martha Jackson Gallery, critics were floored. Thomas herself was, too. ‘Do you see that painting?’ she once said of Red Azaleas. ‘Look at it move. That’s energy and I’m the one who put it there…I transform energy with these old limbs of mine.’”

And Finally

“Scary. Really, really, really scary. Did I mention it was scary?”

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Stephanie Fink

Muse/News: Amis on Monet, Candidates on Art, and Expansive Visions

SAM News

Monet at Étretat is recommended by notre amis at Ici Seattle, and Seattle Met includes it on their list of things to do in Seattle.

The Seattle Times’ Megan Burbank is back with their “A&E Pick of the Week”; she highlights current shows at Photographic Center Northwest and Sandstone Ceramics and also suggests you mark your calendars for Frisson: The Richard E. Lang and Jane Lang Davis Collection, opening October 15 at SAM.

“It’s thrilling to share with the public these formidable examples of Abstract Expressionism and postwar European art,” said Catharina Manchanda, SAM’s curator of contemporary art, in the news release. “The emotional current of these works, reflective of their specific time and context, runs from exuberant to contemplative, fierce to soaring.”

Local News

Seattle Medium is among outlets sharing the news that Sheila Edwards Lange has been selected as the new chancellor of the University of Washington Tacoma. The educator and leader also serves on several boards, including that of the Seattle Art Museum.

The Seattle Times’ Alan Berner captured the tricky installation of two sculptures downtown: Fernando Botero’s Adam and Catherine Mayer’s What Goes Up Must Come Down (a giant paddleball!).

The Stranger’s Jasmyne Keimig spoke with seven of Seattle’s mayoral candidates to ask them about their platforms for the arts (or lack thereof). To learn more, join this Thursday’s candidate forum on the arts!

“You’d have to be living under a rock not to understand how devastating the pandemic has been for Seattle’s art and cultural community…While Seattle’s Cultural Space Agency charter has emerged to stymie cultural displacement in the city, a lot of work is yet to be done to make sure that Seattle can be a hospitable place for artists to work and live. So what’s Seattle’s next mayor going to do about it?

Inter/National News

“The African American Cultural Heritage Action Fund, a program of the National Trust for Historic Preservation, has announced 40 grants totaling $3 million in support of efforts to preserve African-American landmarks,” reports Philanthropy News Digest.

“Pay your rent, Canada”: a comic by SAM collection artist Michael Nicoll Yahgulanaas.

The Magazine ANTIQUES continues its coverage of the missing panels from Jacob Lawrence’s Struggle series; here, they check in with the exhibition curators of The American Struggle, which was recently on view at SAM, to reflect on the recently recovered and still-missing panels.

Immigrants is the title caption, but on the back Lawrence wrote, ‘The Emigrants,’ suggesting a desire for permanence in their new home. The middle figure clutches a potted rose—the national flower of the United States. Lawrence’s vision is that the arrival of all people, young and old, contributes to the expansion of America through their struggles and courage.”

And Finally

“Arts Philanthropists Need to Change the Way They Think About Disability”: An Artnet op-ed from Alice Sheppard and Lane Harwell.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view of Monet at Étretat at Seattle Art Museum, 2021, photo: Natali Wiseman.

Muse/News: Monet’s Struggle, Return of Live Music, and Old Women Artists

SAM News

Coast in to see Monet at Étretat, now on view at SAM. Huma Ali for the UW Daily has an overview of the focused exhibition, including remarks from curator Chiyo Ishikawa.

“We tend to think of somebody like Monet as successful all his life,” Ishikawa said. “But with a career of that many years and of that many different concerns, decade by decade, it’s very interesting to me to think more about the kind of struggles that he had and the way that he had to work out these problems on his own.”

And Julie Emory of UW Daily highlighted a collection show also on view at SAM: Northwest Modernism: Four Japanese Americans. Emory focuses on the sculpture by beloved Seattle artist (and UW alum) George Tsutakawa that is included in the show.

Local News

Here’s Crosscut’s Brangien Davis with her weekly ArtsSEA letter: she remembers Seattle glass art legend Benjamin Moore and highlights the Wing Luke Museum’s self-guided walking tour of works by the Tsutakawa family (with a mention of Kenzan Tsutakawa-Chinn’s installation, Gather, at the Seattle Asian Art Museum).

Mark Van Streefkerk for South Seattle Emerald on the three local artists tapped to create original designs for limited-edition Orca cards.

Melinda Bagreen for the Seattle Times on the “weird and wonderful” return of in-person concerts with the Seattle Chamber Music Society.

“In a preconcert interview, [festival artistic director and violinist James] Ehnes had remarked, ‘We’re really hungry for live performance,’ and that hunger showed in the zest and urgency of the music-making.”

Inter/National News

The Medici Were History’s Greatest Patrons—and Also Tyrants. The Met’s New Show Tackles How Art Served Power”: Eleanor Heartney for Artnet.

Emily Wilson for Hyperallergic on Dana King’s Monumental Reckoning, an installation of 350 sculptures in San Francisco’s Golden Gate Park representing the first Africans kidnapped and sold into slavery in 1619.

Jillian Steinhauer for Believer on old women artists.

“These women come from vastly different backgrounds and have made widely disparate types of work, but they’ve often been treated the same way: as an archetype, like the wise crone in fairy tales. And though the old-woman artist has spent her whole life building her own agency, when she finally makes it to the mainstream, she gets presented primarily as an object of fascination.”

And Finally

“It’s constantly reinventing itself, just like me”: Holly Regan on Pike Place Market.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Claude Monet, 1890, Theodore Robinson, American, 1852–1896, charcoal on paper, 27 × 13 in., Seattle Art Museum, Partial and promised gift from a private collection, 2005.163

Muse/News: “Glorious” Monet, a Seattle Arts Podcast, and Visions of Firelei Báez

SAM News

Monet at Étretat has docked at the Seattle Art Museum! Seattle Met, Seattle PI, and Curiocity all recommend the exhibition that tells the story of Claude Monet’s journeys to the fishing village. 

Curator Chiyo Ishikawa appeared on Evening Magazine for a sneak peek at the show’s luminous paintings. She also spoke with Gayle Clemans for her review of the show in the Seattle Times and with Crosscut’s Brangien Davis for her weekly ArtSEA letter.

“When you arrive in the last gallery, SAM’s painting—“Fishing Boats at Étretat”—glows against the plum-colored walls, along with seven other Étretat paintings by Monet. It’s a glorious room, with seascapes and monumental rocks that emerged from Monet’s brush as he laid down quick strokes of the varied colors he observed in the moment.”

“Here we see the man not as the progenitor of mass-produced prettiness, but as a stalwart artist trying to both please a fickle art market and express something true about nature, atmosphere and his home environment.”

Local News

Roxanne Ray for the International Examiner on Tacoma Method, a new opera about the 1885 violent expulsion of Chinese people from Tacoma composed by Gregory Youtz with libretto by Zhang Er.

“What the reception to Seattle’s greatest film can tell us about the city’s on-going homelessness crisis”: Here’s Andrew Hedden for Real Change on the 1984 documentary Streetwise.

Former KUOW arts reporter Marcie Sillman and beloved arts advocate Vivian Phillips have launched a podcast called “DoubleXposure,” reports Jade Yamazaki Stewart for the Seattle Times.

“Phillips says one of her main goals in the podcast is to ‘desegregate the arts from other essential needs’ and to frame it as something just as crucial to human life as things like housing and electricity. ‘It’s an integral part of everything we do, but we tend to segregate it and make it an add-on,’ she says.”

Inter/National News

Artnet takes you inside the studios of 17 artists, asking about their most essential tools for creation.

After the deadly June 24 collapse of a condominium in Surfside, Florida, a wave of support has arrived. Hyperallergic’s Valentina Di Liscia reports on “a new art fundraiser [that] will help the victims and families impacted by the tragedy.”

Siddhartha Mitter for the New York Times on a new installation by Firelei Báez at the Institute of Contemporary Art Watershed in Boston; one component is a massive sculpture that imagines Haiti’s San-Souci palace emerging from the Atlantic Ocean.

“It’s such a palimpsest,” Báez said, looking over the water to the downtown skyline. “Thinking of centuries of development that have happened here — what was negotiated for that to happen, what was given and what was taken?”

And Finally

Rick Steves on “traveling in a reopened world.”

– Rachel Eggers, SAM Associate Director of Public Relations

Image: La Falaise d’Aval, 1885, Claude Monet, French, 1840-1926, oil on canvas, 25 9/16 × 31 7/8 in., Hasso Plattner Collection

Muse/News: Monet at the Seaside, Art in Person, and White House Walls

SAM News

Seattle Times photojournalist Alan Berner snaps the member preview of SAM’s “refreshing” exhibition, Monet at Étretat, which opens to the public this Thursday. The focused exhibition features paintings from the famous artist’s sojourns to the seaside village; you can practically feel the sea spray. Come inside and cool off with art!

The exhibition is also featured on the Stranger’s list of “biggest in-person festivals and events” for summer 2021.

“An ingenuous feat of urban planning”: Lonely Planet highlights the Olympic Sculpture Park as one of the “best things to do with kids in Seattle.”

Local News

In her latest ArtSEA post, Crosscut’s Brangien Davis talks about the AIDS Memorial Pathway, a new show at Photographic Center Northwest, and a new composition by Ahamefule J. Oluo.

Gemma Alexander for the Seattle Times on “how Seattle Opera became one of few companies nationwide to pull off an all-digital season.”

“From the must-see to the weird and wonderful”: Gayle Clemans for the Seattle Times returns to “On View,” spotlighting three art shows to see in Seattle.

“There’s nothing like seeing art in the flesh. It can stir the senses, feed the mind and heal the soul. And with more people vaccinated, it’s a wonderful time to go see art in person.”

Inter/National News

“Art historians have discovered a long-lost painting by Rembrandt van Rijn in Rome”, reports Artnet’s Sarah Cascone. It fell off a wall and was taken in for repairs, leading to the discovery of who painted it.

The New York Times’ Robin Pogrebin on Antwaun Sargent’s first show as a director at Gagosian; also, here’s GQ with a report on the opening’s impressive style.

Each new administration puts their own touch on “The People’s House,” John Anderson of the Washington Post details some of the new works of art the Bidens have or will include on the walls of the White House.

“The works the Bidens have hung on the walls thus far reflect a running theme with the first family: a deep connection to their personal history.”

And Finally

Wesley Morris (ahem, two-time Pulitzer Prize-winning Wesley Morris!) on Questlove’s new documentary, Summer of Soul.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Waves at the Manneporte, ca. 1885, Claude Monet, French, 1840–1926, oil on canvas, 29 × 36 ½ in., North Carolina Museum of Art, Raleigh, Gift of Ann and Jim Goodnight, 2016.8.5, image courtesy of the North Carolina Museum of Art

Muse/News: A Change at SAM, Looking and Learning, and Poem-Jars

SAM News

Last week, SAM announced a major initiative: a planned reinstallation of its American art galleries created in a shared-authorship model by SAM staff and curators, artists, and advisors from the Seattle community. Brendan Kiley of the Seattle Times announced the project, saying that “SAM is ready for a change.” Jasmyne Keimig of The Stranger and Nancy Kenney of The Art Newspaper joined the chorus, as did Artnet and Culture Type.

“‘We’re trying to decenter whiteness and show something that more truly reflects America and its history,’ [SAM curator Theresa] Papanikolas says. ‘The way the [American] galleries are organised now is a greatest-hits presentation very much focused on masterworks’…Largely left out of this ‘very canon-focused presentation,’ she says, are African Americans, the reality of slavery, the history of labour and the extraction of resources in the US. ‘We want to tell the stories of the hidden histories,’ the curator says.”

Also: Don’t miss Robyn Jordan’s comic published in the Stranger, The Particular Magic of In-Person Art,” which takes you to the recently reopened Seattle Asian Art Museum.

Local News

At 50 Pilchuck Glass School Is Still Hot,” reports Seattle Met’s Stefan Milne.

Jasmine J. Mahmoud for South Seattle Emerald on Dr. Quinton Morris’s new show for KING FM, “Unmute the Voices,” highlighting composers and musicians of color.

Gemma Alexander for the Seattle Times speaks with Val Thomas-Matson, the creator-producer of “Look, Listen and Learn,” the award-winning early-learning TV show for BIPOC audiences.

“Many places feel off-limits or unwelcoming to families of color, an effect of institutionalized racism that research has shown harms children’s development. ‘Look, Listen and Learn’ is presenting local cultural and learning resources that are welcoming to families of color.

‘I wanted to showcase for families some of the places where it is safe to explore, to look, listen and learn freely,’ said Thomas-Matson.”

Inter/National News

Katie White for Artnet with recommendations for “4 Unforgettable Land Art Road Trips,” just in time for summer.

Samanta Helou Hernandez for Hyperallergic with some visual inspiration: “The Hand-Painted Signs and Murals of Latinx LA.”

Jori Finkel for the New York Times on the poem-jars of artist and enslaved Black man David Drake.

“If you don’t pay attention to these objects, you are never going to adequately embrace the history of women artists, artists of color or enslaved artists, because you have to look at what they were ‘allowed’ to make,” [curator Timothy Burgard] said. “You have to look at pots, you have to look at quilts, you have to look at the beautiful ironwork on balconies in New Orleans.”

And Finally

A Brief History of Jojos.

– Rachel Eggers, Associate Director of Public Relations

Photo: Tim Aguero

Muse/News: Kids are Free, a Memorial Chorus, and Monet the Influencer

SAM News

Red Tricycle has families and caregivers covered with this list of “Top 10 Free (or Cheap) Things to Do This Summer,” including a reminder that children 14 and under always get in free at the Seattle Art Museum and the Seattle Asian Art Museum. Get in the mood for SAM’s summer exhibition, Monet at Étretat, with this cool teaser video that takes you to the village’s epic cliffs.

They also recommend the free-to-all Olympic Sculpture Park, as does Curiocity with their list of “13 of the absolute best beaches you can find in and around Seattle.”

Local News

This Saturday is Juneteenth, commemorating the end of slavery in the US. The Northwest African American Museum is hosting nine days of events, kicking off on June 15. Seattle Met’s Stefan Milne has a great overview of their plans and other celebrations happening around the city.

Paul Constant for Crosscut on We Hereby Refuse, a new nonfiction comic by local writers and artists exploring Japanese American resistance to internment.

The Seattle Times on Capitol Hill’s AIDS Memorial Pathway (AMP), which will be dedicated on June 26 as one of the few memorials honoring those lost to and impacted by the AIDS epidemic. Take your time with the feature story by Crystal Paul and photos & video by Erika Schultz and Ramon Dompor.

“…The AMP aims to tell the common chorus that ties the stories together — the loved ones lost, the community banding together to help and protest, the clubs where they danced their troubles away, the friends who became family.”

Inter/National News

For the first time, the family of Jean-Michel Basquiat will organize an exhibition of the late artist’s works, including rarely seen examples from their private collection, reports Artnet’s Sarah Cascone.

“Storied New York arts nonprofit the Kitchen has appointed Legacy Russell executive director and chief curator,” reports Artforum.

For Hyperallergic, Chandra Steele tests out a theory: Monet is the granddaddy of all Insta girls.”

“On that holiday on the Normandy coast, the writer Guy de Maupassant observed Monet chasing shadows and sun, lying in wait until they shifted to suit his fancy, and said, ‘In truth, he was no longer a painter, but a hunter.’ Anyone who’s stood in line for six hours to get that gram in the Rain Room can relate.”

And Finally

Explore the work of the 105th class of Pulitzer Prize winners.

– Rachel Eggers, Associate Director of Public Relations

Photo: Jueqian Fang

Muse/News: Simply the Best, the Message in the Monument, and Send in the Bugs

SAM News

Seattle Met is out with their Best of the City features, including results of their reader survey. Who was selected as Best Museum? Why, the reimagined and re-reopened Seattle Asian Art Museum, that’s who!

And coming up downtown, by way of France’s Normandy Coast: Monet at Étretat. Preview and ArtfixDaily recently highlighted the exhibition, which opens to the public July 1.

Local News

Out now: Issue 2 of New Archives, the newest arts journal on the scene. Topics include art, healing, and joy from contributors including Carol Zou and Sharon Arnold.

Mark Van Streefkerk for South Seattle Emerald on In This Way We Loved One Another, an installation by Two-Spirit poet and interdisciplinary artist Storme Webber for Capitol Hill’s AIDS Memorial Pathway.

Crosscut’s Margo Vansynghel checks in with the 16 artists who created the Black Lives Matter mural on East Pine Street, one year later, including SAM collection artist Kimisha Turner, ARI Glass, Aramis O. Hamer, and more.

“All art forms have helped and continue to help us get through this collective dark night of the soul,” [Aramis O.] Hamer says. “Years in the future, I think we will speak of 2020 as being a Birth of a Renaissance.”

Inter/National News

In Artforum: A conversation between scholar Hanan Toukan and Palestinian Museum director Adila Laïdi-Hanieh about building an institution under colonialism.”

The Van Gogh Museum in Amsterdam and the British fragrance brand Floral Street have teamed up to create scents inspired by the artist’s works, reports Artnet’s Naomi Rea.

The New York Times’ Jason Horowitz on how—and why!—an all-woman team of art restorers and scientists “quietly unleashed microbes with good taste and an enormous appetite” onto Michelangelo’s marble Medici Chapel in Florence.

And Finally

On view: Abandoned paintings.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Photo: Natali Wiseman

Muse/News: Art of Asia, Rock ‘N’ Roll, and a Woman Leads the Louvre

SAM News

The Seattle Asian Art Museum is back! After a grand reopening in February 2020, the building was shuttered a month later by the pandemic. Excellent news, doors opened again to the public last Friday.

SAM curators FOONG Ping and Xiaojin Wu shared their excitement about the re-reopening with KOMO News, KING News, and KING’s Evening Magazine. They were joined by new SAM curator Natalia Di Pietrantonio to chat about three objects (out of the almost 400 on view!) with the Stranger’s Jasmyne Keimig. Seattle Met highlighted the reopening, and SAM director Amada Cruz spoke with KIRO’s Dave Ross about this “21st-century museum hidden behind a 1933 Art Deco gem.” Get your tickets for June now!

Local News

Jasmyne Keimig of the Stranger reviews Gary Simmons’s show The Engine Room, now on view at the Henry Art Gallery. It includes a full-size “garage” for musicians to play in.

“A Surreal Night at Seattle’s First Music Venue to Reopen”: Seattle Met’s Stefan Milne gets back out there.

Seattle Times music writer Michael Rietmulder speaks with the local rock scene’s many leaders who are Black, people of color, and/or LGBTQ+ about the past & present of rock ‘n’ roll & race.

“Here’s the best part, my guy,” [Cameron] Lavi-Jones says. “It means we’re going to get a lot better [expletive] rock music. It means we’ll get way more powerful music, way more intentional music — music with stronger messages — because when Black and brown people are making things, this is second nature to us.”

Inter/National News

The Iconography of the Paris Commune, 150 Years Later”: Billy Anaia for Hyperallergic returns to the barricades for the sesquicentennial.

Artnet’s Sarah Cascone with “17 marvelous highlights from the 2021 Venice Architecture Biennale,” in case you’re tired of looking at the same four walls.

Via the New York Times: The Louvre has appointed Laurence des Cars as its new president; she is the storied institution’s first female leader in all of its 228 years.

“She hopes to expand cultural collaborations with contemporary artists, and organize more exchanges with writers, musicians, dancers, filmmakers and designers. ‘Let’s not be afraid,’ she said.”

And Finally

Samaria Rice is the mother of Tamir.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Natali Wiseman

Muse/News: Stories to Tell, Ceramic Guardians, and Louvre Super-Fans

SAM News

Museum Shows With Stories to Tell”: Ted Loos for the New York Times’ special Museums section, highlighting summer exhibitions around the country including Monet at Étretat at SAM, opening July 1.

USA Today readers have named the “10 best sculpture parks in the US”; SAM’s Olympic Sculpture Park comes in at number 8! Go outside and see some art.

Intertwined weaves Black beauty into the cityscape,” writes the Stranger’s Jasmyne Keimig about the new public art installation by Intisar Abioto and Hank Willis Thomas. The nine street banners scattered throughout the Central District were brought to Seattle by Wa Na Wari in partnership with SAM.

Local News

Misha Berson for Crosscut on the Campfire Festival, an outdoor theatre fest happening now through June 5; its organizers the Williams Project say “we have to help people figure out how to commune again.”

Melinda Bargreen for the Seattle Times on the first live audience at Benaroya Hall in 14 months; watch the clip from the Seattle Symphony’s performance of a Beethoven piano concerto.

The Stranger’s Jasmyne Keimig visits the studio of Saya Moriyasu as she prepares for her upcoming show of ceramics at J. Rinehart Gallery.

“She shows me a sculpture with the head of a noble-looking seal—but the head is on top of a human body with a giant ass. Where the buttcheeks should be are two lighter colored circles, as if the creature had shaved just its rear end. It’s a beautifully made, oddly whimsical object that seems to wink at you: Don’t take anything too seriously.

Inter/National News

Francesa Aton of Art in America on “five new Black-run art spaces to watch.”

Maya Salam of the New York Times on several projects to preserve the plywood sheets that became art last summer, including Leesa Kelly’s “Memorialize the Movement” in the Twin Cities, which has now collected over 800 boards. 

Artnet interviews “super-fans” who were first in line to visit the Louvre when it finally reopened on May 19.

“We’re made of flesh, after all, and we need experiences. And it’s an experience to see objects in all their three-dimensionality … It’s touching to see these objects that have persisted through time.”

And Finally

“An Interactive Guide To Ambiguous Grammar.”

– Rachel Eggers, SAM Associate Director of Public Relations

Image: The Cliffs at Étretat, 1885, Claude Monet, French, 1840-1926, oil on canvas, 25 5/8 × 32 in., Sterling and Francine Clark Art Institute, 1995.528, image courtesy Clark Institute.

Muse/News: EDI at SAM, Cultural Space Renaissance, and a Colescott Record

SAM News

Priya Frank, SAM’s Director of Equity, Diversity, and Inclusion (DEDI), appeared on Converge’s Morning Update Show as part of their #FeelGoodFriday. She and host Omari Salisbury talk about her work for SAM, what’s on view at the museum, and her custom kicks. Her segment starts at minute 37, but watch the whole episode!

“Celebrate AAPI Heritage Month by Visiting These Art Museums,” says House Beautiful, which includes the Seattle Asian Art Museum on its list. It will be at a very limited capacity; get your tickets for later in June now. Learn more about the dramatic reimagining of the building and its collection, which debuted in February 2020, check out project partner US Bank’s interview of SAM CFO Cindy Bolton.

And on view later this summer at SAM downtown: Monet at Étretat. Art & Object shares the news about this show that will take us to France’s Normandy Coast.

Local News

John Grade, whose monumental tree sculpture Middle Fork graces SAM’s Brotman Forum, has been busy installing his new work at Sea-Tac airport; the Seattle Times has photos and a time lapse.

“Emerging from our caves”: Crosscut’s Brangien Davis has a whirlwind look at the many arts and culture events you can attend (gasp!) IRL

“Is Seattle ready for a cultural space renaissance?” asks Beverly Aarons for South Seattle Emerald, looking at what’s happening with Seattle’s new Cultural Space Agency PDA.

“The Cultural Space Agency will give its BIPOC leadership the power to support cultural space projects in Seattle that directly benefit vulnerable communities most impacted by displacement.”

Inter/National News

Artnet’s Taylor Defoe reports on the changes happening at DC’s National Gallery of Art: it just reopened with a new brand identity and a new chief curator, E. Carmen Ramos. 

Rebecca Mead for the New Yorker on “the mysterious origins of the Cerne Abbas Giant.”

ARTnews and everyone else reported on the major acquisition by the forthcoming Lucas Museum of Narrative Art: Robert Colescott’s now-legendary George Washington Carver Crossing the Delaware, which was included in SAM’s 2018 show Figuring History

“This particular one is both contemporary and historical,” [museum director and CEO Sandra] Jackson-Dumont said, referring to the caricatures depicted in the painting. “It bridges popular culture and history. It’s a wonderful opportunity for us to make sure the Lucas Museum is participating in expanding the canon.”

And Finally

Julia Wald’s Missed Meals

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Priya Frank

Muse/News: Issei & Nisei Art, Breakthrough Moments, and Lightweight Minimalism

SAM News

Japanese-language site Jungle City highlights Northwest Modernism at SAM, an installation featuring work by four legendary Japanese American artists of Seattle: Kenjiro Nomura, Kamekichi Tokita, Paul Horiuchi, and George Tsutakawa.

Architectural Digest includes the Olympic Sculpture Park on their list of the “6 Best Public Sculpture Parks to Visit This Spring and Summer.”

Nicole Pasia for the Seattle Times with recommendations for celebrating Asian American and Pacific Islander Heritage Month, including the reopening of the Seattle Asian Art Museum on May 28.

Local News

“Part satire, part pop art hallucination”: Seattle Met’s Stefan Milne on MS PAM, the street-level expansion of Martyr Sauce, Tariqa Waters’s Pioneer Square gallery.

The Stranger’s Jasmyne Keimig reports on Murmurations, a collaboration of six cultural institutions—Jacob Lawrence Gallery, Henry Art Gallery, On the Boards, Northwest Film Forum, Frye Art Museum, and Velocity Dance Center—with projects happening all summer.

Also in the Stranger: Chase Burns on the breakthrough moment for artist Drie Chapek, whose paintings and collages are now on view at the Greg Kucera Gallery.

“The breakthrough moment happened after Chapek picked up painting again in 2016, when a gallerist who presented her work in Edison, Washington, suggested she talk to the gallerist’s friend in Seattle named Greg. That Greg was Greg Kucera. When Kucera came to Chapek’s studio, “He was like, ‘Why haven’t you ever contacted me?’” She broke out laughing as she told the story. “I was like, ‘Check your email, dude.’”

Inter/National News

“Who doesn’t love a great find?” asks Menachem Wecker for Artnet, as he ranks seven of the greatest lost-art discoveries.

Jenna Wortham for the New York Times Magazine on the “glamour in the quotidian” of Deana Lawson’s photographs of Black people.

Alex Greenberger for Art in America on Felix Gonzalez-Torres’s “lightweight minimalism.”

“Amid it all is an acute sense of loss, though it’s intentionally ambiguous who—or what—is no longer present. How viewers make sense of it all depends on their knowledge of world history and Gonzalez-Torres’s biography, as well as their own identity.”

And Finally

Best friends reunite, visit anthropomorphic deer statues, and talk.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Nina Dubinsky

Muse/News: Magical Connections, Jazz Sculptures, and History’s Presence

SAM News

The Seattle Asian Art Museum reopens this week to members and will reopen to the public May 28. Margo Vansynghel of Crosscut visited the museum, which had its grand reopening in February 2020 before closing again on March 13, 2020, to see its reimagined galleries and learn what the closure meant for the curators and conservation team.

“To demonstrate the magic these new connections can create, Wu walks us to another dimly lit gallery, this one filled with delicate paper scrolls and book folios dedicated to the holy word. In one display case, two pieces of priceless paper seem to have been drenched in the night sky… On the surface, the two are linked by the shimmer of gold and tempestuous blue, but together they also suggest a power beyond words.”

KNKX also recommends a visit to the museum on their list of activities and events honoring Asian American and Pacific Islander Heritage Month in May. Curiocity recommends it, too, and it’s on the Stranger’s list of events for May.

The Seattle Times’ Megan Burbank launches a new visual arts column, On View; in her first edition, she includes Dawn Cerny: Les Choses, an installation of sculptures now on view at SAM.

Local News

Spend some time with the Stranger’s Ann Guo and The Station co-owner Leona Moore-Rodriguez, as they talk about coffee, community, and ̕90s R&B.

Seattle Met’s Stefan Milne has you covered on upcoming festivals in the region: what’s happening and what’s not.

In her weekly ArtSEA letter, Crosscut Brangien Davis highlights some public art now on view at the new Jackson Apartments complex, including an installation honoring Northwest jazz legends by Paul Rucker (the tonearm is a bench!).

“He hopes this piece is both enlightening and fun. ‘I’d love for it to be a place to do rubbings,’ he said, noting the inscribed names. ‘Or a place people take selfies. I want it to be like the Troll, that’s my dream.’”

Inter/National News

Billionaire art collector, philanthropist, and entrepreneur Eli Broad—a towering figure in the cultural scene of the United States, and most of all, in his adopted hometown of Los Angeles—has died at 87,” reports Artnet. 

Art in America’s “New Talent” issue was guest-edited by Antwaun Sargent and sees him “realize a decade-old fantasy” by bringing together a team of Black writers and critics. Read his editor’s letter and explore the new issue.

Tausif Noor for the New York Times on An American Project at the Whitney Museum of American Art, a retrospective survey of the work of photographer Dawoud Bey.

“Under Bey’s careful eye, history emerges as an active presence, authored in real time by individuals and societies who transform and are transformed by the continual unfolding of the past.”

And Finally

RIP, Olympia Dukakis.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Jueqian Fang

Muse/News: Enticing Art at SAM, Identity at Wing Luke, and the Huntington Gets Hip

SAM News

For USA Today, Harriet Baskas shares “some of the most enticing exhibits across the US,” including Jacob Lawrence: The American Struggle at SAM. The exhibition closes May 23.

And for Fodor’s, Chantel Delulio highlights 10 sculpture gardens in the US “where you can stretch your legs and take in some stunning pieces of art.” First on the list: SAM’s Olympic Sculpture Park, which remains open 365 days a year. 

Local News

The Seattle Times’ Jenn Smith on “Tales of Quarantine,” a national art and writing contest for teens sponsored by Seattle-based nonprofit Mission InspirEd, which asked the question: “How has COVID-19 impacted you and your community?” 

Brangien Davis of Crosscut with her weekly ArtSEA: in this edition, she spotlights pop-up gallery From Typhoon, a local artist’s work for the Academy Awards graphics, and more. 

For her South Seattle Emerald column, Jasmine J. Mahmoud engages in conversations with artists & culture makers and also shares recommendations. For a recent edition, she speaks with poet and artist Shin Yu Pai about her work in Paths Intertwined, a group show now on view at the Wing Luke Museum. 

“…For people who don’t know much about Chinese American artists or artists of the diaspora and/or how they relate to or connect to their culture or cultural traditions, this show is an opportunity for people from outside those communities to come in and look at the many ways in which Chinese American artists are innovating the ways in which they reflect upon and interrogate their identities and their cultures.”

Inter/National News

“Fragile Art for the Anxious Mind”: Nia Bowers for Art & Object on kintsugi, the Japanese art of mending pottery with gold lacquer

As you’re catching up with all the Oscar-nominated films, don’t miss out on the nominees for international feature, including one inspired by an actual artwork.

The Made in L.A. biennial returns, this time with a new venue in the mix: The Huntington Art Museum. The New York Times’ Robin Pogrebin on how the museum you thought you knew is suddenly “a hub for cutting-edge contemporary art.”

“‘It’s a shot across the bow,’ said Christina Nielsen, who became the director of the Huntington Art Museum in 2018. She considers the exhibition ‘an opportunity to engage with the broader contemporary art community here in L.A. It’s really opening the doors.’”

And Finally

What is, “one step closer to the best host” for $1000?

– Rachel Eggers, SAM Associate Director of Public Relations

Installation view of Jacob Lawrence: The American Struggle at Seattle Art Museum, 2021, photo: Natali Wiseman.

Muse/News: Otherworldly Sculptures, a Complex Holiday, and an Uprising Anniversary

SAM News

Now on view on SAM: Dawn Cerny: Les Choses, the solo exhibition of the winner of the 2020 Betty Bowen Award. The Stranger and Crosscut both shared an early look of the artist’s intimate sculptures.

“…like something aliens might make if tasked with replicating a human abode by hand.” 

Local News

Special to the Seattle Times, here’s Thomas May on “how Seattle Opera came to film its newest production at the Museum of Flight.” 

Northwest Film Forum’s Vivian Hua for South Seattle Emerald on the Seattle Black Film Festival, which kicked off last Friday and closes April 26—plenty of time to tune in!

Juneteenth was named an official Washington State holiday on April 9, joining many other states and organizations (including SAM, for the first time last year) who already recognize the day. Crosscut invited author Clyde W. Ford to reflect on the “long and troubling” history of the holiday.

“W.E.B. DuBois described the time period of Juneteenth succinctly, ‘The slave went free; stood a brief moment in the sun; then moved back again toward slavery.’ Each of DuBois’ three moments are inextricably linked. We need a holiday that commemorates them all.”

Inter/National News

ARTnews’ Angelica Villa on Robert Colescott’s satirical painting, George Washington Carver Crossing the Delaware: Page from an American History Textbook (1975), which is “set to break [the] artist’s auction record” at Sotheby’s in May. The painting’s inclusion in SAM’s 2018 exhibition Figuring History is mentioned. 

The New York Times’ Glenn Kenny on the “powerful medicine” of Bill Traylor: Chasing Ghosts, Jeffrey’s Wolf’s documentary on the artist. 

April 19, 1943 was the first day of the Warsaw Ghetto Uprising. Hyperallergic recognizes the anniversary with scholar Samantha Baskind’s reflections on the permanent exhibit devoted to the uprising at the United States Holocaust Memorial Museum and its complicated aims. 

“I was conflicted about its sensationalizing the ghetto’s story through its persistently honorific presentation. But I now better understand why the museum indelibly impresses upon us, in a very public and influential instance, the reprieve of physical and spiritual resistance mounted in the sealed city within a city.”

And Finally

Takuji Yamashita, Esq


– Rachel Eggers, SAM Associate Director of Public Relations

Installation view of Dawn Cerny: Les Choses at Seattle Art Museum, 2021, photo: Nina Dubinsky.

Muse/News: SAM Director Reflects, Portraits of Isolation, and Augusta Savage’s Crafted Life

SAM News

Amada Cruz, SAM’s Illsley Ball Nordstrom Director and CEO, was interviewed by Megan Burbank of the Seattle Times for a Sunday feature on “how Seattle-area museums are weathering the pandemic.” Read her insights—and those from her colleagues—on the challenges and opportunities that arose.

“Pivoting to their own permanent collections is something museums may do more and more as they emerge from the pandemic with smaller operating budgets. ‘I think it’ll be really fun for viewers, and also for us, by the way. We on the staff will learn what we have in storage as well,’ said Cruz.”

A Jacob Lawrence work was featured in the Monday “Gallery” from Harper’s Magazine. And here’s Seattle University professor Jasmine Jamillah Mahmoud, reviewing Jacob Lawrence: The American Struggle for Hyperallergic.

“Angled figures and cutting diagonal lines — as blood, guns, and swords — iterate across panels as do themes of battle, war, migration, labor, land theft, and peace.”

Don’t miss Emily Zimmerman’s interview with Barbara Earl Thomas for BOMB Magazine. Her exhibition at SAM has been extended and will now close January 2, 2022.

“This idea of disarming my viewer is key to my process. In order to really see, one’s expectations need to be interrupted. I situate my vision in the big arc of time and human spirit, not the present journalistic moment.”

Local News

“How a Seattle game of ‘telephone’ became a worldwide art event”: Crosscut’s Margo Vansynghel on a Seattle art project gone global.

Gemma Alexander for the Seattle Times on MOHAI’s new exhibition, Stand Up Seattle: The Democracy Project.

The Stranger’s Jasmyne Keimig reviews (Don’t Be Absurd) Alice in Parts, now on view at the Frye Art Museum through April 25.

“While the work is specific to the physical and mental pain Black women deal with every day (‘Alice has always been in her own personal pandemic,’ says Anastacia-Reneé), Don’t Be Absurd captures a portrait of isolation that urgently reflects the world we’re emerging out of.”

Inter/National News

Via Artforum: The African American Historic Places Project is a new initiative from the Getty Conservation Institute and the city of LA, whose goal is “identifying and preserving Black heritage landmarks throughout Los Angeles.”

The Crystal Bridges Museum of American Art will undergo an expansion overseen by Safdie Architects,  to increase its footprint by 50 percent, reports Artnet.

“The Black Woman Artist Who Crafted a Life She Was Told She Couldn’t Have”: The New York Times’ Concepción de León on the sculptor Augusta Savage.

“Savage was an important artist held back not by talent but by financial limitations and sociocultural barriers. Most of Savage’s work has been lost or destroyed but today, a century after she arrived in New York City at the height of the Harlem Renaissance, her work, and her plight, still resonate.”

And Finally

Learn now to pronounce people’s names.

– Rachel Eggers, SAM Associate Director of Public Relations

Muse/News: Asian Art Museum to Reopen, Post-Pandemic Art Eyes, and a Mughal Miniature

SAM News

It’s official! SAM’s Asian Art Museum will reopen to the public on May 28; members get the first look beginning May 7. The Stranger’s Jasmyne Keimig offered this preview, revisiting her February 2020 article on the museum’s grand reopening following its three-year renovation and reimagining (we hardly knew ye!). Capitol Hill Seattle Blog also shared the news. Get ready for more art!

“I’m excited to get back into the building and see what new connections my brain will make after more than a year away. And in the wake of the targeted violence on the Asian community both here and across the country, it’s an important moment to reflect on the history and culture of an invaluable part of Seattle.”

And the downtown Seattle Art Museum is open, with the special exhibition Jacob Lawrence: The American Struggle on view through May 23. Carla Bell reviewed the show for PREVIEW Magazine, out in the world now.

Local News

Last week, Washington State announced Rena Priest as its next Poet Laureate. Crosscut’s Margo Vansynghel has more on the state’s first Native American named to the post.

Have you reviewed the full lineup for the 2021 Seattle International Film Festival? It’s first-ever virtual edition? Seattle Met has the details.

Also this week from the Stranger’s Jasmyne Keimig: A moving long read reflecting on how the pandemic has changed the way we look at art.

“Had that Georges de la Tour painting always been so tender? Or that Akio Takamori sculpture so solemn? My mind was a mess. Good Critic Impulses were apparently left in March of 2020.”

Inter/National News

“How an LA Printmaking Workshop Advanced the Career of Women Artists.” Hyperallergic’s Jordan Karney Chaim on June Wayne’s Tamarind Lithography Workshop.

“My work is focused on the idea of how crucial it is for Black people to think of leisure as a radical act.” Derrick Adams speaks with Vogue; his work is on view at SAM as part of The American Struggle.

One of those “ooh…ahh!” New York Times art interactives! Jason Farago with a stirring close read of an eight-inch tall, 17th-century Mughal painting.

“Within the details of this miniature lies a master class in the political uses of cultural hybridity. And the uses of something else too: dumbfounding, superhuman beauty.”

And Finally

Welsh bunnies, archaeologists.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Tim Griffith

Muse/News: Wonder Boys, Men on Pointe, and Frankenthaler’s Poise

SAM News

The Seattle Art Museum is now open with the special exhibition Jacob Lawrence: The American Struggle on view through May 23. KOMO’s Eric Jensen interviews curator Theresa Papanikolas about the Struggle series in a video for Seattle Refined.

Also on view at the museum: Barbara Earl Thomas: The Geography of Innocence. The Seattle Times’ Megan Burbank, Corinne Chin, and Ramon Dompor visit the celebrated Seattle artist’s first solo show at SAM, along with two special visitors: friends and portrait subjects Elisheba Johnson and her son Emery Spearman (whose portrait is titled, Wonder Boy).

“The struggle her work reckons with is more internal, cerebral, something every viewer is called upon to consider. ‘I create what I want from the other,’ she said. ‘So it’s not a space for you to go and just think about all the bad things that happen to Black people or happen to Black children. What about your own children? What about you?’”

Local writer Naomi Tomky for Condé Nast Traveler with a great weekend agenda for Seattle, including a stop at the Olympic Sculpture Park.

And finally, over the weekend, SAM’s Asian Art Museum invited the community to reflect on its steps at a memorial for those impacted by anti-Asian racism and violence. See stories from Capitol Hill Seattle Blog and KIRO.

Local News

What’s the Deal with That Immersive Van Gogh Installation?” asks the Stranger’s Jasmyne Keimig. She responds and makes recommendations for immersive art installations more worth your time.

NFT? We don’t get it, either, but Crosscut’s Margo Vansynghel looks into the booming—and controversial—world of crypto art.”

The Seattle Times’ Moira Macdonald speaks with Ashton Edwards, Pacific Northwest Ballet’s first male professional division student to take pointe technique classes, about traditional ballet’s possible gender-fluid future. Don’t miss the video by Ramon Dompor and Corinne Chin.

“The first time Ashton Edwards tried dancing on pointe, it felt like coming home. ‘It was just like magic. It felt beautiful on pointe. I felt like I could dance forever.’”

Inter/National News

There’s a new auction of photographs documenting missing paintings that Jacob Lawrence made while he was a war artist with the Coast Guard during World War II, Artnet’s Brian Boucher reports. The photographs could help unearth more original Lawrence works.

The Washington Post’s Peggy McGlone reports on the Smithsonian’s search for six—yes, six!—museum directors, which could “reshape the institution for generations.”

NPR’s Susan Stamberg on a new biography of Helen Frankenthaler by Alexander Nemerov; don’t miss the from-the-archives 1988 audio interview with the artist, too.

“Asked what the paintings are ‘about,’ the biographer says, ‘that lyrical moment of possibility in life, which is not unmixed with sadness and even grief. It’s about feeling the world.’”

And Finally

Muse/News recommends: Victor Luckerson’s Run It Back newsletter.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Wonder Boy, 2020, Barbara Earl Thomas, American, cut paper and hand-printed color backing, 40 x 26 in., Courtesy of Claire Oliver Gallery, photo: Spike Mafford.

Muse/News: Witnessing America, Asian Restos Go Digital, and Calder Maquettes

SAM News

The Seattle Art Museum is open, with limited capacity and timed tickets released online every Thursday. Chamidae Ford reviews Jacob Lawrence: The American Struggle for South Seattle Emerald, noting that the exhibition “takes us on a journey through American history, reframing the narratives we have heard for centuries.”

And Seattle Met’s Stefan Milne reviews American Struggle as well as the solo show, Barbara Earl Thomas: The Geography of Innocence, exploring how they both “witness America.”

“As different as can be, the two shows are rooted in a truth: How we see our past and our present are inextricable from how we see our future. That is, we’re still filling in frames, and might, with some attention, fill them in more honestly.”

SAM’s Olympic Sculpture Park is recommended by The Architect’s Newspaper as one of 11 “outdoor art spaces and museum grounds worth checking out this spring.” Take some allergy meds, mask up, and get out there!

Local News

Seattle Times columnist Naomi Ishisaka asks Karen Maeda Allman of Elliott Bay Books to recommend “15 books to read to learn more about Asian American history and experiences.”

Crosscut’s Brangien Davis is back with her weekly ArtSEA; this time, she visits Seattle’s new newsstand, previews the ByDesign festival, and some musical events.

Seattle Met’s Erin Wong with the story of how adult children of owners of Chinatown-International District restaurants are bringing their digital literacy to help the businesses during the pandemic crisis.

“Now, it’s the younger generations who are circling back to help their parents navigate the internet age. ‘This is just one thing I can do for my tribe, you know?’ [Carol] Xie says, ‘If that’s all it takes, I’m more than happy to do it.’”

Inter/National News

Hyperallergic says, Listen to the Sounds of an 18,000-year-old Conch.” Muse/News says, OK.

Catching up with gallerist Mariane Ibrahim, a Seattleite for a short and lucky-for-us time: in addition to her Chicago space, she is now expanding to Paris.

“The secret stunt doubles of the art world”: Peter Libbey for the New York Times on the seven maquettes—or models—of works by Alexander Calder made for MoMA’s new exhibition, Modern From the Start.

“Calder’s mobiles, whose orbits are eccentric, are particularly hard to anticipate. ‘I’ve never encountered a museum before that makes large, full scale cutouts for the actual gallery where the sculptures are going to go into,’ [Alexander S.C.] Rower said. ‘I think that’s amazing.’”

And Finally

A mural for the Storm.

– Rachel Eggers, SAM Associate Director of Public Relations

Installation view of Jacob Lawrence: The American Struggle at Seattle Art Museum, 2021, photo: Natali Wiseman.

Muse/News: Jacob’s Story, New Models, and a Will to Equity

SAM News

The Seattle Art Museum is open, with limited capacity and timed tickets released online every Thursday. Jasmyne Keimig of the Stranger reviews Jacob Lawrence: The American Struggle, now on view at SAM.

“America’s persistence as a country and a project was not foretold. Rather, it was violently taken and sketched out, marked by slavery, genocide, war, and immense struggle experienced by those seeking their own freedom and those looking to impose their will on others. It’s a point hammered out in the rest of the series.”

KING’s Evening Magazine toured the exhibition, interviewing SAM curator Theresa Papanikolas. Thrillist recommends the show, and Artdaily also shares the news

The University of Washington’s Daily on the “revolution and inclusion” on view in the exhibition; they also shared details of a Lawrence seminar this spring. And they reported on the museum’s recent gift of Lang Collection artworks.

And with this nice weather, don’t forget to visit the Olympic Sculpture Park; The Expedition includes it on this list of “best sculpture gardens for families.”

Local News

First Hill’s Museum of Museums will finally open, reports Capitol Hill Seattle Blog. 

And the Wing Luke Museum reopened recently; Sean Harding for South Seattle Emerald checked in on how things are going. 

Crosscut’s Margo Vansynghel dives deep with a survey of local arts and culture organizations and how they’re faring, one year into the pandemic; she finds dramatic losses and tentative hope for new models. 

“The arts and culture industry has relied on old models and underpaid, overworked people for decades. Those models weren’t cutting it even pre-pandemic, says LANGSTON’s [Tim] Lennon. ‘The old ways were not that great for a lot of small organizations, artists and culture workers, especially those from BIPOC communities,’ he wrote.”

Inter/National News

Hyperallergic’s Sarah Rose Sharp shares the news that United States Artists (USA) president and CEO Deana Haggag will be stepping down for a position at the Andrew W. Mellon Foundation.

PBS NewHour interviews Peabody Essex Museum curator Lydia Gordon about the two recovered panels of the Struggle series, both of which are now on view at SAM.

Tessa Soloman of ARTnews on how executive roles in equity and belonging are on the rise at museums; she interviews Rosa Rodriguez-Williams at Boston’s Museum of Fine Arts, Craig Bigelow at Crystal Bridges Museum of American Art, and others. The article references SAM’s appointment of Priya Frank to Director of Equity, Diversity, and Inclusion in August 2020. 

“Not all of this work requires funding—it’s about changes in procedure and process,” [Bigelow] said. “Too often there’s a default to slowing the work or stopping the work because there’s a perceived lack of funding. But this isn’t entirely about funding—it’s about will.”

And Finally

Oscar nominations have been announced; get going on your watch list!

– Rachel Eggers, SAM Associate Director of Public Relations

Installation view of Jacob Lawrence: The American Struggle at Seattle Art Museum, 2021, photo: Natali Wiseman.
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