Muse/News: Suiting up, speaking out, and making art

The Seattle Art Museum wants to acknowledge the lives of George Floyd, Breonna Taylor, Ahmaud Arbery and other Black people killed by police. We share in the grief, anger, and frustration that their friends, families, and communities are feeling, which has spread across the country and the world. Read more of our response to the recent events.

SAM News

Last week, Stay Home with SAM serves up social justice binge watch recommendations and freeze dances with Lynette Yiadom-Boakye’s Trapsprung.

Local News

UW’s The Daily shares that the Jacob Lawrence Gallery has launched the fourth issue of the art journal, MONDAY. All pieces were commissioned and edited by resident artist Danny Giles and tackle the relationship of art to race and democracy.

Seattle Met’s Allecia Vermillion recommends ordering takeout from several Black-owned Seattle restaurants.

The Seattle Times has ongoing coverage of this weekend’s protests of the killing of George Floyd, which had their team of reporters and photographers in the streets covering it as it happened. Reporters spoke with Andre Taylor, Rev. Dr. Leslie Braxton, Girmay Zahilay, and other protest attendees. They are also asking protestors to share their stories. And columnist Naomi Ishisaka called for police reform.

“Isn’t the midst of a pandemic — especially one that puts extraordinary stress on people experiencing homelessness and poverty, and people of color — exactly when we need more community responsiveness from the police?”

Inter/National News

Watch this short film, commissioned by the Archives of American Art, in which five contemporary artists—Mickalene Thomas, Jacolby Satterwhite, Maren Hassinger, Shaun Leonardo, and Elia Alba—respond to eight questions for Black artists, first posed by Jeff Donaldson in a historic 1967 letter.

Nick Cave’s Soundsuits debuted in 1992 as a response to the beating of Rodney King. In 2016, he recorded an interview with Art21 in which he talked about a new Soundsuit created in honor of Trayvon Martin. Lately he’s been sharing short videos on his Instagram. Read and watch all about his “suits of armor” in this Artnet story. SAM’s collection includes one of Nick Cave’s Soundsuits.

Artist Carrie Mae Weems is launching a new initiative, reports Artnet’s Taylor Defoe, that “draws attention to how the COVID-19 pandemic disproportionately hurts African American, Latino, and Native American communities.”

“The death toll in these communities is staggering. This fact affords the nation an unprecedented opportunity to address the impact of social and economic inequality in real time. Denial does not solve a problem.”

And Finally

Dreaming about reading outside together.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view of Lessons from the Institute of Empathy at the Seattle Art Museum. © Seattle Art Museum, Photo: Natali Wiseman. 

Muse/News: We heart Asian art, holding down the fort, and a zoo-riffic museum visit

SAM News

The May/June issue of Hong-Kong based magazine Orientations is out, and the reimagined Asian Art Museum is the cover story. “Flip” through the digital edition to page 46 to read the essay by SAM curators Foong Ping and Xiaojin Wu, along with consulting curator Darielle Mason.

This week, Stay Home with SAM sends love letters to Seattle’s Chinatown-International District, explores the major-ness of Kehinde Wiley, and gathers under the light installation of Kenzan Tsutakawa-Chinn.

Teen Tix reviewers spend some time navigating the “well-written” and “brilliant” SAM Blog and share this review.

“The piece was captivating. This sentence put what I originally thought were just a couple whimsical cement radios into a bizarre and uncanny context, something that, without an entire article to accompany it, a run of the mill museum exhibit could not have done.”

Local News

Crosscut’s Margo Vansynghel talks with artist Monyee Chau, who created a poster to buoy up the Chinatown-International District in response to an increase of anti-Asian racism.

Seattle Met’s Steve Luikens has some great recommendations for “what to stream in Seattle this week,” including herstory lessons, dystopian film, and Samantha Irby.

Real Change’s Ashley Archibald on Totem Star, a recording studio and music workshop for youth, and how it’s continuing to mentor its young artists remotely.

“Opening the online platform has helped with the isolation of the lockdown, giving structure to a week when days blur together in a miasma of monotony. ‘It’s a consistent thing we look forward to in our days,’ Amina said. ‘It’s been hard, but they’ve been making it easier, for sure.’”

Inter/National News

23 mayors across the US—including Seattle’s Jenny Durkan—signed a joint letter to Congress urging the government to provide more aid to artists, arts workers, and cultural organizations in the next federal stimulus package, reports Artforum.

“Holding down the fort”: Artnet’s Sarah Cascone looks at the guards, groundskeepers, and collection managers still working on-site at closed museums.

The New York Times’ Thomas Rogers explores how some European museums are reopening and reinventing themselves during the pandemic.

“It has largely been up to the institutions to iron out the details, including whether to require masks. For museum directors, this involves balancing public safety against the desire to allow people to freely engage with art; for visitors, this means navigating a patchwork of new rules.”

And Finally

“They seemed to react much better to Caravaggio than Monet.”

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Robert Wade

Muse/News: SAM style leaders, virtual First Thursday, and llama heroes

SAM News

“The passion in David Rue’s voice is palpable.” Andrew Hoge of Seattle Magazine talks with SAM Public Engagement Associate David Rue for their May edition of Style Profile about his eclectic approach to personal style and arts programming.

This week, Stay Home with SAM gets you ready for SAM Book Club’s exploration of Octavia Butler, flips through a powerful youth zine responding to the pandemic, and ducks for cloud cover with Teresita Fernández.

The Seattle Times collects “5 fun ways to stretch your kid’s brain” with “Weekly Wonder” recommendations by Kris Gilroy Higginson, including SAM’s “tree-mendously cool” Middle Fork-inspired art project.

Vox Magazine’s Hannah McFadden of Vox Magazine, Columbia Missourian’s award-winning student magazine, has a very enthusiastic recommendation of SAM Blog in her round-up on online arts experiences.

“This blog is colorful and incredibly detailed in the descriptions of its exhibits and related art history. Plus, the blog’s tags make it easy to navigate.”

Local News

Did you virtually art walk with everyone this First Thursday? You can still watch all the virtual tours and talks presented by Lauren Gallow and Gabriel Stromberg with By The Hour, including talks from Pam McClusky and Foong Ping.

Unstreamable is back! In this recurring column, Chase Burns and Jasmyne Keimig watch and review films that are unavailable to stream; they’ve got helpful information on how to sign up for Scarecrow’s safe rental-by-mail program.

Brangien Davis of Crosscut with her essential weekly “editor’s notebook”; she talks about the effect of the shutdown extension on the arts in Seattle, highlighting creative efforts thriving in spite of the hardships.

“There’s a lesson in here somewhere, for these COVID days, about learning to trust in a new way of thinking, about seeing things differently when the world is turned upside down.”

Inter/National News

Nominated three previous times, Los Angeles Times art critic Christopher Knight won the 2020 Pulitzer Prize for criticism, one of very few visual arts critics to win the prize.

“A small show that’s built around a sensational painting, and that has an unreadable relationship at its heart.” The New York Times’ Holland Cotter recommends a virtual visit to Boston’s Apollo: Thomas McKeller and John Singer Sargent at the Isabella Stewart Gardner Museum.

“A Wedding Photographer Took an Online Archaeology Class During Lockdown—and May Have Discovered a Lost Stonehenge-Like Structure.” Artnet’s Sarah Cascone with an incredible story of novice archaeology.

As he scanned along the River Trent, near the village of Swarkestone, he noticed something strange. “I thought, ‘what’s that? It looks a bit odd, and a bit round,’” Sedden told the Guardian.

And Finally

Not all heroes wear capes. Some are llamas with “envy-inducing eyelashes.”

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view of John Akomfrah: Future History at Seattle Art Museum, 2020, photo: Natali Wiseman.

Muse/News: A journey to Amerocco, book nerds, and environmental art

SAM News

The Seattle Times’ Brendan Kiley reported on the huge financial impacts of the coronavirus on local arts organizations. He spoke with SAM director Amada Cruz.

“Despite this, Cruz said SAM has been able to preserve all of its 217 staff jobs through June, with a combination of executive pay cuts and a $2.8 million loan from the CARES Act.”

Nancy Kenney of the Art Newspaper also reported on the payroll loan program and the financial status of US museums, mentioning SAM.

This week, Stay Home with SAM offered Earth Day tips and an art project inspired by El Anatsui, introduced the SAM Book Club’s latest pick (Octavia Butler!), and explored the in-between identities of Aaron Fowler’s Amerocco.

The Seattle Times’ Brendan Kiley included details on Stay Home with SAM in his round-up of “the most intriguing streaming and online arts events” for the week.

And Geekwire’s Lisa Stiffler on the “digital lifeline” provided by local arts organizations, including Stay Home with SAM.

Local News

Special to the Seattle Times, writer Sarah Neilson connects with six creatives on what inspires them about Seattle and the Pacific Northwest.

Stefan Milne of Seattle Met looks at two “ambitious” streaming events on the horizon, and whether they can fill the void for what would have been a busy summer of festivals and fundraising.

Crosscut Brangien Davis has her weekly editor’s letter, with lots of arts recommendations and on Seattle’s popular Silent Reading Party, which has gone remote.

“At chapter breaks, I’d glance up to check in on my fellow book nerds, who were reading while sipping a drink, rocking a baby or petting an insistent cat. It felt so nice to go to a party — even one that’s silent and virtual — where people allow a camera into their private rooms, just to read and be together.”

Inter/National News

Muse/News recommends: a streamable documentary on Hilma af Klimt, The Rubin Museum of Art’s Daily Offerings, and, well, all the things the Artnet editors recommend.

For Earth Day, Artsy explores “10 Artists. . .Making Urgent Work about the Environment,” including John Akomfrah.

Phillips’ blog talks with art world leaders for their series, How We’re Adapting. Bobbye Tigerman, a curator at LACMA, shares her new Zoom background and thoughts for the future.

“This experience has stimulated my thinking about the role that museums can play for those who are not physically able to visit them, whether for health, economic, or other reasons. I wholeheartedly believe in the transformative experiences by a physical encounter with a work of art, but when that is not feasible, how else can we offer authentic engagement to our visitors near and far?”

And Finally

Test Kitchen Hive, assemble.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Natali Wiseman

Muse/News: Projecting hope, art world pets, and a Biscuit Klimt

SAM News

This week, Stay Home with SAM takes you inside the Asian Art Museum’s new Asian Paintings Conservation Center and building (literally) for the community with SAM educator Rayna Mathis.

The Stranger helpfully rounds up arts organizations you can support during the now-earlier Give Big campaign, including SAM.

Local News

Seattle Met has a reading list of books by Washingtonians—“recent releases, stone-cold classics”—along with links to indie booksellers.

Seattle Times’ Moira Macdonald picks “8 of the most interesting arts events to stream” this week, including Seattle Public Library’s Virtual Story Time, Elizabeth Kolbert’s Earth Day virtual lecture for Seattle Arts & Lectures, and Sir Patrick Stewart reading Shakespeare’s sonnets.

Crosscut’s Brangien Davis shares from her “isolation bubble” all the ways creatives are making art to lift spirits; don’t miss Electric Coffin’s video from their recent nighttime light projections, including on the façade of SAM.

“Each of the ‘rogue’ screenings featured a balloon decorated with a floral pattern and a message such as ‘We Will Not Desert You,’ ‘Hang in There’ or ‘We Will Survive.’”

Inter/National News

“Pets of the Art World!” says the Artnet headline. Tag yourself, I’m Olga, Rachel Corbett’s cat.

Smithsonian Magazine shares details of the free online courses in art, fashion, and photography being offered by MoMA.

The New York Times’ Will Heinrich recommends 15 art documentaries to stream, including Frederick Wiseman’s wonderful “National Gallery.”

“It’s a good batch of films guaranteed to transport you out of your living room, whether it’s to the glamour of the Mediterranean coast, to the excitement of a contemporary art auction, to the otherworldly ecstasy of a Sun Ra concert, or even to the squalid claustrophobia of Edvard Munch’s Norwegian adolescence.”

And Finally

Explore the #GettyMuseumChallenge. (Biscuit Klimt has to be the winner.)

– Rachel Eggers, SAM Associate Director of Public Relations

Images courtesy of Electric Coffin.

Muse/News: Sculpture park safety, new horizons, and world-building with Jacolby Satterwhite

SAM News

During the temporary closure of SAM locations, we hope you can safely continue to enjoy the Olympic Sculpture Park, carefully following physical distancing guidelines by staying six feet away from other park visitors. SAM will continue to align with any City guidance on parks usage.

Here’s Zach Mortice for Landscape Architecture Magazine on how sculpture parks are “offering one of the few bits of unfettered culture still available.”

The National Endowment for the Humanities (NEH) announced that it is awarding $22.2 million in grants to 224 humanities projects across the United States, including SAM Libraries’ project to digitize 3,000 audiovisual recordings.

Stay Home with SAM continues to take your imagination outside. Last week, we investigated “The Case of the Weeping Buddha,” got macro with the photography of Imogen Cunningham, and offered a virtual curator talk of the Georgia O’Keeffe exhibition with Theresa Papanikolas. Join us!

KOMO’s Seattle Refined and Seattle’s Child both share resources for online experiences and homebound art activities; Stay Home with SAM is featured.

Local News

Seattle Met’s Stefan Milne on the fight to fund Seattle arts, focusing particularly on nightlife and performance venues who are particularly reliant on people in seats.

Rich Smith of the Stranger reports on the forthcoming launch of Northwest Arts Streaming Hub (NASH), a “Netflix for local performances” created by a coalition of Seattle art world heavies.

Crosscut’s Brangien Davis takes in ever-retreating horizons as Seattle’s art world responds to a situation with unknown ends; finally, former Seattleite Yann Novak’s video piece Stillness: Oceanic offers a more substantial anchor.

“The congregational aspect of the arts scene has been boxed up for later. Stillness abounds. But, just as in Novak’s video, the atmospheric conditions are causing changes. Artists are shifting slightly every day, in ways we might not perceive until we see the composite picture.”

Inter/National News

“Running a Gallery in My Apartment Showed Me a Different Side of the Art World.” Scott Indrisek for Artsy on how his now-closed Brooklyn apartment gallery might have lessons for the art world’s disruption.

For the Wall Street Journal, Cammy Brothers, an associate professor at Northeastern University, shared her experiences navigating online resources to keep kids learning via art history.

As part of “Art on Video, a collaboration with Art21, Artnet jumps into world-building with Jacolby Satterwhite, who once found escape with video games like Final Fantasy.

“For Satterwhite, world-building is a form of self-care. Speaking to Art21 back in February, his words ring true today: ‘Art became a form of escapism for me to reroute my personal traumas. And now I think I’m trying to pursue something more present.'”

And Finally

Sports broadcasters adjust to being stuck inside.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Benjamin Benschneider

Muse/News: A bewitched art project, digital art walks, and a playlist to lean on

SAM News

Stay Home with SAM continues to inspire. We’re getting bewitched with Korean artist Jung Yeondoo, looking to the helpers with a 19th century Japanese fireman’s coat, and walking towards the light with Seattle artist Barbara Earl Thomas. Scroll, listen, and make to your heart’s content.

Seattle Magazine’s Ariel Shearer is “foraging for hope,” sharing resources and efforts to keep connected, including Stay Home with SAM.

CAA News shared this thought-provoking review of Boundless: Stories of Asian Art by Christina Yuen Zi Chung.

“There is a special delight in discovering that what seems to be a premodern piece was in fact created in the 2000s, and what looks to be a contemporary work was in fact created centuries prior. Asia is pulled from the shadows of essentializing stereotypes and refashioned as a multidimensional entity that is in dialogue with the past instead of being confined to tradition.”

Local News

The Stranger is sharing a waterfall of poetry, encouraging you to “Take a Break and Read a F***ing Poem.” We recently enjoyed Natalie Diaz’s It Was the Animals.

Seattle Met’s Stefan Milne interviews Jon Mooallem about his new book, This Is Chance!, which may offer some hope about how communities can respond to crisis.

Crosscut’s Brangien Davis does a very convincing and rather moving digital art walk, in lieu of what would have been First Thursday in Pioneer Square.

“Remember art walks? Wandering the crowded sidewalks, packing into small galleries for popular shows, hugging an old friend upon a chance encounter?”

Inter/National News

Artforum and Bookforum both launched their latest issues online—entirely for free. Happy reading.

#IAmNotAVirus: PBS News Hour interviews Korean-Swedish artist Lisa Wool-Rim Sjöblom on her single-panel comics addressing the influx of anti-Asian racism.

The New York Times explores the special role filled by Los Angeles’ Underground Museum, which was also about to open a show of work by its founder Noah Davis.

“What is it — artist project, kunsthalle, community hub, pop-up museum?” Mr. [Glenn] Ligon said. “It has a spirit and energy unlike other art spaces I’ve ever been to and once I was there I wanted to be part of it, even though I wasn’t sure what ‘it’ was.”

And Finally

A playlist for when there ain’t no sunshine. RIP Bill Withers.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Saint Sebastian Tended by Saint Irene, ca. 1638-39, Georges de La Tour and Studio, oil on canvas, 42 x 55 7/8 in., Gift of Richard and Elizabeth Hedreen in honor of Mimi Gardner Gates, 2008.67
Stay Home with SAM is supported in part by 

Muse/News: Drawing with O’Keeffe, walks and recipes, and a napping lioness

SAM News

SAM’s temporary closure has been extended until further notice, in our effort to do all we can to safeguard the health and safety of the community.

We hope you are enjoying Stay Home with SAM, which connects you with art through videos, interviews, art-making activities, and art spotlights. Don’t miss the latest post, featuring digital and analog art-making experiences for Georgia O’Keeffe: Abstract Variations.

Artnet will be spotlighting exhibitions from all over the world during the closures—they started with Abstract Variations.

Local News

Seattle Times’ Gabriel Campanario is back with another sketch. This time, he takes in the Betty Bowen Viewpoint while on a socially distanced walk, mentioning her connection to SAM.

“Don’t skip the Olympic Sculpture Park art detour,” says Alison Williams of Seattle Met in her prescient “15 Best City Trails in Seattle” feature for Seattle Met’s April edition.

Crosscut shares another video in their Art Seen series, created before the stay-at-home order, with a question that is more relevant than ever.

“What do you create or do in life that brings you happiness? The question we asked locals — just before Washington state’s stay-at-home order — takes on new meaning now that individuals and communities are coping with the coronavirus crisis.”

Inter/National News

Last week, Congress passed a $2 trillion aid package in response to the coronavirus. Cultural organizations had requested $4 billion; Artnet’s Eileen Kinsella reports on how “they got, well, less.”

Hyperallergic says skip Netflix, and explore their list of experimental films and video art to stream, gathered with the help of their contributors as well as artists and filmmakers.

Artnet’s Sarah Cascone got 10 famous artists to dish on their favorite recipes getting them through these tough times.

“A fridge full of seafood, a cabinet full of beans, and regular trips to the coffee shop while we still can. Prepping for the worst, but can’t leave this city! So far, pizza is still delivering, so totally OK.”

And Finally

It makes me feel better to know Nikita the Lioness is taking a nap (again).

– Rachel Eggers, SAM Associate Director of Public Relations

Artwork: Georgia O’Keeffe, American, 1887–1986, Music, Pink and Blue, No. 1, 1918, oil on canvas, 35 x 29 in., Seattle Art Museum, Gift of Barney A. Ebsworth, 2000.161, photo: Paul Macapia

Muse/News: Remote art, O’Keeffe’s recipes, and staying safe

SAM News

Following a series of progressive steps taken in recent weeks, SAM announced last Thursday that it has temporarily closed through the end of March, to help limit the spread of COVID-19 and protect the community.

While the museum is closed, we hope you’ll enjoy Gayle Clemans’ lovely review of John Akomfrah: Future History, which notes that even with the closure, “the artist and his work, nonetheless, is well worth knowing about.”

“For Akomfrah, that cinematic approach is like philosophy, a way of comprehending the world. ‘As opposites have conversations, or as they are persuaded to at least potentially sit at the table in preparation for conversation, something miraculous happens,’ he says. ‘Life itself happens.’”

Also for the Seattle Times, Gayle Clemans rounded up visual arts recommendations in honor of Women’s History Month, including SAM’s “one-room powerhouse of a show,” Georgia O’Keeffe: Abstract Variations.

Local News

The Seattle Times has extensive coronavirus coverage, including local museum news, thoughts on the immediate impact to arts organizations, and daily live updates.

Crosscut shares ways to support the creative economy, Culturyst has a special “Seattle arts at home” edition, and Red Tricycle also has ideas for remote experiences, including browsing SAM’s collection online.

The Stranger’s Rich Smith suggests that you join Everyone in the World who will be tuning in to rebroadcasts and livestreams of Seattle Symphony performances.

“The push to do these performances is all stemming from the musicians,” Shafii said. “They’re motivated to do whatever they can to provide music for the community.”

Inter/National News

Globally, Artnet is tracking closures and other art world news. They’re also reporting that institutions in China and South Korea are carefully reopening.

The New York Times’ live (and free) coronavirus updates are essential.

Since we can’t be looking at Georgia O’Keeffe’s paintings, might we suggest cooking from Georgia O’Keeffe’s recipes? Thanks to The New Yorker’s Rachel Syme for the perfect housebound idea.

“Miss O’Keeffe often wondered aloud, ‘Do you think other people eat as well as we do?’”

And Finally

“Working from home is awesome.”

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Alfred Stieglitz, American, 1864–1946, Georgia O’Keeffe (in a chemise), 1918, gelatin silver print, 9 1/2 x 7 1/2 in., Georgia O’Keeffe Museum, Santa Fe, New Mexico, Gift of the Georgia O’Keeffe Foundation, 2006.6.1432, photo: Georgia O’Keeffe Museum, Santa Fe / Art Resource, NY

Muse/News: Chiyo’s goodbye, the art of hom bows, and Earth’s mini moon

SAM News

Last week, we announced that Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture, will retire this summer after 30 years with the museum. The Seattle Times, KUOW, Artforum, Artnet, ARTnews, Artdaily, and Hyperallergic all shared the news. In Crosscut’s Arts & Culture newsletter, Brangien Davis spoke for everyone when she wrote, “Beloved in the Seattle arts community for her insight, approachability and très chic personal style, Ishikawa will be missed.”

“A Place for Meaningful Cultural Conversations” declared the headline for art critic Lee Lawrence’s thoughtful review of the reimagined Asian Art Museum, which appeared in the February 25 print edition of the Wall Street Journal.

“These 19th-century bululs, or rice deities, from the Philippines once watched over terraced paddies, and they’re among the museum’s most modest yet most powerful works. Given the nature and small size of its Philippine holdings, the Seattle Asian Art Museum probably would have kept them in storage had it opted for a traditional installation. But in another benefit of thematic groupings, they—and other long-warehoused treasures in the museum’s collection—now have a role, enriching the new installation not just with their stories but with their spirit.”

Local News

Seattle-based artist Susie J. Lee is making a short video about what makes a museum “interesting and cool.” The Seattle Times’ Alan Berner captured photos of the recent shoot at the Asian Art Museum.

Crosscut’s new video series, Art Seen, explores “the hidden art of the everyday”; they recently showed us how Mee Sum Pastry makes all those hom bows, day in and day out.

The Seattle Times’ Crystal Paul reviews the new collection of stories by Zora Neale Hurston, Hitting a Straight Lick with a Crooked Stick.

“As a trained anthropologist, Hurston traveled down the East Coast and sat on stoops and corners, the storytelling stages and communal gathering spaces of Black communities, where, with academic rigor and a loving gaze, she listened, studied and collected the stories Black folk tell.”

Inter/National News

Tara Bahrampour for the Washington Post on the Phillips Collection’s Creative Aging program, which helps seniors connect and make art.

Holland Cotter of the New York Times on MoMA’s Donald Judd survey that opens on Sunday, noting that his work “can now be seen to offer pleasures, visual and conceptual, that any audience with open eyes, can relate to.”

Hyperallergic’s Kealey Boyd reviews the exhibition of Chinese contemporary art, The Allure of Matter: Material Art from China; its national tour has now brought it to the Smart Museum of Art and Wrightwood 659 in Chicago, before it heads to SAM this summer.

“It is not often a new category of art historical research is proposed as a solution to these persistent problems, but The Allure of Matter: Material Art from China makes a compelling case for the usefulness of a new analytical structure around Chinese art.” 

And Finally

Earth can have a mini moon (as a treat).

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Scott Areman

Muse/News: Virginia’s legacy, Yardbird goes opera, and the Museum Walk

SAM News

Virginia “Jinny” Wright, a pillar of the SAM family, passed away last week at the age of 91. The Seattle Times obituary of the collector and philanthropist noted that she “lived for art—and dedicated herself to sharing it with others.” KUOW and ARTnews also shared remembrances of her legacy. She will be greatly missed.

KEXP’s Hans Anderson interviewed SAM curators Foong Ping and Xiaojin Wu about the reimagined Seattle Asian Art Museum for their Sound & Vision show; head to their archive for Saturday, February 15 for the story, which started at 7:49 am.

More coverage for the Asian Art Museum appeared in GRAY Magazine, Post Alley, and 425 Magazine.

Local News

You have until this Saturday to check out the Jacob Lawrence works on view at Greg Kucera. The Seattle Times’ Brendan Kiley wrote about the artist’s “big, beautiful panels for real-life superheroes.”

The Stranger’s Jasmyne Keimig keeps an eye out for what’s “Currently Hanging”; right now, it’s Agnieszka Polska’s Love Bite at the Frye Art Museum.

Tom Keogh for Crosscut on Seattle Opera’s “promising, dynamic production” of Charlie Parker’s Yardbird, which explores the life of the jazz legend.

“So the piece, like Parker’s music, is full of extremes, pushing the voice’s boundaries,” [tenor Joshua] Stewart says. “When you have a piece this difficult, you have to bring to it everything you have to offer. You have to go on the full journey.”

Inter/National News

OK, this is definitely a thing: Museum Walk gives you back pain. Hyperallergic has tips to alleviate it from posture expert Mark Josefsberg.

Payal Uttam for Artsy on the most recent edition of the India Art Fair (IAF) in New Delhi, and what it said about the market for South Asian art.

Artnet’s Taylor Defoe reports on the Oakland Museum of California’s recent pivot to measuring their success by their “social impact,” rather than by usual metrics.

“This is coming at a time when museums and other cultural institutions are really trying to make a case for their existence,” says the OMCA’s associate director of evaluation and visitor insight, Johanna Jones, who led the project. “We know we make a difference in people’s lives, now we need to really demonstrate it through measurable metrics.”

And Finally

More movies for your list, post-Parasite.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Virginia Wright in her Pioneer Square gallery, Current Editions, August 1967. Photo: © Mary Randlett. All rights reserved.

Muse/News: Kismet at the Asian Art Museum, big stone hands, and bro-ramics

SAM News

The Seattle Asian Art Museum is now reopened, and we are still excited. Jennifer S. Li wrote about the “fresh and relevant” museum for ArtAsiaPacific.

“[The curators] orchestrated moments of kismet, discovery, and wonder, with space for visitors’ personal revelations as they interacted with the reinstallation.”

Eve M. Kahn has a lively and thorough look for Apollo Magazine of the reimagined museum.

And given Seattle’s complicated history of changing attitudes toward immigrants and visitors from the rest of the Pacific Rim, Foong [Ping, curator of Asian art] notes, ‘It’s very meaningful to have an Asian art museum in this city.’”

This week’s edition of Real Change features the Asian Art Museum, with this story from Kelly Knickerbocker.

“With the renovated building came an opportunity to start completely from scratch,” Foong said. “People kept asking, ‘Did you just go on holiday when the museum closed?’ It’s quite the opposite.”

The Stranger’s Jasmyne Keimig often takes a look at what’s “Currently Hanging”; here she is on Faig Ahmed’s Oiling, which is now on view in Be/longing: Contemporary Asian Art.

Mayumi Tsutakawa wrote for the South Seattle Emerald about Gather, the Garden Court’s new LED-light installation, which was created by her son, Kenzan Tsutakawa-Chinn.

Local News

“Do Sh*t Alone,” says the Stranger’s Jasmyne Keimig, recommending the joys of seeing art, movies, and music solo.

The Seattle Times’ Crystal Paul reviews Excluded, Inside the Lines, the Wing Luke’s exhibition on redlining and housing discrimination in Seattle that closes February 23.

Katie Kurtz interviews artist Dan Webb about his massive foray into stonework; his granite hands will soon grace Sound Transit’s Redmond Technology Station. Very cool visuals by Matt M. McKnight, too!

“They are my hands for a reason. Moving your boulder is a very personal subject and everybody’s got a boulder to move. It’s very literal,” Webb says.

Inter/National News

A look back for the #BongHive: Here’s Gary Indiana for Artforum in 2007, reflecting on the “Gogol in Seoul” sensibilities of director Bong Joon-ho.

The New York Times’ Elizabeth A. Harris reports on repercussions from the coronavirus hitting the art world.

Artnet’s Katie White from the frontlines of “bro-ramics”; apparently, Hollywood dudes are really into making ceramics? Of course, it’s a medium that has been dominated by women for centuries.  

“The popularity may wax and wane, but I don’t think we’ll return to anything like the material biases that existed in the late 20th century…and Seth Rogen will turn to underwater basket-weaving, eventually.”

And Finally

Cristofano Allori’s “breakup song” version of the oft-painted Judith and Holofernes.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Jueqian Fang

Muse/News: We heart Asian art, keepers of the dream, and Parasite’s art

SAM News

The Seattle Asian Art Museum is officially reopen! Thank you to the thousands of people who streamed through the reimagined galleries at the free housewarming event last weekend. The museum starts regular hours on Wednesday, February 12.

“I felt freed, well, just to look”: Stefan Milne examines Boundless at the Asian Art Museum and The American War at ARTS at King Street Station, which both “explore how we see Asia.”

Seattle Refined shot a recent episode from the museum, including a fantastic segment with SAM curators Foong Ping and Xiaojin Wu (starts at :40).

And ParentMap’s JiaYing Grygiel has this charming look at the museum through the eyes of kids and families.

Local News

I Google this every Oscars season. Here’s a breakdown from the Seattle Times on those harder-to-understand categories.

The Stranger’s Charles Mudede on the work of Marisa Williamson, who has two shows on view in Seattle at SOIL Gallery and Jacob Lawrence Gallery.

Crosscut’s Margo Vansynghel on the new local documentary, Keepers of the Dream: Seattle Women Black Panthers, which premiered last Friday at Northwest Film Forum and will screen again on February 20.

“Women were critical to the survival of the organization,” [Robyn] Spencer says. “They were the movers, the shakers, the theorists, the thinkers, the organizers — they were keeping the party going.”

Inter/National News

Artist Beverly Pepper died this week at 97. Two of her works grace the Olympic Sculpture Park. Here’s Artnet’s obituary for the legendary sculptor.

Here’s Artnet on director Bong Joon-ho’s use of suseok, or “scholar’s rocks” in his Oscar-winning film Parasite.

The New York Times’ Roberta Smith on the late, Seattle-born painter Noah Davis, whose work is again on view in a “big, beautiful exhibition” at David Zwirner.

“Your eyes and mind enter them easily and roam through the different layers of brushwork and narrative suggestion. There’s an unexpected optimism to all this. The paintings also dwell in silence, slow us down and hypnotize.”

And Finally

Did you know that the Asian Art Museum will screen this film on February 26? Well, we will!

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Jueqian Fang

Muse/News: The Asian Art Museum debuts, a conductor’s big moves, and exploring Material Art

SAM News

The Seattle Asian Art Museum reopens to the public this weekend with a free two-day celebration. 10,000 free tickets for the housewarming event have been claimed, but the museum reopens with regular hours on Wednesday, February 12.

SAM welcomed press to see the reimagined and reinstalled museum this week, and the coverage is everywhere, including The New York Times, The Seattle Times, The Art Newspaper, Architectural Digest, Vanguard, Puget Sound Business Journal, and more. Seattle Channel’s CityStream hosted a special edition with guest host Lori Mastukawa from inside the Asian Art Museum, interviewing SAM curators Foong Ping and Xiaojin Wu.

“The larger questions we’re asking for this reopening are, ‘Where is Asia? What is Asia?’” says Xiaojin Wu, the curator of Japanese and Korean art at the museum. “We’re showing how the borders are fluid throughout history.” –From The Art Newspaper

“When the Asian Art Museum opens on Saturday, the architects hope that previous visitors will see their museum in a new light. Says Amada Cruz, CEO and director of the Seattle Art Museum, ‘We could not be more excited to open the doors of the museum and welcome everyone back.’” –Elizabeth Fazzare, Architectural Digest

“With so much to see and contemplate in the Seattle Asian Art Museum, there needed to be space to let the mind wander into a void for a bit. The experience would not be complete without it. The curators and architects all should be commended for seeing through a new vision that will expand audience’s awareness of Asia, but also remind them that the human pursuit of beauty and the sublime is, indeed, timeless and boundless.” –T.s. Flock, Vanguard

Local News

Crosscut shares a story—and impressive footage—of Seattle Symphony’s new conductor, Thomas Dausgaard, who “feels the music in his hair.”

The Stranger’s Jasmyne Keimig devotes a recent edition of “Currently Hanging” to Amerocco, one of the incredible pieces in Aaron Fowler: Into Existence, now on view at SAM downtown.

For Seattle Met, Charlie Lahud-Zahner visits the Sea Mar Museum of Chicano/a/Latino/a Culture, and finds catharsis.

“As a Latinx Seattleite often feeling like the last brown unicorn in the Ballard Trader Joe’s, and on the lookout for authentic representation, this south side museum is a godsend.”

Inter/National News

Have you checked out Artnet’s Art Angle Podcast? Here’s the latest episode, exploring “How the Art World Fell Under the Spell of the Occult.”

The New York Times’ Fabrice Robinet explores the international meetups TypeThursday, which brings together people who really care about fonts. A lot.

Jennifer Li reviews Allure of Matter for ArtAsiaPacific; the exhibition is now on view at LACMA and heads to SAM this summer.

“With works that emphasized the immaterial, or the breakdown of matter, the exhibition begged the question: how applicable is the term Material Art? It seems that at this early stage, the label may conjure more questions than answers.”

 And Finally

We Heart Asian Art.

Installation view of “Be/Longing: Contemporary Asian Art” at the Asian Art Museum, 2020, photo: Natali Wiseman.

Muse/News: Catch these hands at SAM, rice cookers at On The Boards, and celebrating the king of love

SAM News

Final week! Flesh and Blood: Masterpieces from the Capodimonte Museum closes Sunday, January 26.

Last week, we shared the deep dive into the exhibition by T.s. Flock for Vanguard Seattle; this week he’s back with a close look at the show’s notable hands.

Seattle Magazine’s Ariel Shearer has a new blog series for those new in town, exploring the city; this week, she visits Flesh and Blood and talks all things Artemisia.

“It’s an image I’ve seen hundreds of times—as misandrist memes across the internet, a patch on the back of my partner’s denim jacket, to list a few iterations—but witnessing Artemisia Gentileschi’s Judith and Holofernes in person at the Seattle Art Museum last weekend still sparked a visceral reaction.”

Local News

Crosscut’s Margo Vansynghel reports on the “badass” PNW artists who received prestigious Creative Capital grants, including J Mase III and Lady Dane Figueroa Edidi.

The Seattle Times’ Yasmeen Wafai has a great round-up of activities to check out for Lunar New Year and Dr. Martin Luther King, Jr. celebrations.

The Stranger’s Rich Smith previews Cuckoo, Jaha Koo’s upcoming performance piece at On The Boards, which connects rice cookers, loneliness, and the global economy.

“To him, the preprogrammed voice trapped in a mass-market workhorse metaphorically resonated with the life of the average Korean millennial. The ironic sadness of being comforted by a product of a system that creates the discomfort in the first place seemed ripe for dramatic inquiry.”

Inter/National News

Stephanie Wolf for NPR’s Weekend Edition visited the Denver Art Museum’s exhibition of Monet paintings for a behind-the-scenes look at how they actually got there. Seattle Art Museum lent a work to the exhibition.

Artnet’s Sarah Cascone reports that the Lucas Museum of Narrative Art has acquired the Separate Cinema Archive, a collection “documenting African-American cinema history from 1904 to the present day.”

Nancy Kenney of the Art Newspaper previews Jacob Lawrence: The Struggle Series, which is now on view at the Peabody Essex Museum. The exhibition’s national tour brings the works to SAM in 2021.

“In an election year in which the country is bitterly divided between those for and against President Donald Trump, and over who is welcome to immigrate and become a citizen, it seems likely to resonate.”

And Finally

Recorded live on April 7, 1968.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Jen Au

Muse/News: Majesty at SAM, beyond Bollywood at MOHAI, and stories of Asia

SAM News

“Magisterial and filled with drama”: The Wall Street Journal’s Judith Dobrzynski explores Jusepe de Ribera’s Saint Jerome in the paper’s “Masterpiece” column; you can see the incredible painting at SAM in Flesh and Blood: Masterpieces from the Capodimonte Museum, on view through January 26.

“The wrinkles on his face, his palms and his right heel are visible, as are the toenails on his forward foot. His setting may be remote, but this Jerome is a real human being.”

The Seattle Times’ Brendan Kiley has “5 Seattle-area arts events to look forward to in 2020” and leads with the Asian Art Museum reopening.

In case you missed it: The Seattle Times’ December 21 print edition featured photojournalist Alan Berner’s behind-the-scenes look at the Do Ho Suh installation in progress with Liz Brown

David Carrier for Hyperallergic on the “endlessly inventive” Jörg Immendorff, whose solo show is now on view in Madrid; his Café Deutschland 38. Parteitag, just added to SAM’s collection in honor of Kim Rorschach, is now on view. 

Local News

Crosscut’s Margo Vansynghel on the new art installations at Seattle-Tacoma International Airport that will be giving the airport a first-class upgrade.

It’s Hot Toddy time, declares the Stranger’s Rich Smith.

Sharmila Mukherjee for the Seattle Times reviews Beyond Bollywood: Indian Americans Shape the Nation, on view at MOHAI through January 26.

“The most compelling aspect of the show is its focus on faces. Radiant faces loom out from images on the walls. At a time when immigrants are being described as dangerous, faceless people, these faces ask visitors to pause and look.”

Inter/National News

Artnet’s Sarah Cascone rounds up all the artworks now entering the public domain.

Hannah Brown for Vox on the year in protests—and the art that inspired and was inspired by them.

The New York Times’ Will Heinrich reviews the Brooklyn Museum’s reinstallation of its Chinese and Japanese collections, calling it “5,000 Years of Asian Art in 1 Single, Thrilling Conversation.”

“Redesigning an American museum’s Asian wing is no mean feat. How to convey the very real throughlines that make terms as broad as ‘Chinese art’ and ‘Japanese art’ meaningful, while also doing justice to the staggering variety of these ancient, and hugely populous, cultures?”

And Finally

Elena Ferrante, Beyoncé, and emoji: The Atlantic’s Culture desk takes on the pop culture of the 2010s.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Saint Jerome, 1626, Jusepe de Ribera, Spanish, 1591–1652, oil on canvas, 105 1/8 × 64 9/16 in., Museo e Real Bosco di Capodimonte

Muse/News: The art of Mingei, Kusama lost and found, and background

SAM News

The Crosscut team features chill events that will help you escape the hubbub of the holidays, including a silent disco party, a bonsai solstice, and a new SAM installation of elevated craftworks, Exceptionally Ordinary: Mingei 1920–2020.

The Seattle Review of Books is asking local luminaries, “if you could give everyone in Seattle one book as a gift this holiday season, what book would you choose and why?” Here are selections from Amada Cruz, SAM’s Illsley Ball Nordstrom Director and CEO.

Local News

After 40 years, the Pike Place newsstand is closing. Your final chance to buy a magazine, a pack of gum, or a tote is December 31.

Moira Macdonald and Bethany Jean Clement of the Seattle Times take their “Dinner at a Movie” series to the ballet. Mentioned: mouse cookies, orange-flame tutus, and all the adorable children in bows.

Go see Paul Rucker’s Forever at Greg Kucera before it closes on Saturday. The Stranger’s Jasmyne Keimig wrote about this “compelling” show of 15 “commemorative stamps” that feature the faces of Civil Rights-era figures.

“While remembering people like Pratt or Mississippi activist Medgar Evers by erecting a bronze statue or naming a park after them is also meaningful and important, there’s something about the domesticity and “everyday-ness” of a face on a stamp that’s just as appealing. It carries emotional power.”

Inter/National News

Researchers from University College London (UCL) studying aging found that “people who engaged in the arts more frequently had a 31% lower risk of dying early when compared to those who didn’t.”

The “inside-out” trend continues: Nina Siegal for the New York Times on Rotterdam’s Boijmans van Beuningen Museum and its forthcoming “Depot,” which will house completely open-to-the-public collection storage.

The Smithsonian American Art Museum found four small paintings by Yayoi Kusama in a manila envelope. Can you imagine?!

“I got an email saying ‘You need to come look at this right now!’” said [Melissa] Ho in a phone conversation.

And Finally

Whatever you celebrate, don’t forget your background singers.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view Exceptionally Ordinary: Mingei 1920–2020, Seattle Art Museum, 2019, photo: Nina Dubinsky.

The Kimerly Rorschach Fund for Diversity, Equity, and Inclusion

In September 2019, Kimerly Rorschach, SAM’s Illsley Ball Nordstrom Director and CEO, retired after seven years of leading the institution and an illustrious 25-year career in the arts. When Rorschach joined SAM in November 2012, she set her sights on creating a schedule of exhibitions and programs for the museum’s three locations that was compelling and timely and that would resonate with a rapidly growing and diversifying Seattle community. 

During her tenure, equity and inclusion also became top priorities. As part of a commitment to building racial equity, addressing institutional racism, and bringing forth real change, she led the museum’s participation in Turning Commitment into Action, a cohort led and funded by the Office of Arts & Culture in partnership with Office for Civil Rights in 2015. After taking part in this important cohort, SAM established a staff leadership team dedicated to these efforts, and hired Priya Frank as Associate Director for Community Programs in the museum’s Education department and also appointed her the founding chair of the newly established Equity Team.

Beginning in 2016, SAM established racial equity training for the staff, volunteers, docent corps, and Board of Trustees. The museum also created special exhibition advisory committees to ensure that diverse community voices are part of the exhibition, programming, and marketing planning processes. Equity was added to the museum’s official values statement and integrated into the institution’s strategic plan, which guides all departments’ goals. The Emerging Arts Leader internship was also established, a paid internship aimed at candidates who are underrepresented in the museum field. These are just some of the ongoing efforts that Rorschach led the museum in pursuing.

In honor of Rorschach’s extraordinary vision in guiding the museum’s dedication to equity work, the SAM Board of Trustees, along with friends of Rorschach, have created an endowment that establishes permanent funding for diversity, equity, and inclusion efforts at SAM. The Kimerly Rorschach Fund for Diversity, Equity, and Inclusion helps ensure that these efforts will continue at the museum and paves the way for SAM to be a leader in this crucial area of the arts.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Scott Areman

Muse/News: Café con leche, Kenny G, and ancient art discovered in Sulawesi

SAM News

Amada Cruz, SAM’s Illsley Ball Nordstrom Director and CEO, was interviewed by Puget Sound Business Journal. She shared her vision for museums, her morning routine of café con leche and public radio, and other fun facts.

“We should think of museums as civic spaces where all kinds of people can meet, convene, have a shared experience and celebrate our shared humanities. That’s more important now than ever.”

“She speaks five languages — ‘three of them badly.’”

How’s your holiday shopping going? The Seattle Times recently shared their Holiday Gift Guide; among their recommendations for gifts for men is a SAM Shop-exclusive, a Seattle edition of the chic reusable water bottle, Phil the Bottle.

Local News

Crosscut’s Agueda Pacheco Flores interviewed Kenny G. Enough said.

“The Terminal 86 Grain Facility Is Hideous. It Must Be Painted” declares Gregory Scruggs in the Stranger. He argues that the facility near the Olympic Sculpture Park is the only “loose end” in the plan for the downtown waterfront.

The Seattle Times’ Scott Greenstone on Collaboration on Canvas, a new show at CORE Gallery, an exhibition of collaborative paintings by homeless people, social workers, and volunteers.

“It was community, and a bunch of women sharing space and time, and doing something together,” Giller said. “It was different every time, but it was always a good feeling.”

Inter/National News

From Artforum’s December print edition, here are 34 artists reflecting on their favorite exhibitions and events of 2019—including Natalie Ball on Guadalupe Maravilla and Judy Chicago on John Akomfrah’s Vertigo Sea.

Artnet’s Katie White on Homage to the Great Latin-American Masters at Houston’s Art of the World Gallery; the exhibition explores the complexity of classifying borderless Latin American art.

An archaeological study of dozens of caves on the Indonesian island of Sulawesi has turned up visionary examples of art—perhaps the oldest known figurative art made by modern humans.

“Scrambling up a fig tree vine, he found his way into a small grotto. Its far wall bore a panel, painted with a red ocher pigment. When Aubert saw it, he was astounded. ‘I thought, wow, it’s like a whole scene,’ he says. ‘You’ve got humans, or maybe half-human half-animals, hunting or capturing these animals … it was just amazing.’”

And Finally

The Cloud Appreciation Society.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Natali Wiseman

Muse/News: New art at SAM, a lavender palette, and Donald Byrd’s America

SAM News

Two installations debut at SAM this week:

Susan Delson previews Exceptionally Ordinary: Mingei 1920–2020 for the Wall Street Journal, interviewing curator Xiaojin Wu about the movement’s “intimate beauty of honest craft.” The show opens on Saturday.

Aaron Fowler: Into Existence “gleefully disrupts standard boundaries between painting and sculpture,” says Seattle Met, recommending the solo show of the 2019 Gwendolyn Knight and Jacob Lawrence Prize-winner as one of the “Top Things to Do This December.” The show opens on Friday.

Local News

Seattle Met’s cover story for December is “The 30 Women Who Shaped Seattle,” including women with connections to SAM such as Guendolen Carkeek Plestcheeff and Zoë Dusanne.

Crosscut’s Agueda Pacheco Flores reports on the Snoqualmie Tribe’s acquisition of Eighth Generation; it was announced concurrent with Governor Inslee’s proclamation of Native Arts Week in Washington State.

The Seattle Times’ Brendan Kiley reviews The Lavender Palette, a new exhibition at Cascadia Art Museum curated by David Martin. It features early- to mid-20th-century gay and lesbian artists from the Pacific Northwest.

“Honestly, I wanted to avenge them,” Martin said. “At Cascadia, you will never see wall text that says ‘Morris Graves and his close friend’ like a lot of museums do — even in New York and Los Angeles, even in Seattle. No. Here you will always see ‘Morris Graves and his boyfriend’ or ‘and his partner.’

Inter/National News

Artnet’s Taylor Defoe reports: The four artists nominated for the 2019 Turner Prize—Lawrence Abu Hamdan, Helen Cammock, Oscar Murillo, and Tai Shani—will receive the award as a collective, at their request.

Artsy gives us a look at Mickalene Thomas’ celebratory new show, Better Nights, at The Bass in Miami Beach, replete with her signature installations and the work of her fellow artists.

“Can Dance Make a More Just America? Donald Byrd Is Working on It” is the fantastic headline in this New York Times profile of choreographer Donald Byrd, timed to the exhibition at the Frye Art Museum.

“Despite the proliferation of dance in museums over the past decade, exhibitions focused on the work of a single living choreographer remain rare. The America That Is to Be presents an in-depth portrait of a bold, enigmatic artist.”

And Finally

Scrolling the deep sea.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Derion, 2018, hot tub cover, wood, children’s cotton and nylon coats, cotton balls, enamel paint, acrylic paint, broken mirrors, theater seats, concrete cement, 115 x 95 x 28 in. Photo: Robert Wedemeyer. Image courtesy of the artist © Aaron Fowler.

Muse/News: Judith reigns at SAM, The Stranger gets lured, and Denise Murrell joins the Met

SAM News

Location, location: LUXE Interiors + Design offers this preview of the ‘smartly revamped” Asian Art Museum, and the downtown museum gets some love in Conde Nast Traveler.

Last week, Gina Siciliano—the author I Know What I Am: The True Story of Artemisia Gentileschi—gave a My Favorite Things tour at SAM, and Crosscut’s Brangien Davis recommended it in last week’s “Things to Do”. If you missed it, don’t despair: there’s still plenty of time to experience Gentileschi’s masterpiece, now on view in Flesh and Blood: Masterpieces from the Capodimonte Museum.

Local News

The Seattle Times’ Paul de Barros on Seattle jazz club The Penthouse, which presented A-list performers in the ’60s. Now, archival recordings from the club will be released on November 29.

Real Change’s Lisa Edge on the mixed-media work of Jite Agbro; her work Deserving is on view at the Bainbridge Island Museum of Art (BIMA).

The Stranger’s Jasmyne Keimig on Lure at MadArt, a structure-sculpture by Dream the Combine and local artist-engineer Clayton Binkley that “explore[s] the body in relationship to space, light, and environment.”

“Within the piece, I was more mindful of my steps because of the way the mesh was ever so slippery beneath my boot. I became aware of a slight unease at being so close to a skylight I’d admired from the concrete floor below.”

Inter/National News

Paul Laster writes about Do Ho Suh’s work for White Hot magazine, including past presentations at SAM and his theme of displacement. The artist’s Some/One will be a centerpiece of Be/longing at the Asian Art Museum.

Here’s Max Duron of ARTnews on the hiring of Denise Murrell as associate curator at the Metropolitan Museum of Art; Murrell’s work will overlap the modern & contemporary and European painting departments.

Theaster Gates speaks with André Wheeler of the Guardian about his preservation of neglected Black cultural objects, including the gazebo under which 12-year-old Tamir Rice was murdered in Cleveland.

“From our conversation, Gates seems to envision a city-sanctioned and -funded memorial. ‘I want to believe that the city is open to it,” he said. “I believe Samaria has the right to ask the city to receive this sacred space.’”

And Finally

Shirin Neshat’s artistic inspirations.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Photo ©Tim Griffith

Muse/News: Paintings in the flesh, tiny doors, and art-loving Cookie Monster

SAM News

Flesh and Blood: Masterpieces from the Capodimonte Museum was featured in the most recent issue of the Stranger; in her piece, Jasmyne Keimig zooms in on the “gruesome beheading” depicted in Artemisia Gentileschi’s Judith and Holofernes.

“And there’s something else about being close to it, the actual object, which Gentileschi made with her own hands, just as Judith carried out Holofernes’s death with her hands. A Google image search doesn’t cut it. The power of the painting—and the perspective given through it—must be experienced in the flesh.” 

And local journalist Greg Scruggs previewed the Asian Art Museum project for architecture outlet Metropolis.

“There’s a lot that the visitor can’t see that is just as important: all the infrastructure that makes this historic jewel a thoroughly modern museum, equipped to safely display delicate artworks,” [SAM Director and CEO Amada] Cruz said. “The reimagined building will allow us to better fulfill our mission to connect visitors to the art and cultures of Asia.” 

Local News

Gabriel Campanario, AKA Seattle Sketcher, finds the most recent “tiny door” from street artist Mows510, along the Fremont Bridge.

Margo Vansynghel debuts as an official Crosscut writer covering arts and culture with this look at the pushback from some in the film community to Seattle City Hall’s new “creative economy” strategy.

The Stranger’s Rich Smith reviews Pacific Northwest Ballet’s Locally Sourced, which closed this past weekend. He mostly loved it.

“It was all a liiiiittle on the corny side, I must admit, but it was hard not to get swept up in this impressive celebration of our green-gothic corner of the world.”

Inter/National News

The Feminist Art Coalition will “promote feminist art exhibitions, performances, and programs around the country ahead of the 2020 presidential election.” SAM is participating in this online effort.

ARTnews announced that Ashley James has been hired as associate curator of contemporary art at the Guggenheim Museum. She is the first Black curator hired to the museum’s staff.

French-Chinese cultural collaborations continue with the announcement of a new museum opening in Beijing in 2020, focusing on Picasso and Giacometti.

“[An earlier show] also unveiled an important new body of research revealing an unknown relationship between the two artists, who first met in the early 1930s and, despite having a 20-year age difference, formed a strong bond, writing to each other often about their artistic creations and arguing over the return of realism after World War II.”

And Finally

Cookie Monster is . . . one of us.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view Flesh and Blood: Italian Masterpieces from the Capodimonte Museum, Seattle Art Museum, 2019, photo: Natali Wiseman.

Muse/News: The body in art, Seahawks posters, and your right to vote

SAM News

Have you seen Flesh and Blood: Masterpieces from the Capodimonte Museum? Here’s art historian and critic Gayle Clemans for the Seattle Times, tracing the exhibition’s exploration of the human body as an artistic vessel.

“Throughout the exhibition, we are reminded of how art — much like a pitcher of wine or a human body within the paintings — is a vessel for meaning and message. Gender, race, class, age, ability and size play roles in communicating these meanings, in ways that feel historically remote, intimately resonant or disappointingly familiar.”

Seattle Magazine’s Gavin Borchert writes up an exciting new SAM commission; Carpe Fin, a “Haida manga” mural by Michael Nicoll Yahgulanaas, is now on view downtown.

“The mural conveys a vitally timely moral—a warning about the dangers of human disconnection from the natural world.”

Casey Arguelles Gregory of The Eye offers this peek inside SAM’s conservation lab and the work of Nicholas Dorman and Geneva Griswold.

“Conservators approach art from a unique vantage point, intimately located between science, art, and museum politics. ‘We’re kind of in an ivory tower, but we’re looking at the front line.’ Nicholas Dorman explains.”

Local News

Lisa Edge of Real Change reviews Iconic Black Women: Ain’t I a Woman, now on view at the Northwest African American Museum.

Brangien Davis of Crosscut on the new series of Seahawks game-day posters designed by local artists—the proceeds fund art education in Seattle schools.

And Crosscut’s Agueda Pacheco Flores visits the Sea Mar Museum of Chicano/a/Latino/a Culture, which is now open.

“The new museum draws attention to an often overlooked slice of Washington state history, which includes major Mexican American contributions to agriculture, railroad transportation and civil rights. It also breaks ground as the first museum in the Pacific Northwest to highlight the Mexican American experience in this region.”

Inter/National News

The Los Angeles Times shares the news that Sandra Jackson-Dumont of the Met—and formerly of SAM!—heads to LA as the new director and CEO of the Lucas Museum of Narrative Art.

Also in California: Fires. Artnet traces the threats to the Getty Museum and Charles M. Schulz Museum.

The New York Times’ Robin Pogrebin on a new Bill Traylor show at David Zwirner, with proceeds mostly going toward the Harlem Children’s Zone.

“’There is something terribly natural, terribly right, about having the Bill Traylor collection turn into money for his progeny,’ he added, referring to the Zone’s students. ‘I think he would have been — or he is — delighted about that. And I am, too.’”

And Finally

Don’t forget to vote!

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view Flesh and Blood: Italian Masterpieces from the Capodimonte Museum at Seattle Art Museum, 2019, photo: Natali Wiseman

Muse/News: Mirrors in art, Kusama’s parade, and the pumpkin

SAM News

Flesh and Blood: Masterpieces from the Capodimonte Museum continues to wow. Ashley Nelson reviews the exhibition for Seattle University’s Spectator, calling it “a treat for the art enthusiasts and novices alike.” And the Seattle Times includes it on their list “the hottest events” in November.

Here’s London-based magazine Elephant on the symbolism of mirrors in contemporary art, with Zanele Muholi’s self-portrait Bona, Charlottesville, 2015 as a jumping-off point. See it at SAM before it closes November 3.

Local News

Tantri Wija for the Seattle Times with “unusual things to do” for Halloween if you’re too cool for trick-or-treating.

Who made that portrait of Earl, though? Real Change reports on the return of Earl Lancaster’s landmark barbershop to the “powerful corner” of 23rd and Union.

The Stranger’s Jasmyne Keimig reviews Robert William’s The Father of Exponential Imagination, now on view at the Bellevue Arts Museum.

“A technically skilled draftsman, Williams’s works are often psychedelic, depicting an alternate, surreal reality. Jaws unhinge so that the tongue can become a sort of beast to ride, Tarzan-like men wrestle with aliens, and hungry spirits reach toward burgers covered in demons.”

Inter/National News

There will be a Yayoi Kusama-designed balloon in the Macy’s Thanksgiving Day Parade this year called Love Flies Up to the Sky. Yes.

The US Army announced this week a new reserve group of curators, conservators, and archaeologists—yes, like the Monuments Men and Women—charged with protecting cultural heritage in the Middle East.

Lee Lawrence for the Wall Street Journal on the Brooklyn Museum’s overhauled galleries of Chinese and Japanese art; other thematic presentations, including at the Seattle Asian Art Museum, are mentioned.

“As difficult as it can be to trace the stories and power plays behind objects, presenting a permanent collection involves the even more daunting task balancing what curators want to say with what they can, given the strengths and weaknesses of their museums’ holdings. One current trend is to structure displays thematically. When the Seattle Asian Art Museum reopens in February 2020, for example, its installation will use works from different times and places to explore such common concerns as identity and worship.”

And Finally

It’s a Halloween tradition! Once again, here’s The Pumpkin Dance.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view Flesh and Blood: Italian Masterpieces from the Capodimonte Museum at Seattle Art Museum, 2019, photo: Natali Wiseman

Muse/News: SAM gets “radiantly weird,” street stickers, and active landscapes

SAM News

“The show feels like it’s tilted toward some uncanny vision of classical art. In doing so it serves as fine reminder of how much our memories and connotations of periods can get distilled down to a few images.” –Stefan Milne, Seattle Met

“For all their intense realism, the works also show some seriously freaky scenes, both mythological and biblical.” —Brangien Davis, Crosscut

“. . . the unwieldy greens of El Greco, the soft, cloudlike skin of a Titian figure, and all around badassery of Artemisia Gentileschi.” —Jasmyne Keimig, The Stranger

“A stroke of paint seems to connect the viewer across time to the artist, dead now for hundreds of years.” —Sierra Stella, UW’s The Daily

The Seattle press corps seems adequately disturbed/enchanted by SAM’s major fall show, Flesh and Blood: Masterpieces from the Capodimonte Museum, which opened last week. Come see the “radiantly weird” show for yourself.

Local News

The Stranger’s Jasmyne Keimig adds another beat to her watch: stickers. This time, she finds the Dalí-inspired, the public-transportation-celebrating, and more.

The 2019 Washington State Book Award winners were announced last Saturday, including Joy McCullough for “Blood Water Paint,” her YA novel in verse about Artemisia Gentileschi.

Crosscut’s Agueda Pacheco Flores visits Where Beauty Lies at the Wing Luke, which questions, explores, and celebrates ideas of Asian American beauty.

“Visitors are encouraged to be reflective, and not just by looking in mirrors. People can write down an insecurity on a triangular strip of paper and throw it into a faux fire pit that has a dim orange light at the center. The papers don’t burn, but together resemble flames.”

Inter/National News

The New York Times’ Jillian Steinhauer reviews the modest Betye Saar show at the new MoMA—“dismayingly, the first show the institution has ever devoted to Ms. Saar.”

Artnet’s Javier Pes on Pre-Raphaelite Sisters, London’s National Portrait Gallery’s revisionist show that puts the sisterhood of the British art movement in the foreground.

Cultured Magazine talks with Teresita Fernández, whose mid-career survey—co-curated by SAM’s own Amada Cruz!—opens at the Pérez Art Museum Miami today.

“Her idea of landscape is, in fact, ‘not passive at all. It’s very deliberate and strategized. Even our ideas about what places are—place names, borders and what’s visible—they’re such powerful tools to control how we think of ourselves in relation to land and to place.’”

And Finally

Remembering Elijah Cummings through his most powerful speeches.

– Rachel Eggers, SAM Associate Director of Public Relations

Installation view of Flesh and Blood: Italian Masterpieces from the Capodimonte Museum at the Seattle Art Museum, 2019, photo: Natali Wiseman.

Muse/News: SAM opens up, the Burke goes “inside out,” and art history’s blind spots

SAM News

Recently, SAM announced that the Asian Art Museum will reopen to the public on February 8, 2020. Curbed Seattle and NW Asian Weekly both wrote about the building project, which “gives the historic building both a home of its own and a stronger connection to the park around it.”

Local News

Last week, city council candidates appeared at Town Hall to talk arts policy. The Stranger’s Rich Smith—and candidate Alex Pedersen’s “art tie”—were there.

Dinosaurs, but make it fashion: Seattle Met presents their fall fashion editorial set amongst the new digs (get it?) of the Burke Museum.

And the Seattle Times has wrap-around coverage on the new Burke, including a story from Brendan Kiley, photos, video, and graphics to get you ready to explore.

“This Burke, director Julie K. Stein says, isn’t just a new museum. It’s a new breed of museum, imagined and designed with the incantation ‘inside-out.’”

Inter/National News

Fred Armisen is an art aficionado. No, really! Hyperallergic explores his segments on Late Night with Seth Meyers in which he shares his knowledge of literally “every painting that has ever been painted.”

Here’s the New York Times’ Roberta Smith on the new Roy DeCarava retrospective at David Zwirner; his photographs, she says, “constantly flip between visual fact and a metaphor for difference of all kinds.”

In Artforum’s October issue, Emmelyn Butterfield-Rosen reflects on the recent exhibitions Posing Modernity and Black Models, together “one of the most consequential events to take place in the field of nineteenth-century art in Euro-America in recent decades.”

“Murrell achieved something more profound, and more challenging, than archival ‘discovery.’ Her exhibition placed the past blindnesses of art history on very public view, making devastatingly clear the remedial nature of the lesson in seeing required by this discipline—a lesson that could be encapsulated in a question as elementary as: Tell me, class, how many figures are in this picture?”

And Finally

I keep thinking about this squirrel.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: © Tim Griffith

Muse/News: Baroque drama, soap bubbles, and Colescott’s good trouble

SAM News

Are you ready for DRAMA? SAM’s trailer for the major fall exhibition is here in all its glory. Flesh and Blood: Italian Masterpieces from the Capodimonte Museum opens October 17; both Seattle Met and Seattle Magazine recommend it.

Jeffrey Gibson, whose solo show Like a Hammer graced SAM’s walls earlier this year, is officially a genius. He, along with 25 other noteworthy doers, was named a MacArthur Fellow last week. Congrats, Jeffrey!

Local News

The Seattle Times’ Brendan Kiley reports on the conflict within Intiman Theatre between the board and staff, as the organization again comes under threat. The Stranger’s Rich Smith also reported on the rumblings.

The Frye just opened three new shows. Seattle Met’s Stefan Milne loved Pierre Leguillon: Arbus Bonus, calling it “direct, elegant, inquisitive, multitudinous.”

And the Stranger’s Jasmyne Keimig loved Unsettling Femininity, their first thematic show from the founding collection that explores male and female gazes—and one ensorcelling soap bubble—amid newly lavender walls.

“It’ll last forever. It’s been here since before my grandparents were born and will be here for longer than my grandchildren. This bubble with outlast my life as a symbol of how my own life is fleeting. Amongst all that oil paint!”

Inter/National News

GRAY Magazine’s Tiffany Jow on Andrea D’Aquino’s new collage book on Ruth Asawa, which explores the artist’s fascinating personal history. It’s directed at readers age 5-8—but I think you’ll want a copy, too.

Reggie Ugwu of the New York Times reports on last week’s unveiling in Times Square of Kehinde Wiley’s bronze sculpture Rumors of War, of a man and “the horse he rode in on, from a previous century, perhaps, or was it a future one?”

Artnet’s Taylor Dafoe reviews Art and Race Matters: The Career of Robert Colescott, now on view in Cincinnati’s Contemporary Arts Center. Lowery Stokes Sims and co-curators grapple with his amazing work—and his underappreciated status.

“He misbehaved,” she explains matter-of-factly. “He did not conform to any of the canonical ideas about painting, about depictions, about points of view—he just misbehaved and we’re all better for it.”

And Finally

It’s been a month. Farewell, September.

– Rachel Eggers, SAM Associate Director of Public Relations

Atalanta and Hippomenes, ca. 1620–1625, Guido Reni, Italian, 1575–1642, oil on canvas, 75 9/16 x 103 15/16 in., Museo e Real Bosco di Capodimonte.

Muse/News: Hot arts fall, recycled art, and the long climb of Betye

SAM News

Every week, Jasmyne Keimig of the Stranger looks closely at one artwork that’s “Currently Hanging.” Last week, she focused on Large Interior, W11 (after Watteau) by Lucian Freud, now on view at SAM as part of an iterative single-painting show honoring Paul Allen, A Cultural Legacy.

“There’s a stiltedness to the scene, a sense of uneasiness between the figures, that betrays a certain uncomfortable and strange family dynamic.” 

Out goes hot girl summer, in comes hot arts fall. Seattle Magazine’s fall arts preview recommends Flesh and Blood: Italian Masterpieces from the Capodimonte Museum, the “throbbingly dramatic” major exhibition opening October 17.

Local News

Gallery watch! Jasmyne Keimig shares the good news on Slog: the J. Rinehart Gallery officially has “a physical space, baby.”

Real Change’s Lisa Edge talks with Osa Elaiho, whose work is included in a group show at Columbia City Gallery. Music and family are what inspire the artist’s mixed-media paintings.

What a dump: Crosscut’s Brangien Davis visits the Recology CleanScapes recycling facility and meets its two current artists-in-residence.

“Just as WALL-E surfs the garbage heaps for treasures to take home — a bobblehead dog toy, a golden trophy, a hinged ring box — artists in residence roam the space with an eye out for intriguing items — a toy gun, a set of new knives, the detritus from an entire bachelorette party.”

Inter/National News

Artnet’s Taylor Defoe profiles Ivory Coast-based artist Laetitia Ky, who “makes unbelievably inventive sculptures with her hair.”

Following the devastation of Hurricane Dorian on the Bahamas, the Pérez Art Museum Miami and partners are collecting urgently needed supplies.

The New York Times’ Holland Cotter on the long, viable career—and sudden spotlight, with two major museum solo shows this fall—of Betye Saar.

“Because it’s about time!” she says. “I’ve had to wait till I’m practically 100.”

And Finally

Here’s a way to donate to those affected by Hurricane Dorian.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Large Interior, W11 (after Watteau), 1981–1983, Lucian Freud, British, 1922–2011, oil on canvas, 73 x 78 in., Paul G. Allen Family Collection, © The Lucian Freud Archive/Bridgeman Images.

Muse/News: A radical age, imagined futures, and refugee stories

SAM News

The Stranger’s Philosopher-In-Residence Charles Mudede reviews Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement, describing the historical context for what makes it radical.

“The humans of our times are so used to kitsch. But for the Victorians, it was completely new. It was radical. This is the mind-set the exhibit wants us to enter: one that had no past, only the future. The Victorian age is the cradle of our post-post-postmodern times.”

“Why see one sculpture when you can see nine acres of them?” Business Insider on popular US tourist traps and where to go instead—like SAM’s Olympic Sculpture Park.

Local News

Crosscut’s Misha Berson on “The Bar Plays,” two plays set in bars presented in a real-life “venerable gathering place,” Washington Hall.

The Stranger’s Jasmyne Keimig visits Juventino Aranda’s show at Greg Kucera, In Dreams I Once Believed There Was a Future, which features enlarged and edited pages from Little Golden Books.

Real Change’s Lisa Edge on the “Black celestial sovereignty” in the work of Robert Pruitt; his solo show is now on view at Koplin Del Rio gallery.

“The thing that we’re living under doesn’t seem to be working for us, so maybe we need to imagine a new thing,” said Pruitt. “Myth, science fiction, all of that is a way to kind of for me to think about another kind of way of living.”

Inter/National News

Just asking: should we maybe have left these where they were? Artnet reports on the “array of amulets, gems, and lucky charms” found at Pompeii that researchers believe belonged to a female sorcerer.

Now on view at DC’s National Gallery of Art: The Life of Animals in Japanese Art, featuring “300 works drawn from 66 Japanese institutions and 30 American collections” that are all about animals (!).

“Poignant, solemn and utterly shaming”: The New York Times’ Jason Farago reviews The Warmth of Other Suns, a thematic exhibition on the global refugee crisis at the Philips Collection.

“Together they outline a more fraught view of the art of the last century, in which the refugee is not an outsider looking in, but a central actor in the writing of a global culture. ‘Refugees,’ Arendt wrote in 1943, ‘represent the vanguard of their peoples — if they keep their identity.’”

And Finally

One solution for the sad lunch break.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement, Seattle Art Museum, 2019.

Muse/News: Muholi recommended, radical love, and a new look at Basquiat

SAM News

Aesthetica makes five recommendations from around the world to see, including Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness at SAM.

Seattle Magazine is out with their list of the “21 Best Things To Do in Seattle in August 2019.” Remix at the Olympic Sculpture Park makes the cut.

Local News

The Seattle jazz scene has two sad losses to report: the closure of legendary club Tula’s at the end of September, and the retirement of Clarence Acox, Garfield High School’s jazz band director.

In addition to their booth-to-booth coverage of this past weekend’s Seattle Art Fair, Crosscut has pieces by Emily Pothast and Margo Vansynghel examining the various outcomes of the Fair on the local art scene.

The Big Art Weekend wouldn’t be complete without the incredible satellite events; here’s Gayle Clemans for the Seattle Times on the free festival:festival, which also took place over the weekend (SAM’s David Rue is one of the curators!).

“The festival will highlight ‘artist-driven portraits of identity,’ which will take many forms including visual art and performance, according to co-curator and dance artist David Rue. ‘We’re using this approach so that artists can provide a counterpoint to the dominant narrative told about people that look like them while celebrating the power of culturally responsive rigor.’”

Inter/National News

Baltimore is great city full of great people. And now this! Artnet reports that the Baltimore Museum of Art will dedicate “a year’s worth of exhibitions dedicated to female-identifying artists throughout 2020.”

“What Does Radical Love Look Like?” Hyperallergic’s Seph Rodney explores that question at the Ford Foundation Gallery’s latest show, featuring work by Athi-Patra Ruga, Lina Puerta, and Ebony G. Patterson.

The New York Times has a fascinating look Basquiat’s ‘Defacement’: The Untold Story at the Guggenheim; curated by Chaédria LaBouvier, the show centers on a painting that depicts the tragic death of a young Black artist.

‘”This is someone becoming — finding themselves, finding their voice, finding their practice,’ Ms. LaBouvier said. ‘I didn’t want to make him into a myth, or make him into a sort of trauma-porn story either. And I thought the best way to do that was to take a step back and let him speak for himself.’”

And Finally

Evergreen story.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness, Seattle Art Museum, 2019, photo: Natali Wiseman.

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