All posts in “Robert Colescott”

Installation view of European art galleries at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Like the suddenly falling leaves, fall arts happenings are swirling all around. The Stranger offered their “complete guide” to the best of October—including SAM picks like Andrew Wyeth: In Retrospect, the Jean-Pierre Melville film series, and the (sold out!) Diwali Ball.

Noted architect Tom Kundig leads a tour of the best Seattle architecture in this CNN Travel video; the Olympic Sculpture Park is one of his picks.

We enjoyed this Architects Newspaper salute to Denise Scott Brown on her 85th birthday; in which they share notable stories of her general awesomeness. Scott Brown—along with her partner, Robert Venturi—designed the original Seattle Art Museum that opened in 1991.

“There’s a million ways to be a woman. There’s a million ways to be a mother. And there’s a million ways to be an architect.” –Denise Scott Brown.

Local News

Watch this lovely KCTS tribute to ceramicist Akio Takamori, featuring interviews with his former UW colleagues and students, including Patti Warashina and Jamie Walker. His Blue Princess (2009) is currently on view at SAM.

“The boundary between the figurative and the abstract is erased in curious ways,” says the Seattle Times’ Michael Upchurch in this glowing review of the Frye Museum’s two new photography shows.

Farewell to Jon Rowley, the “fish missionary” whose art form was teaching us to appreciate perfect things like Copper River salmon and Olympic oysters.

Inter/National News

Author Kazuo Ishiguro was awarded the 2017 Nobel Prize in Literature. You really need to read Tacoma bookseller/Ishiguro Superfan Kenny Coble’s tweetstorm when he heard the news.

The Art Newspaper takes you inside two new recently opened museums: the Zeitz Mocaa in Cape Town and the Yves Saint Laurent museum in Paris.

What’s the most iconic artwork of the 21st century? Artnet asked experts to weigh in. Mentioned: Mickalene Thomas’s Le Déjeuner sur L’herbe: Les Trois Femmes Noires, coming to SAM’s walls in February as part of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas.

And Finally

We can now listen to ripples in space-time. (Really!)

– Rachel Eggers, Public Relations Manager

Image: Installation view of European art galleries at Seattle Art Museum, 2017, photo: Natali Wiseman.
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A view of our building exterior advertising Andrew Wyeth: In Retrospect at Seattle Art Museum

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Andrew Wyeth: In Retrospect was featured in the Seattle Times’ fall arts preview among the visual arts recommendations.

“This major career survey of the American artist who bucked every ‘-ism’ of the late 20th century to follow his own distinctive path in figurative art looks like a stunner. SAM curator Patricia Junker has assembled 110 works by Wyeth for the show and written an impressive-looking catalog that digs deep into the accomplishments of the painter on the 100th anniversary of his birth.”

And Seattle Met’s October print edition recommends In Retrospect as one of their picks for the month, noting the “profound emotional stakes underneath all the quotidian realism” found in Wyeth’s work.

The Seattle Times film critic Moira Macdonald previews the upcoming 40th edition of our film noir series, the longest-running in the world. SAM’s own Greg Olson is interviewed.

“’These films have so much charisma, so much dark, wicked glamour to the way the stories are told and visualized,’ said SAM film curator Greg Olson, who has curated the series since its beginnings in the mid-70s. ‘It’s kind of intoxicating.’”

Local News

Seattle Weekly’s Minh Nguyen reviews the “luminous, underrated” media art of Doris Totten Chase, now on view at the Henry.

Now at the Frye: Three photomedia collections from three different artists. Seattle Met has the details on these “unmissable” exhibitions.

Ferry over soon to the Women in Photography exhibition at the Bainbridge Island Museum of Art, says Crosscut. It closes there October 1.

Inter/National News

artnet News on the amicus brief signed by over 100 arts institutions that supports overturning Trump’s immigration ban; SAM signed on when it was filed several months ago.

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas artist Kerry James Marshall is everywhere! Here’s ARTnews on his upcoming mural for the Chicago Cultural Center with portraits of 20 women who’ve influenced the city, including Oprah and Gwendolyn Brooks.

Recent things that have been inspired by Andrew Wyeth: An accessory line’s lookbook, an indie film that premiered at TIFF, and Darren Aronofsky’s latest, mother!. Something’s in the water.

And Finally

My Best Friend™ Tracee Ellis Ross answers Vogue’s 73—yes, 73—questions and is DELIGHTFUL.

—Rachel Eggers, Public Relations Manager

Photo: Natali Wiseman.
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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Thump! For me, fall officially starts when I hear the New York Times fall arts preview being delivered. Featured in the visual arts listings was SAM’s exhibition opening in February, Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas—alongside a BIG image in the print edition (long live print).

Last Friday, SAM announced that Jono Vaughan is the winner of the 2017 Betty Bowen Award; The Stranger and Seattle Gay Scene shared the news. Deborah Lawrence and Ko Kirk Yamahira also won Special Recognition Awards. Join us for a free award ceremony honoring all the winners on Thursday, November 9 at the Seattle Art Museum. Vaughan’s installation premieres at SAM on April 21, 2018.

SAM Gallery’s latest show at TASTE, Immaculate Disaster Series by Troy Gua, was highlighted in City Arts.

Local News

UW’s School of Art + Art History + Design and the Jacob Lawrence Gallery announced this week that artist C. Davida Ingram is the recipient of the 2018 Jacob Lawrence Legacy Residency. Go, Davida!

This fall, the Office of Arts & Culture brings you the Seattle Center Sculpture Walk, featuring eight temporary installations—including one from our recent Emerging Arts Leader Intern, Kalina Chung. Go, Kalina!

Here’s critic Mary Ann Gwinn on Barbara Johns’ new book on artist Takuichi Fujii, who painted throughout his incarceration in Minidoka; his work will also be in an upcoming exhibition at the Washington State History Museum.

Inter/National News

Hyperallergic on We the People, now on view at the M in Minneapolis, featuring “pieces that grapple not only with American identity but with an all-out call for revolution.” Jono Vaughan is one of the exhibition’s artists (hey, we know her!).

Could be that first bit of fall chill in the air, but I enjoyed this Artnet article—inspired by a show on view at Bowdoin College Museum of Art—on the art historical roots of memento mori.

Ezra Jack Keats’s bestselling children’s book The Snowy Day has charmed generations—and now its hero, Peter, will be featured on U.S. Postal Service Forever stamps.

And Finally

Crayola debuted “Bluetiful,” its new hue inspired by chemist Mas Subramanian’s accidental pigment discovery. Bliss out on the magic of crayon-creation with this Sesame Street throwback.

—Rachel Eggers, SAM’s Public Relations Manager

Photo: Courtest of Jono Vaughan.
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Object of the Week: Les Demoiselles d’Alabama: Vestidas

Sometimes our reactions and reflections on artwork do not take the shape of words. Sometimes the most accurate portrayal of emotion and thought is an ephemeral, physical reaction. David Rue, dancer and SAM’s Public Programs Coordinator, had just such a reaction to Robert Colescott’s Les Demoiselles d’Alabama: Vestidas while leading an Art & Social Justice Tour in January of 2017. Enjoy this video of Rue’s response to the vibrant colors of Colescott’s “outsider’s” perspective. Colescott’s artistic identity as an African American painter led to a lifelong practice of inventing new narrative scenarios to address the persistent racial tensions in the US. See more work by Colescott in Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas opening at SAM, February 15, 2018.

Artwork: Les Demoiselles d’Alabama: Vestidas, Robert Colescott, American, 1925—2009, 1985, acrylic on canvas, 96 x 92 in., General Acquisition Fund, Bill and Melinda Gates Foundation Art Acquisition Fund, Margaret E. Fuller Purchase Fund, and Patricia Denny Art Acquisition Fund, 2016.12.
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