read Archives - Page 31 of 32

SAM Art: Alden Mason

Seattle Art Museum on Jul 12 2011

In the 1970s, Alden Mason gained national attention for his “Burpee Garden” series. Inside Out Landscape is a significant example from this body of work: large-scale canvases originating from several watercolors the artist had completed earlier. Named for seed packets sold by the Pennsylvania seed company, Burpee, Mason created images that are colorful abstractions which suggest amorphous and visually intoxicating landscapes. It is in these works that we see Mason’s dialogue with a generation of artists who preceded him, such as the American color field painters Morris Louis and Helen Frankenthaler, who were working in New York in the 1950s and 1960s.

This is the final week to see the retrospective installation of Alden Mason’s work in the Modern and Contemporary galleries at SAM downtown.

Inside Out Landscape, 1972, Alden Mason, American, born 1919, oil on canvas, 70 x 80 in., Gift of Herschel and Caryl Roman in honor of the museum’s 50th year, 83.167, photo: Susan Cole, © Alden Mason. On view through this Sunday, 17 July, Modern and Contemporary galleries, third floor, SAM downtown.

A Call to Color

Seattle Art Museum on Jul 5 2011

If you haven’t been to the Olympic Sculpture Park lately, you should go. Not only is it summer in the park but Trenton Doyle Hancock’s, A Better Promise—an art installation in the PACCAR Pavilion—is especially mesmerizing and animated when the bright sunshine manages to peek out of the clouds and shine into the pavilion. Ironically, this is partly because of its numerous colorful raindrops but partly it’s because of the giant vitrines full of plastic lids that sit below the installation.

As part of the work, Hancock issues a “call to color” by encouraging visitors to bring their own morsels of color—in the form of plastic bottle caps—to the park and drop them into the work of art. Nine large-scale “earthbound” vitrines have been placed on the floor in front of the hand sculpture. On the face of each of these nine containers, there is a teardrop cut-out where plastic bottle caps can be deposited by color. Visitors are encouraged to bring plastic bottle caps ranging in all shapes and sizes from detergent bottles, to clear water bottles to the black and white caps from drink bottles.

SAM Art: GET OUT! Summer at SAM

Seattle Art Museum on Jul 5 2011

GET OUT! It’s officially the second Summer at SAM!

From June to September, SAM Olympic Sculpture Park is full of activities for kids and adults alike, as well as brand new art experiences. Take a tour of the old and new works in the park, listen to live music, eat and drink tasty treats, participate in kids’ programming, and even take yoga, Zumba© and dance lessons. Check the Get Out! Summer at SAM website often for updated listings of great events.

Other great summer programs include:

SAM Camp for kids entering grades 1—5
A celebration of South Asian culture through the Gardner Center
Talks, tours and activities surrounding the summer exhibitions Beauty & Bounty and Reclaimed
SAM Remix for SAM fans 18+

“Mount Rainier, Bay of Tacoma – Puget Sound,” 1875, Sanford Robinson Gifford, born Greenfield, N.Y. 1823; died New York City 1880, oil on canvas, 21 x 40 1/2 in., Partial and promised gift of Ann and Tom Barwick and gift, by exchange, of Mr. and Mrs. Louis Brechemin; Max R. Schweitzer; Hickman Price, Jr., in memory of Hickman Price; Eugene Fuller Memorial Collection; Mr. and Mrs. Norman Hirschl; and the Estate of Louise Raymond Owens, 90.29, Photo: Paul Macapia. Currently on view in “Beauty & Bounty,” special exhibition galleries, fourth floor, SAM downtown.

SAM Art: Beauty Bounty & Bierstadt

Seattle Art Museum on Jun 30 2011

A Portrait of a Place

Although Albert Bierstadt had not traveled inland into the Washington Territory in 1863, he had amassed the materials he needed to paint a portrait of a place that he could identify as Puget Sound. He had made oil studies of the land forms and Natives he saw along the Columbia River. He had acquired Northwest Coast Native objects, including the examples exhibited here, all of which can be found in Bierstadt’s painting. He also had an extensive library on the early history of America to use for reference—in this case, he appears to have drawn from an illustration in James Gilchrist Swan’s early authoritative study of the region’s topography and people, The Northwest Coast, published in 1857.

The fine points of the little-known Puget Sound landscape itself were less important to Americans in 1870 than was the fantasized idea of Puget Sound—a storied inland sea that was a gateway to exotic-seeming points of the globe and lands of unknown peoples. In the still primeval wilderness that Bierstadt depicted, the mysterious realm of an ancient class of seafarers and fishermen, Americans might imagine the modern seaport that would soon arise there—and taking pride in their vision and ingenuity, accord Bierstadt a place in history as the artist who made a valuable and pioneering record of the noble past that was a new maritime civilization’s prologue.

Puget Sound on the Pacific Coast, 1870, Albert Bierstadt, born Solingen, Prussia, 1830; died New York City, 1902, oil on canvas, 52 1/2 x 82 in., Gift of the Friends of American Art at the Seattle Art Museum, with additional funds from the General Acquisition Fund, 2000.70. Photo: Howard Giske. On view starting today (June 30) in Beauty and Bounty: American Art in an Age of Exploration, Special Exhibition galleries, fourth floor, SAM downtown.

SAM Art: Bovine

Seattle Art Museum on Jun 21 2011

Seattle-based artist Whiting Tennis explores transformation in Bovine, a large hollow structure made of found plywood. Recalling a covered wagon, he has outfitted it with tools that would be necessary for survival in uncharted territories. However, masquerading as part animal and part domesticated site, Bovine is directionless, lost in the wilderness with its windows boarded and four stationary legs that were once wagon wheels. As if to conjure an image of isolation and the frontier experience, Tennis includes a soundtrack, Alone & Forsaken,

by the legendary Hank Williams, whose forlorn music is heard emanating from inside the structure. Fittingly, Tennis often refers to this sculpture as “The Oregon Trail Reversed”—decay and renewal were part of his concept when creating this work.

“Bovine,” 2006, Whiting Tennis, American, born 1959, lumber, found plywood and found objects and CD, 102 x 168 x 90 in., Gift of Greg Kucera and Larry Yocom, friends of Whiting Tennis, and the Mark Tobey Estate Fund, in honor of the 75th Anniversary of the Seattle Art Museum, 2006.134, image courtesy Greg Kucera Gallery, © Whiting Tennis. On view starting 30 June, in “Reclaimed: Nature and Place through Contemporary Eyes,” Special Exhibition galleries, fourth floor, SAM downtown.

SAM Art: Sea Change

Seattle Art Museum on Jun 15 2011

Abstract Expressionism was a dynamic fusion of Surrealism and Abstraction, seeking to awaken in the viewer—and in the artist as well—a deeper, often physical, response to the work. Large scale, edge-to-edge compositions and rich colors fill the eyes with often unified fields that are connected by movement and the traces of the brush.

Sea Change is from a breakthrough group of early “transitional” works that Jackson Pollock made in 1947, which led away from figuration toward a fully abstract application of his drip technique. Its title comes from Shakespeare’s play The Tempest and lends extra narrative content to the composition, suggesting an impending meteorological event.

Installation view, Modern and Contemporary art galleries, third floor, SAM downtown, 2011.

SAM Art: Dance Wand for Sango

Seattle Art Museum on Jun 7 2011

Shango is a Yoruba deity who harnesses bolts of lightning and thunder and uses them to reward worshippers and punish deceit. Oral praise poems say he is the one “who destroys the wicked with his truth, leaves in confusion the contentious man, and dances in the courtyard of the impertinent.”

Double axes adorn this woman’s head to show her alliance with Sango’s moral fire. She kneels before his authority to present an offering. Such generosity is considered a noble gesture of morality and ensures that Sango will consider blessing her with children and wealth.

“Dance wand for Sango,” date unknown, Yoruba, Nigerian, wood, 19 7/8 x 7 9/16 x 4 5/8 in., Eugene Fuller Memorial Collection, 67.91, Photo: Susan A. Cole. Currently on view in the African Art galleries, fourth floor, SAM downtown.

SAM Art: Tiger Lily

Seattle Art Museum on May 31 2011

Shaping humble clay into transcendent forms fit for the divine is a tradition as old as ceramics themselves. Drawing inspiration from the ancient vernacular of forms and techniques, contemporary artists work with clay to create sculpture that, to our eyes, is simultaneously deeply familiar and startlingly fresh.

Central to all of the cultures represented in the Ancient Mediterranean art gallery, altars and shrines find their contemporary reflection in Tiger Lily. At the height of the Feminist Movement in the 1970s, artist Patti Warashina created altars such as this, offerings of feminine archetypes and stereotypes for consideration.

Tiger Lily is part of a new installation of contemporary ceramics in the Ancient Mediterranean art gallery starting on Wednesday, June 1.

Tiger Lily, 1976, Patti Warashina, American, born 1940, low-fire ceramic with acrylic, 24 x 15 7/8 x 13 1/4 in., Gift of the artist, 89.78, © Patti Warashina. On view in the Ancient Mediterranean art gallery, fourth floor, SAM downtown, starting Wednesday, June 1.

SAM Art: Chinese Landscape

Seattle Art Museum on May 25 2011

After traveling to China in 1913, Hirai Baisen began to incorporate traditional Chinese subject matter into his modern Japanese painting practice. The white-walled buildings and the boats of the left-hand screen identify this as a Chinese landscape setting. Baisen, more widely known for his rich use of color, explored the expressive possibilities of ink on paper in this dramatic pair of six-panel screens.

This painting was recently installed in the Asian Art gallery at SAM downtown.

Chinese Landscape (detail), ca. 1925, Hirai Baisen, Japanese, 1889-1969, ink on paper, 67 1/4 x 148 1/2 in., Gift of Griffith and Patricia Way, in honor of the 75th Anniversary of the Seattle Art Museum, 2010.41.52.1-2, Photo: Eduardo Calderon. Currently on view in the Asian Art gallery, third floor, SAM downtown.

SAM Art: The Last Days of Prince Khurram

Seattle Art Museum on May 19 2011

Before he was the most powerful ruler in the world, Prince Khurram was a young man molding his image and his priorities. Son of the Emperor Jahangir, he was both protégé and upstart, a source of pride and later serious rivalry for his father. For years it was believed that this portrait depicted Jahangir himself, but recent research identifies him as Jahangir’s son and successor, an early image of the supreme Mughal leader, the man who would become Shah Jahan.

This Mughal portrait is on view through Sunday, May 30.

Portrait of Prince Khurram (Shah Jahan), first quarter 17th century, Indian, Mughal period (1526-1858), opaque watercolor and gold on paper, 17 1/2 x 12 1/8 in., Thomas D. Stimson Memorial Collection, gift of Mrs. Charles Mosely Clark, 44.650. Currently on view in the Ancient Mediterranean and Islamic art galleries, fourth floor, SAM downtown.

SAM Art: Adrian Paci’s “Home to Go”

Seattle Art Museum on May 18 2011

Adrian Paci was forced to flee his homeland of Albania in 1997 because of the political and social unrest, emigrating to Italy with his wife and children to secure their safety and personal freedoms. This unsettled history informs his larger body of work to date, including paintings, films, installations, and sculptures such as Home to Go. Here, the figure is a cast of the artist’s own body, hunched over by the weight of a tiled roof segment he carries on his back. The viewer is drawn in to the emotional, physical, and psychological burden of his exodus from his country, and the memory of it that Paci has never left behind.

Members Art History Lecture Series: Curator’s Choice
Marisa C. Sánchez: Adrian Paci’s “Home to Go”
May 18, 2011
7–8:30 pm
Plestcheeff Auditorium

Home to Go, 2001, Adrian Paci, Albanian, born 1969, plaster, marble dust, wood, tiles and rope, 65 x 35 3/8 x 47 1/4 in., Gift of the Contemporary Collectors Forum, 2008.12, Image courtesy Peter Blum Gallery, New York, © Adrian Paci. Currently on view in the Modern and Contemporary art galleries, third floor, SAM downtown.

SAM Art: Portrait of Alexander J. Cassatt

Seattle Art Museum on May 12 2011

As Jessica Penn in Black with White Plumes, The Buffalo Hunt and other paintings from Crystal Bridges Museum of American Art return to their home in Arkansas, SAM’s American Art Gallery turns to look at American artists actively expanding their practice beyond paintings in oil.

SAM Art Comes to SOAP!

Seattle Art Museum on Apr 21 2011

Each week for the past two years we have shared one work out of the nearly 25,000 in our collection on Facebook, in a feature called “SAMart.” Starting this week, SAMart comes to SOAP! Check back each week or subscribe to our RSS to learn more about new acquisitions and old favorites in the SAM collection.

Opening on April 30, Modern Elegance: The Art of Meiji Japan features paintings and decorative objects exemplifying the essence of late nineteenth- and early twentieth-century Japanese art.
Read More

SAM Libraries: Book(s) of the Month Club: November and December

Traci Timmons on Dec 23 2010

This is the final entry in this Book(s) of the Month Club series and a bit longer than usual. I appreciate the feedback and comments (both online and off) we’ve received over the past twelve months. Thank you!

Read More

SAM Libraries: Book(s) of the Month Club: September and October

Traci Timmons on Oct 29 2010

September marked the beginning of National Hispanic Heritage Month (it runs through mid-October). In addition to Hispanic artists you may already be familiar with – Diego Rivera, Frida Kahlo, José Clemente Orozco, etc. – this celebration gives us an opportunity to look at other areas of our collections dealing with Hispanic art and artists that are perhaps less well-known. All books in this list are available for consultation at the Dorothy Stimson Bullitt Library at SAM Downtown:

SAM’s American Art Library: A Collection of Collectors: Professor David Tatham

Traci Timmons on Aug 25 2010

An art museum is often fittingly described as “a collection of collectors,” for each is founded on the gifts of magnanimous individuals who loved art and built personal collections that became an invaluable public resource.

The same can be said about library book collections, too—they represent the personal interests of individual readers. This is especially the case with the American art book collection found within the other collections of the Dorothy Stimson Bullitt Library at SAM downtown. The museum’s founding director, Dr. Richard Fuller, took a special interest in building a reference library to enhance public knowledge of the city’s art collection, and his tenure was marked by yearly growth of the book collection in all areas, through purchases, gifts, and exchanges with other libraries. Over the years, the library grew in relationship to the growth of individual curatorial departments, with American art thus little represented, since American art was not actively collected or exhibited at SAM.

SAM Libraries: Book(s) of the Month Club: July and August

Traci Timmons on Aug 10 2010

July and August books are all about American artists.

August is American Indian Heritage Month. We are excited about the upcoming exhibition on native Quileute art and artists: Behind the Scenes: The Real Story of the Quileute Wolves. This is an excellent opportunity to talk about a number of new additions to the library collections to support the works in this exhibition.

Reflections on a Volunteer Experience

Traci Timmons on Jul 19 2010

I started volunteering with the McCaw Foundation Library at the Seattle Asian Art Museum in October of 2007. Since then I’ve applied to, attended, and graduated from, the University of Washington’s Masters in Library and Information Science (MLIS) program. These two experiences have been intertwined from the start.

SAM Libraries: Book(s) of the Month Club: May and June

Traci Timmons on Jun 28 2010

I didn’t get an entry in for May, so you’re getting a double-whammy of book highlights this month!

June is Lesbian, Gay, Bisexual and Transgender Pride Month. Many artists acknowledge, raise awareness of or define their own sexuality through their artistic practice. We have a number of books in our libraries that address the art, intersections, relationships and crossroads of the LGBT community.

Conversation with Heide Hinrichs

Seattle Art Museum on Jun 11 2010

The SAM Next Heide Hinrichs installation Borrowed tails closes this Sunday. In conjunction with the closing we wanted to publish a conversation between the exhibition curator, Marisa Sanchez, Assistant Curator of Modern and Contemporary Art and the artist Heide Hinrichs.

K-12 Student Responses to Calder

Seattle Art Museum on May 26 2010

Nothing is more rewarding to a museum educator than seeing the positive impact of your programs on students. During the six month run of Alexander Calder: A Balancing Act more than 9,300 students visited the SAM’s galleries and experienced Calder’s work in person. Students learned about how he used geometry and math to create beautify balanced sculptures and created their own works of art out of wire and recycled materials in the museum’s art studio spaces. Here are some of our favorite thank you notes and quotes from students who visited the exhibition.

SAM Libraries: Book(s) of the Month Club: April

Traci Timmons on Apr 29 2010

April is the month when we celebrate Earth Day.

Earth Day was founded by U.S. Senator Gaylord Nelson as an environmental teach-in held on April 22, 1970. Interestingly, Nelson announced his intent to have a nationwide grassroots demonstration on behalf of the environment – which led to the first “earth day” – in the spring of 1970 at a conference in Seattle in September 1969. (Source: EarthLink.)

Earth Day gives us a great excuse to look at books and videos in our library collections that focus on environmentalism and land-focused art.

SAM Libraries: Book(s) of the Month Club: March

Traci Timmons on Mar 5 2010

When I first heard about the blog, I was excited to have another avenue to connect our libraries with the public. I can’t remember how many times I’ve heard visitors say, “Wow, I have been to the museum so many times, but never knew there was a library downstairs. It’s amazing! Look at all these books!” when they visit the McCaw Foundation Library at the Seattle Asian Art Museum for the first time. The library has been here as long as they museum has – more than seventy-seven years. I am excited to have this opportunity to showcase some of the marvelous books we have in this library.

Hidden Gems

Traci Timmons on Feb 25 2010

In a collection of nearly 25,000 objects, it’s easy to overlook a hidden gem. While reading an art blog , I came across a link to a photographic portrait of George Washington, carved in snow (I’m not joking). Amazing, but something you might not look twice at in a gallery, or even in a database. Sometimes it takes a spotlight to recognize the brilliance, humor, history, subtlety, or whimsy in this collection. I asked some of my colleagues to share their favorite overlooked, underappreciated object—these are the objects that they wish you, the visitor, knew all about.

SAM Libraries: Book(s) of the Month Club: February

Traci Timmons on Feb 16 2010

Black History Month
This month’s Book(s) of the Month Club entry highlights some of the more recent library acquisitions related to African American art production and African Americans as the subject in art. February is Black History Month and I’m thrilled to have an opportunity to highlight some our great resources in these areas.

The word is out…

Seattle Art Museum on Feb 9 2010

PHEW! It’s incredibly hard to keep good news under wraps, especially when it’s as big as Picasso: Masterpieces from the Musée National Picasso, Paris. And now, thank goodness, the word is out.

SAM’s Shrinking Carbon Footprint

Seattle Art Museum on Jan 29 2010

As the Environmental Coordinator who has stepped into place here at SAM after our Environmental Steward recently, Jackie White moved on, I am pleased to report that SAM has reduced its carbon emissions by 30% between 2008 and 2009. This is an amazing achievement! I’d have to say the credit goes not only to the SAM Goes Green Program but all of the staff at the museum as well as the volunteers, members, and visitors.

The History in Art History, Part II: How This Painting Came to Seattle!

Chelsea Werner-Jatzke on Jan 27 2010

Recently I blogged about the scant history of the museum’s magnificent painting by Frederic Church, entitled A Country Home, which was a gift to the museum in 1965 from one Mrs. Paul C. Carmichael. For five years I’ve been wanting to learn more about Mrs. Carmichael and how she came to Seattle and how she came to bring with her her great grandfather’s impressive picture by Church. I’ve been surprisingly lucky in research so many times that I’m now convinced that some strange forces guide our hands as we delve into the past—forces that make sure that lives are never forgotten. The forces directed me to Mrs. Carmichael just last week.

Frederic Edwin Church (American, 1826-1900), A Country Home, 1854; oil on canvas 32 x 51 in. Gift of Mrs. Paul C. Carmichael, 65.80

SAM Libraries: Book(s) of the Month Club

Traci Timmons on Jan 4 2010

When I was first asked to write something for this blog, I immediately thought about our incredible library collections and my desire to highlight at least some of the interesting resources we have.

The “book of the month” idea also came to mind. Dependent upon your age and where you grew up, you might have been a subscriber to the Book of the Month Club ©, a book-by-mail service begun in 1926. My mother, an elementary school teacher, signed me up for the Children’s Book of the Month Club ™ as soon as I could read. I’d like to take a page from the BOMC’s playbook and feature a book or books from our library collections each month on this blog. We don’t have mail-order services, but our libraries are all open to the public for reference use. Our hours and other information are available here.

Michelangelo Wednesdays

Seattle Art Museum on Dec 29 2009

A couple of weeks ago I gave a tour in the “Michelangelo Wednesdays” series. (Quick overview: SAM curators—including myself, the curatorial lead for Ancient Mediterranean and Islamic art—give a short tour of the Michelangelo exhibition every Wednesday afternoon.) I am not a Renaissance scholar, though I do have a soft spot for Florentine art. Would I fake my way through the show, using the knowledge and vocabulary gleaned from the amazing Professor Evelyn Lincoln in my Renaissance art classes in college? Would I simply do an overview of the show, basically taken straight from the catalogue and Chiyo Ishikawa’s overviews? Maybe I would just take people around and point them toward my favorite stops in Gary Radke’s charismatic audio tour? What, oh what, was I going to do?