All posts in “asian art museum”

SAM Connects Asian Art to Seattle for Free!

The Seattle Asian Art Museum reopens February 8 and we want to be sure you know all the free and discounted ways that you can visit the reimagined and reinstalled museum!

Even though the Housewarming: Free Reopening Weekend is sold out and we are not accepting walkups on February 8 or 9, there are many other opportunities to visit for free. Today’s Seattle Asian Art Museum breaks boundaries to offer a thematic, rather than geographic or chronological, exploration of art from the world’s largest continent. The restoration of the historic Art Deco building, improvements to critical systems, expanded gallery and education spaces, and a new park lobby that connects the museum to the surrounding Volunteer Park are just some of the ways the Asian Art Museum has been transformed and preserved as a cultural and community resource for future generations.

An important part of the work that took place while the Asian Art museum was closed for renovation and expansion isn’t something you will notice about the architecture or art. The City of Seattle financially supported the preservation and improvements of SAM’s city-owned Art Deco home and in return, we made a commitment to offer more free ways for members of the community to visit the Asian Art Museum!

  • All exhibitions are suggested admission at the Asian Art Museum when purchasing tickets onsite. You can pay what you want.  See Boundless: Stories of Asian Art and Be/longing: Contemporary Asian Art on view when the museum reopens!
  • Many programs such as lectures, performances, and tours at the museum are free and include free entry to the galleries. Check out our Free First Saturdays series for kids!
  • SAM provides discounted rates for students, teens, seniors, and military with ID.
    • Seniors (65+) and military can visit for $12.99
    • Students and teens age 15–18 can get tickets for $9.99
  • Children (14 & under) are always free.
  • SAM members are free. Join today and RSVP to see the museum before it opens to the public during the Members Open House on February 5 and 6.
  • First Saturdays and the Second Thursdays of every month are free to all.
  • The First Friday of every month the Asian Art Museum is free for seniors.
  • Bring a group of 10 or more and get discounted tickets. Find out more about group visits!
  • Educators can visit for free anytime with ID. Mark your calendars for a special Educator Open House at the Asian Art Museum on February 27!
  • Did you know that we now offer free school tours for all public schools at all SAM locations? We also offer bus subsidies for title 1 schools. School tours at the Asian Art Museum start march 1—find out more!
Photo: Jueqian Fang
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SAM Connects Community to Gallery Spaces

SAM’s Community Gallery has been displaying work from artists of all ages located throughout Washington State for over a decade. Shows featuring photography, mixed media, sewing and textile arts, ceramics, and 2-D and 3-D mixed media have filled this space over the years. Youth, SAM staff and volunteers, community organizations, nonprofits supporting arts programming, and schools and classes have had their art displayed on the ground floor of SAM’s downtown location, serving as a colorful reminder of creativity and community building.

2019 staff art show

Before I worked at SAM, I installed a show in the Community Gallery representing a multitude of different artists who connected with the Yesler Terrace community and beyond. It brought many community members to SAM for the first time and the artists involved in the show expressed the feeling of importance that came with having their work displayed in the museum.

With the beginning of a new decade, SAM is taking a new approach to the Community Gallery. We are working to show art from communities and artists who are underrepresented in the museum world due to systematic oppression. We are looking for artwork by and for artists of color, queer artists, disabled artists, youth and elderly artists, immigrant and refugee
communities, and low-income artists.

Naramore award ceremony, May 2019

We now have a simple application that outlines our equity goals for the space and how the Community Gallery can be used. Take a look at our call for art to learn more and apply to hang your community’s artwork downtown at SAM.

We are also adding more Community Gallery space in a city where art spaces are becoming more and more tenuous. The renovation and expansion of the Seattle Asian Art Museum created a new, additional Community Gallery space. Once it opens in February, the Asian Art Museum Community Gallery will feature works by and for the Asian Pacific Islander community in Seattle throughout its inaugural year.

We’ll also be curating our first youth-focused gallery space downtown, featuring a Teen Arts Group-curated exhibition of youth artists for its premiere show. SAM is always working to extend and expand the accessibility and connections within our community and the updated Community Gallery guidelines are one way we can’t wait to share with you!

– Jenn Charoni, SAM Public Engagement Associate

Photos: Jen Au & Natali Wiseman
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Muse/News: Majesty at SAM, beyond Bollywood at MOHAI, and stories of Asia

SAM News

“Magisterial and filled with drama”: The Wall Street Journal’s Judith Dobrzynski explores Jusepe de Ribera’s Saint Jerome in the paper’s “Masterpiece” column; you can see the incredible painting at SAM in Flesh and Blood: Masterpieces from the Capodimonte Museum, on view through January 26.

“The wrinkles on his face, his palms and his right heel are visible, as are the toenails on his forward foot. His setting may be remote, but this Jerome is a real human being.”

The Seattle Times’ Brendan Kiley has “5 Seattle-area arts events to look forward to in 2020” and leads with the Asian Art Museum reopening.

In case you missed it: The Seattle Times’ December 21 print edition featured photojournalist Alan Berner’s behind-the-scenes look at the Do Ho Suh installation in progress with Liz Brown

David Carrier for Hyperallergic on the “endlessly inventive” Jörg Immendorff, whose solo show is now on view in Madrid; his Café Deutschland 38. Parteitag, just added to SAM’s collection in honor of Kim Rorschach, is now on view. 

Local News

Crosscut’s Margo Vansynghel on the new art installations at Seattle-Tacoma International Airport that will be giving the airport a first-class upgrade.

It’s Hot Toddy time, declares the Stranger’s Rich Smith.

Sharmila Mukherjee for the Seattle Times reviews Beyond Bollywood: Indian Americans Shape the Nation, on view at MOHAI through January 26.

“The most compelling aspect of the show is its focus on faces. Radiant faces loom out from images on the walls. At a time when immigrants are being described as dangerous, faceless people, these faces ask visitors to pause and look.”

Inter/National News

Artnet’s Sarah Cascone rounds up all the artworks now entering the public domain.

Hannah Brown for Vox on the year in protests—and the art that inspired and was inspired by them.

The New York Times’ Will Heinrich reviews the Brooklyn Museum’s reinstallation of its Chinese and Japanese collections, calling it “5,000 Years of Asian Art in 1 Single, Thrilling Conversation.”

“Redesigning an American museum’s Asian wing is no mean feat. How to convey the very real throughlines that make terms as broad as ‘Chinese art’ and ‘Japanese art’ meaningful, while also doing justice to the staggering variety of these ancient, and hugely populous, cultures?”

And Finally

Elena Ferrante, Beyoncé, and emoji: The Atlantic’s Culture desk takes on the pop culture of the 2010s.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Saint Jerome, 1626, Jusepe de Ribera, Spanish, 1591–1652, oil on canvas, 105 1/8 × 64 9/16 in., Museo e Real Bosco di Capodimonte
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Muse/News: Judith reigns at SAM, The Stranger gets lured, and Denise Murrell joins the Met

SAM News

Location, location: LUXE Interiors + Design offers this preview of the ‘smartly revamped” Asian Art Museum, and the downtown museum gets some love in Conde Nast Traveler.

Last week, Gina Siciliano—the author I Know What I Am: The True Story of Artemisia Gentileschi—gave a My Favorite Things tour at SAM, and Crosscut’s Brangien Davis recommended it in last week’s “Things to Do”. If you missed it, don’t despair: there’s still plenty of time to experience Gentileschi’s masterpiece, now on view in Flesh and Blood: Masterpieces from the Capodimonte Museum.

Local News

The Seattle Times’ Paul de Barros on Seattle jazz club The Penthouse, which presented A-list performers in the ’60s. Now, archival recordings from the club will be released on November 29.

Real Change’s Lisa Edge on the mixed-media work of Jite Agbro; her work Deserving is on view at the Bainbridge Island Museum of Art (BIMA).

The Stranger’s Jasmyne Keimig on Lure at MadArt, a structure-sculpture by Dream the Combine and local artist-engineer Clayton Binkley that “explore[s] the body in relationship to space, light, and environment.”

“Within the piece, I was more mindful of my steps because of the way the mesh was ever so slippery beneath my boot. I became aware of a slight unease at being so close to a skylight I’d admired from the concrete floor below.”

Inter/National News

Paul Laster writes about Do Ho Suh’s work for White Hot magazine, including past presentations at SAM and his theme of displacement. The artist’s Some/One will be a centerpiece of Be/longing at the Asian Art Museum.

Here’s Max Duron of ARTnews on the hiring of Denise Murrell as associate curator at the Metropolitan Museum of Art; Murrell’s work will overlap the modern & contemporary and European painting departments.

Theaster Gates speaks with André Wheeler of the Guardian about his preservation of neglected Black cultural objects, including the gazebo under which 12-year-old Tamir Rice was murdered in Cleveland.

“From our conversation, Gates seems to envision a city-sanctioned and -funded memorial. ‘I want to believe that the city is open to it,” he said. “I believe Samaria has the right to ask the city to receive this sacred space.’”

And Finally

Shirin Neshat’s artistic inspirations.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Photo ©Tim Griffith
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Muse/News: Paintings in the flesh, tiny doors, and art-loving Cookie Monster

SAM News

Flesh and Blood: Masterpieces from the Capodimonte Museum was featured in the most recent issue of the Stranger; in her piece, Jasmyne Keimig zooms in on the “gruesome beheading” depicted in Artemisia Gentileschi’s Judith and Holofernes.

“And there’s something else about being close to it, the actual object, which Gentileschi made with her own hands, just as Judith carried out Holofernes’s death with her hands. A Google image search doesn’t cut it. The power of the painting—and the perspective given through it—must be experienced in the flesh.” 

And local journalist Greg Scruggs previewed the Asian Art Museum project for architecture outlet Metropolis.

“There’s a lot that the visitor can’t see that is just as important: all the infrastructure that makes this historic jewel a thoroughly modern museum, equipped to safely display delicate artworks,” [SAM Director and CEO Amada] Cruz said. “The reimagined building will allow us to better fulfill our mission to connect visitors to the art and cultures of Asia.” 

Local News

Gabriel Campanario, AKA Seattle Sketcher, finds the most recent “tiny door” from street artist Mows510, along the Fremont Bridge.

Margo Vansynghel debuts as an official Crosscut writer covering arts and culture with this look at the pushback from some in the film community to Seattle City Hall’s new “creative economy” strategy.

The Stranger’s Rich Smith reviews Pacific Northwest Ballet’s Locally Sourced, which closed this past weekend. He mostly loved it.

“It was all a liiiiittle on the corny side, I must admit, but it was hard not to get swept up in this impressive celebration of our green-gothic corner of the world.”

Inter/National News

The Feminist Art Coalition will “promote feminist art exhibitions, performances, and programs around the country ahead of the 2020 presidential election.” SAM is participating in this online effort.

ARTnews announced that Ashley James has been hired as associate curator of contemporary art at the Guggenheim Museum. She is the first Black curator hired to the museum’s staff.

French-Chinese cultural collaborations continue with the announcement of a new museum opening in Beijing in 2020, focusing on Picasso and Giacometti.

“[An earlier show] also unveiled an important new body of research revealing an unknown relationship between the two artists, who first met in the early 1930s and, despite having a 20-year age difference, formed a strong bond, writing to each other often about their artistic creations and arguing over the return of realism after World War II.”

And Finally

Cookie Monster is . . . one of us.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Installation view Flesh and Blood: Italian Masterpieces from the Capodimonte Museum, Seattle Art Museum, 2019, photo: Natali Wiseman.
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Muse/News: SAM opens up, the Burke goes “inside out,” and art history’s blind spots

SAM News

Recently, SAM announced that the Asian Art Museum will reopen to the public on February 8, 2020. Curbed Seattle and NW Asian Weekly both wrote about the building project, which “gives the historic building both a home of its own and a stronger connection to the park around it.”

Local News

Last week, city council candidates appeared at Town Hall to talk arts policy. The Stranger’s Rich Smith—and candidate Alex Pedersen’s “art tie”—were there.

Dinosaurs, but make it fashion: Seattle Met presents their fall fashion editorial set amongst the new digs (get it?) of the Burke Museum.

And the Seattle Times has wrap-around coverage on the new Burke, including a story from Brendan Kiley, photos, video, and graphics to get you ready to explore.

“This Burke, director Julie K. Stein says, isn’t just a new museum. It’s a new breed of museum, imagined and designed with the incantation ‘inside-out.’”

Inter/National News

Fred Armisen is an art aficionado. No, really! Hyperallergic explores his segments on Late Night with Seth Meyers in which he shares his knowledge of literally “every painting that has ever been painted.”

Here’s the New York Times’ Roberta Smith on the new Roy DeCarava retrospective at David Zwirner; his photographs, she says, “constantly flip between visual fact and a metaphor for difference of all kinds.”

In Artforum’s October issue, Emmelyn Butterfield-Rosen reflects on the recent exhibitions Posing Modernity and Black Models, together “one of the most consequential events to take place in the field of nineteenth-century art in Euro-America in recent decades.”

“Murrell achieved something more profound, and more challenging, than archival ‘discovery.’ Her exhibition placed the past blindnesses of art history on very public view, making devastatingly clear the remedial nature of the lesson in seeing required by this discipline—a lesson that could be encapsulated in a question as elementary as: Tell me, class, how many figures are in this picture?”

And Finally

I keep thinking about this squirrel.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: © Tim Griffith
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Gardner Center goes down the Silk Roads of History

What is it about Silk Roads history and art that interests so many people? In the late 19th century, German geographer Ferdinand von Richthofen coined the term ‘Silk Road’ or ‘Silk Routes’ as part of his map-making efforts. After all, better maps of travel routes had commercial value for access to coal or building railroads, for instance. In the early 20th century, several spectacular “discoveries” (ie, new to the West) of magnificent troves of art and manuscripts in Central Asia and western China fueled the fascination.

Courtesy of the Dunhuang Academy, photo: Wu Jian. 

Now the plural ‘Silk Roads’ is used to better describe the many complex historic trade routes through the Eurasian continent. The idea of commercial exchange across a continent that involved interactions of many cultures, languages, religions, and arts can be such an appealing picture of cosmopolitan societies—in contrast to present-day tensions at home and abroad. “Silk Road nostalgia” refers to interpreting this history in the imagination as a time of tolerance and international understanding as well as prosperity, rooted in hope for peaceful and respectful global exchange in future.

The Jewel of Muscat, a reconstructed replica of a ninth century Omani trading ship, sails into the harbour of Galle, 116 km (72 miles) south of the Sri Lankan capital Colombo, on April 19, 2010. The ship, built in a traditional design without nails and sewn together with coconut fibers, left Oman on February 15 to re-enact the old trade routes used by Arab traders, with its final port of call in Singapore, according to the organizers of the voyage. AFP PHOTO/ Lakruwan WANNIARACHCHI. (Photo credit should read LAKRUWAN WANNIARACHCHI/AFP/Getty Images)

The fall Saturday University Lecture Series, Silk Roads Past and Present: From Ancient Afghan Treasure to China’s Belt and Road Initiative, presents current understandings in seven lectures. Beginning with a talk on the Begram Hoard excavated in Afghanistan, we consider how these storerooms from the first century CE could contain Roman glass, Chinese lacquer, and extraordinarily carved ivories from India. A talk on Maritime Silk Roads explores the shipping that actually transported more goods than overland routes, despite the persistent image of camel caravans.

Bodhisattva leading a lady to the Pure Land (detail), Chinese, Tang dynasty, c. 851–900 CE, Hanging scroll, Ink and colors on silk, Height: 80.5 centimetres, Width: 53.8 centimetres, ©️Trustees of the British Museum. 

The Silk Roads also saw the spread of Buddhism, and two speakers explore Buddhist art in China. Two lesser-known religions are introduced in a talk on Zoroastrian and Manichaean arts. And what about silk? Find out about silk and fashion in Tang Dynasty China, as trade made new textile technologies, colors, and patterns available.  The series concludes with a talk on China’s current international initiative also referred to as the New Silk Road. Please join us!

– Sarah Loudon, Director, Gardner Center for Asian Art and Ideas

Image: Mogao Cave 237. Image courtesy of the Dunhuang Academy, photo: Zhang Weiwen. 
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Docents Defined: Erin Bruce

SAM is now recruiting new docents to start training for the reopening of the Seattle Asian Art Museum. You don’t need to be an art historian or a teacher to apply! In fact, SAM docents have a variety of interests and experiences. Having a diverse group of docents is how we’re able to offer tours that are engaging to all visitors. Read below and find out more about docents like Erin Bruce who volunteer their time at the museum.

If you still want to learn more about being a docent? Join SAM staff and current docents at our Docent Open House on May 16 from 6–7 pm! Or, apply now to the docent program. Applications are accepted through May 31.

SAM: Tell us about yourself. Why did you decide to become a docent?

Erin Bruce: I have always been inspired by all things visual, whether it is nature, a building, a room and especially art. I studied art in college and made art whenever possible. Now I am a technical stock trader and rely on charts for my work—more visual interpretation! It was a three-year wait for a new docent class to start for me after a friend told me about SAM. The chance to participate with our museum is an honor.

What’s the best part about being a docent?

The best part is all of it: meeting energetic, generous, knowledgeable people; constant learning; leading a tour of young people and engaging them in the art and history of objects. It’s all gratifying. SAM’s collections are a wondrous gift to our city and special exhibitions join and expand experiences as well.

What is your favorite work of art to tour at the Asian Art Museum?

The Deer Scroll. Calligrapher Koetsu and painter Sotatsu collaborated to create this iconic masterpiece. Our 30 feet of the original 72 feet contains 12 poems from the Shin Kokinshu, which took four years to write. The beauty and harmony transports you to another time and place.

What’s your most memorable touring experience?

Tours were scheduled the week before Mother’s Day so I made a gallery activity “A Gift for Mom.” Given one exhibition room students got to pick an object that they would give to their Mom if they could. It revealed so many wonderful things such as what objects in our Asian art collection young people were most drawn to, what they found beautiful and why. Crafting future tours improved since I had learned some of their favorite objects. The chance to interact with young people is yet another joy and benefit of leading a school tour.

What advice do you have for people applying for the docent program?

Your interests and life experiences offer wonderful and unique perspectives. You will discover and explore the vast and layered connections of art to our lives. It is so much fun.

– Yaoyao Liu, Seattle Asian Art Museum Educator

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Donor Spotlight: Yucca and Gary Support Seattle Asian Art Museum

The renovation and expansion of our Asian Art Museum is about more than the preservation of art. We’re also furthering our mission to connect our Asian art collection to the life of our community for generations to come. Our donors are sharing how important art is to them in making connections to both the past and the future and the importance of SAM in creating those connections. Learn more about the project and show your support!

We are very pleased to support the Seattle Asian Art Museum and the mission of greater understanding between the US and Asia. We lived several years in Japan and over ten years in China, and feel that art and culture play a major role in more deeply appreciating the history, achievements, and challenges of the Asia-Pacific region.

Seattle is uniquely positioned as a true gateway to the Asia-Pacific, with a number of the industries and technologies that are at the core of the next decades of development. Integrating art and culture into the mix in a more direct way through SAM is something we are very excited to support.

– Yucca & Gary Rieschel

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