All posts in “Priya Frank”

Muse/News: Reimagined museums, reflective art, and the many rhythms of Cuba

SAM News

Last week, SAM announced that the Asian Art Museum will reopen to the public on February 8 and 9 with two free 12-hour days of programming, reflecting the 12 themes of the dramatically reimagined collection. The Seattle Times broke the news.

Natalie Ball: Twinkle, Twinkle Little Snake is reviewed by Bean Gilsdorf in Art in America. It’s also the cover story in this week’s edition of Real Change, with a feature review by Lisa Edge inside.

“Ball’s creations are freighted with symbolic messages, composed in a language that conjures both ancestral tradition and contemporary identity.”

“While audiences may not understand all the references she’s included, she wants them to connect with it emotionally. ‘I want them to feel it,’ Ball said. ‘I want it to pull or tug.’”

Building bridges! Centering joy! Priya Frank, SAM’s Associate Director for Community Programs, is one of Puget Sound Business Journal’s annual “40 Under 40” leaders.

Local News

Last week, we shared coverage of an internal battle at Intiman Theatre. This week, the organization has agreed on a plan for its future.

Seattle Met’s Stefan Milne has some thoughts on the five gallery shows to see this month.

The Stranger’s Jasmyne Keimig gets reflective in Carrie Yamaoka’s recto/verso at the Henry Art Gallery.

“It’s representation in the purest of senses, in that you can literally see yourself in her work—not an abstracted label of your body, say, or your identity, but your body and your identity.”

Inter/National News

The new MoMA opens on October 21, and press have had their sneak peek. Here’s thoughts from the New York Times and Vulture; CBS Sunday Morning will visit this week.

Can he collect it? Yes he can! Artsy chats with Q-Tip about his art collection, now on view at Bonham’s in New York.

It’s one of those beautiful New York Times interactives, this time taking us on a road trip across the many rhythms of Cuba.

“Cuban music is often described as a tree, with various primary roots that supply life for many branches. But separating the island’s music into distinct genres is an inherently flawed task — they intertwine and cross.”

And Finally

A swan song (or 10) from Jessye Norman.

– Rachel Eggers, SAM Associate Director of Public Relations

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Muse/News: Jaw-dropping art at SAM, wigs off at Seattle Opera, and David on the subway

SAM News

“My jaw is still on the floor.” Washington Post art critic Sebastian Smee looks back at art in 2018 “from Nanette to the Carters,” naming Peacock in the Desert as one of the year’s best exhibitions.

Peacock in the Desert was also featured in last week’s edition of Real Change by Lisa Edge, who says it “wows right away.”

Artnet includes SAM installation In This Imperfect Present Moment on their round-up of “32 Inspiring Museum Exhibitions to See Across the US Over the Holidays,” one of only seven shows in the western US to be recognized.

At the recent Great Figgy Pudding Caroling Competition, SAM Education’s Priya Frank and David Rue joyfully represented as judges; don’t miss this Evergrey video with Priya about the event, which raises funds for our neighbor the Pike Market Senior Center.

Local News

The new Seattle Opera building celebrates its grand opening last weekend; Crosscut’s Brangien Davis goes inside the facility’s light-filled costume shop, which includes a dedicated space for wig making.

Local writer Emily Pothast debuts in Art in America with this review of Group Therapy at the Frye Art Museum.

Seattle Times food critic Bethany Jean Clement on “Cook,” an unpretentious cookbook with recipes and illustrations from “artists, gallerists, curators, food-industry types, friends.”

“’The aesthetic of the book is totally an homage to every community cookbook — every church, Junior League, elementary school cookbook — ever made,’ she says. She found an old-school cursive typewriter font to use for some of the recipes. ‘If I could’ve made it on a ditto machine, I would’ve,’ Ito adds.”

Inter/National News

“The butt, yeah—the butt’s great.” Art critic Jerry Saltz takes a statue of Michelangelo’s David into a NYC subway station.

Artnet reports that Kaywin Feldman has been appointed the first-ever female director of DC’s National Gallery of Art. Revisit her essay published earlier this year on “museum leadership in a time of crisis.”

Feldman departs the Minneapolis Institute of Art; speaking of, the Mia just debuted a new in-house smartphone app “that transforms the galleries into a giant escape room.”

“’It’s one of the many ways we are embracing the idea of meeting our customers where they are, welcoming them to the space, helping them find surprise and delight,’ said Douglas Hegley, Mia’s chief digital officer.”

And Finally

She styled songs, she marched in Selma, she stole hearts. Goodbye, Nancy Wilson.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Peacock in the Desert: the Royal Arts of Jodhpur, India at Seattle Art Museum, 2018, photo: Robert Wade
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Muse/News: Peacock struts, Saint Woman commands, and the pumpkin dances

SAM News

Peacock in the Desert continues to strut:

The exhibition was included in The New York Times’ overview of “Art to See This Fall,” which says it’s “the next best thing to visiting the clifftop Mehrangarh Fort Museum overlooking Jodhpur.”

It was king of KING, with segments on the station’s Evening Magazine and New Day NW—the latter featured an interview with His Highness Maharaja GajSingh II and his daughter Baijilal Shivranjani Rajye.

And reviews for the show ran in The International Examiner, Crosscut, The Daily, and The Spectator.

“Spanning five centuries, Peacock is an eye-popping look at a royal-family legacy. It uses video, audio and room-filling installations, along with dozens of fantastically detailed paintings (magnifying glasses are provided so you can study them closely), to immerse you in its world.”  —Michael Upchurch, Crosscut

Also: You may have seen Amy Sherald’s Saint Woman on the cover of this week’s Real Change (cash or Venmo accepted!); reporter Lisa Edge reviews the SAM show In This Imperfect Present Moment for this week’s centerpiece story.

“’It’s like she’s thinking about something else. She’s in command of her own space. Her own time,’ said curator Pam McClusky.”

Seattle Magazine’s annual list of the city’s movers and shakers is out—and Priya Frank, SAM’s Associate Director of Community Partnerships, is on it! She’s named “one to watch”—we couldn’t agree more. Congrats, Priya!

Local News

Very sad news: Yoko Ott, an artist and curator with connections to numerous Seattle organizations, died last week at the age of 47.

Tschabalala Self! That, and other offerings, are part of the exciting lineup coming up at the Frye Art Museum announced this week.

Sharon Salyer of The Everett Herald speaks with artist Romson Regarde Bustillo about his show on view at Edmonds Community College that asks, “what’s in a name?”

“’Art is information as much as it is something inexplicable,’ Bustillo said. ‘When we look at it, we have an emotional and a visceral reaction, but it is not removed from the way we’ve been conditioned to process information.’”

Inter/National News

Oh, Canada. Smithsonian Magazine reports on the latest humane news from our northern neighbor: Doctors in Montreal will soon be able to prescribe museum visits to their patients.

And in Germany, museums are the subject of a TV show. It will feature noted creatives—like Vivienne Westwood and Karl Ove Knausgård—leading tours in inside eight historic European museums.

And come through, America (well, NYC)!: The just-released budget for the city features a record-breaking $198.4 million for cultural organizations.

And Finally

It’s a Halloween tradition! To all you ghouls and goblins, I present: The Pumpkin Dance.

– Rachel Eggers, SAM Manager of Public Relations

Image: His Highness Maharaja GajSingh II of Marwar-Jodhpur and Baijilal Shivranjani Rajye of Marwar-Jodhpur in Peacock in the Desert: The Royal Arts of Jodhpur, India at Seattle Art Museum, 2018, photo: Stephanie Fink.
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Muse/News: A prescription for art, life-changing DJs, and an epic visit to the Louvre

SAM News

The Seattle Times explores “why art is becoming part of doctors’ education at Virginia Mason in Seattle” with a recent front page feature. The Art & Medicine program at SAM uses art education techniques to teach medical residents skills like visual literacy, empathy, and self-care.

The Stranger’s Charles Mudede visits the Lessons from the Institute of Empathy installation, finding connections to the blockbuster film Black Panther and to Afrofuturism.

“These African masks, African jewelry, African clothes—made to be worn by fictional figures who run a fictional institute that deals with things like Empathy Deficit Disorder, and made to exist in real and virtual spaces—now have, for young and old Americans, a mainstream point of reference.”

Priya Frank, SAM’s Associate Director for Community Programs and co-chair of the museum’s Equity Team, shares her reflections for the NAEA’s Museum Education blog on the work of centering racial equity and creating an institutional culture shift. Priya was also a recent guest on the No Blueprint podcast and profiled in profiled in UW’s alumni magazine Columns.

Local News

Don’t miss this incredible story in the Seattle Times—a collaboration among writer Jerry Large, photographer Bettina Hansen, and videographer Corinne Chin—about a Seattle attorney’s collection of “some ugly, some inspiring” historical artifacts.

To know Riz is to love him: The Stranger’s Charles Mudede with a beautiful and convincing piece for their Queer Issue on “how DJ Riz Rollins changed Seattle.”

I can’t believe it’s almost July. Seattle Magazine has great picks for cultural happenings next month, including an upcoming show at the Henry featuring Figuring History artist Mickalene Thomas as photographer, designer, and curator.

Inter/National News

The New York Times’ Roberta Smith reviews the Met’s exhibition History Refused to Die (great name!); it features work from the Souls Grown Deep Foundation, whose focus is self-taught Black artists of the American South.

Hyperallergic’s John Yau takes a look at The Morgan Library & Museum’s show of Wayne Thiebaud’s works on paper.

“I may need to lie down.” Yes, the art world and everyone else recently went—well, you know—when Beyoncé and Jay-Z released a new joint album and a video shot at the Louvre. Artnet has a good round-up on the mania.

And Finally

The art historical and cultural resonances of APES**T will live forever—but this is the reaction I laugh about DAILY.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Lessons from the Institute of Empathy, Seattle Art Museum, 2018, photo: Natali Wiseman.
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Latent Home Zero

Muse/News: Art News from SAM, Seattle, and Beyond

SAM News

The Stranger launched their new format last week! The art section’s lead story was on Latent Home Zero by Christopher Paul Jordan at the Olympic Sculpture Park, which closes today—so head over there!

“Equal parts historian and visionary, Jordan uses the overlapping histories of land use, urban planning, and displacement in Tacoma as a microcosm to address the whole history of black migration across the United States. ‘We’ve been everywhere,’ says Jordan. ‘Urban space, rural space, but with every generation comes a new form of displacement, mass migration, and exclusion. Take a step back, how do we take agency of how we construct our belonging away from our homeland?’”

SAM’s Art Beyond Sight tours for visitors with low or no vision were featured in the Seattle Times last week with photos from a recent tour this summer at the Olympic Sculpture Park.

City Arts gets on our level: Priya Frank, SAM’s Associate Director of Community Programs, was interviewed for the October edition of Taste Test. #Radbassador

Local News

The Seattle Times’ Michael Upchurch reviews Humaira Abid: Searching for Home at Bellevue Art Museum, noting that the sculptor “hits a new peak, combining technical prowess with fierce vision to produce charged political drama.”

Via KUOW: Prompted by their daughter’s concern, a Seattle family returned to the Sealaska Heritage Institute a Chilkat robe that hung in their dining room for years, unaware that it was a sacred clan object.

Seattle Magazine highlights Forced From Home, a traveling virtual reality exhibit at SLU’s Discovery Center this week that offers “a more nuanced understanding of the refugee crisis.”

Inter/National News

The New York Times on the Studio Museum’s superstar director/chief curator Thelma Golden and its plans for a new David Adjaye-designed building.

“’So many of the shows she did were not just great shows but reframed art history,’ said Adam D. Weinberg, the Whitney’s current director. ‘Thelma was instrumental in making possible the whole rethinking of not just African-American art but American art.’”

WIRED takes on art in the age of Instagram, asking “where do we draw the line between art and Instagram filler?”

Cabbage Patch Kids, inflatable air dancers, and Shake Shack: Just a few of the wonderful, everyday things that started out as art.

And Finally

Those production values tho! Our friends at Analog Coffee with a helpful tutorial on an art form we at SAM have perhaps overlooked.

– Rachel Eggers, Public Relations Manager

Image: Installation view of Latent Home Zero, 2017, Christopher Paul Jordan, American, Seattle Art Museum Commission, photo: Mark Woods.
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Community Gallery: Color is Everything

A window is what I wanted. A gap in the wall where light could come in and color the dim room of my world and hopefully the world of those around me. But how do you crack open a wall of bias and expectation? How do you get to the human behind the facade? The goal with Color is Everything was this very idea; to find the bridge from one person to another, a path through the forest of differences so we can embrace what makes the individual truly and beautifully individual. Longing, pain, love, desire; So much binds us to one another beyond things like religion, gender choice, or race. I wanted to photograph individuals that not only celebrated what made them unique but even further—used that as a source of their power. But differences scare people. So often we see something unlike what we understand and it is seen as dumb, threatening or foolish. That is why I attempted to open the window of joy in all the people who participated in the project. I wanted their joy to shine brighter than anything an observer could find bias against. Because in a time of cultural tension, amongst all the things that bind us, why not choose joy to let some light in?

Behind the Scenes shooting Color is Everything

To do so was not hard. It was a simple recipe of music, dancing, and kindness. Lindsey Watkins helped choose the wardrobe from the outfits the individuals brought from their own closets. From that we chose color combinations in the backdrops. It wasn’t until later that I was honored to be put in touch with Imani Sims who took the project to the next step of tapping into the actual recipe of what gave everyone their own personal joy. When given the opportunity to exhibit the project I knew that scale was important. Joy, no matter what the recipe, is not small, it is a force writ large against the darkness and I wanted the joy of these amazing individuals to be imposing and fully immersive.

Color is Everything installed in the Community Gallery

This project was co-curated by David Rue and Priya Frank of Seattle Art Museum.

– Stanton Stephens, Photographer

Color is Everything is on view through July 30, 2017 in the Community Corridor Art Gallery. Stop by to see work by these large-scale photo portraits for free through the end of the month!

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