All posts in “Double Exposure”

Muse/News: Planets align at art fair, community rules in Tacoma, and photographs shape-shift at SAM

SAM News

The fourth edition of the Seattle Art Fair took place this weekend. SAM hosted Pluto (yes, the planet—or celestial snowball, whatever). Sarah Anne Lloyd of Curbed Seattle has details on Chris Burdens’ scale model of the solar system that originated at Gagosian’s booth and traversed Pioneer Square and downtown.

And hopefully you didn’t miss 1 ROOM. Here’s City Arts’ Margo Vansynghel on the group show curated by studio e’s Dawna Holloway that featured work by 50-plus Northwest artists in a former storage room near the fair (a golf cart took folks back and forth).

Barbara Brotherton, SAM’s curator of Native American Art, appeared on KKNW-AM’s ARTbeat Northwest to talk about Double Exposure during drive time.

And a visit to SAM’s “awesome” exhibitions is included on Thrillist’s round-up of “actually cool things to do when someone visits Seattle.”

Local News

Gayle Clemans of the Seattle Times reviews Summer Dreams, a group show now on view at Winston Wächter; in it, she sees “enticing, delightful, wistful glimpses of what is both possible and impossible.”

All aboard! Brangien Davis of Crosscut travels the newly completed SODO Track mural installation; with 50 murals from 62 artists, it’s now the longest in the world.

This month’s City Arts takes a deep dive into the creative life of Tacoma, with the cover story by Margo Vansynghel and reflections from local artists such as from Renee Sims, Asia Tail, and Christopher Paul Jordan.

“These days, the word ‘community’ is brandished so frequently that its meaning is eroding. Not so in Tacoma. Conversations with more than a dozen artists crystallize the sense that in Tacoma, together is better. Collaboration trumps competition. People show up for each other.”

Inter/National News

Jori Finkel of the New York Times reports on the hiring of MoMA PS1’s Klaus Biesenbach as the new director of the Museum of Contemporary Art—which is being greeted with both cheers and jeers.

HuffPost’s Yashar Ali broke the news that Beyoncé has unprecedented control over Vogue’s September cover; she’s selected Tyler Mitchell, the first black photographer to shoot Vogue’s cover in its 126-year history.

Genevieve Gaignard—whose work is now on view at SAM—also has a show in New York right now; it includes the artist’s shape-shifting photographs and three “mise-en-abîme” environments.

“Gaignard’s photographs. . . . feature women who immediately seem poised and self-confident, secure in their identity regardless of whether or not the viewer is able to pinpoint their racial background. That is intentional. ‘I just want to portray females in these empowered ways,’ said the artist. ‘There’s enough damsels in distress.’”

And Finally

Practice the art of good citizenship: Here’s how to return your ballot for tomorrow’s primary election.

– Rachel Eggers, SAM Manager of Public Relations

Image: CHRIS BURDEN, Scale Model of The Solar System, 1983 (detail), plastic, steel ball bearings, plexiglas, dimensions variable © 2018 Chris Burden / licensed by The Chris Burden Estate and Artists Rights Society (ARS), New York. Photo: Nathaniel Willson © Courtesy Gagosian.
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Muse/News: SAM on The Advocate, what libraries can do, and a farewell to Gold

SAM News

Project 42: Jono Vaughan is featured on The Advocate! Their post includes the SAM-produced video featuring behind-the-scenes footage of Jono Vaughan in her studio and moments from the pop-up performances held throughout the show’s run. Catch the solo exhibition of the 2017 Betty Bowen Award-winner before it closes on Sunday, August 5.

“A vast and at times splendid show.” Margo Vansynghel of City Arts reviews Double Exposure, exploring its themes of flux, ambivalence, and narrative ownership.

And Frank Catalano of Geekwire explores three examples of how museums are incorporating virtual and augmented reality, including “mesmerizing” examples at Double Exposure.

Local News

Michael Upchurch of Crosscut on what Mickalene Thomas’s mother said that will make you cry at the Henry Art Gallery’s current exhibition.

If you enjoyed the schooling provided by #LibraryTwitter last week, don’t miss Ambreen Ali’s story for Seattle Magazine on how the Seattle Public Library has reinvented itself to be “the community’s great equalizer.”

Cultured Magazine interviews director Nato Thompson on what to expect at the Seattle Art Fair’s fourth edition.

“I feel like this fair will demonstrate a unique blend of sardonic humor, dystopic futurism, historical imagination, indigenous radicalism and a homespun dreaminess.”

Inter/National News

Zachary Small of Hyperallergic reports on the controversy surrounding a Vogue Paris fashion editorial by Juergen Teller that uses the signature aesthetic of Mickalene Thomas.

Lou Cornum for Art in America reviews On Whiteness, the Kitchen’s current show created in collaboration with Claudia Rankine’s Racial Imaginary Institute.

RIP to the beloved Pulitzer Prize-winning food writer Jonathan Gold; Janelle Zara of Artnet offers this remembrance that reminds us that Gold’s poetic writing was partly informed by experiences as a performance artist.

“I had fully intended that, in fact, I would kill the chicken in the midst of this performance. But chickens aren’t that stupid.”

And Finally

If Timothée Chalamet had posed for Caravaggio.

– Rachel Eggers, SAM Manager of Public Relations

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Muse/News: Storme’s cover, Mickalene’s inspirations, and Artemisia’s revenge

SAM News

Hot off the press! On the cover of the current edition of Real Change: Will Wilson’s tintype portrait of artist Storme Webber. Don’t miss Lisa Edge’s review of Double Exposure inside the paper.

“Displaying Curtis’ work alongside contemporary Native artists is part of a growing shift among art institutions, which are becoming more critical of themselves and inviting visitors to do the same. They are becoming more conscious of who is telling the narrative.”

And the exhibition and SAM are both referenced in this New York Times story by Ted Loos on changes at the Art Gallery of Ontario spearheaded by their curator of Indigenous art—and how they reflect changes happening at museums across the U.S. and Canada.

Also: Seattle Business Magazine interviewed SAM director and CEO Kim Rorschach for this feature story on how to collect art; SAM Gallery is also included as a resource for art buyers.

“Most galleries are happy to let you pay over time. And you may need to try out something at home before committing. Says Rorschach: ‘It’s just about having an honest and forthright conversation.’”

Local News

Brendan Kiley of the Seattle Times reports on the future of Pivot Art + Culture, which once presented works from Paul Allen’s private art collection; it will soon house a “putt-putt pub.”

City Arts has a great round-up of visual arts picks, including quilts of Gee’s Bend at the San Juan Islands Museum of Art and photography by and inspiring to Mickalene Thomas at the Henry Art Gallery.

John Stang of The Globalist on The Sea Mar Museum of Chicano/a Latino/a Culture, set to open early 2019 in south Seattle. It will be the “first major museum devoted to Latino history in Washington State.”

“’Latinos have made incredible contributions, not only to the economy, but to the citizens of Washington state,’ said Erasmo Gamboa, a professor emeritus of history at the University of Washington and one of the leaders of the museum project.”

Inter/National News

Those production values tho! Watch this “My Favorite Artwork” video by the New York Times Magazine in which artist Glenn Ligon discusses a self-portrait by Adrian Piper.

Artnet’s Sarah Cascone reports that the Association of Art Museum Directors has launched a paid internship program at museums across the U.S. in an effort to diversify museum staffs.

The Telegraph announces that the National Gallery has acquired a self-portrait by Renaissance artist Artemisia Gentileschi; it is only the 21st painting by a female artist in the gallery’s permanent collection of 2,300 works.

“One of a handful of women who was able to shatter the confines of her time, she overcame extreme personal difficulties to succeed in the art of painting. This picture will help us transform how we collect, exhibit and tell the story of women artists throughout history.”

And Finally

Seattle Met on the local champions of French fry artistry. (Ed. note: The ones at Presse are best.)

– Rachel Eggers, SAM Manager of Public Relations

Photo: Nina Dubinsky.
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Muse/News: Trickstery art, tree stories, and unfinished histories

Just out in the latest edition of the Stranger: This glowing review of Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson by Rebecca Brown.

“But you should see what SAM has done with Double Exposure. The jolts between Curtis’s ‘noble’ (his word) Natives in traditional dress (their own or others’) standing near the lively, light-filled, trickstery art of Wilson, Rector, Nicolson is just exhilarating.”

Prepare to cry: Juan “Neeto” Old Chief Betancourt honored his great-grandmother Antone with an invite to prom, held recently at the Seattle Art Museum. The Seattle Times’ Lauren Frohne and Erika Schultz share the heartwarming story.

Brangien Davis of Crosscut profiles artist RYAN! Feddersen and all her exciting work on view around the region—including her “Post-Human Archive” installation created for the Double Exposure education gallery.

Local News

The Seattle Times’ Brendan Kiley reviews Walla Walla artist Juventino Aranda’s “disarming, arresting” solo exhibition, now on view at the Frye Art Museum.

In their July issue, Seattle Magazine names @seattlewalkreport “the city’s best Instagram account.” The artist’s hand-drawn accounts offer “a charming composite portrait of the city in the midst of a sea change.”

“A cacophony of arboreal anecdotes:” Brangien Davis of Crosscut on artist Katherine Wimble’s crowd-sourced project “Forest for the Trees,” which tells stories through our county’s trees.

“’My hope is that people will read these stories, see trees differently and think about their own connections to trees,’ she says. ‘Their lives are intertwined with ours.’”

Inter/National News

Philanthropist and collector Agnes Gund’s Art for Justice Fund announced another round of grants totaling nearly $10 million, going to artists, writers, and policy makers who are working to advance criminal justice reform.

Cultured Magazine names “9 Curators You Need to Know in 2018,” including Yayoi Kusama: Infinity Mirrors curator Mika Yoshitake.

Teju Cole for the New York Times Magazine on photography, cultural appropriation, and “getting others right.” The work of Edward S. Curtis is discussed.

“It is not about taking something that belongs to someone else and making it serve you but rather about recognizing that history is brutal and unfinished and finding some way, within that recognition, to serve the dispossessed.”

And Finally

“In a democracy, we do not put children in cages.”

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson, Seattle Art Museum, 2018, photo: Natali Wiseman
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Muse/News: A brilliant show, subversive sculpture, and the future of art

SAM News

Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson was highlighted by AFAR Magazine as one of “10 Brilliant U.S. Art Exhibitions Worth Traveling for This Summer.”

And our curator, Barbara Brotherton, was interviewed about the exhibition for a story in London-based Huck Magazine.

“’The work of these artists stands in sharp juxtaposition to the elegant Curtis photographs with their romanticized approach that casts Native people in the past,’ Brotherton concludes. ‘Native people did not vanish. They are resilient and deeply engaged in the issues of identity today.’”

Lots of love for SAM and the Olympic Sculpture Park: Both are recommended in the Stranger’s 2018 Visitor Guide on their list of “Best Places to See Art.” Condé Nast Traveler features SAM as one of their “Best Things to Do in Seattle” on their newly revived site, and Dwell Magazine kick off their list of “Top 8 Outdoor Sculpture Parks” with the Olympic Sculpture Park.

Local News

“’Painters Who [Expletive] Know How to Paint’ is not a shy title for an exhibition.” Darn right, Gayle Clemans. Here’s her Seattle Times review of the “vigorous” show now on view at Center on Contemporary Art (CoCA).

Crosscut’s Michael Upchurch reviews Castoffs, now on view at the Henry, calling Martha Friedman’s deconstructed sculptures of dancer Silas Riener’s body “mischievously subversive.”

The July edition of City Arts is out! It’s the Interview Issue; don’t miss the cover story featuring a conversation between Ijeoma Oluo and Emmett Montgomery.

“Freedom and progress look like something I can’t even envision yet. And I think art is very similar—the future of art doesn’t look like anything you see right now. That’s maybe the next five minutes of art.”

Inter/National News

I say, more Beyoncé videos. But seriously: Alina Cohen of Artsy takes a look at the challenges museums face in this article, “How Art Museums Can Remain Relevant in the 21st Century.”

Check out the University of North Carolina’s “Archivist in a Backpack” project that seeks to “make archive creation more accessible by offering resources that can easily launch community partners on memory projects.”

Remember when the Baltimore Museum of Art announced they’d sell big-name artworks to fund purchases of contemporary art by women and artists of color? Don’t you want to know what they bought??

“’You can’t stop now,’” Bedford says. ‘You have to acknowledge that you will never, at least in our lifetime, get to true equity within the museum. But I think there is virtue in continuing to push for it relentlessly.’”

And Finally

A doozy of a Long Read: Thomas Chatterton Williams on Adrian Piper for The New York Times Magazine.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson, 2018, installed at Seattle Art Museum, 2018, photo: Natali Wiseman.
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Muse/News: New visions, final bows, and happy little Zzzz’s

SAM News

Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson is now on view! Last week, Kim Holcomb of KING5’s Evening Magazine got a sneak peek of the exhibition, interviewing Barbara Brotherton, SAM’s Curator of Native American Art, and featured artist Tracy Rector.

Brangien Davis of Crosscut looks at both our show and the Deconstructing Curtis show at the Suquamish Museum.

“These added perspectives emphasize that Native Americans are contemporary Americans. They continue to adapt while preserving a long legacy of strength and struggle.”

Fred Wong of The International Examiner interviewed curators Xiaojin Wu and Ping Foong about their transformative vision for the future Asian Art Museum. If you’re a SAM member, hopefully you’ve reserved your spot to hear more at their sold-out Conversations with Curators lecture this Wednesday.

“It promises to be a mixture of old and new treasures: the magnificent Art Deco building, the vast Asian Art collections, and the bold re-imaging of the objects’ stories by Drs. Xiaojin Wu and Ping Foong, the two new treasures at [Seattle Asian Art Museum].”

Local News

After 16 years with the company, dancer Karel Cruz took his final bows with Pacific Northwest Ballet. The Seattle Times’ Moira Macdonald offers this farewell to this “master of partnering.”

Aileen Imperial and Stephen Hegg of Crosscut take us into the growing Ball and House culture of Seattle with this video story.

Here’s City Arts’ Brett Hamil on Chad Goller-Sojourner’s live multimedia memoir, Marching in Gucci: Memoirs of a Well-Dressed AIDS Activist, coming to Langston Hughes Performing Arts Institute June 21–23.

“More than a remembrance of those he lost, it’s an expression of his determination to make art out of those frantic years, in which he fought to save others while doing harm to himself. It’s an account of improbable survival.”

Inter/National News

Happy little Zzzz’s: Laura M. Holson of the New York Times on the voice—which can only ever be described as “dulcet”—that’s now lulling users of the Calm app to sleep.

I miss having Kerry James Marshall’s work on view at SAM, so I enjoyed this Vancouver Sun review of his new solo exhibition at the Rennie. Also, his Vignette (The Kiss), which debuted in Figuring History, sold this week at Art Basel.

Speaking of the Swiss fair “best known for presenting the bluest of blue-chip European art,” Julia Halperin of Artnet notes the eager interest of buyers for works by African American artists.

“It’s great people are interested,” the dealer Jack Shainman says. “But the big question is why did it take so long, and why was it so hard to get here?”

And Finally

Contemporary art space SITE Santa Fe announced the lineup for their SITElines.2018 Biennial in a most melodic way. Could this be the future for press releases?

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson at Seattle Art Museum, 2018, photo: Natali Wiseman
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Muse/News: Contradictions in Art, Humanity in Landscapes, and Cake goes to Court

SAM News

The Seattle Times’ Brendan Kiley previewed Double Exposure for the Sunday edition.

The museum knew it couldn’t present a simple hagiography of Curtis’ work without acknowledging its contradictions. “Double Exposure,” [Barbara Brotherton] said, “isn’t so much about Curtis and Native artists responding to his work as it is about putting them on equal footing.”

Jono Vaughan’s Project 42 was featured in this story and video by Crosscut’s Brangien Davis and Aileen Imperial. Look for the video as an interstitial on KCTS, too!

“Labor in my work is very important,” she says. “The labor that is put into the works is part of the memorialization. It’s the time that I spend thinking about that person and their story, and about how I’m hosting their spirit while I’m making their garment.”

Here’s the Stranger’s inimitable Charles Mudede on Basquiat’s “gorgeously brutal” Untitled, capitalist values, and giraffe necks.

Local News

Artist Trust recently announced Marita Dingus as the winner of the 2018 Irving and Yvonne Twining Humber Award for Lifetime Artistic Achievement; see Marita’s work at SAM Gallery beginning this Thursday.

Rosin Saez of Seattle Met counts the “thoughtful, if curmudgeonly, ways” of Anthony Bourdain, tracing the moments the food & culture connector visited Seattle.

Don’t miss Rebecca Brown’s feature in the Stranger’s summer A&P, “What Looking at Landscapes Can Do to You,” a review of the current exhibition on view at the Frye Art Museum.

“This art is about looking and being aware that we live on a planet that’s bigger than us that we shouldn’t take for granted. Most of the landscapes don’t have people in them at all—and when they do, they’re small. We need to remember this.”

Inter/National News

Following last week’s significant ruling by the Supreme Court in Masterpiece Cakeshop vs. Colorado Civil Rights Commission, both Artnet and Hyperallergic reflect on what it means for the art world.

The Art Newspaper previews the Charles White retrospective now on view at the Art Institute of Chicago and later traveling to MoMA and LACMA. A key figure of the Chicago Black Renaissance, White was a mentor to SAM favorite Kerry James Marshall.

For Freedoms, an organization founded by artists Hank Willis Thomas and Eric Gottesman, has launched an epic 52-state initiative to encourage political engagement by artists and art institutions this fall.

“We believe art is a necessity, especially in civic discourse,” she continues. “At its simplest level, we’re hoping to see more art exist in the world.”

And Finally

Good news: Art auction stock photos are about to get way less weird.

– Rachel Eggers, SAM Manager of Public Relations

Images: Left: Sunset on Puget Sound, 1912, Edward S. Curtis, American, 1868-1952, photogravure on vellum (paper), 11 3/4 x 15 1/2 in., Seattle Art Museum, Gift of John H. Hauberg, 86.173. Right: Ch’aak’ S’aagí (Eagle Bone), 2018, Tracy Rector, Seminole/Choctaw, b. 1972., video, Seattle Art Museum, 2018 Commission, Courtesy of the artist.
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Muse/News: SAM director honored, food art pops up, and photos that puzzle

SAM News

Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson opens June 14! A photo by the Seattle Times’ Alan Berner of our First Avenue lightbox appeared in print on May 19. The exhibition was also their visual arts pick for the “hottest events for June” in last Friday’s Weekend Plus section.

“June will launch a series of shows about famous and troubling photographer Edward S. Curtis, his weird way of staging what Native American culture looked like and responses from contemporary artists. The flagship exhibit of this thorny flotilla will happen at Seattle Art Museum — the cultural struggle, using various art-weapons, is still raging.”

In their June issue, Seattle Met Magazine presents Light a Fire 2018, shining a light on the city’s most impressive nonprofits and the people who run them. This year, our SAM Director and CEO Kimerly Rorschach has been awarded Extraordinary Executive Director!

Esquire profiles Middle Fork artist John Grade, who has a new work in an unexpected location: Nordstrom’s new men’s store in Manhattan.

Local News

Did you catch Danai Gurira’s Familiar at the Seattle Rep? Two takes on the play ran in advance of the play’s final weekend from City Arts’ Gemma Wilson and The Stranger’s Charles Mudede.

You will find me NOWHERE NEAR those glass benches. But for those without fear, check out Seattle Magazine’s look at the Olson Kundig revamp of the 56-year-old Space Needle.

Mac Hubbard for Seattle Met on the launch of Sunday Salons, the latest gallery around town to pop-up in an apartment; this one hosts the FoodArt Collection of Jeremy Buben.

“This ability to approach and resonate with our relationship to food is part of Buben’s perpetual interest in this work. And the room for creative license is apparent from the trappings of the apartment: a nude with parts shielded by pancakes and a waffle wedge, neon indicative of diners, a mold of a Cheetos bag housing an air plant.”

Inter/National News

Eileen Kinsella for Artnet on a show about sports and social justice opening in September at the High Museum in Atlanta; it will feature works by artist Glenn Kaino in collaboration with Olympic athlete and activist Tommie Smith.

Artnet’s Sarah Cascone on the shuttering of the much-troubled and once-beloved Interview Magazine.

Ksenya Gurshtein for Hyperallergic on an exhibition of early American photography at the J. Paul Getty Museum that reveals much about the complexities of American life during the 1840s to the 1860s.

“It’s necessary to look to such images as a reminder that evil has long been done in the name of national interests and that photography was as suspect at its inception as it is today, in the age of fake news and truthiness.”

And Finally

This is something I can get behind: Lunch at 11 am. It’s OK to be hungry! Eating is good!

– Rachel Eggers, SAM Manager of Public Relations

Photo: Natali Wiseman
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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Last week, SAM’s Associate Director for Community Programs, Priya Frank, appeared on KING 5’s morning talk show New Day NW to talk about Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas and a couple of the dynamic events the Education team has produced for the exhibition. She killed it!

SAM staff was everywhere last week: another member of the Education team, Public Programs Coordinator David Rue, was featured in Seattle Refined’s recurring “Movers and Shakers” series. He talked about the connections between his work for SAM and in the Seattle arts community at large.

“If your heart is in the right place, if you put in the work, and have the diligence to be the best at your craft, and people can see that, they’ll want to help you. When I do my job better, people get to interact with the arts better, so that demands that I rise to the occasion because there’s a lot of other people’s work on my shoulders that I don’t want to disappoint.”

Also: Basquiat—Untitled was highlighted in Lisa Edge’s First Thursday preview in Real Change; the Seattle Times included our upcoming Jono Vaughan solo show in their preview of spring’s hottest events, and KING 5’s Evening Magazine featured Seattle Magazine’s Gwendolyn Elliott talking about their spring arts preview that included our summer exhibition, Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson.

Local News

Gayle Clemans of the Seattle Times on the celebration of the local artist Michael Spafford, with his work on view in an “unprecedented collaboration” among Davidson Galleries, Greg Kucera Gallery, and Woodside/Braseth Gallery.

Brett Hamil of City Arts on Zoo Break Productions, a huge soundstage owned by Mischa Jakupcak and Robyn Miller that’s proposing an “alternate future for Seattle filmmaking.”

In case you missed it: last week saw a new work by choreographer Alice Gosti about the objects we hold onto at On the Boards; Michael Upchurch of Crosscut even donated something to the community “ritual release” of emotionally fraught objects.

“We have a very particular way of relating to objects,” she notes. “They can generate emotion. They can literally transport you to the moment in which you received the object. Or they can tell you the story of your whole family or of your whole culture.”

Inter/National News

The Art Newspaper is out with their annual survey of the most popular exhibitions for the year; they’re also celebrating the impressive milestone of their 300th issue. Long live print!

Artsy on the psychedelic cats of British illustrator Louis Wain, who “wine and dine, grin and wink, dress up and boogie down.”

This week, on April 4, marks 50 years since the assassination of Martin Luther King, Jr., in Memphis. The New York Times asks what the National Civil Rights Museum at the Lorraine Hotel can tell us about this moment.

“What they’ll find in its permanent collection is a monument to a movement and, secondarily, to a man, in a display that focuses on difficult, sometimes ambiguous historical data more than on pure celebration. And they’ll find, if they are patient, useful information for the 2018 present, and for the future.”

And Finally

“Did somebody mention ART?” Art history + celebrity culture = genius.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas at Seattle Art Museum, 2018. Photo: Natali Wiseman
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