Link to SAMart: A lecture about a life

SAMart: A lecture about a life

A lover of art, objects, far-flung lands, beautiful words, and adventure, Katherine...

Link to SAMart: Examining, interpreting, analyzing in public

SAMart: Examining, interpreting, analyzing in public

The multidisciplinary field of art conservation involves the examination, interpretation, analysis and...

Link to Remixed for the Very First Time

Remixed for the Very First Time

As the newest PR intern, it is slightly embarrassing for me to...

Dirty, Sacred Rivers, a Talk by Cheryl Colopy at SAAM on November 8

Dirty, Sacred Rivers, a Talk by Cheryl Colopy at SAAM on November 8

Cheryl Colopy discusses her book, Dirty, Sacred Rivers: Confronting South Asia’s Water Crisis,...

Link to SAMart: A new look at an old painting

SAMart: A new look at an old painting

The naked human body was an acceptable subject for artists illustrating myths or, occasionally, biblical stories. In this painting Venus and her lover Adonis enjoy a brief period of happiness before he is killed. Especially popular in the region of Venice, Veronese’s large, richly colored...

Hand Line Reflection Method 5 of 100, 1995, Terry Winters (American, born 1949), ink on paper, 13 x 8 ½ in., The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the National Gallery of Art, with generous support from the National Endowment for the Arts and the Institute for Museum and Library Services, 2008.29.48, © Terry Winters, Courtesy Matthew Marks Gallery, Photo: Elizabeth Mann. On view in the Modern and Contemporary art galleries, third floor, SAM downtown, starting Saturday, 16 March.

SAMblog: An extraordinary collection

Starting in 1962, a New York City couple—a librarian and her husband, a postal service employee—built an unlikely collection of art that included some of the most important names in Minimal and Conceptual art. Passionately devoted to the art of their time, Dorothy and Herbert Vogel...

Link to SAMart: An unusual self-portrait

SAMart: An unusual self-portrait

“He comes from the Pacific Northwest: an exceedingly tall thin figure, with large transfixed, rather alarmed eyes . . . He is shy and self aware to a degree, aloof yet (you suspect) ruthless in his self-determination. . . . In short he is very...

Link to Remixed for the Very First Time

Remixed for the Very First Time

As the newest PR intern, it is slightly embarrassing for me to say that I have never been to SAM Remix, but this March 8 will be my very first time. As disconcerting as my lack of experience may be, I have made up for...

The Rest on the Flight into Egypt, ca. 1638-40, Francisco de Zurbarán (Spanish, 1598–1664), oil on canvas, 59 1/16 x 62 5/8 in., Partial and promised gift of Barney A. Ebsworth Collection, 2011.36, Photo: Courtesy of Agnew’s Gallery, London. Currently on view in European Masters: The Treasures of Seattle, special exhibition galleries, fourth floor, SAM downtown.

SAMart: More than just a Spanish family

Flush with international power and resources from its holdings in Europe, the Americas and Asia, the royal court of Spain was the greatest art collector in the country. Before the seventeenth century, Spanish patrons mostly commissioned art from Italian and Flemish artists; but in the...

Link to SAMart: Elles: SAM is ending, but women artists are still here

SAMart: Elles: SAM is ending, but women artists are still here

Near the center of Australia, out of a station named Utopia, a group of women have painted their way to fame. They are among the leading names in Australian Aboriginal art and many attribute their fluid use of acrylics to years of experience with painting...

Link to SAMart: An inherited history

SAMart: An inherited history

Honoring her Salish heritage, Musqueam artist Susan Point carved red and yellow cedar to create a sculpture that expresses her cultural ancestry and a devotional attitude towards nature. Red cedar has always been considered the “tree of life” for First Peoples, which is the title...

Link to SAMart: Objects of desire

SAMart: Objects of desire

The collecting impulse of museum directors, curators, and private collectors—an insatiable desire—are referenced and investigated in Gloria Bornstein’s installation Concupiscence. Created in 2002, for a solo exhibition at SAM, the title of the work expresses strong, sexual desire. In this case, Bornstein used for inspiration...

Link to SAMart: A Surreal seat

SAMart: A Surreal seat

A contemporary Surrealist, Louise Bourgeois’ career stretched from the 1940s until 2010. Her lifelong fascination with myth, ritual, and totemic figures had its roots in French Surrealism, which reached a high point between the World Wars. In these Eye Benches, furniture takes the form of...

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