Link to SAMart: A lecture about a life

SAMart: A lecture about a life

A lover of art, objects, far-flung lands, beautiful words, and adventure, Katherine...

Link to Rembrandt, Van Dyck, Gainsborough: A final note

Rembrandt, Van Dyck, Gainsborough: A final note

Until this weekend, the Seattle Art Museum was proud to play host...

Link to Remixed for the Very First Time

Remixed for the Very First Time

As the newest PR intern, it is slightly embarrassing for me to...

Dirty, Sacred Rivers, a Talk by Cheryl Colopy at SAAM on November 8

Dirty, Sacred Rivers, a Talk by Cheryl Colopy at SAAM on November 8

Cheryl Colopy discusses her book, Dirty, Sacred Rivers: Confronting South Asia’s Water Crisis,...

Link to Rembrandt, Van Dyck, Gainsborough: A final note

Rembrandt, Van Dyck, Gainsborough: A final note

Until this weekend, the Seattle Art Museum was proud to play host to Rembrandt van Rijn; Mary, Countess Howe; Mrs. Musters; and their “friends,”—the figures in the great paintings from Kenwood House, London. We spend quite a lot of time talking about these pictures, referring...

Link to SAMart: A lecture about a life

SAMart: A lecture about a life

A lover of art, objects, far-flung lands, beautiful words, and adventure, Katherine C. White amassed one of the world’s premier private collections of African art. Upon her death, the collection of more than 2,000 objects came to the Seattle Art Museum, partially as a gift...

Link to SAMart: Shining, shimmering gold

SAMart: Shining, shimmering gold

Gold has been a shimmering presence in art across cultures and time. When the first metals were unearthed by humans around 5000 b.c., gold was valued for its rarity and lustrous color. Ancient Egyptians believed that gold was the skin of the gods, and for...

Link to SAMart: A vivid tornado of paint

SAMart: A vivid tornado of paint

Visual Vertigo Indigenous artists from the center of the Australian continent unleashed a wave of art production in the 1970s. Their contribution has been described as a renaissance of the world’s oldest living cultures. A new installation in the museum’s Australian Aboriginal art gallery brings...

Link to SAMart: Unlike any St. Anthony you’ve ever seen

SAMart: Unlike any St. Anthony you’ve ever seen

An ingenious interpreter of grand Western portraiture traditions, Kehinde Wiley is one of the leading American artists to emerge in the last decade. This spring, the museum acquired the artist’s most recent work. Since ancient times the portrait has been tied to representations of power....

Link to SAMart: What are decorative arts?

SAMart: What are decorative arts?

What, exactly, are the decorative arts? The answer might surprise you… Part of the answer would certainly include metalwork, and objects meant for use. This contemporary tea and coffee service, commissioned for the museum by Julie Emerson, The Ruth J. Nutt Curator of Decorative Arts,...

Link to SAMart: Examining, interpreting, analyzing in public

SAMart: Examining, interpreting, analyzing in public

The multidisciplinary field of art conservation involves the examination, interpretation, analysis and treatment of cultural, historic and artistic objects. Professional conservators rely on their knowledge of both the humanities and the sciences in order to understand the creation and production of material culture in the...

Link to SAMart: Small art, big story

SAMart: Small art, big story

Sometimes, collecting small has a big result. In 1919, following his service in WWI, Richard E. Fuller traveled to “the Orient” with his parents, sister, and brother. Their trip took them from Vancouver, BC, to China, Japan, Korea, Indonesia, Burma, and India. However, the latter...

Link to SAMart: American Abstraction

SAMart: American Abstraction

Early in the 1940s, artists in New York began to develop an expressive, abstract style of painting that was a stark departure from previous ideas, both artistically and historically. Up until World War II, the center of artistic production in the West had been Paris,...

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