“Even as pandemic restrictions ease and theaters and clubs start to re-open, choreographers like Graney, Gosti and many others are struggling to stay in Seattle. Graney charges that nobody at City Hall, or anywhere outside the dance community itself, seems concerned that artists are being priced out of the city. ‘There’s no one at the helm who has an interest in dance,’ Graney maintains. ‘People don’t care, they just don’t care.’”
“At a time when many Black artists are being recognized for figurative art, Halsey has been making large-scale sculptures and reliefs. And while her installations may allude to economic hardship, gentrification, or gang violence, they convey an explosive sense of joy.”
“I think the hotel [as a museum] has the opportunity to somehow unveil or interpret the former Japantown area and the vibrancy that it used to have, leading all the way up to 1942,” [Karen] Yoshitomi said. “It provides the stage for all these other stories to be told.”
“To look at American art — and thus America — they sensed there was value in stepping just outside. The generative alchemy of a border town might offer clues for fresh thinking about other divisions: between racial or gender categories, the material and the spiritual worlds, the living and the dead.”
“Rather than choose between abstraction or realism, Lawrence deftly navigated between the two. ‘He found narrative to be very important. That act of storytelling and reviving history and really thinking about events of the past and how you communicate those in a very modern way—it was really central to his practice and his process as an artist,’ [curator Theresa Papanikolas] said.”
“The Langs were intentional in collecting art, he said, listening to friends and dealers but ultimately making independent decisions about what they liked. They lived with these paintings and sculptures; everything they owned was up on the wall or on display. And in a similar spirit, this donation is intended for the public good—these babies need to be seen.”
“‘It was amazing how many people recognized me the first couple of years I was here,” said Turner. “While walking down the street, I would often get asked the question was I the chief librarian.’ That appreciation was a pleasant and welcome surprise, but it didn’t put more pressure on Turner. Rather, it increased his awareness that it was more than just library staff and the board of directors keeping tabs on his performance. The Seattle community would also be a vocal stakeholder.”
“[Curator Lydia] Gordon is pinning her hopes on the huge community of Lawrence’s former students and supportive gallerists and curators in Seattle, where the painter lived for the last three decades of his life after leaving New York. ‘Oh, we’re totally going to find them!’ she said firmly.”
“‘Jinny was always a self-effacing person, but she had a love for art and humanity. She never wanted to say we’re done with art,’ [Catharina] Manchanda said. ‘She would want us to press forward into the future with the curiosity and hope that she had.’”
“‘My thoughts are [for everyone to] be a good citizen,’ says Thomas. ‘If SAM is closed down that means all of the exhibits cannot be seen. This is not personal to me and so we all have to deal, we all have to do our part. I’m lucky because my show will be up at least for a year, so if all things go well people will be able to see my show within four to six weeks.’”
Mark Van Streefkerk of South Seattle Emerald previewed the virtual edition of Legendary Children, which was presented on Saturday. Celebrating its fifth anniversary, the event highlights the talents of queer and trans Black and POC creatives and is co-presented by SAM and the Seattle Public Library.
“A welcome reprieve from isolation, a hub of safe extroversion”: The Daily’s Austen Van Der Veen on the wonders of Volunteer Park. SAM’s reimagined Asian Art Museum, which reopened in February of this year only to close again in March, is mentioned; the museum looks forward to yet another reopening in the future.
Cornish College of the Arts has announced the eight finalists for the annual Neddy Artist Awards, The Stranger’s Jasmyne Keimig reports. Priya Frank, SAM’s Director of Equity, Diversity, and Inclusion, served as one of the jurors for the awards, which will grant $30,000 each to the two winners.
“‘I feel so excited and proud for the choices we made when selecting the eight finalists,’ said Frank in a statement. ‘All exceeded the criteria, and I was touched by the ways they express their talents in such profound and inspiring ways that allow us to see the beauty and humanity in art as a reflection of life.’”
This weekend, LACMA unveiled a new outdoor sculptural installation by Alex Prager. Titled Farewell, Work Holiday Parties, the piece features “15 eerily realistic, life-size sculpted figures enjoying (enjoying?) an insurance company holiday party in full swing.”
“Fully one-quarter of the art on show in the new galleries is by Latin American and Latinx artists. Among the prizes are works by Lygia Clark, Gego (aka Gertrud Goldschmidt), Hélio Oiticica, Mira Schendel, and Joaquín Torres-García.”
The Seattle Times’ Moira Macdonald previews “Reflections,” a virtual dance festival presented by Seattle Public Library, Friends of Waterfront Seattle, Seattle Office of Arts & Culture, and Seattle Art Museum. The free festival features Indigenous and Black artists, all of whom consider the question: “If you could sum up 2020 with a dance, what would it be?”
After Kamala Harris became Vice President-Elect, Seattle Times columnist Naomi Ishisaka speaks with Black women and women of color about the historic win, including Priya Frank, SAM’s Director of Equity, Diversity, and Inclusion, who said, “Today I get to see my mom, my aunts and myself reflected in our vice president of the United States.”
Seattle Magazine shares an excerpt from Ron Chew’s new memoir, My Unforgotten Seattle, ‘a deeply personal memoir about the tight-knit Asian American community in the region.” Chew is the former editor of the International Examiner and a former director of the Wing Luke Museum.
Crosscut’s Margo Vansynghel on artist and Martyr Sauce-owner Tariqa Waters, who curated an “immersive, candy-colored show” now on view at Bellevue Arts Museum. The article also mentions Waters’s recent Kayla Skinner Special Recognition Award, part of SAM’s annual Betty Bowen Awards.
“I want the space to look like a children’s museum,” Waters says. “I want it to be all immersive where it’s a bit disorienting. It’s almost like we’re having a whole conversation with each other through our work, and people are walking into this conversation.”
Artforum invites artists—including Glenn Ligon, Christine Sun Kim, Paul Chan, and more—to share a text, video, or image for a series of posts responding to the election called Aftershock.
“What stands between Democracy and mass deception is the genuine experience of art, because aesthetics heightens epistemic fitness if and when art is practiced and experienced with more than a return-on-investment or tastemaking in mind.”
The Seattle Times’ Moira Macdonald on the Seattle Public Library’s new “Lit Line,” in which you can dial in and “select to hear a poem or short story (in English or Spanish), or a historic Seattle news item, read by an SPL staffer.” Perfect!
“In Ryder’s photos, this loud, violent object suddenly becomes still. Historically and today, still lifes have been on the lowest rung of the painterly and photojournalistic ladder. There are no people, no action to capture. But as artists and photojournalists like Ryder have found, sometimes a collection of fragments can tell a fuller story.”
Artnet reports on the USPS Art Project, “a mail-art initiative launched in April by Brooklyn-based artist Christina Massey.” It’s sort of an Exquisite Corpse via post; artists create an artwork, then mails it to the next to complete the work.
“Though Hurtado’s work was not as well-known as it should have been—even as her vivacious character brought her into contact with many of the mid-20th century’s most important artists—she persisted in building up a vast oeuvre over time. ‘What drove me to paint?’ Hurtado asked in a recent video interview with the Serpentine Galleries in London. ‘It was like breathing—you know, it’s hard not to.’”
We’ve curated a list of grade-level books with free online read-alouds on the topics of race, racism, and resistance for you to spend some time with over the summer. Many of these books will be available at Seattle Art Museum’s Ann P. Wyckoff Education Resource Center (ERC) when the museum can reopen. Others are available through the Seattle Public Library or the King County Library System. This book list caters to grades Pre-K through 8 but can spark conversation between people of all ages.
PRE-SCHOOL – GRADE
Skin Again, by hooks, bell. (Pre-K – K) New York: Jump at the Sun, 2004.
This award-winning book introduces a strong message of loving yourself and others and offers new ways to talk about race and identity. Watch the read aloud above, find the e-book at the Seattle Public Library, or find this book at the ERC.
The Colors of Us, by Katz, Karen. (Pre-K – K) New York: Henry Holt & Co, 1999.
Seven-year-old Lena and her mother observe the variations in the color of their friends’ skin, viewed in terms of foods and things found in nature. Find this book at the ERC!
The Skin You Live In, by Tyler, Michael and Csicsko, David Lee. (Pre-K +) Chicago: Chicago Children’s Museum, 2005.
Rhyming text and illustrations celebrate being happy with the skin in which one lives, whatever that skin might be. ERC available and the e-book is at SPL & King County Library System.
All are Welcome, by Penfield, Alexandra. ( Pre-K – Grade 3) New York: Knopf Books for Young Readers, 2018.
Follow a group of children through a day in their school, where everyone is welcomed with open arms, where students grow and learn from each other’s traditions. You can find the e-book at Seattle and King County Library System.
I Am Enough, by Byers, Grace. (PK – Grade 3) New York: Balzer + Bray, 2018.
A story of loving who you are, respecting others and being kind to one another. The ERC has this book and Seattle Public Library has the e-book.
Let’s Talk About Race, by Lester, Julius and Barbour, Karen. (Pre-K – Grade 3) New York: HarperCollins, 2005.
This children’s book introduces the concept of race as only one component in an individual’s or nation’s “story.” Find this book at the ERC.
Something Happened in Our Town, by Celano, Marianne. (Grades K – 3) Washington, DC: Magination Press, 2018.
This story follows two families—one White, one Black—as they discuss a police shooting of a Black man in their community. The story aims to answer children’s questions about such traumatic events, and to help children identify and counter racial injustice in their own lives. Check out the e-book through SPL.
Enough! 20 Protesters That Changed America, by Easton, Emily. (Grades K – 3) New York: Crown Books for Young Readers, 2018.
America has been molded and shaped by those who have taken a stand and said they have had enough. In this dynamic picture book, stand alongside the nation’s most iconic civil and human rights leaders, whose brave actions rewrote history. The e-book can be found at the Seattle Public Library & King County Library System.
GRADES 3 – 8
Not My Idea: A book about Whiteness, by Higginbotham, Anastasia. (Grades 3 +) New York: Dottir Press, 2018.
A children’s picture book that invites white children and parents to become curious about racism, accept that it’s real, and cultivate justice. For a limited time, you can download a free pdf version from the publisher’s website.
We Rise, We Resist, We Raise Our Voices, edited by Hudson, Wade and Hudson, Cheryl Willis. (Grades 3 – 7) New York: Crown Books for Young Readers, 2018.
What do we tell our children when the world seems bleak and prejudice and racism run rampant? With 96 lavishly designed pages of original art and prose, 50 diverse creators lend voice to young activists. E-book is at Seattle Public Library and a digital audiobook is available through King County Library System.
Little Dreamers: Bold Women in Black History, by Harrison, Vashti. (Grades 3 – 6) New York: Little, Brown and Company, 2017.
Based on her popular Instagram posts, debut author/illustrator Vashti Harrison shares the stories of 40 bold African American women who shaped history.
Find the e-book available through Seattle Public Library & King County Library System or find the book at the ERC when SAM reopens.
Little Legends: Exceptional Men in Black History, by Harrison, Vashti. (Grades 3 – 6) New York: Little, Brown and Company, 2019.
Vashti’s follow-up to Little Leaders documents the lives and accomplishments of Black men throughout history, spanning centuries and continents. This e-book is available through the Seattle Public Library & King County Library Systems.
Rise Up! The Art of Protest, by Rippon, Jo. (Grades 3 – 7) New York: Charlesbridge, 2020.
Celebrate the right to resist! Human rights belong to every single one of us, but they are often under threat. Developed in collaboration with Amnesty International, Rise Up! encourages young people to engage in peaceful protest and stand up for freedom. Get the e-book on the Seattle Public Library website.
A Good Kind of Trouble, by Ramée, Lisa Moore. (Grades 4 – 8) New York, NY: Balzer + Bray, 2019.
After attending a powerful protest, Shayla starts wearing an armband to school to support the Black Lives Matter movement, but when the school gives her an ultimatum, she is forced to choose between her education and her identity. E-book & digital audiobook available at Seattle Public Library & King County Library System.
Ghost Boys, by Rhodes, Jewell Parker. (Grades 5+) New York: Little, Brown and Company, 2018.
After seventh-grader Jerome is shot by a white police officer, he observes the aftermath of his death and meets the ghosts of other fallen Black boys including historical figure Emmett Till. E-book & digital audiobook available through Seattle Public Library & King County Library Systems.
Raise your Voice: 12 Protests That Shaped America, by Kluger, Jeffrey. (Grades 5 – 8) New York: Philomel, 2020.
Starting with the Boston Tea Party, moving to the Women’s March, and ending with the Standing Rock/Dakota Pipeline Uprising, this book covers 12 protests that shaped our nation. The e-book is available through the Seattle Public Library.
– Kim Christensen, Education Resource Center Education Assistant
The Japanese art gallery at SAM’s downtown location was recently reinstalled with a focus on the Mingei movement in Exceptionally Ordinary: Mingei 1920–2020, on view through Novemeber 8, 2020. Initiated in the 1920s by the Japanese collector and connoisseur Yanagi Soetsu (1889–1961), Mingei elevated functional, everyday crafts to art objects. Since its foundation, Mingei’s broad applications range from mid-century decorative arts to contemporary designs, ceramics, textiles, sculptures, and prints, examples of which are hanging in our gallery. Prominently featured, are works by the late Seattle-based artist George Tsutakawa on loan from the George Tsutakwa Art Legacy. The Tsutakawa family share below about George’s inspiration and how his furniture fits in the installation at SAM!
George Tsutakawa began to build bronze fountain sculptures in 1961 with the installation of his first fountain at the Seattle Public Library. He eventually created 75 fountain sculptures in the United States, Canada, and Japan. The fountains reflect his intense interest in the cyclical flow of water from the heavens to earth, creating rivers and oceans that nourish life. His basis of humanity in the Shinto religion indicated reverence for life in all forms made by nature, such as trees and rocks.
Tsutakawa’s professional art career spanned 60 years. He was a professor of art at the University of Washington for 37 years. In his personal statement from The Pacific Northwest Artists and Japan in 1982, he expressed that sometime in the 1960s his travels and studies of traditional Japanese arts allowed him to reaffirm his “conviction in the Oriental view of nature school which sees Man as one part of nature, a part that must live in harmony with the rest of nature.”
Thus Tsutakawa’s furniture from the 1940s and 1950s reveals this conviction to nature within his art and serves as the starting point for his later artistic forms. Although he was a modernist, even in his furniture forms, his work relates to the Japanese Mingei movement, which is largely based on traditional and folk art.
Tsutakawa’s early furniture is functional and evokes a connection to nature through fluid organic shapes and materials.
The Tsutakawa family is currently reorganizing the artist’s collection with the hope of preserving his work and making it more open to the public as well. You can visit SAM to see Tsutakawa’s artwork in Exceptionally Ordinary: Mingei 1920–2020, on view through November 8, 2020.
– Mayumi Tsutakawa & Chyenne Andrews
Images: Installation view Exceptionally Ordinary: Mingei 1920–2020, Seattle Art Museum 2019, photos: Nina Dubinsky. Kizamu Tsutakawa
As part of a city-wide celebration of the exhibition Gauguin & Polynesia: An Elusive Paradise, area businesses and arts and cultural organizations have created some wonderful special offers for visitors to the exhibition.
This week, SAM will be highlighting a select group of these GO! Gauguin partners each day to reveal great deals around the city. If you haven’t already, be sure to print your coupon here.
Today we would like to recognize our retail partners participating in the GO! Gauguin program. Be sure to visit them and take advantage of these discounts!
Baby & Co. 1936 First Avenue
Present your GO! Gauguin coupon for something fabulous! Treat yourself to 10% off any single item at Baby & Co. during their celebration of Gauguin & Polynesia. Does not apply to sale items; certain restrictions apply.
Fran’s Chocolates 1325 1st Avenue
After your visit to SAM, cross the street to enjoy Fran’s Gauguin Salted Caramel Box which includes seven pieces of Fran’s award-winning gray and smoked salt caramels for $15. Savor local artisan chocolate while you support SAM, 20% of the proceeds from the sale of each box will be donated to the Seattle Art Museum. Present your GO! Gauguin coupon and receive a complimentary Fran’s award-winning dark hot chocolate beverage with any $30 purchase. Limit one per customer.
FriendShop in The Seattle Public Library 1000 Fourth Avenue
Receive a 15% discount from the FriendShop when you present your GO! Gauguin coupon or a ticket from SAM to the exhibition. The FriendShop features cards, jewelry and gifts by local artists and all proceeds benefit The Seattle Public Library. Open 7 days a week.
Macy’s 1601 Third Avenue
As a supporter of the Seattle Art Museum, Macy’s is offering you a special 10% savings! Take your GO! Gauguin coupon to the Fine Jewelry or Furniture department of the downtown Seattle Macy’s store to receive a 10% off Visitors Pass. Certain exclusions apply.
sandylew 1408 First Avenue
Just walk up a half block north of SAM and present your GO! Gauguin coupon at sandylew for 10% off storewide anytime during the amazing run of the Gauguin exhibition, February 9–April 29, 2012. Not to be combined with other special offers or discounts. Sandylew is a women’s boutique proud to be a neighbor and support of our remarkable Seattle Art Museum!
Perennial Tea Room 1910 Post Alley
Warm up with a visit to the Perennial Tea Room, located between Stuart and Virginia Street in Pike Place Market. Present your GO! Gauguin coupon or mention Gauguin & Polynesia to receive 10% off any purchase. Cannot be combined with other offers or discounts. Excludes tea to go.
Vetri Glass 1404 First Avenue
Founded in 1998, Vetri Glass is proud to be recognized by collectors and artists alike as an exhibitor of exciting and innovative new work in glass. The mission of Vetri is to offer innovative work of the highest caliber, at accessible prices. Present your GO! Gauguin coupon for 10% off any one purchase during the Gauguin & Polynesia exhibition at SAM. Offer cannot be combined with other specials or discounts.
White House/Black Market Pacific Place
Just present your GO! Gauguin coupon and enjoy 10% off your entire purchase at White House/Black Market located in Pacific Place. Cannot be combined with any other coupon or offers and valid only at the Pacific Place location.
As if awesome specials and discounts weren’t enough, SAM will also be hiding two Gauguin & Polynesia tickets at a partner location each day. SAM will reveal the location of the pair of hidden tickets daily at noon on Facebook and Twitter. The first person to reach the location will win the tickets.
Stay tuned for the first clue which will be released at noon today, and take advantage of all our special partner offers throughout GO! Gauguin Week and for the run of the exhibition!