All posts in “Sondra Perry”

Muse/News: A legacy on view, Springfield in Tacoma, and blind spots

SAM News

 A Cultural Legacy: A Series of Paintings from the Paul G. Allen Family Collection is now on view at SAM. This iterative single-painting exhibition celebrates the legacy of Paul Allen. Artdaily, Artnet, Geekwire and Patch all shared the news.

The Seattle Times includes SAM show Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness on their “Look Ahead” list of recommendations for the month of August, calling their portraits “a soul-shaking experience.”

And Seattle Met recommends Remix, our “bona fide fete,” on their list of “13 Seattle Events to Catch This August.” Get your tickets now for another radical edition of our art-filled, body-moving, late-night out.

Local News

The Stranger’s Jasmyne Keimig devotes the recent “Currently Hanging” post to Birmingham by Toyin Ojih Odutola, now on view at the Frye Art Museum.

The most recent edition of Crosscut’s arts newsletter by Brangien Davis includes a shout-out to the Seattle Arts Voter Guide, created by Seattle University students in a Public Policy and the Arts class.

Crosscut’s Agueda Pacheco Flores on the Tacoma Art Museum’s new exhibition, Bart at TAM, featuring over 150 cels of hand-drawn art from The Simpsons.

“The cels in the exhibit come from Heeter’s personal collection of more than 900 Simpsons animations, which he started collecting in the early ’90s. ‘I had a full head of hair when I started collecting and now it’s all gone,’ he says.”

Inter/National News

Read about 2017 Knight Lawrence Prize-winner Sondra Perry’s new show A Terrible Thing, “an institutional critique of MoCA Cleveland.”

Great news reported by Artnet’s Sarah Cascone: “A consortium of foundations … has bought the historic archives of Johnson Publishing, the Chicago-based company behind Ebony and Jet magazines.”

Don’t miss this conversation-starting New York Times piece by Elizabeth Méndez Berry and Chi-hui Yang that calls for more critics of color.

“…the spaces in media where national mythologies are articulated, debated and affirmed are still largely segregated. The conversation about our collective imagination has the same blind spots as our political discourse.”

And Finally

Keep an eye out for an 8-foot-tall yellow bird.

– Rachel Eggers, SAM Manager of Public Relations

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A Commingling of Minds in Sondra Perry’s Installation

With her current installation at SAM, the 2017 Gwendolyn Knight | Jacob Lawrence Prize winner, Sondra Perry asks, “What happens if we go to a place that we want to create as a habitable place for full life on earth but we don’t know what life looks like there?” Combining 3D rendering, terraforming, family, and the desire to bring people together inside the gallery, Perry’s work gives a machine its voice while creating a cosmic commingling of minds. See Eclogue for [in]HABITABILITY at SAM before it closes July 8!

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Muse/News: Basquiat Unpacked, Public Poetics, and The Magic of The Shirelles

SAM News

The latest episode of Seattle Channel’s ArtZone features their interview with curator Catharina Manchanda about Jean-Michel Basquiat’s Untitled.

Artsy debuts their “Vanguard” series, recognizing influential contemporary artists at various points in their careers. Gwendolyn Knight and Jacob Lawrence Prize-winner Sondra Perry is included among the “newly established”—artists at “crucial tipping points in their careers.”

Los Angeles-based magazine Riot Material reviews Figuring History, in advance of its closing on May 13.

“Figuring History is as visually stunning as it is historically significant. For Robert Colescott, Kerry James Marshall and Mickalene Thomas, the show is validation that they succeeded in their passionate quest to make themselves visible. These artists matter and their art will be a beacon for us all, for those who write the histories and create the shows and for those are able to see themselves represented in museums for perhaps the first time.”

Local News

Seattle Times has the first look at the Nordic Museum as it prepares for its grand opening this weekend.

The Stranger staff picks their top 15 art shows in Pioneer Square for the month of May.

City Art’s Margo Vansynghel reviews A LONE, a series of 10 public artworks across the city co-curated by Vignettes and Gramma Poetry.

“Dealing with themes such as gentrification and the mass media’s (biased) coverage of the events in Charlottesville, the works in A LONE blend poetry and visual art and speak to the intricacies of being alone in a big city full of people. ‘You’re alone together,’ Stinson says. ‘That’s kind of a fascinating thing.’”

Inter/National News

The fun we’re not having at Frieze: Roberta Smith of the New York Times goes on the hunt for “artistic gems” at the annual art fair. (There’s a shout-out to Everyday Poetics artist Sonia Gomes!)

The American Antiquarian Society has digitized 225 photographs of Native people; taken decades before Edward S. Curtis began his project, these photos “represent the chapter one of the photographic history of Native people.”

The Baltimore Museum of Art has an “absolutely transformative” plan for their collection: deaccessioning works by artists such as Andy Warhol, Franz Kline, and Robert Rauschenberg in order to acquire works by contemporary artists who are women and artists of color.

“’The decision to do this rests very strongly on my commitment to rewrite the postwar canon,’ Bedford told artnet News. And while institutions sell art to fund new acquisitions every so often, the BMA’s latest deaccession stands out. ‘To state it explicitly and act on it with discipline—there is no question that is an unusual and radical act to take,’ Bedford says.”

And Finally

I will still love them tomorrow—and forever. The New Yorker’s Elon Green interviews Beverly Lee of The Shirelles about a “magical ten seconds” of the legendary group.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Installation view of Basquiat—Untitled at Seattle Art Museum, 2018, photo: Natali Wiseman.
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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Lots of love for SAM’s Olympic Sculpture Park: Rachel Gallaher for Surface Magazine sang its praises, Artsy named it one of the world’s greatest sculpture parks, and new Stranger contributor (I better update my press list!) Seth the Miniature Pinscher deems the park a nice place to do his business in the paper’s inaugural dog issue.

KCTS interviewed Catharina Manchanda, SAM’s Jon & Mary Shirley Curator of Modern & Contemporary Art—as well as artist Marita Dingus and gallerist Greg Kucera—for this story on the historical context of the Basquiat painting now on view at SAM.

And here’s a must-read from Emily Pothast for Art Practical on the embarrassment of riches that is two Sondra Perry installations in the Pacific Northwest: ours, and another at Disjecta Contemporary Art Center in Portland.

“Virtual space ‘allows one to build digitally what one cannot build in reality,’ she says in her statement about the Seattle show. The role of science fiction has always been to imagine new possibilities for the future. Once they are imagined, the only remaining challenge is how to build them.”

Local News

Misha Berson for Crosscut asks, “Where are the plays by women?” and answers: right here in Seattle, with a bevy of works by female dramatists debuting this spring.

After five fantastic years, Courtney Sheehan has announced that she’ll be departing as executive director of Northwest Film Forum, says City Arts’ Brett Hamil.

Calling all aspiring, soulful DJs: Jeff Albertson of the Seattle Times reports that KEXP is searching for a DJ for their new Sunday evening show. Also: Shake the Shack is being retired, with Michele Myers and Stas THEE Boss taking over Friday nights.

Inter/National News

The Art Newspaper and others reported on the hiring of Max Hollein as the next director of the Met; here’s a dissenting opinion from Dr. Liza Oliver in the New York Times.

Hyperallergic on the news that ICA Boston has closed an exhibition of Nicholas Nixon photographs early, following allegations of sexual harassment raised by some of his former students.

“Perhaps if you truly want to understand a drawing,” he said, “you have to just eat it.” The New York Times chats with Eduardo Navarro about his new show at the Drawing Center.

And Finally

Spring is here and that means one thing.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Robert Wade
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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

The spring edition of the Stranger’s Art & Performance Quarterly hit newsstands last week; recommended SAM shows in the visual arts listings include Basquiat—Untitled, Jono Vaughan: 2017 Betty Bowen Award Winner, Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, Everyday Poetics, and Sondra Perry: Eclogue for [in]HABITABILITY. Don’t miss their recurring “Anatomy of a Painting” feature, which takes you through the finer points of Resist, the incredible painting by Mickalene Thomas created specifically for our exhibition.

And the reviews keep coming in for Figuring History. Lisa Edge of Real Change writes up the exhibition for the cover story of their current edition, and the Stranger’s Katie Kurtz shares her thoughts on the show that’s “about righting the wrongs of erasure” in their arts section lead story.

Also out last week: The New York Times’ annual “Museums” section. Figuring History was mentioned in a round-up of exhibitions around the country showing “art in startling variety.”

“This show of three African-American artists creates a solid counternarrative on general history, art history, black identity and gender identity.”

Local News

The Seattle Times was there as 2,800 high-school students from 39 area schools attended a matinee of Hamilton—and performed raps, songs, and poems inspired by the musical and their own studies.

The art of food: last week, Edouardo Jordan of JuneBaby and Salare was nominated for two James Beard Awards and glowingly reviewed in the New York Times. That oxtail tho!

Rachel Gallaher interviews Pacific Northwest Ballet soloist and choreographer Ezra Thomson; his work The Perpetual State has its world premiere in the ballet’s Director’s Choice program, showing now through March 25.

“One thing I always try to do in my choreography is to make the dancers as human as possible. I want the audience to be able to relate to them as people, as opposed to classical 18th-century ballet figures.”

Inter/National News

Christopher Knight of the Los Angeles Times broke the news of the sudden firing of MOCA Los Angeles curator Helen Molesworth, which stunned many in the art world last week.

Brian Boucher of Artnet on the historic vote last week by the board of New York arts and engineering school, which approved a 10-year plan to offer free tuition for every student.

Photographer Dawoud Bey’s The Birmingham Project brings to life the four girls and two boys who died violently in 1963, with portraits of children their ages alongside adults the same age that the kids would be if they’d lived.

“It hurts because those Birmingham girls, often commemorated in what look like class portraits, could have been goofy, self-conscious, bookish, or disobedient. Maybe they didn’t even want to go to church that day; maybe one had a sore throat. They were kids.”

And Finally

Former mallrats may be just as moved as the New Yorker’s Jia Tolentino by this video of “Toto’s ‘Africa’ edited to sound as though it were playing in an empty mall.”

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas at Seattle Art Museum, 2018, photo: Natali Wiseman.
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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Boom for real! SAM announced last week that a famed and rarely seen painting by legendary artist Jean-Michel Basquiat is headed to the museum beginning March 21. The Seattle Times shared the news, and KUOW’s The Record hosted a conversation about the painting’s rarity and impressive auction price with KUOW’s Marcie Sillman and City Arts’ Margo Vansynghel.

Diana Cherry of ParentMap reviewed Figuring History with an eye towards kids and families, declaring that “the message is undeniable: Black is beautiful — in art, in history and in this country.”

“To tell you that these paintings made my heart sing would be an understatement. I found it truly uplifting to see Seattle Art Museum center black people—especially black women—and their stories with art that includes, but isn’t limited to, slavery, black suffering and black oppression.”

The Bellevue Reporter previewed the upcoming installation by artist Jono Vaughan at SAM, sharing quotes from the artist.

“We’ve become de-sensitized to violence, and violence against the trans community in particular,” Vaughan said. “Project 42 is an opportunity to share space with that life that was lost, engage with each other, and elevate the discussion. I feel really humbled to be a part of it.”

Local News

For Crosscut, Double Exposure artist Tracy Rector offers her reflections on the allegations against Sherman Alexie and recommends an impressive list of female Native authors for your reading list.

Seattle Times columnist Nicole Brodeur profiles photographer Eddie Rehfeldt, whose new photography show at The Piranha Shop in Sodo tackles ideas about isolation and technology.

City Arts’ Margo Vansynghel reviews the Ko Kirk Yamahira exhibition, now on view at the Frye.

“In his first solo museum exhibition, Yamahira builds beautifully on this minimalist-modernist legacy with deadpan reverence and delicate sensuality.”

Inter/National News

The New York Times on Billy Graham, the “Renaissance man and bon vivant” who was largely unknown, even though he was the first Black artist for Marvel to draw Black Panther and Luke Cage.

Artnet on the “showstopper” booth of new work by British-Liberian artist Lina Iris Viktor at New York’s Armory Show from Seattle’s own Mariane Ibrahim Gallery.

Jonathan Jones of The Guardian with a powerful write-up of Sondra Perry’s latest gallery show, Typhoon, now on view in London. Her show at SAM is now on view.

“Perry juxtaposes the shallowness of our media-saturated lives with the power of true art and properly held memory. If we carried the bloodstained Atlantic that Turner painted in our hearts, maybe we could address the crimes and wrongs of the present. Yet forgetfulness is winning. There is a typhoon coming on.”

And Finally

“Place your ‘Left Ring Finger’ in the undulating bug next to your keyboard.” David Lynch teaches typing.

– Rache Eggers, SAM Manager of Public Relations

Image: “Untitled,” 1982, Jean-Michel Basquiat, American, 1960–1988, acrylic, spray paint, and oilstick on canvas, 72 1/8 x 68 1/8 in., Yusaku Maezawa Collection, © 2018 The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS.
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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Kimerly Rorschach, SAM’s Illsley Ball Nordstrom Director and CEO, is featured in the February edition of Seattle Met as one of the “50 Most Influential Women in Seattle.”

The Stranger put together a list of all the best Black History Month events: SAM exhibitions Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas and Sondra Perry: Eclogue for [in]HABITABILITY both make the cut.

The Seattle Times’ Moira Macdonald recommends seeing Oscar nominees on Cinerama’s big screen—as well as two upcoming SAM Films events: “Alfred Hitchcock’s Britain” series and “David Lynch’s First Seven Films: From The Alphabet to Eraserhead.”

Local News

Seattle Sketcher Gabriel Campanario visited the new Amazon Spheres and came away underwhelmed.

The King County Council has proposed an ordinance that would involve more control over arts and cultural agency 4Culture.

Seattle Times’ Jerry Large introduces the new leader at Northwest African American Museum, LaNesha DeBardelaben; City Arts recently reported on the celebratory opening of their current exhibition, Everyday Black.

‘”Once I stepped foot in this museum, I immediately knew that this is the place for me,’ she said. ‘NAAM has so much potential and so much dynamism to it.’”

Inter/National News

The New York Times on responses from the National Gallery and Seattle University following accusations of sexual harassment against Chuck Close; ARTnews reports on Pennsylvania Academy of Fine Arts’ plan.

“It’s often difficult to know which way up a painting should be.” A Morris Lewis painting at the Jewish Museum is on view with a new name—and a new orientation.

Joyce J. Scott’s sculptures, quilts, and necklaces are on view in her most comprehensive exhibition to date at New Jersey’s Grounds for Sculpture; one of the exhibition’s curators is Lowery Stokes Sims, who contributed an essay to the Figuring History catalogue.

“’My work is politically and socially oriented because that’s what keeps me up at night,’ Scott added. ‘It’s important to me to use art in a manner that incites people to look and carry something home — even if it’s subliminal — that might make a change in them.’”

And Finally

What happens when an artist and her emotional support peacock simply try to get from here to there.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Robert Wade
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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

“Lust and death”? Sign us up! The Stranger’s Charles Mudede features the upcoming Ingmar Bergman film series in the latest edition of the paper.

“Look at it this way: A film like The Commuter, which must not be missed, is your fat-rich steak, and a movie like Bergman’s Through the Glass Darkly or Silence or Persona is your broccoli. You just can’t eat steak all of the time. You will die from just eating steak. You need your veggies. You can almost live forever on a diet of just films of the great Swedish director Ingmar Bergman.”

Tiffany Y. Ates featured the “redefining art history” work of Mickalene Thomas in the January/February edition of Smithsonian Magazine. Thomas will be one of three artists featured in Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas.

Le déjeuner sur l’herbe: Les Trois Femmes Noires (The Three Black Women), part of a new group exhibition at the Seattle Art Museum, depicts the subjects in a mosaic of vibrant colors, fragmented shapes, rhinestones and glittered Afros. ‘These women are so grounded and perfectly comfortable in their own space,’ says Catharina Manchanda, a curator at the museum. ‘While we might be looking at them, they are also sizing us up.’”

Local News

City Arts released their annual Future List: the “artists and trailblazers who will illuminate the year to come.” On the list are some SAM friends: Sculptured Dance alum Randy Ford and Wyeth Film Sprint fan favorite director Claire Buss.

Gayle Clemans of the Seattle Times takes note of the recent growth of galleries in homes, garages, and Airbnbs, as artists and curators try to work around rising rents.

The Stranger’s Emily Pothast features Natasha Marin (of the Reparations.me project) and her latest collaboration at CORE Gallery, BLACK Imagination: The States of Matter.

“It’s home-baked bread with butter for a stomach tight with growling. BLACK Imagination is for black people first. It’s a celebration of ourselves.”

Inter/National News

Major news: The Metropolitan Museum of Art abandons its pay-what-you-wish policy for out-of-towners, requiring those visitors to pay a mandatory admission fee of $25.

Artsy has an appropriately visual feature highlighting 25 people who defined the visual culture of 2017, including Agnes Gund, Beyonce and Solange, and da Vinci (still got it!).

Victoria L. Valentine of Culture Type recalls “the year in black art,” including Sondra Perry winning SAM’s Knight Lawrence Prize among many other moments.

And Finally

Please enjoy Moonlight director Barry Jenkins’ recent epic Tweetstorm as he watched his seatmate on an airplane watch Notting Hill.

– Rachel Eggers, SAM Manager of Public Relations

Image: Courtesy of Photofest.
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Installation view of Sondra Perry: Eclogue for [in]HABITABILITY at Seattle Art Museum, 2017

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

City Arts’ Margo Vansynghel interviewed Sondra Perry, winner of the 2017 Gwendolyn Knight and Jacob Lawrence Prize, about her newly opened installation at SAM.

“When I meet her in the darkened gallery, she speaks softly and fast, her ideas and sentences tumbling over each other like waves without arrest. One can find a similar sense of intellectual excitement and multiplicity in Perry’s work.”

The winter edition of the Stranger’s Art & Performance Quarterly is out! Zoom in on Winter 1946, a painting from Andrew Wyeth: In Retrospect, in their recurring “Anatomy of a Painting” feature.

Zagat features their picks for best restaurants and bars near SAM—hey, thanks for the tips!

Local News

City Arts on the impending closure of INCA in Queen Anne; this avant-garde gallery hosted Sondra Perry’s first solo show back in 2015.

Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture, lent her thoughts to this KUOW story by Marcie Sillman on the artistic and civic legacy of the Tsutakawa family.

City Arts names the local artists of the year in a colorful two-page spread, with illustrations by Kelly Björk.

Inter/National News

Hyperallergic reviews Mentors, Muses, and Celebrities, Mickalene Thomas’ show that’s now on view at the Contemporary Art Museum Saint Louis.

“[It] is not only about looking at black women, it is about them observing the world around them and finding their place in it, and even amidst the trials and tribulations waged against them, finding ways to rejoice.”

Kerry James Marshall has designed a monumental public sculpture for Des Moines honoring the National Bar Association, the nation’s oldest network of African-American attorneys and judges.

Rumaan Alam for the New Yorker with a charming piece about bringing his children to art museums—and how they’ve changed how he sees and experiences art himself.

And Finally

Kendrick Lamar’s video “ELEMENT.” was inspired by the photography of Gordon Parks; now, the Gordon Parks Foundation presents an exhibition of the video and the works that inspired them.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Sondra Perry: Eclogue for [in]HABITABILITY at Seattle Art Museum, 2017, photo: Natali Wiseman.
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