TASTE at SAM just opened up an outdoor café. If you haven’t seen it already, it is located right at TASTE’s windows between University and Union along First Ave. Today, some members of the PR Department took a trip out to try the new venue.
For this week’s SAMart, I would like to share with you the reflections of two summer interns I have been lucky enough to work with for the past several weeks. Katie Tieu and Jasmine Graviett have been friendly, thoughtful, conscientious, and eager colleagues this summer, and will be missed when they go back to their “real” lives—as a sophomore and a senior in high school, respectively.
-Sarah Berman, Collections Coordinator and Research Associate
My experience at the Seattle Art Museum
Jasmine Graviett
You don’t find many 17-year-old girls working/interning at an art museum, but I am one of them.
Hi, my name is Jasmine Graviett and I am a YWCA GirlsFirst intern, which is an all girls program that helps young ladies get through their high school years and this program is how I got my awesome internship at SAM. Working at SAM has helped me see art in a different way and understand more about the art work. At first I wasn’t really all that into art, I only liked art that made sense to me or that I could relate to. Things that looked like a whole bunch of paint splashed on a board or something that looked like a 2-year-old drew it never really appealed to me because I thought that I could make something like that. I mean, what could be so special about that? This summer I found out there’s a story behind every single painting and that it isn’t always as it seems.
For this week’s SAMart, I would like to share with you the reflections of two summer interns I have been lucky enough to work with for the past several weeks. Katie Tieu and Jasmine Graviett have been friendly, thoughtful, conscientious, and eager colleagues this summer, and will be missed when they go back to their “real” lives—as a sophomore and a senior in high school, respectively.
-Sarah Berman, Collections Coordinator and Research Associate
My Experience Here At SAM
By: Katie Tieu
My name is Katie, and I am a YWCA GirlsFirst intern. GirlsFirst is an all girls program that teaches us life lessons, how to stay on track in high school, and how to succeed in life. GirlsFirst also helps us get internships by teaching us skills that we need to use to get a job. They taught us many things, like how to type a resume, cover letter, and how to talk properly in an interview. They had a list of jobs for girls to apply for, and I was hired by the Seattle Art Museum to be a Human Resources intern. I am working here for 8 weeks during my summer break, but it’ll be ending soon.
Being here at SAM is very fun and such a great experience. While I was here, I saw and learned how the museum actually operates. I also got to see the exhibitions and the permanent collection here, and what can I say? IT WAS AMAZING. Just by looking at each detail an artist includes is very mind blowing. Like this painting. It was created by Jackson Pollock and is called Sea Change, painted in 1947. Does it look like any ordinary painting that anyone can do? That’s what I thought. But, look closely, every detail you see on the canvas was planned and thought about before it was there.
SAM’s hallways recently echoed with joyous shrieks and laughter. Although perhaps a common occurrence, the aura of joy and excitement was not from a new art piece or an exhibition opening or even a Soundsuit…
It was a marriage proposal! A young man named Storm Bennett proposed to his long-term girlfriend Stephanie in the hall of the Seattle Art Museum in a most creative way… Read More
This week’s Beauty Shot Friday highlights our current exhibition Reclaimed, which focuses on contemporary artists and how they find inspiration in nature and question our relationship to it. This week’s question was: How have you personalized and/or reclaimed your outdoor space?
In hopes of procuring more sun from the sky this week, we asked people to send us photos of their summertime fun in the sun. Photos did not have to be of Seattle or from this summer but could be of anything sun- and summer-related. I’ve selected a few of our brightest submissions from last week and written some of my thoughts on them… Read More
Last week, Beauty Shot Fridays partnered with MiiR, a Seattle-based water bottle design company, to form a competition. We asked people “what does water mean to you,” and we selected three winning photos. Winners received a self-designed MiiR water bottle. Here are the winning photos. Read More
Last week’s Beauty Shot Fridays question was: Capture a favorite memory from your experiences in the outdoors. Many of the photos pertained to family, friends, and exploration. I’ve selected a few images that I found particularly striking.
Last week’s Beauty Shot Friday’s question was, “Where do you find beauty and bounty in your day?” We received an awesome range of photographic answers and I’ve selected a few personal favorites here.
Shelly Uhlir, a full-time exhibition mountmaker since 1989 and senior mountmaker at the Smithsonian Institution’s National Museum of the American Indian since 2001, spoke to SAM staff today about the technical aspects of mountmaking.
From the PR Office at SAM comes a new and fun project called “Beauty Shot Fridays.” In order to promote Beauty & Bounty and Reclaimed, we are asking our Facebook Fans to send us photos in response to a weekly question that is based on themes in the exhibitions.
We will update our question on the SAM Facebook page every Monday by 3pm and submissions will be uploaded to the page every Friday by 4pm. If you’d like to send a photo submission (captions are welcome too!), please email beautyshots@seattleartmuseum.org
Our question this is week is: where do you find beauty and bounty in your day?
Within the Fuller room, visiting monks from the Gaden Shartse monastery were creating a mandala and will do so over the next few days. Mandalas are a Buddhist form of sacred art that carry spiritual significance. They are made by layering colored sands in an intricate design which usually relates to the dwelling of a diety. The monks vigorously run one chakpur (a bronze funnel that holds colored sand) over the ridges of another chakpur in order to direct the sand into the design.
Monk prepping chakpur for mandala making.
Once the design is complete, the monks will sweep the sand into a container which will be placed in moving water such as a river or ocean. So four days of concentrated, intricate work gone in about thirty minutes. Quite a reminder of beauty and its impermanence.
Continuing through the museum, I repeatedly viewed objects made of nephrite. Upon later research, I learned that nephrite is one of two kinds of jade and usually comes in shades of green, grey, and brown with varying degrees of translucence. My favorite object was a dragon and tiger plaque, made of nephrite in the Ming period (1368-1644). It’s a decorative object, and it made me think about how there was a time that anything functional was expected to be beautiful, that functionality and beauty are not mutually exclusive.
Dragon and tiger nephrite plaque.
The displays of ceramics, sculptures, and scrolls were lovely and accessible. The labels gave clarity to the objects they described but still left me with room to interpret and understand the works on my own. I most appreciated this when admiring a woman’s robe from China, ca. 1875-1908. The label mentioned that garments in this era were seen as descriptors of one’s true nature as well as indicative of socioeconomic status. I found this idea inspiring and refreshing as much of what I’ve studied with fashion discusses garments as an act of display of wealth or a purposeful effort to control how others’ interpret us, not necessarily as an indication of our nature.
Woman’s robe.
I definitely enjoyed my time at the Seattle Asian Art Museum. It’s a manageable museum with space that facilitates easy movement from exhibition to exhibition and that contains a diverse range of work characterized by unique perspectives. I enjoyed something in each exhibition: plaques, robes, kimonos, prints, ceramics, and contemporary prints juxtaposed with sculptures and paintings. I plan on going back there and taking some people I know that will likely enjoy it as well.
Seattle Asian Art Museum
I started volunteering with the McCaw Foundation Library at the Seattle Asian Art Museum in October of 2007. Since then I’ve applied to, attended, and graduated from, the University of Washington’s Masters in Library and Information Science (MLIS) program. These two experiences have been intertwined from the start.
