All posts in “Xiaojin Wu”

Talent among Beauty at SAM

Downtown, we have two galleries dedicated to Chinese and Japanese art. So, while the Seattle Asian Art Museum is temporarily closed, get your fill of Asian art with the latest installation, Talents and Beauties: Art of Women in Japan, on view through July 15, 2018. “We know women as subjects; we see that all the time in artwork,” says Xiaojin Wu, SAM’s Curator of Japanese and Korean Art. “But to look at women as artists in addition to as a subject of art—that’s what you’ll see evidenced here from the 11th to the 21st century.”

The heart of the installation features artworks inspired by The Tale of Genji. Written by Murasaki Shikibu in the 11th century and debated as the first novel ever written, the illustrations of this literary masterpiece may not be by women, but as Wu states, “How many women writers do we know from 1,000 years ago? How many artworks have been made from every scene in The Tale of Genji, including the contemporary manga? It’s just countless. In a way we are attributing all of these wonderful works back to the original writer, the woman who wrote the tale.” The two pages below excerpt the scene depicted in the right-hand panels of the screen above.

This excerpt and the page below refer to the right-hand panels of the image above.

Murasaki Shikibu wrote The Tale of Genji to entertain the members of her court. Because of this, it was written in an archaic court language that was little used and quickly lost to Japanese speakers. This accounts for one of the reasons why there are so many illustrations of the tale—as a classic piece of literature, the tale continued to be told in images and annotations across the centuries until in the 20th century when it was first fully translated into modern Japanese.

 

The Tale of Genji follows the life of  Hikaru Genji, the son of an ancient Japanese emperor, and his many romantic endeavors. Featuring over 400 characters that age throughout the book and whose family lineages are often intertwined, Genji is considered a feat of characterization consistency for having been written in installments of chapters over a long period time. Although the book does not have what we might consider a plot nowadays (events simply take place and the characters age), it is one of the first pieces of literature to feature a protagonist, supporting characters, strong characterization, and a sequence of events following the lifetime of the main character.

Xiaojin Wu is planning “. . . a sequence of installations that look at various patronage and audience groups. Following Talents and Beauties we’ll focus on aristocrats, and then samurai.” Make the time to visit this gallery for new perspectives on Asian art and culture.

– Chelsea Werner-Jatzke, Content Strategist and Social Media Manager

Images: Installation view Talents and Beauties: Art of Women in Japan, 2017, Seattle Art Museum, photo: Natali Wiseman.
Murasaki Shikibu, The Tale of Genji,  trans. Royal Tyler (New York: Viking Press, 2001)
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Caring for our Collections

Mr. Kawazu surveying - Conservator Tomokatsu Kawazu studies Japanese paintings at SAM for the Mellon conservation survey

Conservator Tomokatsu Kawazu studies Japanese paintings at SAM for the Mellon conservation survey

 

In 2013, the Seattle Art Museum received a generous three-year grant from the Andrew W. Mellon Foundation in support of programs and initiatives in Asian Art. We dedicated the grant to two important areas for any museum: conservation and curatorial work. Through the grant, we will foster even better understanding of SAM’s rich Asian art collection and we will also forge new relationships with Asian museums, curators, artists and scholars. With these aims in mind, SAM staff visited a select number of partners in Asia last year and we welcomed two fascinating visitors in October 2014 in connection with this project.

Conservator Tomokatsu Kawazu examines a painting on the light table for the Mellon Survey

Conservator Tomokatsu Kawazu examines a painting on the light table for the Mellon Survey

A major goal of the Mellon grant is to conduct a comprehensive conservation survey of SAM’s great collection of Japanese painted scrolls and screens. The funding enables us to bring Japanese paintings conservator Tomokatsu Kawazu to SAM two times per year for the next three years to document the Japanese paintings collection, with specific focus on the materials and preservation state of each painting. In early October, Mr. Kawazu was at SAM for the first residency, during which he conducted a marathon evaluation of seventy-one Japanese paintings in two short weeks. Working closely with Chief Conservator Nicholas Dorman, Collections Care Manager Marta Pinto-Llorca and Project Coordinator Rachel Harris, Mr. Kawazu examined each painting, documenting its condition with detailed notes and close-up images. In spring 2015, Mr. Kawazu will return to evaluate a second group of Japanese paintings. Two important spin-offs of the survey are that the grant enabled us to set up a work station, equipped with the highly specialized tools and materials of the Asian paintings conservator. We are also able to take new photographs of all the surveyed objects, with SAM conservation staff shooting macro shots, inscriptions and other details and photographer Spike Mafford taking high-resolution shots of a selection of paintings.

Spike Mafford and his assistant photographing paintings for the Mellon survey

Spike Mafford and his assistant photographing paintings for the Mellon survey

Ukiyoe, Figure of a woman, Eugene Fuller Memorial Collection, 33.1689. The Mellon conservation survey provides unprecedented documentation and new photography of works like this that hail from the earliest days of the collection

Ukiyoe, Figure of a woman, Eugene Fuller Memorial Collection, 33.1689. The Mellon conservation survey provides unprecedented documentation and new photography of works like this that hail from the earliest days of the collection

The curatorial track of the Mellon grant is also moving ahead. While Mr. Kawazu was examining Japanese paintings, Eunju Choi, Chief Curator of the Museum of Modern and Contemporary Art, Korea (MMCA) was also in residence at SAM. The Mellon grant provided funds to bring Ms. Choi to Seattle so that she could begin planning an exhibition with Xiaojin Wu, SAM’s Curator of Japanese and Korean art. Tentatively planned for late 2015, this exhibition will offer Seattleites a look at contemporary Korean art never before seen in our city.

While in residence at SAM, Ms. Choi gave a sold-out lecture titled: Korea Now: Contemporary Art from the MMCA, Korea. Her talk highlighted MMCA exhibits and offered insight into the work of important contemporary Korean artists. If you weren’t able to attend Ms. Choi’s lecture, check out this article for an overview of her talk: http://www.nwasianweekly.com/2014/10/vibrant-korean-contemporary-art-set-arrive-seattle/.

In very different ways, the conservation survey and the new curatorial collaborations give a terrific boost to our collection legacy and our Asian programs, we look forward to sharing its progress with you over the next two years.

 

Rachel Harris

Project Coordinator for Asian Art Collaborations

 

Nicholas Dorman

Chief Conservator

 

Xiaojin Wu

Curator of Japanese and Korean Art

 

Conservator Tomokatsu Kawazu and project coordinator Rachel Harris work on the Mellon survey to document the condition of Japanese paintings

Conservator Tomokatsu Kawazu and project coordinator Rachel Harris work on the Mellon survey to document the condition of Japanese paintings

 

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