All posts in “pre-raphaelites”

Art Zodiac: Victorian Radicals

Were the Pre-Raphaelites into astrology? 

There’s a hint in Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement that some were. That hint is in Edward Burne-Jones stained-glass piece, St. Mark, which depicts the saint evangelizing what would become his gospel with a winged lion above him, a representation of his strong character. What is interesting is that the lion is resting his paw on a stylistic blue wave which contains the astrological glyph of Leo slyly repeated in it. Coincidence? I think not.   

It seems that Edward Burne-Jones gave a shout-out to the astrology world.  During the Victorian era advancements were made in astronomy and Alan Leo, a British astrologer who is often referred to as the father of modern astrology, was born in 1860. Seances, salons, and the occult were all the rage during this time and the first Ouija Board was commercially produced in 1890. Astrology could have been a serious topic of discussion in their group. 

via GIPHY

Needless to say, Victorian Radicals contains a fair amount of beautifully-painted depictions of myths that astrologers use to explain and interpret planets and asteroids in charts: Medea, Iris, Pandora, Venus, Cupid, and Psyche are some of the few. Any astrologer can pick out paintings in this exhibition and tie them easily to the planets’ mythology because they are so symbolic and integral to our work. 

I would be remiss not to mention that I picked St. Mark because we are in the middle Leo season right now, and Leos are synonymous with lions, although not flying lions, but you could make a case that a Leo Sun/Neptune conjunction could produce one (Mic drop! Where my astrologers at?). Each year between July 23 and August 22, the sun transits across the sky through the Leo constellation. Leos are one of the three fire signs in the zodiac, Aries and Sagittarius being the other two, which lends to traits of passion, spontaneity, and playfulness. Lions are also the proud, strong, loyal, and loving ones living among us. 

If you haven’t seen the exhibition, visit on September 5 when the rates are reduced to $9.99 and below for first Thursday. Also, there is a painting of Morgan Le Fay by Frederick Sandys which calls to mind the book Mists of Avalon by Marion Zimmer Bradly and calls on anyone who loves witchcraft to come see their pagan roots immortalized in it. This exhibition is a woo-woo lovers’ paradise packed with supernatural aspects. 

– Amy Domres, SAM’s Director of Admissions
Amy is also a Psychospiritual Evolutionary Astrologer and Healer at Emerald City Astrology

Image: Saint Mark, 1883 (designed 1874), Edward Burne-Jones, British, 1833–1898, stained, painted, and leaded glass, 58 × 25 1/4 × 1 in., Lent by Birmingham Museums Trust on behalf of Birmingham City Council, Bequeathed by J R Holliday, 1927M1016, © Birmingham Museums Trust, Courtesy American Federation of Arts Installation view of Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement at Seattle Art Museum, 2019, © Seattle Art Museum, photo: Mark Woods

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10 Facts About the Pre-Raphaelite Brotherhood

From the intricate silver objects and the dazzling jewelry to the vibrant paintings on display, there is so much to see and learn about in Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement. For instance, did you know the 15th-century painter Van Eyck’s was an inspiration to the Pre-Raphaelites? Here are some facts that you may not know about the rebellious artists behind the Pre-Raphaelite Brotherhood. Read up and then come see this stunning exhibition on view through September 8!

  • The Pre-Raphaelite Brotherhood began in 1848 and was founded by William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti.
  • The founders of the Pre-Raphaelite Brotherhood were all students at the Royal Academy but they rebelled against the ideas and methods of The Academy and would often skip classes to have secret meetings at their homes.
  • The name “Pre-Raphaelite Brotherhood” came from their belief that the “Golden Age of Art” came before Raphael and the Renaissance.
  • The Pre-Raphaelite Brotherhood eventually grew and received tremendous support from writer and critic John Ruskin.
  • When the Pre-Raphaelite Brotherhood formed, the members were all between the ages of 18–23 years old.
  • In 1850 the Pre-Raphaelites launched an illustrated journal called “The Germ” meant to “sow the seeds of a widespread reform of society through advanced art and design.” It included poetry, essays, and short stories as well as etchings. The journal discontinued after four issues.
  • Although the brotherhood by definition excluded women, influential female figures such as Elizabeth Siddall, Rosa Brett, and Anna Blunden made art within the wider circle of the Pre-Raphaelites.
  • John Millais’ muse, Effie Gray, was the wife of his mentor John Ruskin. While painting and modeling, Millais and Grey fell in love. Gray divorced Ruskin and married Millais a year later!
  • Pre-Raphaelite art sparked controversy because their realism was seen as ugly and jarring by some critics and writers. Charles Dickens wrote that Millais’ “Christ” painting was “a hideous, wry-necked, blubbering, red-haired boy in a nightgown.”
  • The Pre-Raphaelite Brotherhood lasted five years and was dissolved by 1853 as the young members grew in different directions. But the movement had a long-lasting impact and inspired the formation of the Arts & Crafts Movement.

– Ana Osorno, SAM Communications Intern

Images: Installation view of Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement at Seattle Art Museum, 2019, © Seattle Art Museum, photo: Mark Woods.

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Muse/News: Victorian extra-ness, tree art, and what happens when artists curate

SAM News

Crosscut’s Brangien Davis recommends that you “judge for yourself … and consider just what makes art radical” in her write-up of Victorian Radicals.

And GRAY Magazine’s Rachel Gallaher chats with curator Chiyo Ishikawa about the exhibition on “what’s so radical” about it.

“Rich in saturated color and minute detail, the works sit in bold contrast to the zeitgeisty minimalism and pastel palettes of the past few years. It’s a rather refreshing aesthetic twist, and a veritable feast for the eyes.”

Watch Evening Magazine’s thoughtful story on Hear & Now, featuring interviews with artist Trimpin, poet Pam Winter, and Path with Art director Holly Jacobson.

Comedy Gold from the American Cinema kicks off this week; with classics like The Thin Man and The Awful Truth it’s no wonder the series is included on Seattle Magazine’s list of “21 Best Things to Do in Seattle in July 2019” and is one of the Seattle Times’ “hottest Seattle events for July 2019.”

Congrats! SAM trustee Charles Wright has been named Middle Market Family Business Executive of the Year by the Puget Sound Business Journal. 

Local News

Crosscut’s Agueda Pacheco Flores (just named New Journalist of the Year by the Society of Professional Journalists [Western Washington]!) visits The Beacon, Columbia City’s new single-screen cinema.

The Stranger’s Rich Smith wrote about Seattle’s newest “pretty dreamy” dance company, Seattle Dance Collective; their first show, Program One, premieres at Vashon Center for the Arts this weekend.

An SOS, a lofty reminder, a memento mori: Crosscut’s Brangien Davis visits Ted Youngs’ new Smoke Season installation and looks at some other trees in art, including John Grade’s Middle Fork at SAM and the Neukom Vivarium at the Olympic Sculpture Park.

“They peer up at the tree, which stands parallel to the Space Needle — one conceived as a beacon of humanity’s bright future, the other an urgent message from the here and now.”

Inter/National News

You love to see it: As part of NPR Music’s exploration of the Seattle music scene, they look at “11 Visual Artists Creating The Look Of Seattle Music.” 

Who knew this was such a rich genre? Artnet’s Caroline Goldstein brings you the “Finest Artistic Depictions of Totally Wasted People Ever.”

The New York Times’ Roberta Smith on Artistic License at the Guggenheim, a show curated by six artists—one for each of the ramps of the museum’s rotunda.  

“Artists look at a collection more freely and greedily than most of us, from odd angles. They often ferret out neglected or eccentric treasures, highlighting what museums have but aren’t using; they can also reveal a collection’s weaknesses, its biases and blind spots.”

And Finally

A world of cages.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view “Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement” at Seattle Art Museum, 2019, photo: Natali Wiseman.

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Muse/News: A new leader for SAM, Lorna’s dark paintings, and Frida’s voice

SAM News

Last week, SAM announced that Amada Cruz has been chosen as the museum’s new Illsley Ball Nordstrom Director and CEO, succeeding Kimerly Rorschach who is retiring in September. Brendan Kiley of the Seattle Times had the exclusive. Brangien Davis of Crosscut and Jasmyne Keimig of the Stranger also both interviewed Amada.

And everyone else shared the news, including ARTNews, Artforum, Artnet, and Seattle Met. Even Representative Pramila Jayapal was eager to welcome Amada to Seattle!

Oh yeah: We also opened our major summer exhibition last week! Seattle Times photojournalist Alan Berner was there with a sneak peek of the beauty that is Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement.

And Seattle Magazine’s June issue features a round-up of “must-see” area museums—including, of course, SAM.

Local News

The future site of Capitol Hill’s AIDS Memorial Pathway will be activated this summer and beyond with temporary artworks and performances—including a series of dance performances curated by SAM’s Public Engagement Associate, David Rue!

Crosscut’s Brangien Davis on Discover + Disrupt at the Center for Architecture and Design; the show features work by art collective Electric Coffin that imagines “a more artful public cityscape.”

The Seattle Times’ Moira Macdonald on the controversy surrounding Penguin’s new edition of John Okada’s novel “No-No Boy.” UW professor Shawn Wong originally fought to have the book published and disputes the new edition.

“The publishing history of ‘No-No Boy’ is as important as the book itself,” he said, remembering how he would sell copies of the original CARP edition out of the trunk of his old Mustang in the 1970s. “To publish the book without acknowledging that publishing history is publishing a very incomplete story.”

Inter/National News

“Dark times, to me, mean dark paintings”: The New York Times’ Siddhartha Mitter speaks with Lorna Simpson about her new show, which sees the artist continuing to work in ever-new mediums, including painting.

Artnet’s Sarah Cascone on the Delaware Art Museum’s plans for a reinstallation of much of its permanent collection and how they’re engaging the community in their prototyping process—including Post-Its!

The Guardian’s Nadja Sayej on a “groundbreaking” exhibition of work by Native women at the Minneapolis Institute of Art. The show features a loan from SAM’s collection: Marie Watt’s Blanket Stories.

“90% of Native art is made by women. Native artists know this. It’s just non-Native people who haven’t recognized that.”

And Finally

Is this Frida Kahlo’s voice?

– Rachel Eggers, SAM Manager of Public Relations

Photo: Natali Wiseman
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SAM Connects Free Days to Victorian Radicals

The search for beauty in our modern age will lead you to the free Community Opening Celebration for Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement on June 13. From 5–9 pm see the exhibition for free, take part in art-making activities, and catch performances throughout the museum. Can’t make it to the opening? We have many other ways for you to visit SAM for free or at a discount during Victorian Radicals!

  • Free community passes may be available for community organizations or colleges and universities.
  • Many of our programs include free admission to our special exhibitions on the day of the event. Keep an eye on exhibition-related events.
  • First Thursdays
    Adult: $9.99
    Seniors 65+, Military (w/ID): $7.99
    Students (w/ID): $4.99
    Ages 19 & younger: Free
  • First Friday: Admission to the special exhibition is $7.99 for anyone 65 years and older.
  • As a part of Museums for All, SAM offers free admission to low-income families and individuals receiving SNAP benefits when you show your EBT card.
  • King County and Seattle Public Libraries offer free passes to special exhibitions.
  • City of Seattle’s Gold and FLASH card program. If you have a Gold or FLASH card, your caretaker gets free admission.
  • Teen Tix
  • Bank of America’s Museums on Us: On the first full weekend of every month, Bank of America cardholders receive free admission at SAM.
  • Blue Star Museums: free admission to military personnel and their families. Just show your military ID. The military ID holder plus up to five immediate family members (spouse or child of ID holder) are allowed in for free per visit (special exhibition surcharge may apply).
  • UW Art Students get free admission with sticker on their student ID

Basically, you have no reason not to visit! And remember, entry to SAM’s permanent collections is always suggested admission! You can come experience our global collection year-round and pay what you want.

Images: Sir Walter Scott’s Monument Clock, ca. 1850, William Frederick Evans, British, active 1830–75, gilded and silvered brass, blued steel, enamel, and marble, 24 5/8 × 16 3/8 × 12 5/8 in., Lent by Birmingham Museums Trust on behalf of Birmingham City Council, Presented by Miss P. Evans, 1959S1057.1, © Birmingham Museums Trust, Courtesy American Federation of Arts. Day dress, ca. 1865, British, green and black striped silk with black ribbon, braid and cord trim (machine- and hand-stitched), 52 3/8 × 68 7/8 in., Lent by Birmingham Museums Trust on behalf of Birmingham City Council, Presented by Mrs. Bridget Doreen Bruce, 1963M32, © Birmingham Museums Trust, Courtesy American Federation of Arts
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Muse/News: Unplugged Studios, a home for Black art, and Subway Dogs

SAM News

SAM’s upcoming major exhibition, Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement, makes Seattle Met’s list of “10 Seattle Events to Catch This June.”

Colossal features the human + animals ceramic vessels of Claire Partington, whose work also has set up shop in SAM’s beloved Porcelain Room.

Watch this Art21 short video featuring Zanele Muholi and their “unplugged” studio practice of self-portraits and portraiture; Muholi’s work comes to SAM on July 10.

Local News

Stefan Milne of Seattle Met on poet Jane Wong, whose James W. Ray Distinguished Artist-exhibition at the Frye—exploring food, silence, and ghosts–opens tomorrow.

The Stranger’s Jasmyne Keimig goes up, up, up, to the 73rd floor of the Columbia Center to see The Factory’s latest show, work by 17 queer artists including Anthony White, Clyde Petersen, Markel Uriu, and more.

Lisa Edge of Real Change visits the Central District’s new Black arts space, Wa Na Wari, created by Jill Freidberg, Elisheba Johnson, Rachel Kessler, and Inye Wokoma. Also: the collective is curating the Summer at SAM kickoff.

“They always say ‘this is so great’ or ‘this is so wonderful,’” Johnson shared. “The first couple times it happened I said ‘you haven’t seen anything yet.’ They say ‘no, this is here.’ It’s just something about being able to walk into a space and know that it’s a cultural center for Black people that feels embodied as soon as you go through the entryway.”

Inter/National News

A Seattle man examined photographs he’d purchased 50 years ago at a Philadelphia secondhand store—only to discover they were by Weegee, the legendary crime photographer. Here’s other weird places art has been found.

Artnet’s Taylor Defoe continues to follow up on the recent incident at the Boston Museum of Fine Arts, in which a group of students of color were harassed by staff and other visitors.

The New York Times’ Holland Cotter looks at several shows in the city held this Pride Month in honor of the half-century Stonewall anniversary.

“For many reasons, protest is a logical direction for art right now. There is still no federal law prohibiting discrimination against L.G.B.T.Q.+ people on the basis of sexual orientation or gender identity (although some states and cities have enacted laws prohibiting it). Trans women continue to be victims of violence. The rate of new H.I.V./AIDS transmission among gay black men remains high. And the impulse within the gay mainstream to accommodate and assimilate is by now deeply ingrained. The time has come to hear Sylvia Rivera calling us out again.”

And Finally

As a person who has taken IKEA desks and Christmas trees on Seattle buses, I am here for this.

– Rachel Eggers, SAM Manager of Public Relations

Image: Saint George Slaying the Dragon, 1872; designed ca. 1862, Dante Gabriel Rossetti, British, 1828–1882, stained, painted, and leaded glass, 37 3/8 × 28 7/8 in., Lent by Birmingham Museums Trust on behalf of Birmingham City Council, Purchased, 1972M79, © Birmingham Museums Trust, Courtesy American Federation of Arts
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