Muse/News: Muholi recommended, radical love, and a new look at Basquiat
Aesthetica makes five recommendations from around the world to see, including Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness at SAM.
Seattle Magazine is out with their list of the “21 Best Things To Do in Seattle in August 2019.” Remix at the Olympic Sculpture Park makes the cut.
The Seattle jazz scene has two sad losses to report: the closure of legendary club Tula’s at the end of September, and the retirement of Clarence Acox, Garfield High School’s jazz band director.
In addition to their booth-to-booth coverage of this past weekend’s Seattle Art Fair, Crosscut has pieces by Emily Pothast and Margo Vansynghel examining the various outcomes of the Fair on the local art scene.
The Big Art Weekend wouldn’t be complete without the incredible satellite events; here’s Gayle Clemans for the Seattle Times on the free festival:festival, which also took place over the weekend (SAM’s David Rue is one of the curators!).
“The festival will highlight ‘artist-driven portraits of identity,’ which will take many forms including visual art and performance, according to co-curator and dance artist David Rue. ‘We’re using this approach so that artists can provide a counterpoint to the dominant narrative told about people that look like them while celebrating the power of culturally responsive rigor.’”
Baltimore is great city full of great people. And now this! Artnet reports that the Baltimore Museum of Art will dedicate “a year’s worth of exhibitions dedicated to female-identifying artists throughout 2020.”
“What Does Radical Love Look Like?” Hyperallergic’s Seph Rodney explores that question at the Ford Foundation Gallery’s latest show, featuring work by Athi-Patra Ruga, Lina Puerta, and Ebony G. Patterson.
The New York Times has a fascinating look Basquiat’s ‘Defacement’: The Untold Story at the Guggenheim; curated by Chaédria LaBouvier, the show centers on a painting that depicts the tragic death of a young Black artist.
‘”This is someone becoming — finding themselves, finding their voice, finding their practice,’ Ms. LaBouvier said. ‘I didn’t want to make him into a myth, or make him into a sort of trauma-porn story either. And I thought the best way to do that was to take a step back and let him speak for himself.’”
– Rachel Eggers, SAM Manager of Public Relations
Image: Installation view Zanele Muholi: Somnyama Ngonyama, Hail the Dark Lioness, Seattle Art Museum, 2019, photo: Natali Wiseman.