All posts in “Olympic Sculpture park”

Muse/News: Sculptures in fall, erasure poems, and the wonderful Kerry James Marshall

SAM News

Curbed Seattle highlights the Olympic Sculpture Park as one of “26 best places to visit in Seattle this fall,” calling a visit to the sculpture park “the easiest way to feel artsy in Seattle without needing to spend half a day inside a museum.”

Peacock in the Desert: The Royal Arts of Jodhpur, India is featured in the Stranger’s “Complete Guide to October 2018 Events in Seattle.” Diwali Ball, SAM’s annual fundraiser, and Night Heat, the 41st edition of our film noir series, also get mentions.

Did you know that SAM’s design team makes awesome videos? Don’t miss this fantastic My Favorite Things video featuring sailor Marc Onetto talking about the accuracy of Louis-Philippe Crépin’s Shipwreck off the Coast of Alaska, now on view at SAM.

Local News

Mayumi Tsutakawa for the Seattle Globalist on a documentary film about two women who—75 years apart—chronicled the cultures of Melanesia; one of the two held an exhibition on her work at SAM in 1935.

Here’s Emily Pothast for The Stranger on 10 not-to-be-missed gallery shows in Pioneer Square on view in October.

Crosscut’s Brangien Davis has a lovely review of Ballast, the Frye Art Museum’s new exhibition; Quenton Baker’s erasure and invented form poems were inspired by a massive historical research project into a little-known successful 1841 slave revolt.

“On the museum walls, their voices emerge like ghosts from the inky morass: ‘I am a crisis arrived.’ ‘A cargo of alarm.’ ‘Answer me.’”

Inter/National News

Way to go, genius: Three artists, including painter—and SAM Knight Lawrence Prize winner!—Titus Kaphar, were named “genius” grant winners from the John D. & Catherine T. MacArthur Foundation.

Think pink! Hyperallergic’s Dany Chan reviews a new exhibition at the Fashion Institute of Technology exploring the many meanings—from pretty to punk—of the color pink.

I get Google alerts for Kerry James Marshall, and here’s why: this week Hyperallergic shared a wonderful essay he wrote about Bill Traylor, and ARTNews reported his wonderful reaction to Chicago’s sale of one of his murals.

“Considering that only last year Mayor [Rahm] Emanuel and Commissioner [of the Department of Cultural Affairs Mark] Kelly dedicated another mural I designed downtown for which I was asked to accept one dollar, you could say the City of Big Shoulders has wrung every bit of value they could from the fruits of my labor.”

And Finally

Say goodbye to the last good thing on Twitter?

– Rachel Eggers, SAM Manager of Public Relations

Image: Olympic Sculpture Park, 2015, photo: Nina Dubinsky.
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Muse/News: Peacock struts, Black joy bottled, and art with an exclamation point

SAM News

Bring on fall arts! Previews of the upcoming season are now on newsstands. Peacock in the Desert: The Royal Arts of Jodhpur, India, is one of Seattle Met’s “35 Events to Catch This Fall” and is on Seattle Magazine’s list of “Everything you need to know about art in Seattle this fall.” Get ready to enter a kingdom of art: Tickets for the exhibition go on sale this Wednesday.

Last week, SAM sent summer off in a blaze of glory at the Olympic Sculpture Park, with the closing celebration of Summer at SAM on Thursday and the 10th anniversary edition of Remix on Friday. Check out Seattle Refined’s photo slideshow of Summer at SAM and Seattle Met’s look at our thrice-yearly arts bash, including an interview with SAM Manager of Public Programs Philip Nadasdy.

Local News

Crosscut’s Manola Secaira on the inaugural art show inside the new Mexican Consulate in the building that formerly housed the Harvard Exit Theatre; the show features ceramics by Adrián Gómez.

The Seattle Times gets us ready for “the hottest Seattle events for September,” including the Hugo House opening, PNB’s Jerome Robbins fest, and some Group Therapy at the Frye.

Another lovely video story from Crosscut’s Aileen Imperial: Hear from conceptual artist Natasha Marin about Ritual Objects, the third in her series of Black Imagination exhibitions about cultivating—even bottling—Black joy.

“And when that joy takes place, it is a resistance. It is a resistance against the narrative that usually defines us.”

Inter/National News

“Is This the Most Powerful Sculpture at the Met?” The New York Times’ Holland Cotter contributes to their ongoing “Why I Love” series with this reflection on a statue that both welcomes and warns.

Jasmine Weber of Hyperallergic reports that after 122 days of union bargaining, the staff of the Museum of Modern Art (MoMA) has secured a five-year contract that secures raises and benefits.

Artnet’s Eileen Kinsella on the Metropolitan Museum of Art’s new exhibition, Armenia!, and what an exclamation point in an exhibition title DOES, exactly.

“Is it a guttural battle cry? A shriek of surprise? A call across a crowded subway platform to an old friend glimpsed boarding a train? A eureka-like shout of stunned recognition that Armenia is the country whose art you long to appreciate the most of all?”

And Finally

Ariana’s Last Supper.

– Rachel Eggers, SAM Manager of Public Relations

Image: Maharaja Abhai Singh on Horseback, c. 1725, Dalchand, Jodhpur, opaque watercolor and gold on paper, Mehrangarh Museum Trust, photo: Neil Greentree.
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Muse/News: Still plenty of summer, feeling an opera, and the next generation of curators

SAM News

Our family-friendly Summer at SAM programming at the Olympic Sculpture Park is recommended by ParentMap’s JiaYing Grygiel in this segment on KING’s New Day Northwest.

“But the skull must move on!” Crosscut’s Brangien Davis with a shout-out (ha) for the Basquiat before it leaves SAM. Today’s the last day to see the extraordinary painting.

Some news on the Seattle Asian Art Museum renovation and expansion project: The building “topping out” is complete. Capitol Hill Seattle shares the news.

Local News

Eileen Kinsella of Artnet with a report on the fourth edition of the Seattle Art Fair; interest and sales led one gallerist to note that “patience will pay off—and it has already.”

Stefan Milne of Seattle Met reviews both shows now on view at the Henry, finding explorations of the female gaze in the work of Mickalene Thomas and Martha Friedman.

Gemma Wilson of City Arts speaks with ChrisTiana ObeySumner—Seattle Opera’s social impact consultant—about Porgy and Bess, the six sides to every story, and how not to be scurred.

“I wish for the days when you go to an opera or musical or a symphony or fine arts gallery and go looking for the message. It’s not about watching the movement or seeing the color or hearing the music. But feeling the music, having a connection with the movement.”

Inter/National News

For Vanity Fair, curator Kimberly Drew visited Tina Knowles Lawson’s Hollywood home, which houses her incredible art collection including works by Elizabeth Catlett, Genevieve Gaignard, and Romare Bearden.

Artnet’s Taylor Defoe on the Australian TV show called Everyone’s a Critic; it “invites everyday people to act as art critics,” generating responses ranging from dismissive to funny to profound.

Robin Pogrebin of the New York Times with a feature on how museums are “addressing diversity with new urgency,” highlighting institutions that are cultivating curators of color.

“’When you have people in an institution who have a range of perspectives, you have a much richer program,’ said Eugenie Tsai, citing ‘openness to consider exhibition proposals, to consider programming, to consider hires, to consider things another group might want to dismiss as not what’s important.’”

And Finally

Four excellent words: Will Smith, art critic.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Robert Wade
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Donor Spotlight: The Rivera Family Support Seattle Asian Art Museum

It feels like we came to Seattle at a very exciting time. The Seattle Asian Art Museum is re-imagining an historic building, adding a world class conservation studio, and—very dear to our hearts—creating a beautiful space for education and meaningful hands-on experiences.

Education is very important in our family. Tim was a teacher in the Peace Corps and I have been working and teaching in the arts my entire life. The new education center will make this collection, and the museum in general, more accessible to all. Our family has lived in many different places and Seattle, even more that other cities, seems to be intrinsically connected to the arts. SAM has helped us meet other people that share our passion. But at a recent event we were asked, “Where are all of the other 40 year olds?” We’re not sure but we’d like to invite them all to come and join us. The Builder’s Club is the perfect way to make a mark on Seattle. Literally. Our names will be on the building and we look forward to bringing our family and friends for years to come.

Like so many families, the holidays are a special time for us. Our favorite family event is SAM Lights at the Olympic Sculpture Park. It’s a lot of fun for our three year old twins, our teenage boys, and even the grandparents. The crisp air and beautiful lights make the sculpture park a special experience for the holidays.

–Laura Marie and Tim Rivera

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New Cedar for Bunyon’s Chess

A brilliant conservator[1] once noted that “art conservation is a fight against entropy.” This is especially visible for works sited outside which require conservators, artists, and stakeholders to carefully consider what is essential for an outdoor sculpture to continue to exist for future generations. When the carved cedar elements of Mark di Suvero’s sculpture Bunyon’s Chess were no longer structurally stable, di Suvero and his studio worked closely with the Seattle Art Museum to explore the artwork and discover solutions.

Bunyon’s Chess was created by Mark di Suvero in 1965 for Virginia and Bagley Wright’s residence in Seattle. The family’s documentation of the creative process provides wonderful insight into the artwork.

In 2006 the Wrights promised the work to the Seattle Art Museum and it was moved to the Olympic Sculpture Park. The cedar elements had begun to show degradation in their original site but this accelerated at the park partially due to the exposed location and partially due to the natural deterioration of cedar. As cedar ages in an outdoor setting a number of events occur: the natural biocide slowly migrates out with water, the wood absorbs water at an increasing rate as it deteriorates, fungal deterioration is common, as well as insect and wildlife damage. The logs of Bunyon’s Chess were treated annually with a fungicide to slow the fungal deterioration but without major visual interventions such as end caps or moving the sculpture to an interior location, deterioration continued at a fairly rapid pace.

In 2009 an in-depth condition assessment was performed which determined that the deterioration, particularly on the interior had progressed to a state where the logs were in danger of falling. In 2010, the logs were consolidated, the large losses filled and the exterior coated to prolong the life. During this period research and conversations with di Suvero regarding the replacement were begun as this treatment could not prolong the life of the cedar indefinitely. Di Suvero determined that new logs could be carved to replace the original cedar, as it is the visual integrity of the work that is important.

After much research, new cedar of the similar dimensions and tight ring growth was sourced for carving. Seattle artist Brian Beck peeled the logs in preparation for carving.

Kent Johnson and Daniel Roberts from di Suvero’s studio traveled to Seattle and carved the new logs using the original cedar elements as a guide.

Beck worked with Johnson and Roberts to create the same join between the two logs. Much of the original hardware such as the 36” bronze bolts and galvanized steel eyehooks were presevered and reused on the newly carved elements.

If you look carefully, at the top of the sculpture you will note a slight bend in the top tube. Di Suvero wanted this natural bend to remain but believed this opportunity should be used to reinforce the structure.

Fabrication Specialties Ltd. worked with the di Suvero studio to create an interior support which was welded in place.

The logs were strung with new stainless steel cabling and were carefully measured and marked to the lengths of the original cables to assist with the rigging. Larry Tate, Andrew Malcolm, Tracy Taft, Ignacio Lopez, and Travis Leonard of Fabrication Specialties placed the new logs within the original steel frame working closely with images and a model of the original. The di Suvero studio generously participated in video calls throughout the day.


Special thank you to: Mark di Suvero and Studio, Virginia Wright, Fabrication Specialties Ltd, Equinox Studios, Alta Forest Products, Brian Beck, Christian French, and Catharina Manchanda for helping preserve this public artwork free for everyone to enjoy at the Olympic Sculpture Park year round.

– Liz Brown, SAM Objects Conservator

Photos courtesy of Virginia Wright and Liz Brown.
[1] Lauren Chang
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Brooks Ragen

A Civic Leader: Brooks Geer Ragen

When Brooks Ragen moved to Seattle in 1961, our cultural community was in its formative years. The anchor organizations we know today only grew through the commitment of dedicated leaders and civic-minded citizens, people like Brooks Geer Ragen. From his business ventures to his board service at SAM and other major organizations throughout Seattle, Brooks approached these undertakings with the same philosophy: to make our community stronger. It is with a heavy heart that we share the news of Brooks’s passing on April 15.

Brooks was a SAM Trustee for over 25 years, a time of incredible growth and expansion for the museum. He joined the Board in 1992 and served as Vice President from 1996 to 1998. He served as President from 1998 to 2000, and as Chairman from 2000 to 2001. Brooks’s dedication to his causes was unparalleled, and his work ethic incomparable.

As Board President and as Board Chairman, he used his business acumen and endless energy to expertly guide SAM through the planning phases in advance of the SAM Transformation campaign, creating the Olympic Sculpture Park and expanding our downtown museum, both of which have continued to shape our city and museum. Most recently, Brooks served as a member of our Seattle Asian Art Museum Campaign Committee, once again providing his invaluable insights as we undertake this next major civic project.

His advice and expertise have been instrumental on so many of SAM’s committees, including among others Finance and Investment; Audit and Real Estate; Executive and Governance; Corporate Relations and Succession planning. Brooks and his wife, SAM Docent Laureate Susie Ragen, created the Brooks and Suzanne Ragen Film and Education Endowment, which provides key support to the museum’s renowned film program, and countless educational programs for people of all ages.

Beyond SAM, Brooks embraced roles of civic service for over 50 years. He served as board president of many Seattle institutions, including ACT Theatre, The Bush School, The Seattle Foundation, UW Medicine, and Seattle Cancer Care Alliance. He also served on the boards of the Washington chapter of the Nature Conservancy, the Bloedel Reserve and The High Desert Museum in Bend, Oregon. The philanthropy of Brooks and Susie has established endowments and scholarships at institutions all over the country.

Within all his successes and a long career—he never retired—Brooks Ragen was always kind and gracious, and never pretentious. Approachable, intelligent, and always determined, Brooks was the very definition of a civic leader. Seattle is a stronger community because of Brooks Ragen, and he will be greatly missed.

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Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Lots of love for SAM’s Olympic Sculpture Park: Rachel Gallaher for Surface Magazine sang its praises, Artsy named it one of the world’s greatest sculpture parks, and new Stranger contributor (I better update my press list!) Seth the Miniature Pinscher deems the park a nice place to do his business in the paper’s inaugural dog issue.

KCTS interviewed Catharina Manchanda, SAM’s Jon & Mary Shirley Curator of Modern & Contemporary Art—as well as artist Marita Dingus and gallerist Greg Kucera—for this story on the historical context of the Basquiat painting now on view at SAM.

And here’s a must-read from Emily Pothast for Art Practical on the embarrassment of riches that is two Sondra Perry installations in the Pacific Northwest: ours, and another at Disjecta Contemporary Art Center in Portland.

“Virtual space ‘allows one to build digitally what one cannot build in reality,’ she says in her statement about the Seattle show. The role of science fiction has always been to imagine new possibilities for the future. Once they are imagined, the only remaining challenge is how to build them.”

Local News

Misha Berson for Crosscut asks, “Where are the plays by women?” and answers: right here in Seattle, with a bevy of works by female dramatists debuting this spring.

After five fantastic years, Courtney Sheehan has announced that she’ll be departing as executive director of Northwest Film Forum, says City Arts’ Brett Hamil.

Calling all aspiring, soulful DJs: Jeff Albertson of the Seattle Times reports that KEXP is searching for a DJ for their new Sunday evening show. Also: Shake the Shack is being retired, with Michele Myers and Stas THEE Boss taking over Friday nights.

Inter/National News

The Art Newspaper and others reported on the hiring of Max Hollein as the next director of the Met; here’s a dissenting opinion from Dr. Liza Oliver in the New York Times.

Hyperallergic on the news that ICA Boston has closed an exhibition of Nicholas Nixon photographs early, following allegations of sexual harassment raised by some of his former students.

“Perhaps if you truly want to understand a drawing,” he said, “you have to just eat it.” The New York Times chats with Eduardo Navarro about his new show at the Drawing Center.

And Finally

Spring is here and that means one thing.

– Rachel Eggers, SAM Manager of Public Relations

Photo: Robert Wade
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Encountered in Orbit: Artists in Residence at Olympic Sculpture Park

“We look to a blue dot on our phones to locate ourselves,” Tia Kramer points out. “Orbiting Together offers a new way engage with unseen objects that make that technology possible. Through text messages we instruct participants to poetically enact gestures that respond to the function of the satellites orbiting overhead.” Orbing Together is the participatory experience of the current Olympic Sculpture Park artists in residence, Tia Kramer, Eric Olson, and Tamin Totzke. When you opt in to Orbiting Together you get texted instructions, or scores, on how to orient yourself to the space around you once or twice a day, wherever you are, at the same time as anyone else signed up, according to satellite movement over the park. The residency culminates in a final Art Encounter, a participatory experience and performance, at the Olympic Sculpture Park, Friday, February 23.

The functions and properties of the satellites triggering the text messages inform the scores you receive. Some of the messages are sent along with images and information on the satellite that sends them. When writing the scores, the artists are considering binaries. Both the binaries of computers that direct satellites across the skies above us as well as, “how to hold divergent concepts in your mind and body at the same time,” Kramer says.

The three artists in residence bring unique backgrounds to the project. Tamin Totzke, with an MFA in choreography, offers movement practices that inform the scores. Tia Kramer is a site-specific performance artist, educator, and social choreographer interested in gestures and actions of human connection in the everyday. Eric Olson uses his programming and technical skills to create participatory art practice and social engagement. They all consider the Art Encounter portion of their residency as making the irony of the project clear.

“We’re asking people to consider the somatics of our relationship to technology, while using technology to create connection,” Olson points out. Somatics is the making of meaning through intentional movement that allows you to perceive yourself and the world around you. While the project points out how we isolate ourselves from each other and our environments by referring to satellites thousands of miles away to tell us the name of the street we are on, it also uses cell phones and social media to prompt group actions.

Because it requires your phone to take part, the balance between documenting and experiencing is also an inherent tension to the project. Orbing Together is at once a chance to re-orient in space outside of your phone, while using your phone to facilitate that orientation. “We’re playing with parody. We’re using an ad agency technology to facilitate personal agency.” Eric Olson says.

By creating a database of all the satellites that move over Seattle daily (most pass over multiple times a day), tracking which zip codes they travel through, and using advertising technology that sends text messages, Orbiting Together is bridging space through simultaneity.

With people opted in across the world, the Olympic Sculpture Park becomes a location that people the world wide are orienting themselves by, while paying closer attention to their immediate surroundings. For the final Art Encounter at the Olympic Sculpture Park there will be a blend of visitor participation and performers in attendance. It will not be immediately apparent who is a performer and who is an audience member. The performers will create a complete presentation of the gestures that have been texted throughout the project. There’s still time to take part, text “TOGETHER” to “206 IN 01 SKY.” Also coming up this weekend is a send off celebration and artist tour of the Olympic Sculpture Park, Sunday February 25, 10:30 am–noon. Meet in PACCAR Pavilion to join the artists in residence for a tour of the park with inspired exercises.

– Chelsea Werner-Jatzke, Content Strategist and Social Media Manager

Images: Jen Au, Nina Dubinsky, Jen Au
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Get Your Winter Glow On: SAM Lights

If you live in Seattle, now is about the time when you might find yourself feeling lethargic, despondent, and perhaps a bit irritable. SAM’s got the fix for your Seasonal Affective Disorder and it’s not vitamin D, it’s SAM Lights! Thursday, December 14, 6–9 pm get outside despite the cold and join us at the Olympic Sculpture Park for a luminous evening amidst iconic sculptures. There’s something for everyone with performances, food trucks, art activities, and Z Path lit by luminaria. Here’s a preview from two of our partners who will be bringing interactive art activities into the park just for you.

Sensebellum, a company specializing in blending interactive art and tech, is proud to present the Arborealis Tree Lighting System! Over 120+ light fixtures placed in 14+ trees around the Olympic Sculpture Park will light up the night as patrons walk around the grounds.

All of the trees are synchronized by custom software and are driven by an interactive kiosk where a map of the park becomes the interface. Press this button here and you hear a sound and see some light dance from branch to branch. What about that one over there? Better grab a friend because a good ol’ jam session just might occur! Whatever your style, it will sure to be a sight to see and we are sure very excited to bring out one of our favorite installations for all to enjoy!

Bop Bags is an interactive inflatable installation by the Seattle Design Nerds. Partly inspired by fungi that sprout in the wet season these inflatables appear to have burst forth in colorful bloom and are a reminder that our rainy season is still a vibrant one. These eight cuddly orbs invite touch and play by shifting color when tapped or “bopped.” Visitors are encouraged to tap on the surface of this series of gigantic cuddly lanterns which respond by changing colors.

Work together to create a symphony of illumination! As visitors descend through the Gates Amphitheater, the inflatables lure passersby from the path with their subtle glow and bubbly personality. Placed in a sympathetic arrangement to Richard Serra’s Wake, the orbs reward both play and patience. The Seattle Design Nerds are an all volunteer non-profit organization dedicated to design in the public realm. We focus on making exciting things for the public that can be experienced in unexpected locations and ways.

Images: Courtesy of Seattle Design Nerds & Sensebellem.
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