SAM director and CEO Kimerly Rorschach shared the museum’s position on proposed changes to Washington State’s overtime rules. These changes are long overdue, and SAM has been a leader in implementing adjustments. However, a slower ramp-up would be more sustainable for non-profits.
Marcus Harrison Green of the Seattle Times on Blood Lines, Time Lines, Red Lines, the Warren Pope solo show now on view at NAAM that explores the city’s history of racist housing policies.
“Pulling a reverse Henry David Thoreau”: Crosscut’s Brangien Davis on Seattle Walk Report, the comic that explores the magic of the city by foot. Its anonymous creator will name herself soon!
With “Currently Hanging,” The Stranger’s Jasmyne Keimig gets close to an artwork. Here, she visits a figurative gold sculpture by Casey Curran that echoes previous works by Anthony White and Tessa Hulls.
“The sculpture reminds me of The Ecstasy of Saint Teresa-meets-the-alien-from-Annihilation-meets-Rodin’s-Thinker. All things I love.”
“The first Abstract Expressionist”: Who would you name? The Museum of Fine Arts Boston has a new exhibition that may answer that question.
DCist on the Phillips Collection’s new exhibition of 100 works by 75 artists on global displacement; director Klaus Ottmann calls it “the most ambitious exhibition the museum has ever undertaken.”
Author Toni Morrison died this week at the age of 88. This New York Times obituary celebrates her “luminous, incantatory prose resembling that of no other writer in English.”
“Ms. Morrison animated that reality in prose that rings with the cadences of black oral tradition. Her plots are dreamlike and nonlinear, spooling backward and forward in time as though characters bring the entire weight of history to bear on their every act.”
– Rachel Eggers, SAM Associate Director of Public Relations