Muse/News: Simply the Best, the Message in the Monument, and Send in the Bugs

SAM News

Seattle Met is out with their Best of the City features, including results of their reader survey. Who was selected as Best Museum? Why, the reimagined and re-reopened Seattle Asian Art Museum, that’s who!

And coming up downtown, by way of France’s Normandy Coast: Monet at Étretat. Preview and ArtfixDaily recently highlighted the exhibition, which opens to the public July 1.

Local News

Out now: Issue 2 of New Archives, the newest arts journal on the scene. Topics include art, healing, and joy from contributors including Carol Zou and Sharon Arnold.

Mark Van Streefkerk for South Seattle Emerald on In This Way We Loved One Another, an installation by Two-Spirit poet and interdisciplinary artist Storme Webber for Capitol Hill’s AIDS Memorial Pathway.

Crosscut’s Margo Vansynghel checks in with the 16 artists who created the Black Lives Matter mural on East Pine Street, one year later, including SAM collection artist Kimisha Turner, ARI Glass, Aramis O. Hamer, and more.

“All art forms have helped and continue to help us get through this collective dark night of the soul,” [Aramis O.] Hamer says. “Years in the future, I think we will speak of 2020 as being a Birth of a Renaissance.”

Inter/National News

In Artforum: A conversation between scholar Hanan Toukan and Palestinian Museum director Adila Laïdi-Hanieh about building an institution under colonialism.”

The Van Gogh Museum in Amsterdam and the British fragrance brand Floral Street have teamed up to create scents inspired by the artist’s works, reports Artnet’s Naomi Rea.

The New York Times’ Jason Horowitz on how—and why!—an all-woman team of art restorers and scientists “quietly unleashed microbes with good taste and an enormous appetite” onto Michelangelo’s marble Medici Chapel in Florence.

And Finally

On view: Abandoned paintings.

– Rachel Eggers, SAM’s Associate Director of Public Relations

Photo: Natali Wiseman

Kimisha Turner: It Ain’t Just a River in Egypt

If you’ve been in downtown Seattle recently perhaps you noticed the mural on the plywood covering SAM’s entrance. This bright, bold, and inspiring artwork was commissioned from artist Kimisha Turner. You may have seen her work recently in another mural—she is the artist behind the “B” in the Black Lives Matter mural on Capitol Hill.

https://www.instagram.com/p/CBfaxY4F9yO

Washington native and Cornish College Alum, Kimisha Turner creates work that invites self-reflection, empowerment, and social awareness. From photography to mosaic, wood carving to paint, performance art to printmaking, this multi-disciplinary artist has been busy utilizing her many skills to help people thinking differently about social justice and how we can all take part in anti-racist work. Turner gave a talk to the Seattle Art Museum Supporters group and you can watch it below to learn more about how art saved her life, how her son has pushed her to be a more proactive artist, and how we all have power to create change.

Muse/News: Rivers, short films, and the PS22 Chorus

SAM News

Flowing tears, drowning hands, purposeful denial, and a mandala sun: get lost and found in Kimisha Turner’s mural It Ain’t Just A River in Egypt. Commissioned by SAM and paid for by an anonymous donor, the mural is now on view on the plywood-covered facade of the downtown museum. Watch and read all about it from KING’s Evening Magazine and Crosscut.

Kai Curry for Northwest Asian Weekly on SAM’s Asia Talks series; the latest edition has gone virtual, partnering with Kazbar Media to feature three artists who immigrated to the US from Asia and the Middle East.

Local News

The Stranger’s Jasmyne Keimig on the “unwanted layer of sealant” applied to Capitol Hill’s Black Lives Matter mural. The mural’s artists, coming together as the Vivid Matter Collective, are discussing how to proceed and protect the mural.

The Seattle Times’ Brendan Kiley reports on an open letter to Artist Trust charging inequitable practices, spurred in part by a dispute over one of its awards.

Crosscut’s Brangien Davis recommends the many upcoming virtual film screenings, including the Seattle Black Film Festival, which features an emphasis on short films. Bonus popcorn flavoring tip (inquire within for Muse/News’ preferred method!).

“Like the best short stories, short films can pack a punch—sometimes more than a feature length movie. Plus these showcases allow you to experience a huge range of voices and styles, and find new filmmakers you want to follow.”

Inter/National News

Give a listen to Artnet’s podcast, The Art Angle; this episode features Hank Willis Thomas, artist and co-founder of For Freedoms, discussing how he’s “making politics an art form.”

Elizabeth Merritt, director of the Center for the Future of Museums, explores the question of what opportunities for effecting deep structural change in the museum field may now be possible.

As part of Artforum’s ongoing “Project” series, Ja’Tovia Gary selects five artists’ work to highlight; click through to explore the work of Eniola Dawodu, Oroma Elewa, Jazmine Hayes, Fatima Jamal, and Sydney Vernon. By the way: Gary has made her 2019 work, The Giverny Document: Single Channel, available to view.

“Oftentimes, Black women find ourselves at the vanguard whether or not that is our preferred position. Our ways of being, knowing, and seeing have shaped what we know of history and will be absolutely integral as we work to conceptualize and bring forth a more egalitarian future free from bondage and subjugation.”

And Finally

Playlist suggestion: The PS22 Chorus.

 Rachel Eggers, SAM Associate Director of Public Relations

Image: L.Fried