All posts in “SAM Lights”

Muse/News: Party crashers at SAM, Seattle’s Instagrammable library, and Zanele Muholi’s self-portraits

SAM News

Claire Partington: Taking Tea is now on view! This site-specific installation brings out the untold human stories of the 1,000 European and Asian porcelain pieces in SAM’s Porcelain Room, reminding viewers of the reality of precarious ocean voyages and human exploitation. Brangien Davis of Crosscut offers this review of this “intervention” that will be on view for the next two years.

“Now, smack in the middle of the room — unprotected except by a guard at the door — stand six ceramic people in old-fashioned dress, positioned as if having tea. Suddenly, our focus is shifted to the figures, who don’t have any teacups in hand, but seem to get their pick of the room. These party-crashers might just change the space forever.”

This Thursday, light up the dreary days of December with SAM Lights. The Seattle Times has all the details on this annual event in their feature, “Holiday sights light up the night.”

Local News

The Seattle Times’ David Gutman talks with artist Laura Hamje about why she can’t stop taking pictures—and making paintings—of the Alaskan Way Viaduct.

Volunteer Park Trust and Kaiser Permanente announced a new partnership in support of programming at the Capitol Hill park that also houses the Seattle Asian Art Museum.

Brangien Davis of Crosscut has a great story about the Central Library, which was just named the “most Instagrammable library” in the world.

“A recent Tuesday afternoon at the library didn’t turn up a single photo snapper. Instead, people could be found using the lofty building for a range of purposes: a man excitedly picking up a stack of books that had just come available; a chatty cluster of folks having coffee at the cafe; people with all their belongings in bags using the computer stations in the so-called Mixing Chamber; a young adult practicing violin in one of the reservable music rooms; one woman seeking documentation of the Alaskan Way Viaduct’s debut; another in search of a name steeped in Seattle history for a new restaurant.”

Inter/National News

Roberta Smith, Holland Cotter and Jason Farago of the New York Times look back at “The Best Art of 2018,” including Hilma af Klimt at the Guggenheim, Charles White at MoMA, and Delacroix at the Metropolitan Museum of Art.

Hyperallergic broke the news that a board member of the Whitney owns a company that produces tear gas that’s been used at the border; both the Whitney staff and its director have offered their powerful replies.

Yrsa Daley-Ward of the New York Times reviews Somnyama Ngonyama, Hail the Dark Lioness, the new book on South African artist Zanele Muholi; the portrait exhibition comes to SAM in 2019.

“If storytelling is one of humanity’s most powerful gifts, then visual activism feels like alchemy. Especially when the work in all of its detail, subtle or overt, moves you in a way you don’t all the way understand.” 

And Finally

The most wholesome content on the Internet last week happened at SAM.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Claire Partington: Taking Tea at Seattle Art Museum, 2018, photo: Natali Wiseman
Share

Muse/News: Merch memories, hair collections, and donut stories

SAM News

Thelonious Goerz of University of Washington’s The Daily offered a lovely review of our recent “Songs of Rajasthan” event. Don’t miss other fantastic events related to Peacock in the Desert: The Royal Arts of Jodhpur, India—including tours, lectures, and film—on SAM’s calendar.

The holidays are officially here! Seattle Weekly has you covered with a comprehensive list of event picks for the season, including the luminous SAM Lights at the Olympic Sculpture Park on Thursday, December 13.

Local News

Crosscut’s Emerging Journalist Fellow Manola Secaira on the repatriation of Mexican artifacts that a UW grad student discovered on an estate sale listing.

Also in Crosscut: former Seattle City Councilmember Jean Godden offers this remembrance of civic leader Phyllis Lamphere, who recently passed away at age 96.

Jasmyne Keimig for The Stranger on Clyde Petersen’s new installation at Bellevue Arts Museum; Merch & Destroy uses cardboard sculpture to “translate the drudgery and unglamorous bits of touring.”

“The world building and tiny details of his creations—like the very visible Washington State vehicle registration slip in the van or the crate full of hilariously titled made-up vinyl records—make this exhibition feel lived-in.”

Inter/National News

“They are like animals in a zoo.” London’s Tate Modern is being sued by neighbors over its “viewing terrace,” which looks directly onto their expensive, glass-enclosed apartments.

Caroline Goldstein for Artnet offers a look at Rodarte, the debut fashion exhibition of the National Museum of Women in the Arts, which explores the work of sisters Laura and Kate Mulleavy.

18th-century naturalist Peter A. Browne assembled the world’s greatest hair collection—and it was saved from the trash by a curator.

“The reintroduction of the hair to the wider public could finally have a scientific impact, albeit not the one Browne imagined. ‘What is so useful about this collection now is all of that DNA is preserved, and he had no idea he was doing that when he sent out his requests to people for hair,’ Peck stated.”

And Finally

Crosscut photojournalist Dorothy Edwards visits King Donuts in Rainier Beach.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Peacock in the Desert: the Royal Arts of Jodhpur, India at Seattle Art Museum, 2018, photo: Natali Wiseman
Share

Get Your Winter Glow On: SAM Lights

If you live in Seattle, now is about the time when you might find yourself feeling lethargic, despondent, and perhaps a bit irritable. SAM’s got the fix for your Seasonal Affective Disorder and it’s not vitamin D, it’s SAM Lights! Thursday, December 14, 6–9 pm get outside despite the cold and join us at the Olympic Sculpture Park for a luminous evening amidst iconic sculptures. There’s something for everyone with performances, food trucks, art activities, and Z Path lit by luminaria. Here’s a preview from two of our partners who will be bringing interactive art activities into the park just for you.

Sensebellum, a company specializing in blending interactive art and tech, is proud to present the Arborealis Tree Lighting System! Over 120+ light fixtures placed in 14+ trees around the Olympic Sculpture Park will light up the night as patrons walk around the grounds.

All of the trees are synchronized by custom software and are driven by an interactive kiosk where a map of the park becomes the interface. Press this button here and you hear a sound and see some light dance from branch to branch. What about that one over there? Better grab a friend because a good ol’ jam session just might occur! Whatever your style, it will sure to be a sight to see and we are sure very excited to bring out one of our favorite installations for all to enjoy!

Bop Bags is an interactive inflatable installation by the Seattle Design Nerds. Partly inspired by fungi that sprout in the wet season these inflatables appear to have burst forth in colorful bloom and are a reminder that our rainy season is still a vibrant one. These eight cuddly orbs invite touch and play by shifting color when tapped or “bopped.” Visitors are encouraged to tap on the surface of this series of gigantic cuddly lanterns which respond by changing colors.

Work together to create a symphony of illumination! As visitors descend through the Gates Amphitheater, the inflatables lure passersby from the path with their subtle glow and bubbly personality. Placed in a sympathetic arrangement to Richard Serra’s Wake, the orbs reward both play and patience. The Seattle Design Nerds are an all volunteer non-profit organization dedicated to design in the public realm. We focus on making exciting things for the public that can be experienced in unexpected locations and ways.

Images: Courtesy of Seattle Design Nerds & Sensebellem.
Share
Two dancers perform in front of Calder's Eagle during Sculptured Dance at Olympic Sculpture Park

All Walks of Life: Public Programs at the Olympic Sculpture Park

The radiant clouds that stretch across the bridge of Teresita Fernández’s Seattle Cloud Cover look different every time you encounter them. On a rainy day, the site-specific work at the Olympic Sculpture Park offers a shelter of saturated colors that pop against the surrounding gray sky. When you witness a freight train moving beneath it, the train’s cargo becomes part of the art, washed over in its rainbow assortment of hues. As you stand beside it to watch the sunset over the Puget Sound, your body appears in silhouette to onlookers across the Park. As Fernández describes, Seattle Cloud Cover “…blur[s] the lines between your presence as participant and observer.”

Woman gives a tour in front of Fernandez's Seattle Cloud Cover during Remix at Olympic Sculpture Park

The blurred line that Fernández refers to between participation and observation is integral to the art at the Olympic Sculpture Park, as well as to SAM’s Education Department as they design programs to engage visitors from all walks of life. “It’s amazing to have the Sculpture Park as a free resource located in the heart of Seattle and to think of how we as educators can maximize that opportunity for the community by creating programs that challenge visitors to rethink the relationship between art and environment,” says Regan Pro, SAM’s Kayla Skinner Deputy Director for Education and Public Programs.

Easels set up for art marking during Summer at SAM at Olympic Sculpture Park

Pro continues, “I love thinking about all of the different ways we have had visitors interact and engage with Alexander Calder’s The Eagle over the last ten years and how people have come to think about all of the permanent sculptures in new ways.” Every year, all second graders from Highline School District explore the land and art around The Eagle during the free tours and art workshops offered as part of SAM’s School Programs. Dogs and their owners walk along the path at its base during Dog Night. Revelers dance into the night beneath its wingspan during Remix, which moves to the Sculpture Park for its summer iteration. Dancers from the Pacific Northwest ballet perform new work beneath its steel limbs as part of Summer at SAM for Sculptured Dance, a night of site-specific performances. These are only a few of the many programs that offer a chance for the public to participate and think about The Eagle and other works in the park in new ways.

Child participates in light mural during SAM Lights at Olympic Sculpture Park

In recent years, SAM has expanded the programming in ways that stretch ideas about what art museum experiences can be. This fall, the museum will partner with Tiny Trees to offer an outdoor preschool at the Sculpture Park that focuses on art and the environment. In the winter, SAM Lights illuminates the landscape with temporary light installations and hundreds of luminarias. And, the PACCAR Pavilion temporarily becomes an artist residency space, where performers create new projects in response to the artworks and landscape.

Essential to all of the educators’ work is the participation of departments from across the museum and beyond, including community organizations like Pacific Northwest Ballet and Forterra. “This is work that incorporates ideas of so many people,” emphasizes Pro. “It’s this shared vision that’s made the programs at the park successful.” Similarly, it’s the coalescence of elements—the art, the design, the environmental achievements, the landscape, the programming and the community—that together create the Olympic Sculpture Park as we know and celebrate it now, on its tenth anniversary.

— Erin Langner, Freelance Arts Writer and Former SAM Adult Public Programs Manager

This post is the final installment in a series of stories exploring the history of the Olympic Sculpture Park in celebration of its 10th anniversary.

Images: Photo: Robert Wade. Photo: Jen Au. Photo: Robert Wade. Photo: Sasha Im.
Share

After 10 Years, the Grass Keeps Getting Greener

We’re celebrating the Olympic Sculpture Park turning 10 with a laser show! Installed for this year’s SAM Lights on December 15, Greener by Iole Alessandrini and Ed Mannery is an art installation made from light that was originally on view at the grand opening of the park in 2007. Missed SAM Lights? Not to worry! Greener will light up the terrace through January 16.

In the 10 years since the laser grid of Greener cast SAM visitor’s in its net, artist Alessandrini has had some time to reflect on the light sculpture, her practice, and what it means for an artwork and a sculpture park to interact and create visual connections for visitors. A Seattle transplant from Italy, Alessandrini began her Laser Project Series with Optical Engineer Ed Mannery in 2001 during a residency at Bellevue Art Museum. As Iole Alessandrini has had said of her work, “It is the intersection between these two creative expressions—art and architecture—” through which her work moves. At the Olympic Sculpture Park, Greener covers over 2,500 square feet of grass in the Gates Amphitheater between Richard Serra’s Wake and the PACCAR Pavilion.

See this work in the twilight hour between sunset and park closure for optimal viewing!

SAM: How does nature factor into your focus on architecture and design?

Iole Alessandrini: Since early studies on light-art at the University of Washington (1996), I have been captured by the symbiotic and antithetic relationship between natural and artificial light. Symbiotic—in that natural and artificial light make things visible; antithetic—as the sun dominates over artificial light. Within enclosed spaces the laser of our installations is free from sun’s interference and it appears radiant. In outdoor environments, the light from both the sun and the laser interplay with each other in a symbiotic and antithetic way. This unique interplay manifests when the sun sets and the sky darkens. During this transition, the light from the art prevails to become visible in itself, while revealing the natural landscape surrounding people.

 What about the interplay between the tangible and intangible interests you and drives your work?

I think of light as a medium that I can model, shape and bend. Perhaps as one who shapes clay; I shape light. The singular wave-behavior of laser, which directs the rays to move parallel to each other, gives the laser-light the distinctive shape of a beam. In the presence of dust or smoke the light-beam becomes visible yet intangible.

With the installation Greener, Optical Engineer Ed Mannery and I used cone optics to direct the beam to form a plane. It is the nature of light to be evident when objects reflect it. In the park, the light-planes intersecting the grass-blades reveal this natural phenomenon and look as if they are lit from within. Both grass and light are evident yet the light remains intangible.

At SAM Olympic Sculpture Park installing Greener for the 10th anniversary of the park’s opening.

A photo posted by @iolealeassandrini on

Is movement crucial to all your light-based works? I’m thinking of something like “Three of Us” which captures movement through laser projections as compared to Greener which inspires movement through laser projections.

Many of our projects involve a direct connection with viewer and light. The Three of Us is a photo of a unique phenomenon of light captured with the camera as people move through the laser-planes. The project Untitled at Jack Straw Production (2004) provided us the first opportunity to document this phenomenon. I photographed a woman’s hands as she moved them back and forth rapidly through the plane. This picture created the series which I titled Shroud as it shows a flat subject taking on a ghostly aspect through the interface with the light plane. The photos are unique as they resemble holograms and they are of great interest to me. I am an avid researcher of motion in photography as seen in the work by Eadweard Muybridge, Jules Etienne Marey and Harold Edgerton.

How is Greener activated by the interaction of park visitors?

Contemplating the work from a distance vs. interacting with it—as in immersing oneself in the light—are distinctive ways in which Greener can be experienced.  Yesterday at the park during its opening, we observed that dynamic at play. In both cases it was satisfying to witness the sense of wonder and engagement coming from people staring at and interacting with 2,500 square feet of light under their feet. Greener visually connects different aspects of the Olympic Sculpture Park, from Serra’s Wake to the PACCAR Pavilion causing visitors to walk and step over the grass and the light of our installation.

Do you see Greener differently after the last 10 years? What does the passage of time lend to the work and it’s relationship to the park?

We were pleased to see that even after 10 years the technology continues to work. It works in function, and it works in keeping visitors engaged and mesmerized. Their appreciation of the art, the landscape, and the architecture speaks volumes, making Greener an aesthetic expression and synthesis of them all.

–Chelsea Werner-Jatzke, Copywriter/Content Strategist

Photos: Courtesy of Iole Aleassandrini
Share

SAM Lights Pro Tips

Our second annual SAM Lights event is happening this Thursday evening, December 17 from 6-9pm! To help you make the most of your experience at this popular event, we’ve come up with a list of pro tips from SAM staff members to ensure a fabulous time is had by your friends and loved ones.

Pro Tip #1: Arrive throughout the evening
The entire evening is filled with art, lights, music, and more. Feel free to arrive at the time that makes sense for you, your family, and your personal preferences!

Pro Tip #2: Get out and enjoy the park beyond the PACCAR Pavilion
Come bundled up and show everyone how Seattle does winter! Take part in the energetic procession of music and light down the Z Path led by the Chaotic Noise Marching Corps at 7:15 pm. Don’t miss your only chance to see Andy Behrle’s light installation, apparition.

Pro Tip #3: Take public transportation
Garage parking will not be available this evening, so be sure to bus to the sculpture park!

Pro Tip #4: Grab a hot drink
Keep toasty while you explore the park’s lights. Buy a warm drink from Taste or Hot Revolution Donuts, or bring your own.

Pro Tip #5: Hang out in the Garage
The Garage will be decked out with lights, DJ Sharlese from KEXP will be spinning for you all night long, and food trucks will be serving up some sweet and savory treats. Check out 314 Pie and Hot Revolution Donuts and take a break from the rain and enjoy your eats in the City Arts Lounge.

Pro Tip #6: Become part of the show
Wear your best light-inspired ensemble and become a part of the art experience.

Pro Tip #7: Take the event program with you
Know before you go by accessing the SAM Lights program from your mobile device at visitsam.org/samlights.

See you there!

Photo: Nathaniel Willson
Share
Share