Experience the fierce beauty of High Renaissance and Baroque art at the free Community Opening for Flesh and Blood: Italian Masterpieces from the Capodimonte Museum on October 17. From 5–9 pm, watch these artworks come alive as Palace Theatre & Art Bar takes the stage for a series of eclectic performances reflecting the darkness, drama, and human emotion of Flesh and Blood. Make a masterpiece of your own as you draw from live models during an art activity led by artist Barry Johnson. Seattle Opera singer will be in the galleries expressing love, devotion, and tragic suffering with pop-up performances. Living representations of the artworks will be embodied by dancers Mikhail Calliste and Michele Dooley. Flesh and Blood presents, as they say in Italy, il meglio del meglio—the best of the best.
Make sure to RSVP, but if you can’t make it to the opening, don’t worry! There are many other ways for you to visit SAM for free or at a discount during Flesh and Blood!
Teen Tix pass program makes it possible for teens to visit for just $5!
Bank of America’s Museums on Us: On the first full weekend of every month, Bank of America cardholders receive free admission at SAM.
Blue Star Museums: free admission to military personnel and their families. Just show your military ID. The military ID holder plus up to five immediate family members (spouse or child of ID holder) are allowed in for free per visit (special exhibition surcharge may apply).
UW Art Students get free admission with the sticker on their student ID
SAM is for everyone and we’re here to make sure anyone can see the art they love! Don’t forget, entry to SAM’s permanent collections is always suggested admission! You can experience our global collection year-round and pay what you want.
Images: The Ecstasy of Saint Cecilia, 1645, Bernardo Cavallino, Italian, 1616–1656, oil on canvas, 24 × 18 7/8 in., Museo e Real Bosco di Capodimonte. The Virgin of the Souls with Saints Clare and Francis, 1622–23, Battistello Caracciolo, Italian, 1578–1635, oil on canvas, 114 3/16 × 80 11/16 in., Museo e Real Bosco di Capodimonte.
We believe art is for everyone and right now everyone can experience a new kinetic sound sculpture installed at SAM’s 1st and Union entrance. Playing music, projecting poetry, and covered in the text, drawings, and collage by artists with lived experiences of homeless, Hear & Now is a collaboration between internationally celebrated artist, composer, and musician Trimpin and Path with Art students presented for you to view for free!
Built from an antique hand-pulled wagon originally built by Trimpin’s father in Germany, the work is activated by pressing the play button situated next to the object. Each tap triggers a different musical composition or poem created in collaboration with teaching artists. Hear & Now is free and accessible to all and will be on view through July 15. Visit the entire museum for free on Thursday, June 6, and catch the Hear & Now Performances and Artist Talkback taking place 6–8:30 pm featuring pop-up performances by the student artists, a movement piece directed by Rachel Brumer and Monique Holt accompanied by the musical compositions played by the sculpture, and a chance to hear from Trimpin.
Get primed for Thursday evening with this
interview with Trimpin and a Path with Art student artist.
How did you start working with Path with Art?
Five years ago, I was Composer in Residence with the Seattle Symphony
Orchestra. The last year of the three-year residency involves a public-outreach
workshop. I decided to work with a group of Path with Art student artists. I
was first introduced to Path with Art at a performance at the Hugo House; I was
impressed with the artistic caliber of all the performing artists.
Tyler Marcil: Jennifer Lobsenz, the Program Director at the time, asked me to participate in this project in the summer of 2017. We worked with Christina Orbe for six weeks and Yonnas Getahun for two weeks over the course of eight workshops at Trimpin’s studio.
During these workshops, we created found poetry – I had never
done anything quite like that before. I took a story that I had already written
called, “The Woman on the Sidewalk,” and pulled words from that story to create
new poems for the sculpture. A year later, I was invited to record work for
Path with Art at Jack Straw Cultural Center.
What is the significance of the wagon wheel as a foundation
for the sculpture? How does it relate to experiences of homelessness?
When I was beginning to conceptualize the interdisciplinary workshop, mobility
and transition was a major consideration. Aware that most homeless people are
in continual transition, the wagon-wheel was a starting platform to build up
the story, not just metaphorically, but literally as a sound object which is
mobile. It is similar to the way the wagon was used in my family to haul a
variety of items around, and I still remember watching my father when he was
building the wagon from scratch.
How did the artists collaborate on the creation of the final
Tyler: The first group to meet was our group—the poets. The visual artists then took the found poems we created, turning these magnificent words into different pieces of art. Then the musicians came and made compositions inspired by the language and the artwork.
Hear & Now allowed many people to contribute their skills to this larger
project. The people who were involved all have different ways of expressing
themselves. Through this project, their voices are heard, and they are able to
speak from their soul through their medium. Without this
opportunity, they might feel silenced—without a voice, or without their voices
Can you share a moment of discovery or breakthrough in the
process that left an impression on you? Why did that moment stand out to you?
Artists in general are not collaborating with other artists very often. A part
of the workshop was to teach each student that we don’t have to compete with
each other; and we actually can work together and contribute each individual’s
expertise to make the project successful. This process was very important to me
and the project would not exist without the great commitment and interaction of
each individual student.
Tyler: I don’t like hearing my own voice. When we were recording our stories at Jack Straw I could feel my heart racing because it’s a voice that my mother created by teaching us to speak a certain way. I could hear the –eds and the –ings. Those were important in my household growing up.
When I was forced that day to listen to my voice I cried inside
because I realized—my voice is beautiful. And had I known that it was
beautiful, I would have listened all along. And now when I ask people, what
is it about my stories or poetry that you like? They tell me, it’s your voice.
What do you hope the sculpture can inspire in a viewer?
My hope is that the viewer can hear and see that a group of Path with Art
student artists—adults—who have lived the experience of homelessness, addiction
or other trauma, have earned the ability, knowledge, and imagination to
collaborate, design, write, and compose and to achieve a project at this high
Tyler: I hope that Hear & Now will bring awareness of people who have lived experience of homelessness. That the person living that experience could be you. We shouldn’t allow ourselves to be prejudiced, or disown others as though they don’t exist.
And I think by having a sculpture that shares these wonderful
voices, not only are you hearing their voices, but your hearing that they’re a
person. The voice you hear is coming from them, from their humanity.
How does the upcoming performance connect to the sculpture?
For the upcoming performance, the students are performing live, interacting
with the instrumentation of the wagon with their own voice or instrument.
Tyler: It ties together these themes of voicelessness and visibility for those experiencing homelessness. It connects to the sculpture because it’s using American Sign Language to present stories for those who cannot hear or speak, and ties in this concept communicating in different ways—with our voices, but also with our hands. This whole project is about lifting up those who have so often been silenced, and widening our circles of empathy and understanding, and the performance brings together both people with lived experience, and those without while exploring these themes.
– Chelsea Werner-Jatzke, SAM Content Strategist & Social Media Manager
Images: Installation view Hear & Now at Seattle Art Museum, 2019, photos: Natali Wiseman.
Path with Art would like to extend a special thank you to Seattle Department of Neighborhoods for making this project possible.
It’s almost here! Intimate Impressionism from the National Gallery of Art opens tomorrow in the Seattle Art Museum special exhibition galleries, and we’ve got an array of opening day activities in store for you. Because we’ve got a robust day of art planned, read on for the complete breakdown of ticket prices, events, hours, and more.
HOURS As tomorrow is First Thursday art walk, the museum will be open late until 9 pm to accommodate your art-loving schedule.
TICKET PRICES As this exhibition will be popular, tickets forIntimate Impressionism are timed, so when purchasing online or in person, select a specific day/time in which you’ll plan to visit the exhibition.
TONIGHT + AND FUTURE FREE DAYS
SAM COLLECTIONS & INSTALLATIONS: FREE TO ALL
SPECIAL EXHIBITION PRICE FOR INTIMATEIMPRESSIONISM ADULTS: $12
SENIORS (62+): $11
MILITARY (WITH ID): $11
STUDENTS (WITH ID): $7
TEENS (13 – 19): FREE
CHILDREN (12 & UNDER: FREE
SPECIAL EXHIBITION – EFFECTIVE OCT 2
Ticket prices for Intimate Impressionism from the National Gallery of Art are listed below. This ticket includes access to all collections and installations.
SENIORS (62+): $22.95
MILITARY (WITH ID): $22.95
STUDENTS (WITH ID): $14.95
TEENS (13 – 19): $14.95
CHILDREN (12 & UNDER): FREE
SAM MEMBER: FREE
SPECIAL ADVANCE ONLINE PRICING
Save up to $5 per ticket when you purchase your tickets in advance online! This is a limited time offer. Visitors purchasing tickets onsite will not be eligible for the discount. This online discount not valid on the First Thursday of the month, or for seniors on First Friday.
Experience an overview of the new exhibition Intimate Impressionism from the National Gallery of Art with Chiyo Ishikawa, Curator of European Painting and Sculpture, followed by a live performance from Seattle Metropolitan Chamber Orchestra’s String Quartet featuring works by Impressionist composers.
The SMCO String Quartet is composed of members of the Seattle Metropolitan Chamber Orchestra, an innovative ensemble that brings unique musical experiences to the ears of young and diverse listeners.
My Favorite Things tours bring some of the most opinionated and fascinating artists, cultural producers, and community figures into the galleries to discuss their favorite works of art. This tour will be led by Mary Anne Carter, a Seattle-based visual artist and curator of the Fashion Hot Dog 225 art space.
Humor, wildness, and structure define both Carter’s character and body of work, which includes printmaking, fashion design, textile design, and performance. Tour starts at 6:30 pm sharp. Don’t miss it!
PHOTOS AND SHARING Non-flash photography will be allowed in the galleries, so feel free to take a selfie next to your favorite painting, with your best friend, or with your Impressionist doppleganger while experiencing Intimate Impressionism! Be sure to tag your photos with #SAMImpressionism.
We’ll see you tomorrow for an extraordinary night of art with Monet, Renoir, Manet, Cézanne, Degas, Van Gogh, among other Masters!
Madame Monet and Her Son (detail), 1874, Auguste Renoir, French, 1841–1919, oil on canvas, 19 13/16 x 26 3/4 in., National Gallery of Art, Washington, Ailsa Mellon Bruce Collection, 1970.17.60.
Ticket prices to Gauguin & Polynesia on March 1 will be $12 for adults, $9 for seniors (62+) and military (w/ID), and $8 for students (w/ID) and teens. SAM members and children 12 & under are free. Please note that if a timeslot is sold out online we hold back a limited number of tickets for day-of sales. Get tickets now>>
SAM Downtown will be open until midnight (last ticket sold at 11 pm).
At tonight’s KOMO News meetup, there will be a Twitter scavenger hunt through the SAM Collection Galleries. The three images below are segments of pieces SAM is currently showcasing. Take a photo of yourself with each piece and tweet it to @iheartSAM with the hashtag #KOMOatSAM. Everyone who correctly identifies all three pieces of artwork will be entered to win two tickets to see Gauguin & Polynesia: An Elusive Paradise and will receive a free exhibition poster!
The images can be found on the @iheartSAM Twitter feed. After tweeting your images, come to the meetup registration desk in the Brotman Forum to claim your free poster. Best of luck!
All of these events on February 2 are free and open to the public. For more information, please visit SAM’s website at seattleartmuseum.org.
Ladies Musical Club Recital
Pletscheeff Auditorium, SAM Downtown Seattle’s oldest arts organization presents an afternoon of classical music performed by club members and special guests. This month’s performance features Selina Chu (piano), Karin McCullough (piano) and Catherine Treadgold (mezzo-soprano).
KOMO News Meetup
Brotman Forum, SAM Downtown Join KOMO News at SAM Downtown for drinks, music, prize giveaways and great art! Admission to SAM’s Collection Galleries will be free, including one of our newest exhibitions, Theaster Gates: The Listening Room. Incorporating a vast array of disciplines, Theaster Gates’ solo exhibition at SAM will transform the gallery with cultural ephemera. Coupled with objects and architectural elements that elicit stories through every day practices, the backbone of the installation will be a collection of vinyl records that reflect cultural and social currents of the 60s, 70s and 80s. Every First Thursday, a DJ will be spinning and a volunteer archivist will be recording those mixes.
Theaster Gates: To Play a People’s Music
Kane Hall 120, University of Washington Seattle Campus The Seattle Art Museum and the University of Washington’s College of Built Environments are bringing Theaster Gates back to Seattle for a free lecture. Gates provided the following description for his talk: “This night, we will play and sing songs. We will reflect and breathe together. We will remember why sentiment was a necessary political tactic. The nostalgic, the desperate and the mundane worked perfectly for love, revolution and trans-national belief accumulation. It is melodic word, not just the spoken, that gives soul-power. Sound all alone has done so much. I want to be funk and gospel and soul. I am curious about yourselves and how the podium might move us all if we ride together. 2 turntables and a mic recomposed. Maybe.”
Food and Faith in Japan Lecture Series Modernizing Mochi: From Divine Mirror to Frozen Treat
Stimson Auditorium, Seattle Asian Art Museum
Independent anthropologist and artist Julia Harrision will look at the many forms, flavors, and cultural roles assigned to mochi, a traditional Japanese food made of pounded rice, and the technological, historical, and religious factors that influence how mochi is made and consumed.
If you missed the opportunity to take advantage of free admission to SAM and the Seattle Asian Art Museum on First Thursday, don’t fret. This weekend, there are several ways you can come visit us for free!
First Fridays: Admission is free for seniors 62+ the first Friday of every month. (And by the way, teens aged 13-19 get in free every Second Friday from 5-9 pm.)
First Free Saturday Presented by Wells Fargo: On September 3 from 11 am – 2 pm, bring your family to the Seattle Asian Art Museum to create ink drawings with music from the drums played across Asia, including Japan, Korea, India and the Philippines.
Bank of America’s Museums on Us: On the first full weekend of every month, Bank of America cardholders receive free admission at SAM and the Seattle Asian Art Museum.
Blue Star Museum Program: SAM and the Seattle Asian Art Museum are participating with the National Endowment for the Arts, Blue Star Families and over 1,000 museums in the US by offering free admission to military personnel and their families.Over 2,000 people have already come to SAM thanks to this program. Just show your military ID. The military ID holder plus up to five immediate family members (spouse or child of ID holder) are allowed in for free per visit.
If none of these free days apply to you, please remember that admission at SAM and the Seattle Asian Art Museum is suggested, and we welcome you to pay what you can.
Create it, and parade it! Get your masquerade on during SAM’s special evening celebration, March to the Center of the Earth: Community Night Out. Bring a crafty costume or come early to SAM and create your own wearable art in the Chase Open Studio.
Community Night Out kicks off with a 5:30 pm procession that starts at Hammering Man at SAM Downtown, winds down 1st Avenue and returns to the museum for a night of free live performances, drop-in art making, tours and an onsite Soundsuit performance. That night is First Thursday so admission to SAM and the Nick Cave exhibition is FREE.