“[The curators] orchestrated moments of kismet, discovery, and wonder, with space for visitors’ personal revelations as they interacted with the reinstallation.”
Eve M. Kahn has a lively and thorough look for Apollo Magazine of the reimagined museum.
“And given Seattle’s complicated history of changing attitudes toward immigrants and visitors from the rest of the Pacific Rim, Foong [Ping, curator of Asian art] notes, ‘It’s very meaningful to have an Asian art museum in this city.’”
This week’s edition of Real Change features the Asian Art Museum, with this story from Kelly Knickerbocker.
“With the renovated building came an opportunity to start completely from scratch,” Foong said. “People kept asking, ‘Did you just go on holiday when the museum closed?’ It’s quite the opposite.”
The Stranger’s Jasmyne Keimig often takes a look at what’s “Currently Hanging”; here she is on Faig Ahmed’s Oiling, which is now on view in Be/longing: Contemporary Asian Art.
Mayumi Tsutakawa wrote for the South Seattle Emerald about Gather, the Garden Court’s new LED-light installation, which was created by her son, Kenzan Tsutakawa-Chinn.
“Do Sh*t Alone,” says the Stranger’s Jasmyne Keimig, recommending the joys of seeing art, movies, and music solo.
The Seattle Times’ Crystal Paul reviews Excluded, Inside the Lines, the Wing Luke’s exhibition on redlining and housing discrimination in Seattle that closes February 23.
Katie Kurtz interviews artist Dan Webb about his massive foray into stonework; his granite hands will soon grace Sound Transit’s Redmond Technology Station. Very cool visuals by Matt M. McKnight, too!
“They are my hands for a reason. Moving your boulder is a very personal subject and everybody’s got a boulder to move. It’s very literal,” Webb says.
A look back for the #BongHive: Here’s Gary Indiana for Artforum in 2007, reflecting on the “Gogol in Seoul” sensibilities of director Bong Joon-ho.
The New York Times’ Elizabeth A. Harris reports on repercussions from the coronavirus hitting the art world.
Artnet’s Katie White from the frontlines of “bro-ramics”; apparently, Hollywood dudes are really into making ceramics? Of course, it’s a medium that has been dominated by women for centuries.
“The popularity may wax and wane, but I don’t think we’ll return to anything like the material biases that existed in the late 20th century…and Seth Rogen will turn to underwater basket-weaving, eventually.”
Cristofano Allori’s “breakup song” version of the oft-painted Judith and Holofernes.
– Rachel Eggers, SAM Associate Director of Public Relations