Muse/News: The Asian Art Museum debuts, a conductor’s big moves, and exploring Material Art
The Seattle Asian Art Museum reopens to the public this weekend with a free two-day celebration. 10,000 free tickets for the housewarming event have been claimed, but the museum reopens with regular hours on Wednesday, February 12.
SAM welcomed press to see the reimagined and reinstalled museum this week, and the coverage is everywhere, including The New York Times, The Seattle Times, The Art Newspaper, Architectural Digest, Vanguard, Puget Sound Business Journal, and more. Seattle Channel’s CityStream hosted a special edition with guest host Lori Mastukawa from inside the Asian Art Museum, interviewing SAM curators Foong Ping and Xiaojin Wu.
“The larger questions we’re asking for this reopening are, ‘Where is Asia? What is Asia?’” says Xiaojin Wu, the curator of Japanese and Korean art at the museum. “We’re showing how the borders are fluid throughout history.” –From The Art Newspaper
“When the Asian Art Museum opens on Saturday, the architects hope that previous visitors will see their museum in a new light. Says Amada Cruz, CEO and director of the Seattle Art Museum, ‘We could not be more excited to open the doors of the museum and welcome everyone back.’” –Elizabeth Fazzare, Architectural Digest
“With so much to see and contemplate in the Seattle Asian Art Museum, there needed to be space to let the mind wander into a void for a bit. The experience would not be complete without it. The curators and architects all should be commended for seeing through a new vision that will expand audience’s awareness of Asia, but also remind them that the human pursuit of beauty and the sublime is, indeed, timeless and boundless.” –T.s. Flock, Vanguard
Crosscut shares a story—and impressive footage—of Seattle Symphony’s new conductor, Thomas Dausgaard, who “feels the music in his hair.”
The Stranger’s Jasmyne Keimig devotes a recent edition of “Currently Hanging” to Amerocco, one of the incredible pieces in Aaron Fowler: Into Existence, now on view at SAM downtown.
For Seattle Met, Charlie Lahud-Zahner visits the Sea Mar Museum of Chicano/a/Latino/a Culture, and finds catharsis.
“As a Latinx Seattleite often feeling like the last brown unicorn in the Ballard Trader Joe’s, and on the lookout for authentic representation, this south side museum is a godsend.”
Have you checked out Artnet’s Art Angle Podcast? Here’s the latest episode, exploring “How the Art World Fell Under the Spell of the Occult.”
The New York Times’ Fabrice Robinet explores the international meetups TypeThursday, which brings together people who really care about fonts. A lot.
Jennifer Li reviews Allure of Matter for ArtAsiaPacific; the exhibition is now on view at LACMA and heads to SAM this summer.
“With works that emphasized the immaterial, or the breakdown of matter, the exhibition begged the question: how applicable is the term Material Art? It seems that at this early stage, the label may conjure more questions than answers.”