All posts in “Suquamish Museum”

SAM Field Trips: Native Art You Need to See Now

During Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson, the SAM social team took a few Friday afternoon field trips to visit other museums in Washington that are currently exhibiting work by Native artists. If you missed our Instagram stories, here’s a quick round up of a few exhibitions currently on view around the state that are not to be missed.

Museum of Northwest Art

In Red Ink
Through September 23, 2018

Curated by RYAN! Feddersen and featuring art by Asia Tail and Fox Spears, we just had to stop by for more creative output from these artists who have also been involved with SAM during Double Exposure. The collection of art on view offers a range of styles from contemporary Native artists in a variety of mediums by artists hailing from tribes across the extended Pacific Northwest and beyond. Feddersen is the mastermind behind the Post Human Archive, the social media activity that was installed at SAM.

Asia Tail, also a curator (we can’t wait to see yəhaw̓ at the King Street Station opening in January 2019) is the hand behind the words on the Double Exposure website but we hadn’t seen her art previously! Fox Spears is one of the teaching artists offering free Drop-In Studio workshops at SAM (there’s one more workshop on Sunday led by Sondra Segundo before the exhibition closes) and it was so nice to see this work after learning so much about his process!

Tacoma Art Museum

Native Portraiture: Power and Perception
Through February 10, 2019

 

The lens we look through changes everything. In Native Portraiture, Tacoma Art Museum asks the question: What is communicated when an outsider portrays someone from another culture?

In the galleries you will have the chance to see contemporary Native artists representing Indigenous cultures for themselves. These works are interspersed by a few examples of depictions by non-Native artists that romanticize, stereotype, or appropriate Native people and cultures. We recommend spending at least an hour or two in this gallery to fully absorb the impact of this contrast.

Suquamish Museum

Ancient Shore, Changing Tides
Ongoing

Do yourself a favor and enjoy the ferry and short drive that it takes to get to Suquamish Museum. Well designed and chock-full of information, the permanent installation tells a detailed and important story through movement, textures, the forest environment and the symbolic movement of the tide. The objects on view, many never before exhibited, are a combination of works owned by the Suquamish Museum and on loan from Suquamish families and other museums. The way these objects are arranged creates an environment where you will want to spend some time. The museum describes their goal  as an attempt to “displace the modern way of historical contextual understanding. Culture is more than historical events strung together.  The passing of knowledge and values, generation to generation, is the core of Suquamish culture.” Based on our visit, the Suquamish achieves their goal, and then some!

Where your day trips take you, SAM recommends you make the time to visit the wealth of museums in Washington featuring work by Native artists!

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Muse/News: New visions, final bows, and happy little Zzzz’s

SAM News

Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson is now on view! Last week, Kim Holcomb of KING5’s Evening Magazine got a sneak peek of the exhibition, interviewing Barbara Brotherton, SAM’s Curator of Native American Art, and featured artist Tracy Rector.

Brangien Davis of Crosscut looks at both our show and the Deconstructing Curtis show at the Suquamish Museum.

“These added perspectives emphasize that Native Americans are contemporary Americans. They continue to adapt while preserving a long legacy of strength and struggle.”

Fred Wong of The International Examiner interviewed curators Xiaojin Wu and Ping Foong about their transformative vision for the future Asian Art Museum. If you’re a SAM member, hopefully you’ve reserved your spot to hear more at their sold-out Conversations with Curators lecture this Wednesday.

“It promises to be a mixture of old and new treasures: the magnificent Art Deco building, the vast Asian Art collections, and the bold re-imaging of the objects’ stories by Drs. Xiaojin Wu and Ping Foong, the two new treasures at [Seattle Asian Art Museum].”

Local News

After 16 years with the company, dancer Karel Cruz took his final bows with Pacific Northwest Ballet. The Seattle Times’ Moira Macdonald offers this farewell to this “master of partnering.”

Aileen Imperial and Stephen Hegg of Crosscut take us into the growing Ball and House culture of Seattle with this video story.

Here’s City Arts’ Brett Hamil on Chad Goller-Sojourner’s live multimedia memoir, Marching in Gucci: Memoirs of a Well-Dressed AIDS Activist, coming to Langston Hughes Performing Arts Institute June 21–23.

“More than a remembrance of those he lost, it’s an expression of his determination to make art out of those frantic years, in which he fought to save others while doing harm to himself. It’s an account of improbable survival.”

Inter/National News

Happy little Zzzz’s: Laura M. Holson of the New York Times on the voice—which can only ever be described as “dulcet”—that’s now lulling users of the Calm app to sleep.

I miss having Kerry James Marshall’s work on view at SAM, so I enjoyed this Vancouver Sun review of his new solo exhibition at the Rennie. Also, his Vignette (The Kiss), which debuted in Figuring History, sold this week at Art Basel.

Speaking of the Swiss fair “best known for presenting the bluest of blue-chip European art,” Julia Halperin of Artnet notes the eager interest of buyers for works by African American artists.

“It’s great people are interested,” the dealer Jack Shainman says. “But the big question is why did it take so long, and why was it so hard to get here?”

And Finally

Contemporary art space SITE Santa Fe announced the lineup for their SITElines.2018 Biennial in a most melodic way. Could this be the future for press releases?

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view Double Exposure: Edward S. Curtis, Marianne Nicolson, Tracy Rector, Will Wilson at Seattle Art Museum, 2018, photo: Natali Wiseman
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