In 2019 Rachel Kim, SAM’s Curatorial Intern unpacked this painting as part of our Object of the Week series. Kim writes: Daedalus/Upliftment alludes to the Greek myth of Daedalus and Icarus. Daedalus built wings of feathers and wax for himself and his son, Icarus, to escape their prison. Despite Daedalus’ warning, Icarus flew too close to the sun, melting the wax on the wings, falling and drowning in the ocean. Pecou reinterprets this classic tragedy and questions the actions of Daedalus as Icarus’ father. Daedalus/Uplifting provokes a meditation on paternalism and masculinity, in the artist’s own words, through “the breakdown of intergenerational communication and the emotional complexities within the Black male experience that trouble the desire and ability to take flight.”
We highly recommend following Pecou on Instagram to see more of this artist’s paintings and to hear directly from him on his work and current events.
Does this painting make you want to dance?! Artist Lynette Yiadom-Boakye paints her artworks, like this one, in a single day based on her memory or imagination. Its sense of movement may make you want to join in and move! Try to pose or stand like this figure. Make sure you have enough space. Is it hard to pose like this? How long can you hold this pose for? Below is a perspective on this artwork from choreographer Donal Byrd. Give it a listen as you think about the painting and also about dance as an art form. Then do some dancing yourself and see if you can sculpt a pose! Find a one-page lesson plan based on this artwork designed for grades K–2 and translated into English, Spanish, and Chinese in SAM’s Education Resource Center catalogue. There’s more where that came from—check out more Look and Make Lessons on our website!
Movement Activity: Freeze Dance
Pick one of your favorite songs and have a family member or friend begin playing it. Dance around to the music! Move all parts of your body from your fingers to your toes.
Have your family member or friend press pause randomly to surprise you!
When the music stops, freeze! You’ve just struck a pose! Hold it until the music starts playing again.
Press play on the music and pause again when you’re ready to strike another pose. This time try something different.
Art Actvity: Create a sculpture of a person out of aluminum foil!
Cut slits in the foil: One on the bottom for the legs and two at the top for the head and arms.
Squeeze the middle of the foil to make the waist.
Squeeze each leg and arm to make more of a cylinder shape.
Crunch in the foil on top to make a head.
When you’re done, shape it into the pose of your favorite dance move! Remember how it feels to move like this every time you look at it!
Now that the Asian Art Museum has expanded, we can fit this monumental sculpture by Do Ho Suh inside the galleries! Some/One is part of Be/longing: Contemporary Asian Art and while the Asian Art Museum is temporarily closed we are taking you behind the scenes of installing this impressive and important artwork.
Some/One, 2001, represents artist Do Ho Suh’s interest in individual and collective identity. A minimalist sculpture, Do Ho Suh explores how art transforms public and private spaces through a painstaking amount of intricate detail that is not always apparent at first sight but is an integral part of the artwork. Some/One, as the title of the work indicates, juxtaposes the collective—represented by a larger-than-life armor sculpture—and the individual, consisting of life-size shiny-metal dog tags, each unique and representing a single soldier. This allegory is carried forward by contrasting the hard, insensitive character of armor with the delicate aspect of the dog tags, which are made up of thin sheets of metal and embody the poetic symbolism of fallen warriors.
While the Asian Art Museum was closed for renovation and expansion we reimagined the presentation of art to include community perspectives on art works. Below is a reflection on Some/One from artist HollyAnna CougarTracks DeCoteau Littlebull. You might remember her large-scale artwork on view at Arts at King Street Station as part of yəhaw̓. Check out some photos of Bigfoot, the artwork referenced in her statement.
The one thing that people of all races have in common is we have our protectors. My Crow family recognizes me as a warrior, because I used to be a police officer and got shot in the line of duty, and survived. We use either elk hide or buffalo to dress our warriors, which takes on a similar shape, and sometimes paint the rawhide side with the story of that veteran. It’s a way of them owning their story and being able to wear it with pride, but it also has the sad side to it too: the death, the destruction, the pain. With my contemporary artwork, Bigfoot, there are plastic toy natives next to the head, there’s one with the war bonnet on, and he’s representing the warriors in my family. It’s about dealing with the past, with assimilation, with boarding schools, with genocide. Bigfoot talks about the foundation and accepting your past even if it’s ugly. That’s what this artwork does here too. War is not pretty.
– HollyAnna CougarTracks DeCoteau Littlebull, artist
We also include community voices on the free smartphone tour featuring artworks from SAM’s Asian art collection. Listen to musician Deems Tsutakawa discuss this artwork and how he relates to it in his own life.
We worked to represent a variety of voices in presenting Do Ho Suh’s Some/One because the sculpture is about both the individual and collective identities. One of these voices belongs to the artist. In an interview with Art21, artist Do Ho Suh talks about the dream that inspired Some/One.
“I saw this light in the stadium, and so I thought there’s some kind of activity going on. And as I approached the stadium… I walked slowly and went into the stadium on the ground level, and then I see this reflecting surface in the dream. And I realized I was stepping on these metal pieces that were the military dog tags. And it was slightly vibrating; the dog tags were touching each other, and the sound was from that. And from afar, I saw the central figure in the center of the stadium. I slowly proceeded to the center, and then I realized it was all one piece that gradually rose up and formed this one figure…. So, that was the dream and the image that I got. After that, I made a small drawing. The small drawing was about this vast field of military dog tags on the ground and then a small figure in the center…. That was the impact that I wanted to somehow convey through that piece.”
– Do Ho Suh, artist
We are humbled by the generosity of our donors during this unique time. Your financial support powers SAM Blogand also sustains us until we can come together as a community and enjoy art in the galleries again. Thanks to a generous group of SAM trustees, all membership and gifts to SAM Fund will be matched up to $500,000 through June 30!
April showers may bring May flowers, but the passing of the
clouds bring clear nights to see the bright face of the moon. Moon gazing isn’t
an easy task here in the Pacific Northwest, especially with all the rainstorms
and grey days; however, in East Asian countries, Moon Viewing is a popular
mid-autumn festival for celebrating the harvest and contemplating the beauty of
the night sky. In Japan, this is called Tsukimi, and is held on the 15th day to
the 18th day of the eighth lunar month––so, sometime in September or October,
depending on year. In the past it was time to write waka, a form of Japanese poetry, which originated within the
aristocracy. Today, Tsukimi is celebrated all over Japan with displays of
pampas grass and white balls of mochi (sweet rice cakes).
At the Asian Art Museum, we have our own example of Tsukimi revelry in the form of a 19th century hikeshi banten, or a commoner’s fireman coat. Made of tough cotton to impede burning debris, this coat has a surprisingly playful depiction of rabbits on their hind-legs, pounding at a vessel of mochi. Made of glutinous rice, mochi needs to be pounded to make the smooth, stretchy texture for which it is known.
So why rabbits? At first glance it would seem odd to connect
these bunnies to mochi creation, or Tsukimi at all. However, in terms of
mythology, rabbits have a lot to do with both. In the West, we have a fairy
tale about the man in the moon, so created by how the moon’s dark craters seem
to mimic the features of a face. In many Eastern folktales, however, it is not
a human face, but a rabbit. Specifically, it is a rabbit with a mortar and
pestle. In China, this is because the rabbit is a companion to the moon
goddess, and pounds her medicine of immortality. In Japan and Korea, this
rabbit pounds mochi, and has an entirely different reason for being engraved on
the moon. In the Konjaku Monogatarishu, a collection of tales from the
Heian Period, the story is told like this:
A long time ago, the Man of the Moon came down to Earth in secret in the
guise of an old man. There, he came across three friends: monkey, fox, and
rabbit, who had all taken a vow of charity. To them, he begged for food.
The monkey, being nimble, brought him fruit. The fox, being clever,
brought him fish. The rabbit, only able to gather grass, had nothing to offer.
So he asked the old man to light a fire and jumped into it, offering his own
body as a meal.
The old man changed quickly back to the Man of the Moon and pulled the
rabbit from the fire. He was deeply touched by such sacrifice and said “Rabbit,
you are a kind creature, but do not give yourself up for me. As you were
kindest of all, you may come and live with me upon the moon.” The rabbit agreed,
and was carried to his new home. He is still there to this day. If you look up
at the moon, you can see his figure upon it.
Between the flame that the rabbit tossed
himself into, and his associations to the moon and food, it seems a little
clearer why there would be the image of a mochi-pounding rabbit on a fireman’s
coat. The rabbit was miraculously pulled from the flame and provided honor for his
sacrifice––the perfect emblem of protection for a fireman.
Even with social distancing, we can still look up and see the rabbit, pounding away at mochi on the surface of the moon. It makes you wonder if he is an essential worker, too, and whether they have such worries in the night sky. When the Asian Art Museum reopens, you can see this rabbit hikeshi-banten on view in the galleries as a fine example of what would have once defined a fireman.
– Kennedy Simpson, SAM Blakemore Intern for Japanese and Korean Art
Images: Fireman’s coat, 19th century, Japanese, cotton, 49 1/4 x 49 1/4 in., Gift of the Christensen Fund, 2001.417
Since 2001, South Korean artist Jung Yeondoo has visited six different countries to make people’s dreams come true. In his Bewitched series, he asks local people about their wishes for their future and then makes them come true with a pair of photographs: the first, a portrait of the person in their everyday life and the second, showing their dream or fantasy. Bewitched #2 Seoul shows a Baskin Robbins employee at her job next to her dream of going to the Arctic. Her change in clothing, accessories, and setting changes how we see her and shows us a part of her that we might not know about upon first glance. Jung uses costumes, settings, and props to transform a scene from everyday life into the individual’s dream.
Speaking about his inspiration, Jung said in a 2015 profile, “I started this project with an artist’s curiosity about wanting to know about the lives of people you just pass every day,” he said. “It’s not about a happy perspective or a negative perspective . . . It is more about [my] attempts as an artist to communicate with someone else.”
What’s going on in these artworks?
What do you see that makes you say that? What more can we find?
What words would you use to
describe the person in each photograph, based on what they are wearing? Are
there any words that would describe both of them?
Look closely at the image on the
left. What do you think are some things this person does every day? What do you
see that makes you say that? Now do the same for the image on the right.
Why do you think you see the same
pose in both images? What does it feel like to pose in that way?
Take a moment to close your eyes and ask yourself these same questions: What is your dream? What is your fantasy? Who do you want to be? Think about this dream that you have for yourself. In this imagined future, what are you wearing? What are you doing? What are your surroundings? Time yourself for five minutes and free-write or draw any ideas that you have. Don’t worry about making it look or sound good, this is just to document your ideas.
Create a drawing or collage that represents the daily life and imagined dream of someone you know.
Call a friend and ask each other questions to learn more about your everyday lives, just like Jung Yeondoo interviews the people that he works with. Be sure to write down words that describe what they are saying! Here are some example questions:
Where are you right now? What does it look like there? What do you see around you?
What part of your daily routine happens in this space? Describe that routine.
Who else spends time here? Is anyone there now? What are they doing?
Is there anything else that you want to share?
Now, interview each other about your future dreams. This could be three months from now or far into the future. What is your dream? What is your fantasy? Who do you want to be? Keep digging—ask for more details that can help you imagine their dream. Write down more descriptive words as you listen.
For this next part, you can choose to either
Make a drawing!
Divide a blank sheet of paper in half. On the left side, create a drawing of your friend in their current daily life. On the right side, create a drawing of them in their imagined dream.
Tell a story with your drawing—the more details that you can include from the interview, the better!
Make a collage!
Choose a blank sheet of paper or piece of cardboard for your base. You’ll need: old magazines, newspapers, or other printed papers, a pair of scissors, and glue.
Cut out words and images from the magazines that remind you of what you learned about your friend in these interviews. Divide your cutouts into two piles: your friend’s everyday life and their wish for the future.
Draw a line dividing your base in half. On the left side, create a collage using the cutouts related to your friend’s everyday life. On the right side, create a collage using the cutouts related to your friend’s wish for the future.
When you are done, send each other photos of your artwork or exchange them the next time you see each other. What are some things that you learned about yourself and each other in this process?
– Yaoyao Liu, SAM Museum Educator & Lauren Kent, SAM’s Museum Educator for School Programs & Partnerships
Image: Bewitched #2 Seoul, 2001. Jung Yeondoo. C-print photograph. 62 5/8 × 51 9/16 in. (159.1 × 131 cm) Purchased with funds from the Estate of Rosa Ayer, 2016.8.1–2.