SAM News

Peacock in the Desert: The Royal Arts of Jodhpur, India opens to the public this Thursday! The Seattle Times highlighted the free community opening celebration, which will include live performances, an art market, music, and art making.

SAM’s Día de los Muertos Community Night Out on Friday, October 26, is featured as one of “6 free Seattle area events to celebrate” the annual holiday.

Seattle Bride Magazine on the “art of love,” highlighting SAM among its recommendations for the best local museums to host a wedding.

Local News

City Arts’ Margo Vansynghel shares the news that Cornish has awarded its 2018 Neddy Artist Awards to Lakshmi Muirhead (painting) and Timea Tihanyi (open media).

Poet Natalie Diaz was awarded a 2018 MacArthur genius grant; The Stranger’s Jasmyne Keimig wrote about her recent reading at Hugo House, which in part touched on the legacy of Edward S. Curtis.

Tamiko Nimura for Crosscut on Tacoma artist Anida Yoeu Ali, whose sequined “Red Chador” that appeared across the world was recently lost. The artist is mourning the garment as a death—and planning its rebirth.

“Because the work was disrupted she has to come back,” she says, “but in solidarity with other issues that are going on.”

Inter/National News

Hyperallergic’s Zachary Small on the Met’s announcement of next year’s gala exhibition: Camp: Notes on Fashion, a “complete 180-degree turn toward sacrilegious” following last year’s Catholic-themed Heavenly Bodies.

Artnet’s Eileen Kinsella on the long overdue retrospective of Charles White, who inspired notable artists as both an artist and a teacher. Kinsella asks, “why did it take so many so long to learn about him?”

The Studio Museum and the Duke Ellington School of the Arts have announced the gift of over 650 works of art from the collection of Peggy Cooper Cafritz, including works by Kerry James Marshall, Theaster Gates, and Nick Cave.

“Tia Powell Harris, the chief executive of the school, said, ‘It’s as if we will now have direct access to Peggy’s amazing vision, seeing the world’s possibilities as she did.’”

And Finally

Went from makin’ tuna sandwiches to Mickalene’s muse.

– Rachel Eggers, SAM Manager of Public Relations

Image: Shiva and Parvati in Conversation; Shiva on His Vimana (Aircraft) with Himalaya, Folio 53 from the Shiva Rahasya, 1827, Jodhpur, opaque watercolor and gold on paper, 16 1/2 × 45 5/8 in., Mehrangarh Museum Trust, photo: Neil Greentree.

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