#SAMSnippets: Lauren Halsey

In celebration of Black History Month this February, we gave our Instagram followers an up-close look at artworks in Lauren Halsey, on view at our downtown location through July 17. Check back next month, as we choose a new SAM gallery to walk through as part of our live #SAMSnippets series and appreciate art from any location!

Highly attuned to growing gentrification in her neighborhood of South Central Los Angeles, 2021 Gwendolyn Knight | Jacob Lawrence Award winner Lauren Halsey, who studied architecture and art, celebrates Black culture by making space for representations of the people and places around her as a method of creative resistance. In her installation at SAM, the artist shows works in which proud declarations of Black-owned businesses intermingle with images of Egyptian pyramids, the Sphinx, pharaohs, and queens, all drawn from a personal archive Halsey has developed through research and community interactions.

Photo: Natali Wiseman.

The tour begins with a look at four carved gypsum relief panels which line the perimeter of the gallery. These four works—all untitled and created between 2019 and 2022—are reminiscent of temple walls. Each of these panels features fictional advertisements for local Black-owned businesses in South Central Los Angeles.

The final work shown in the video acts as the centerpiece to the gallery. This large-scale sculpture of colorful boxes stacked atop one another represent the metaphorical building blocks for future architecture while resonating with imagery from the past.

Photo: Natali Wiseman.

Through her archive and daily life, Halsey strives to record the unique expressions of her neighborhood before the forces of capital erase them. Placing these hyperlocal portraits, signs, and imagery in the context of real and imagined histories, the artist remixes ancient and contemporary cultures into a unifying vision.

– Lily Hansen, SAM Marketing Content Creator

Video Artworks:Untitled, 2020, Lauren Halsey, born 1987, hand-carved gypsum on wood, 48 x 48 x 2 7/8 in., © Lauren Halsey, Courtesy of the artist and David Kordansky Gallery, Los Angeles. Untitled, 2019, Lauren Halsey, born 1987, hand-carved gypsum on wood, 48 x 48 x 2 7/8 in., © Lauren Halsey, Courtesy of the artist and David Kordansky Gallery, Los Angeles. Untitled, 2020, Lauren Halsey, born 1987, hand-carved gypsum on wood, 95 1/4 x 71 3/4 x 3 in., © Lauren Halsey, Courtesy of the artist and David Kordansky Gallery, Los Angeles.
Untitled, 2022, Lauren Halsey, born 1987, hand-carved gypsum on wood, 48 x 48 x 2 7/8 in., © Lauren Halsey, Courtesy of the artist and David Kordansky Gallery, Los Angeles. We Are Still Here, 2021, Lauren Halsey, American, born 1987, acrylic, enamel, metallic leaf, and CDs on Gator Board and wood, 108 × 103 × 41 1/4 in., © Lauren Halsey, Courtesy of the artist and David Kordansky Gallery, Los Angeles.

Muse/News: Halsey on View, Cat Towers, and P-Funk Approval

SAM News

Now on view at SAM: the solo exhibition for Lauren Halsey, the 2021 recipient of the SAM’s Gwendolyn Knight | Jacob Lawrence Prize. Artdaily announced the show, and family-focused Tinybeans included the show on their list of 13 Ways Families Can Explore Black History in Seattle.”

Northwest Asian Weekly has a mention of Embodied Change: South Asian Art Across Time, the inaugural exhibition by SAM’s first-ever curator of South Asian art. It’s now on view at the Seattle Asian Art Museum.

Local News

The Seattle Times’ Grace Gorenflo on the journalists of color who have joined Seattle’s KING5 in recent years, filling the shoes of the trailblazers who came before.

Here’s Berette S. Macaulay on “The Poetics of Barbara Earl Thomas” for the University of Washington College of Arts & Sciences webpage. The book for her recent solo show at SAM is available at SAM Shop.

Crosscut’s Margo Vansynghel joins fellow art critics in experiencing a new installation of cat towers at the Museum of Museums.

“On a recent Sunday afternoon, three art critics sniffed, prowled, jumped and climbed their way through a new exhibit. Khione gravitated to a colorful installation featuring cloth orbs and plastic linked chains. Oliver climbed on top of an austere, spiraling sculpture made out of 4x4s, plywood, masonite and carpet. And Luna sat in a small separate room, processing her impressions.”

Inter/National News

Via Artnet: Another Super Bowl “friendly wager” of art sees a Robert Henri painting from the Cincinnati Art Museum heading to LA’s Huntington Library. SAM’s adventures in Super Bowl-ing in 2014 and 2015 are mentioned.

Tatler names “4 Power Couples of Design” from history, including the architects of the 1991 Seattle Art Museum building, Denise Scott Brown and Robert Venturi.

The New York Times’ T Magazine interviews the legendary George Clinton; he mentions Lauren Halsey as a current inspiration.

“Halsey said it was one of her dreams in life to design a stage for Clinton to perform on that would match the scale of the maximalist P-Funk concerts of the 1970s. And why not? If nothing else, Clinton’s career has been an ongoing argument that anything is possible. He  has a handful of live performances on the horizon, and when asked if he was planning to ever go back on tour, Clinton responded, ‘Oh, hell, yeah.’”

And Finally

An adieu to Café Presse from Bethany Jean Clement.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Natali Wiseman.

SAM Art: Quietly powerful

A gifted storyteller, Carrie Mae Weems creates arresting photographs that stage a cinematic narrative revealing a woman in a series of everyday scenarios, dramatically played out around a kitchen table. This woman is Weems herself, poignantly interpreting scenes from an invented love story. Weems takes as her subject the kitchen, the heart of a home, fleshing out the daily dramas that typically occur in this well-trafficked domestic space.

The new installation, In a Silent Way, presents images that quietly reflect on African American identities and histories. Alongside works by Roy DeCarava, David Hammons, Glenn Ligon and Rashid Johnson, four images from Carrie Mae Weems’ Kitchen Table  series are highlighted.

Untitled (Playing harmonica) from the Kitchen Table series, 1990/1999, Carrie Mae Weems (American, born 1953), gelatin silver print, 28 x 27 ¾ in., Gift of Vascovitz Family, 2012.13.1, © Carrie Mae Weems. Currently on view in In a Silent Way, Jacob Lawrence and Gwendolyn Knight Lawrence Gallery, third floor, SAM Downtown.
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