Muse/News: Calder Surprises, Cultural Space, and Native Knowledge
SAM News
“A tender new show at the Seattle Art Museum will delight and surprise Calder newbies and connoisseurs alike.” Margo Vansynghel of The Seattle Times reviews Calder: In Motion, The Shirley Family Collection, which is curated by José Carlos Diaz, SAM’s Susan Brotman Deputy Director of Art. The review appeared in print in the Sunday edition.
“These days, so many institutions find themselves competing with the tumult on our screens or with immersive “museums” where visitors take selfies in front of LED walls. Here, nothing shouts. You can take these sculptures in all at once, but consider taking your time to follow the minuscule movement of a small perforated disc or a wispy metal petal as they react to the movements of our bodies in space. Your patience will be rewarded.”
Crosscut’s Brangien Davis featured the Calder exhibition in her ArtSEA post, sharing details about Calder’s Seattle connections and collector Jon Shirley’s assertion that “everything looks better here than in our house.”
“Calder wasn’t a fan of imposing “meaning” on his works, preferring instead that they be experienced in the moment—enjoyed for their… physicality and wonder. You’ll have plenty of chances to do so, as this show is the first in a Shirley-funded plan for annual exhibits, programming, and collaborations, including with artists influenced by Calder.”
And Kurt Schlosser of Geekwire spoke with collector Jon Shirley about the former Microsoft executive’s love of in-person art.
“Shirley said Calder’s hands-on creation of art always appealed to him, and while artificial intelligence is a big deal at Shirley’s former company and across the tech and cultural landscape, art remains a physical creation in his view.”
Local News
Grace Madigan of KNKX reports that ArtsWA has approved grants for 17 arts programs serving military communities and veterans.
Seattle Met names The Boat its “Restaurant of the Year” for how sisters Quynh and Yenvy Pham brilliantly renewed their family’s restaurant’s history as Seattle’s first pho shop.
Dominic Gates of The Seattle Times shares news of another exciting opening event: a new cultural hub for five youth-focused community organizations in the historic King Street train station.
“Olisa Enrico, executive director of the Cultural Space Agency that developed the project, called it ‘a new home here for young artists to thrive, a safe haven for artistic expression.’ It will feed the ‘dreams of young minds, who will find inspiration and a sense of belonging here,’ she told the diverse audience. ‘You belong here.’”
Inter/National News
Via Andy Battaglia of Art in America: “Nicholas Galanin’s Pointed Public Sculpture Inspires Glorious Noise in New York.”
“In quiet yet scrupulous detail, the exhibition asks how the US National Park Service (NPS) shapes the narratives it tells about this country and the lands it claims”: Alexis Clements for Hyperallergic on a new show at LA’s Center for Land Use Interpretation (CLUI).
Taylor Defoe invites Jaida Grey Eagle to highlight four key works now on view in an exhibition she guest-organized: In Our Hands: Native Photography, 1890 to Now at the Minneapolis Institute of Art.
“‘I don’t look at this as a beginning,’ Grey Eagle said, alluding to the colonialist logic of racing to be the first to put a name on something. ‘I look at it as an acknowledgment. There have been many people who have dedicated their lives to this medium and I don’t ever want to erase their work.’ The show, she went on, is about ‘honoring the knowledge that has been there and that museums have failed to support.’”
And Finally
Another gem from the Calder Foundation archives: “From the Circus to the Moon” (1963) by Hans Richter.
– Rachel Eggers, SAM Associate Director of Public Relations
Installation view of Calder: In Motion, The Shirley Family Collection, Seattle Art Museum, 2023, © 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York, photo: Alborz Kamalizad.
