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Tour Public Art with Jinny Wright

While you can’t visit City of Tomorrow: Jinny Wright and the Art That Shaped a New Seattle currently, you can still experience the artful legacy left behind by Jinny Wright. Discover outdoor art in Seattle with this tour of public art acquired or commissioned by The Virginia Wright Fund. The fund was created for Jinny by her father Prentice Bloedel in 1969. Jinny stated, “Commissioning works of art for public spaces was unheard of in the late ’60s.”

Follow along to see the outdoor art that shaped a new Seattle through the initiative of Jinny Wright.

Broken Obelisk, Barnett Newman, (1963-67)
University of Washington

The representation of the obelisk as broken and inverted is intended as protest and critique of power and colonial ambition. It’s as resonant today as it was in the midst of the Vietnam War when the artist created the work.

Iliad, Alexander Liberman, 1984
Seattle Center

See this piece from all angles by walking both around and through the portal of this bright red constellation of circular forms.

Moses, Tony Smith, 1975
Seattle Center

Originally commissioned as a plywood maquette in the 1960s by the Contemporary Art Council—another brainchild of Jinny Wright—the welded steel piece, coated in black paint was realized with the help of the Wright Fund.

Wandering Rocks, Tony Smith, 2016
Olympic Sculpture Park

Make sure to walk around this five-part installation for a sense of how the artist plays with volume and perspective and geometric forms.

Bunyon’s Chess, 1965 & Schubert’s Sonata, 1992, Mark di Suvero,
Olympic Sculpture Park

Jinny Wright greatly admired Mark di Suvero. Bunyon’s Chess was Jinny’s first private commission made for her garden in the 1960s, while Schubert’s Sonata was commissioned by Jinny and the museum to be installed at the edge of Puget Sound.

Adjacent, Against, Upon, 1976, Michael Heizer
Myrtle Edwards Park

This art by Michael Heizer combines cast concrete forms and granite slabs quarried in the Cascade Mountains.

Curve, Ellsworth Kelly, 1981 & Split, Roxy Paine, 2003
Olympic Sculpture Park

Head to the PACCAR Pavilion and you’ll spot two more works from Jinny’s personal collection. Ellsworth Kelly’s Curve is installed on the entrance wall to the Pavilion and Roxy Pain’s stainless steel tree Split can be seen in the meadow below.

Hammering Man, Jonathon Borofsky, 1992
Seattle Art Museum

Conclude at SAM’s downtown location where the Hammering Man hammers 24/7, only resting once a year on Labor Day. This piece was commissioned for In Public: Seattle 1991 and supported by the Wright Fund.

Extend your tour to Western Washington University in Bellingham for a campus sculpture tour—Jinny’s Wright Fund brought spectacular commissions by artists such as Nancy Holt, Bruce Nauman, Richard Serra, and Mark di Suvero to campus for all to enjoy.

Images: Hammering Man (detail), 1992, Jonathan Borofsky, Seattle Art Museum 1% for Art funds, Museum Development Authority, Virginia Wright Fund, and Seattle City Light 1% for Art funds, photo: Natali Wiseman. Mark di Suvero, painted and unpainted steel, height: 22 ft., Gift of Jon and Mary Shirley, The Virginia Wright Fund, and Bagley Wright, 95.81, © Mark di Suvero. Adjacent, Against, Upon, 1976, Michael Heizer, National Endowment for the Arts, Contemporary Art Council of the Seattle Art Museum, Seattle Arts Commission, Seattle City Light 1% for Art funds, photo: Spike Mafford. Curve XXIV, 1981, Ellsworth Kelly, American, born 1923, Gift of the Virginia and Bagley Wright Collection, in honor of the 75th Anniversary of the Seattle Art Museum, 2016.17.2, © Ellsworth Kelly. Split, 2003, Roxy Paine, American, born 1966, Gift of the Virginia and Bagley Wright Collection, in honor of the 75th Anniversary of the Seattle Art Museum, © Roxy Paine.

Get to know SAM’s VSOs: Sara Salvador

A Seattle native, Sara Salvador grew up surrounded by the fishing business and a love for the outdoors. Wanting to stay in state for college, she attended Western Washington University in Bellingham, WA, spending the majority of her time in the library or going on outdoor adventures. After earning her BA in History and Political Science, Sara moved back to Seattle, balancing working at SAM and a local law firm.

SAM: Seeing Nature: Landscape Masterworks From The Paul G. Allen Family Collection opened February 16 and runs until May 23. As our latest special exhibition, Seeing Nature has a lot to offer. What is your favorite piece in the exhibition?

Sara: This is a hard question because the entire exhibition is breathtaking. If I had to choose, it would be Gerhard Richter’s Apple Trees piece. Photo-paintings have always fascinated me because photography is one my side hobbies and I love the idea of combining two different art styles to create something new. Whenever I am in the gallery, I am always in awe of this piece.

What is your favorite piece of art currently on display at SAM?

Definitely Albert Bierstadt’s Puget Sound on the Pacific Coast. I fell in love with it when I first saw it because Bierstadt did a spectacular job capturing the famous PNW scenery. Additionally, it is impressive how the painting was from Bierstadt’s imagination because it looks like you can find this “scene” anywhere in the PNW.

Who is your favorite artist?

I recently discovered Gian Bernini after a friend showed me his famous Ratto di Proserpina. The statue is beyond amazing and there is so much detail involved. The Veil is also stunning and looks so realistic that I cannot believe it is made out of marble. Ancient sculptures are my favorite because of the amount of detail on such a hard surface.

What advice can you offer to guests visiting SAM?

Take your time! SAM has so much to offer when it comes to art and history. Spend time with the art and if you have any questions or insights, don’t be afraid to share it with a VSO. I always appreciate learning something new from a patron about an art object.

Tell us more about you! When you’re not at SAM, what do you spend your time doing?

Now that I am a college grad, I’ve been finding ways to keep myself educated and busy. So usually you can find me in a coffee shop reading or on my laptop researching whatever interests me. Sometimes if the weather is nice, I adventure around the city and discover new places to eat because I love food. Recently, I have been working at my grandparents’ shop, Linc’s Tackle, it’s been around since 1950. If anyone needs fishing equipment, check out my grandparents’ shop!

Katherine Humphreys, SAM Visitor Services Officer

Photo: Natali Wiseman