All posts in “News”

Muse/News: Wrapping up, bobbling macarons, and going to camp

SAM News

That’s a wrap on Jeffrey: Gibson: Like a Hammer. As a farewell, here’s Emily Zimmerman interviewing the artist for BOMB Magazine.

“I needed to let go of whether I was an artist or not, and I needed to pursue the things that I want to see existing in the world that don’t exist. What are the things that would leverage this world that didn’t meet my expectations?”

Celebrated Brazilian artist Regina Silveira has debuted a new site-specific installation at the Olympic Sculpture Park’s PACCAR Pavilion called Octopus Wrap. A glimpse of the installation process was captured by the Seattle Times’ Alan Berner. Seattle Met and Crosscut also previewed the installation, which features a series of tire tracks wrapping around the walls, windows, and floor of the building, looking like the arms of an octopus.

“The startling change to the familiar park building embodies elements of play, but also reminds us of the luxury of presuming our surroundings will always stay the same.”

And Smithsonian Magazine featured the sculpture park on their round-up of the “world’s most spectacular sculpture parks.”

Local News

Seattle’s Office of Arts & Culture announced that Christopher Paul Jordan has been selected to create the centerpiece artwork for the planned AIDS Memorial Pathway project on Capitol Hill.

Crosscut’s Agueda Pacheco Flores and South Seattle Emerald’s Jessie McKenna both wrote up Alexis Taylor’s Black Among Other Things, an installation at AURA in the Central District about her experiences as a Black woman.

The art of food: Chef Brady Williams won Best Chef in the Northwest at James Beard Awards; the Seattle Times’ Bethany Jean Clement recently picked up a shift at Canlis to learn about their legendary service.

“By the top of the stairs, the macaron begins to bobble; on the penultimate step, it leaps to its death, in its final act somehow managing to shatter on the soft carpeting. A man seated at one of Canlis’ well-spaced, snowy-white-linened tables regards me with a mixture of pity and horror.”

Inter/National News

But is it CAMP? The Met’s latest exhibition—and attendant over-the-top Gala—has everyone reaching for their undergrad copy of Sontag. Here are some thoughts.

The Museum of Contemporary Art (MOCA) announced this week that Mia Locks will be their new senior curator and head of initiatives; interestingly, they don’t have plans to hire a chief curator to replace Helen Molesworth.

Nadja Sayej for the Guardian on Augusta Savage: Renaissance Woman, now on view in New York, which traces her work as a “trailblazer of African American arts.”

“She said her legacy is in the work of her students,” notes Ikemoto. “Even when they didn’t have money to buy their own art supplies, she let them use hers. She often said, ‘I know much I was put down and denied, so if I can teach these kids anything, I’m going to teach it to them.’”

And Finally

Can we please do something now?

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of “Regina Silveira: Octopus Wrap”, 2019, Seattle Art Museum site-specific installation, photo: Mark Woods.



Share

Muse/News: A piping hot cuppa at SAM, fruity art in Seattle, and lots of milk punch

SAM News

Thank u, next: Seattle press reflected on the year (was it just a year?) that was 2018. Both Seattle Magazine and The Seattle Times gave shout-outs to Double Exposure, SAM’s major summer exhibition that explored the complicated legacy of a celebrated photographer and the dynamic present of Indigenous arts.

SAM’s recently debuted installation Claire Partington: Taking Tea was featured in both Art & Object and Fresh Cup Magazine.

“Through her use of material and symbolism, Partington explores the multi-faceted history of the international tea trade, including issues of appropriation, colonialism, slavery, and the gendered roles associated with tea.”

Also now on view: Body Language, a small but nuanced installation exploring the power of gesture. Seattle Met gave it a recommendation.

And the Seattle Times looks ahead to the “hottest Seattle events for January 2019,” recommending SAM’s film series The Magic Lantern of Ingmar Bergman (if you don’t know Bergman, now’s your chance!) and Tasveer’s first-ever South Asian Literary Festival, for which SAM’s Gardner Center for Asian Art and Ideas is a partner.

Local News

Watch this video by Crosscut’s Jen Dev on Franklin High School’s Arts of Resistance & Resilience club, which just completed a 40-foot-long mural honoring the 50th anniversary of the Seattle Chapter of the Black Panther Party.

A response to the carb-laden winter? Two shows about fruit are now on view; Seattle Met’s Gwen Hughes reviewed the FoodArt Collection’s and The Stranger’s Jasmyne Keimig wrote up the Jacob Lawrence Gallery.

The Seattle Times’ Crystal Paul visits Edgar Arceneaux’s Library of Black Lies, now on view at the Henry, noting that it “invites endless interpretation.”

“As you move through the labyrinth, things become simultaneously clearer and muddier. You encounter real books, fake books and books half-obscured. You have to look closely to tell what’s real, and even then, you’re not always certain.”

Inter/National News

Artsy’s Jackson Arn on “the short, unhappy career” of Elizabeth Eleanor Siddall, an artist and muse of the Pre-Raphaelite Brotherhood; we’ll hear more about this group’s exploits in SAM’s summer 2019 major exhibition Victorian Radicals.

In This Imperfect Present Moment artist Toyin Ojih Odutola created one of her signature ballpoint pen portraits of Aretha Franklin for the New York Times Magazine’s annual “The Lives They Lived” issue.

Hyperallergic’s Jasmine Weber on a recently discovered silent film, Something Good, which is believed to be “the earliest cinematic depiction of affection between a Black couple.”

“This artifact helps us think more critically about the relationship between race and performance in early cinema,” Field tells UChicago. “It’s not a corrective to all the racialized misrepresentation, but it shows us that that’s not the only thing that was going on.”

And Finally

He contained multitudes—and lots of milk punch, apparently. How the New York Times traced the final days of Uncle Walt.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Body Language at Seattle Art Museum, 2018, photo: Natali Wiseman
Share
Share