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Muse/News: A SAM Anniversary, Native Entrepreneurs, and the Black Romantic

SAM News

The downtown Seattle Art Museum will reopen to the general public on March 5, just in time for the special exhibition, Jacob Lawrence: The American Struggle. We’re also working behind the scenes for when we can reopen SAM’s Asian Art Museum in Volunteer Park. Take a look back at the exciting renovation and reimagination of the building, which debuted almost one year ago.

Local News

KUOW’s Ross Reynolds checked in with museums around the region on how they’re adapting to the pandemic, including the Kittitas County Historical Museum, the National Nordic Museum, and the Cowlitz County Museum.

The Seattle Times’ Megan Burbank reports on big news for the Seattle gallery scene: After 37 years, Greg Kucera will retire and move to a small French castle, selling the gallery to trusted employees.

Crosscut’s Margo Vansynghel catches up with Louie Gong of Eighth Generation, which was purchased by the Snoqualmie Tribe in 2019, and their thriving business producing Native-designed wool blankets.

“When people imagine a Native company, they imagine a small company, the aunties weaving,” [Gong] says. “They’re focused on Native people being craftspeople, not entrepreneurs building a thriving business[…]by using cutting-edge technology to produce textiles in-house, we’re sort of meeting this expectation halfway and then bringing it to where we want to be, which is that our Native-owned brand can be a global success.”

Inter/National News

Via Artnet: “A Viking Archaeologist Shares 6 of the Most Fascinating Finds From a Slew of Recent Discoveries Made in Melting Ice.”

Sarah Bahr for the New York Times on the Chicano Art Museum, opening this fall in Riverside, California and featuring artworks from actor and comedian Cheech Marin’s large collection.

Jasmine Sanders on the Black Romantic for Artforum.

“The first piece of art my aunt ever purchased for herself, Mobassi’s canvas hangs in her living room still. The piece embodies Artistic Impressions’ predominant aesthetic, a style that came to be known as the Black Romantic: representational, mixed media, superlative in its sentimentalism and in an unambiguous race pride owed to a glamorized, monarchical African past.”

And Finally

Learn more about Robert S. Duncanson.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Natali Wiseman

Muse/News: Support for SAM, Intiman’s Next Stage, and Lost Art Found

SAM News

Looking out from a place that looks out: The Stranger’s Jasmyne Keimig considers Louise Bourgeois’s Eye Benches at the Olympic Sculpture Park.

“It’s a dreamy experience to sit on the back of an eye. A surreal proposition that makes your observations of people, sky, park, and mountain so literal.”

Last week, the Seattle arts community received very welcome news: The Friday Foundation has gifted $9 million to nine organizations in the Seattle arts community, including the Seattle Art Museum. The foundation honors the lives and legacies of the late Jane Lang Davis and Richard E. Lang, inspired collectors and supporters of the arts. The Seattle Times and KUOW both announced the news.

Local News

For International Examiner, Danielle Quenelle reviews two Pioneer Square shows: Lakshmi Muirhead at J. Rinehart Gallery and Humaira Abid at Greg Kucera Gallery.

Crosscut’s Agueda Pacheco Flores reflects on how the pandemic has changed her role as an arts writer, and how she’s witnessed the resiliency of Seattle’s arts scene.

Intiman Theatre has a new home after eight nomadic years; it will become theater-in-residence and leader of a new program at Seattle Central College. The Seattle Times’ Brendan Kiley reports on the unique arrangement.

“‘If you look at the mission of the Seattle colleges and the mission of Intiman, they are so well aligned,’ [Sheila] Edwards Lange said. ‘I hope this will change the face of theater not only in our city but across the country.’”

Inter/National News

“A work you may not know—but should.” Artnet’s Katie White with a close reading of an oil pastel by Hollis Sigler. Another work by the feminist artist is currently on view at SAM in the installation, On the Edge.

Deana Lawson has won the Guggenheim Museum’s Hugo Boss Prize, reports ARTnews. She is the first photographer to win the $100,000 award.

Thrilling news: One of the five missing panels from Jacob Lawrence’s Struggle series has been found. Visitors will be able to see the newly discovered panel along with the others when SAM presents The American Struggle next spring.

“Last week a friend of mine went to the show and said, ‘There’s a blank spot on the wall and I believe that’s where your painting belongs,’ ” she continued. “I felt I owed it both to the artist and the Met to allow them to show the painting.”

And Finally

Jam not to scale.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Eye Benches I, 1996-1997, Louise Bourgeois. black Zimbabwe granite, 48 3/4 x 53 x 45 1/4 in., Gift of the artist, in honor of the 75th Anniversary of the Seattle Art Museum, 2005.113.1-2 © Louise Bourgeois, photo: C.E. Mitchell