All posts in “Akio Takamori”

Installation view of European art galleries at Seattle Art Museum, 2017, photo: Natali Wiseman.

Muse/News: Arts News from SAM, Seattle, and Beyond

SAM News

Like the suddenly falling leaves, fall arts happenings are swirling all around. The Stranger offered their “complete guide” to the best of October—including SAM picks like Andrew Wyeth: In Retrospect, the Jean-Pierre Melville film series, and the (sold out!) Diwali Ball.

Noted architect Tom Kundig leads a tour of the best Seattle architecture in this CNN Travel video; the Olympic Sculpture Park is one of his picks.

We enjoyed this Architects Newspaper salute to Denise Scott Brown on her 85th birthday; in which they share notable stories of her general awesomeness. Scott Brown—along with her partner, Robert Venturi—designed the original Seattle Art Museum that opened in 1991.

“There’s a million ways to be a woman. There’s a million ways to be a mother. And there’s a million ways to be an architect.” –Denise Scott Brown.

Local News

Watch this lovely KCTS tribute to ceramicist Akio Takamori, featuring interviews with his former UW colleagues and students, including Patti Warashina and Jamie Walker. His Blue Princess (2009) is currently on view at SAM.

“The boundary between the figurative and the abstract is erased in curious ways,” says the Seattle Times’ Michael Upchurch in this glowing review of the Frye Museum’s two new photography shows.

Farewell to Jon Rowley, the “fish missionary” whose art form was teaching us to appreciate perfect things like Copper River salmon and Olympic oysters.

Inter/National News

Author Kazuo Ishiguro was awarded the 2017 Nobel Prize in Literature. You really need to read Tacoma bookseller/Ishiguro Superfan Kenny Coble’s tweetstorm when he heard the news.

The Art Newspaper takes you inside two new recently opened museums: the Zeitz Mocaa in Cape Town and the Yves Saint Laurent museum in Paris.

What’s the most iconic artwork of the 21st century? Artnet asked experts to weigh in. Mentioned: Mickalene Thomas’s Le Déjeuner sur L’herbe: Les Trois Femmes Noires, coming to SAM’s walls in February as part of Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas.

And Finally

We can now listen to ripples in space-time. (Really!)

– Rachel Eggers, Public Relations Manager

Image: Installation view of European art galleries at Seattle Art Museum, 2017, photo: Natali Wiseman.
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Docents Defined: Celeste Ericsson

Get more intimate with SAM’s collection by becoming a docent! Docents will learn about our global collection of artwork and then share their knowledge and passion for art with a diverse range of visitors. No experience necessary! SAM docents have a wide range of reference points and experiences that they each bring to the art in SAM’s collection and that is what makes our public tours so unique. Making room for new perspectives is how we continue to offer engaging and informational tours throughout the year. Here’s a chance to get to know Celeste Ericsson, just one of our many docents who volunteers their time at the museum. Are you interested in becoming a SAM docent and leading tours of the museum? Apply now! Applications are accepted through July 12 and new docents start training in fall 2017!

SAM: Tell us about yourself. Why did you become a docent?

Celeste Ericsson: I’ve always loved art museums ever since I was a child growing up in New York City. My favorite New York museums were/are the Metropolitan Museum of Art and the Cloisters. I have always been interested in history in general, and in symbolism/iconography. As an illustrator and a graphic designer, a knowledge of art history and art movements both inspires me and helps me to communicate in my artwork.

What’s the best part of being a docent?

I get to share my interests with others, and I love doing it with kids. I’m constantly adding their insights to my tours. I do like talking with adults also. In order to communicate clearly, I have to figure out the most important things I believe about art and art philosophy. And in order to make things relevant I need to figure out the connections and the contexts for the art I’m touring so that the pieces do not become disembodied objects. In other words my docent work clarifies my own understanding of art.

What work of art is your favorite to tour?

The works of art that are my favorite to tour definitely differ from the works I’m personally drawn to. I’m drawn to the Archaic Greek Antefix with Medusa or Akio Takamori’s Blue Princess. For art to tour I liked Cai Guo-Qiang’s Inopportune Stage One, definitely a favorite before it was deinstalled last winter. Aesthetically, I found it horrifying, but it tells the story of art so clearly. I can’t think of even one class that it did not connect to, or who failed to figure out the story of a car flipping and exploding.

I’m finding that kids are really drawn to John Grade’s Middle Fork also. My favorite description from a third grader is that it looks like a Jenga game.

What’s your most memorable touring experience?

My favorite touring experience lately was Jacob Lawrence’s Migration Series for kindergarten, no less. I hadn’t expected the kids to get it, but the themes of having to leave home and everything familiar, and the theme of fairness really resonated with them. They created the most amazing drawings afterwards. A couple were very personal, and the kids were kind and appreciative of each other’s creations.

What advice do you have for people considering applying to the docent program?

This is a hard one to answer, but I’d say to be in it for how art can be inspiring. Really try to find those paths of wonder and fun for the kids. Discover your own genuine voice. Finally, it’s great to not take oneself too seriously, and to have a sense of humor.

– Kelsey Donahue, Museum Educator, School & Educator Programs

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