TAG Talks: An Ancient Tour of Achaemenid Arts and Culture

SAM’s Teen Arts Group (TAG) is an intensive internship program for high school-aged youth who are eager to learn about themselves and the world through art, and are excited to make SAM a fun and engaging space for teens. TAG members meet weekly from October to May to learn about the behind-the-scenes work of an art museum, lead engaging gallery tours, plan Teen Night Out, and so much more. TAG Talks is an ongoing SAM Blog series on SAM Blog that serves as a space for SAM’s teen leaders to express themselves and their love of art. Keep up with all TAG adventures by following @samteens on Instagram and stay tuned for more TAG Talks to come!

I’m assuming you are confused as to what is happening. Where you are, how you will get back, why you are here, all these questions are dancing in your mind. It’s okay, all will make sense in due time. Here are the basics we should begin with. Yesterday, on your way home from work, you stumbled upon a rectangular, wooden box. The box had the symbol of a lion and a sun engraved on its wooden exterior. Naturally curious, you opened the box and saw spinning gears. The gears seemed to get faster as you continually observed them. That can’t be right; there was nothing powering the box. Yet it was. The gears kept accelerating until they vanished completely and the box was left empty. Confused, you placed your hand inside. This was the turning point. 

Sucked into a cloud of debris, your senses blurred, losing contact with the physical realm. The sensation of disconnect lasted for five or so minutes. Covered in dust, you tumbled to the foot of an elderly woman dressed in robes draped in sweeping folds. Are you beginning to remember now?

I am the woman you met. I welcome you to the sixth century BC Achaemenid Empire. You are one of the first to make it here successfully. I know you may be scared; the Greeks painted our history to be uncivilized compared to their own. Under Cyrus the Great however, our reign has promoted religious tolerance and human rights regardless of nationality. We also contributed to innovations in commerce and trading networks, as well as funding for public works to improve the lives of our people. But that’s all textbook information I doubt you care for. Your purpose here is to travel and explore, that’s it. You’ll be home before you realize, so make the most of your stay.

Our empire is in the lands you now call Egypt, Eastern Europe, and east of Asia to the Balkans. It will go on to be considered one of the largest empires of the ancient world. Even as a resident, I can’t help but marvel at the sheer magnificence of what we have. While you’re visiting, I recommend you see Persepolis, the ceremonial capital of our empire. Thank goodness you are arriving in the springtime. Due to the remoteness of the region, travel is often difficult here during the rainy Persian winters. The mountainous terrain, however, allows the city to remain a secret from the outside world, protecting our art, artifacts, archives, and royal treasury.

Here you’ll also find residential quarters, a treasury, and ceremonial palaces. One palace you can’t miss is the Apādana Receiving Hall. Built by Darius I, the roof of the structure is supported by 72 columns each standing at 24 meters, with the whole palace having the footprint of 1,000 square meters. The column capitals are either twin headed bulls, eagles, or lions to represent authority and kingship. The monumental stairways on the North and East sides depict 23 subject nations bearing gifts to the King. If you tell the King I sent you, he will take you as a guest. Don’t forget to bring some form of tribute though. A cypress tree will do.

One final thing – you will need money and proper clothing. I will give you some gold coins known as daric. Use these at the market and buy yourself some long robes. As the palace welcomes you, you shall be greeted with lavish feasts, drinks, and games. Do wander into the sensuous gardens and hunt if you so please. Alright, now I believe my job here is done. I recommend you embrace the chaos and uncertainty this land will reveal. I’ll send you the box once when you’re ready to go. I wish you the best on your journey. 

– Smriti Tiwari (she/her), 16, Second-Year Teen Arts Group Leader

Photos: Chloe Collyer.

TAG Talks: A Well-Known Wave and My Newfound Appreciation

SAM’s Teen Arts Group (TAG) is an intensive internship program for high school-aged youth who are eager to learn about themselves and the world through art, and are excited to make SAM a fun and engaging space for teens. TAG members meet weekly from October to May to learn about the behind-the-scenes work of an art museum, lead engaging gallery tours, plan Teen Night Out, and so much more. TAG Talks is an ongoing SAM Blog series on SAM Blog that serves as a space for SAM’s teen leaders to express themselves and their love of art. Keep up with all TAG adventures by following @samteens on Instagram and stay tuned for more TAG Talks to come!

The iconography of the woodblock print Under the Wave off Kanagawa by Katsushika Hokusai, commonly referred to as the Great Wave, is omnipresent.

I was initially turned off by the Great Wave’s ubiquity in the public sphere. Growing up surrounded by lovers of niche art, the Great Wave never struck me as anything special. It’s become so commercialized that even my friends far outside of the art scene have tote bags or stickers sporting the iconic image. Thinking its presence in the media was tacky and overused, I failed to truly look closely or consider the print’s value.

Although I was never the Great Wave’s biggest fan, I am an artist and printmaker myself and love to study Japanese printmaking techniques. I was excited to see the Great Wave’s creator and prolific printmaker Katsushika Hokusai’s work in person in Hokusai: Inspiration and Influence from the Collection of the Museum of Fine Arts, Boston at the SAM. Anticipating the visit, I told my partner about the exhibition, highlighting everything except the Great Wave. Upon hearing I would see the famous print, he had a much more emotional response than I was expecting. I asked him how the art made him feel. He said, “It feels like ripping.”

The print depicts three boats cradled in the belly of a giant cresting wave framing Mount Fuji. The wave is a great magnanimous force, the boats borrow the ocean’s space. For the moment, the boats seem to become the wave. It is from the series Thirty-Six Views of Mount Fuji, each piece featuring a different landscape framing the mountain. The subjects of the 36 prints interact with the landscape harmoniously, human technology and nature are connected in this beautiful cycle and struggle. The Great Wave stands out from the rest because it is separate from the human ego. The wave doesn’t care what might be in its way; it tears. A beautiful reminder that humans are not gods, we cannot stop a wave from crashing down on us.

The Great Wave reminds us of the physicality and brutality of nature. There’s no room for metaphor or projection onto the ocean—it just is. The wave neither combats nor engages in human invention; it simply exists.

With my cohort of peers in SAM’s Teen Arts Group (TAG), we had the pleasure of learning from teaching artist Juliana Kang Robinson about woodblock carving and printing. I love linoleum carving and have spent years making prints, usually to put on my clothing or bags. Learning wood printing was special to me as there is something magical about how one has to work with the grain of the wood when they carve. It was an extra challenge for me, who was used to the careful precision I could execute on plastic, but it added so much life and character to have places where the wood texture was present. I am so grateful for this experience and encourage teens to not be afraid to branch out into exploring new mediums of art.

– Gwyneth Febus, 18, Third-Year Teen Arts Group Leader

Images: L. Fried. Under the Wave off Kanagawa (Kanagawa-oki nami-ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830–31 (Tenpō 1–2), Katsushika Hokusai, Japanese, 1760–1849, woodblock print (nishiki-e); ink and color on paper, Museum of Fine Arts, Boston, William Sturgis Bigelow Collection, Photograph ©️ Museum of Fine Arts, Boston.

Introducing TAG Talks: A Space for SAM Teens to Express Themselves and Their Love of Art

Teens always have a place at the Seattle Art Museum! Whether it’s enjoying the galleries over spring break, or offering their incredible talents through a variety of artistic programs, the voices of young people have helped to shape the museum in countless ways. SAM’s Teen Arts Group (TAG) is just one example of the critical role teens play at SAM.

TAG is an intensive internship program for high school-aged youth who are eager to learn about themselves and the world through art, and want to make SAM an engaging place for teens. This cohort of young minds meets weekly from October through May to plan teen-friendly museum events and programs, discuss professional development in the arts, and connect around their shared appreciation for SAM’s vast collection. Additionally, and perhaps most notably, TAG members plan every aspect of Teen Night Out, SAM’s annual celebration where teens take over the museum.

TAG offers an environment for current high school-aged youth to safely challenge themselves and others, try something new, and accept failure as an opportunity for growth. TAG Talks, the newest SAM Blog series, is a space for these leaders to reflect on their adventures in the year ahead, offering first-hand accounts of the ways they are stewarding SAM’s mission of connecting art to life. 

TAG leaders outline their community agreements at the second meeting of the 2023–2024 school year.

Among its many incredible objectives, one particularly exciting aspect of TAG is the cohort’s undertaking of a yearlong project that demonstrates the skills they’ve learned throughout their time at SAM. In 2023, members worked fiercely to complete two concurrent projects: an illustrated TAG zine highlighting Seattle’s sights and scenes that any teen can enjoy, and a multimedia exhibition, Home Is Where the Heart Is, featuring the artwork of teens from across the region. This year, TAG will be working hard to develop engaging content that SAM visitors will enjoy for years to come. This top secret project will make its public debut on Friday, May 3, 2024 at Teen Night Out, so stay tuned for this exciting reveal.

SAM Teen Programs Intern Mori Peña sits beside artist Dawoud Bey as he speaks with TAG leaders in November 2022.

As a former TAG member and current SAM Teen Programs Intern, Mori Peña is no stranger to the inner workings of the program. Mori is excited to be working alongside this year’s cohort and is especially looking forward to watching the group’s plotting and masterminding unfold. This year’s top secret yearlong project is one that SAM staff have been entertaining for the last few years and for Mori, it’s thrilling to see the pieces finally fall into place. Alongside eagerly returning members, the 2023–2024 cohort is filled with many new faces—we can’t wait to see what new ideas and perspectives they all bring to TAG! 

SAM Educator for Youth Programs Cristina Cano-Calhoun in conversation with TAG leaders at their second meeting of the 2023–2024 school year.

Over the 2023–2024 school year, we’ll be sharing original content created by TAG members here on SAM Blog under the series title TAG Talks. As a teaser for what’s to come, you can look forward to a behind-the-scenes look at the installation of an upcoming SAM exhibition, TAG members discussing objects on view in our permanent galleries, and reflections from a hands-on workshop with a teaching artist. As we kick off another session of TAG this month, you can also expect a more active and ever-expanding presence on our Instagram. So, follow us at @samteens and stay tuned for the next installment of TAG Talks!

– Cristina Cano-Calhoun, SAM Educator for Youth Programs & Mori Peña, SAM Teen Programs Intern

Photos: Chloe Collyer & Alborz Kamalizad.

TAGZEEN: Teen Leaders Reflect on Their Year at SAM

Founded in 2007, the Seattle Art Museum’s Teen Arts Group (TAG) is an intensive internship program designed to cultivate the voices of diverse high school-aged youth who share a passion for the power of art and building community. TAG members meet monthly between October and May to learn about the many unseen sides of an art museum, develop leadership skills, plan Teen Night Out, and create their own art in new and familiar mediums.

As part of TAG, members are expected to complete a year-long project emphasizing the creation, curation, or discussion of art. While some TAG members opted to collaborate on Home Is Where the Heart Is, a teen art exhibition currently on view at the Seattle Asian Art Museum, three of the teens—Lila, Cris, and Smriti—decided to team up to create a zine they titled TAGZEEN.

Inspired by the community they call home, these adventurous teens set out across Seattle to highlight sights, food, and fashion that any teen can enjoy! Together, they left no stone unturned, exploring new and known Seattle staples; swimming through seas of people, petals, and felines; and examining teen fashion trends and their historic parallels.

Browse the zine below and be sure to check out a few of the sights and scenes the TAG teens recommend!

– Cristina Cano-Calhoun, SAM Museum Educator for Youth Programs

Photo: Chloe Collyer.

SAM’s Teen Arts Group Reflects on a Year of Programming

SAM’s Teen Arts Group (TAG) is an intensive internship program for high school-aged youth who are interested in leadership, eager to learn about themselves and the world through art, and want to make SAM fun and engaging for teens. This year’s cohort of future art leaders met once a week from October 2022 to May 2023 to create art, learn about the many unseen sides of an art museum—including exhibition conceptualization, curation, and conservation—lead public gallery tours, and plan Teen Night Out. As we close out another school year, we asked a few of this year’s members to share a bit more about TAG’s purpose and their favorite memories from their year at SAM. 

Let’s start with the basics: What is TAG and what did you do as a TAG member?

TAG is all about community to me. Essentially, we work toward our collective goal of making events, activities, and opportunities for teens at the museum. My favorite aspect has been hosting art making activities at influential spaces such as the Seattle Symphony and the Gates Foundation. I was surprised to learn that we get the opportunity to tour the museum after hours and have direct access to staff across a range of departments at SAM. This included folks from Public Programs, Education, AV, Curatorial, and Exhibition Design.

My favorite TAG meeting was when we got creative in how we announced the call-for-artists for our teen exhibition, Home is Where the Heart Is, on view through September 17. We drafted, directed, and filmed a skit that served as one of our core advertisements on social media. It was really fun to work together and come up with a product that we thought would be interesting for teens our age!

– Nivedita Raj, 17
Home is Where the Heart Is at Seattle Asian Art Museum in June 2023.

An integral part of TAG is planning and overseeing the museum’s annual teens-only celebration, Teen Night Out. What was this process like? What was your favorite part of putting this event together?

Planning Teen Night Out was an exciting journey filled with creativity and teamwork. We brainstormed themes, curated an array of activities, and transformed the museum into a vibrant space for teenagers.

My favorite part of Teen Night Out was watching the museum come alive with colors and people. Seeing the galleries turn into immersive environments was truly magical, and it showed the power of our artistic expression. The most rewarding thing was witnessing the impact of our efforts on the teenagers attending the event. Their laughter, curiosity, and awe reflected how art can inspire and touch hearts. It was a priceless reward to see their newfound appreciation and the spark of inspiration in their eyes.

Teen Night Out was more than a party. It was a chance to explore, create, and connect. I think in that evening we helped to bridge a gap between generations, making young voices heard and fostering a sense of belonging in the museum. By opening the doors of the art museum to a new generation, we painted a brighter future. Together, we showed that art has the power to transform lives and unleash boundless potential.

– Kaz Jennings, 16
SAM’s 2022–2023 Teen Arts Group leaders.

This year marked your second year as a TAG member. What advice would you offer any teen thinking about joining TAG?

This was my second year as a TAG member and I have genuinely loved every moment. A word of advice I would give to future TAG members or any teen looking to work with and around art is to just take it slow. Being in a program like TAG there is a lot of information being presented to you every meeting and a lot of opportunities for you to take advantage of. Just remember to pace yourself through those opportunities. You don’t have to take on every elective task that applies to your pursuit of the arts outside of TAG. Balance is essential.

Enjoy learning and watching your peers learn with you; I promise your resume and experience are already cool enough. I mean, you intern at SAM so you have to be cool! Take time to build connections with SAM staff and the other TAG members. They are cool people, you are cool people. Surround yourself with cool people!

If I could go back and give myself some advice before I joined TAG it would be that there is not one way to be an artist or someone who enjoys art. There are all kinds of personalities and people in TAG and everyone brings something unique to the table. Everyone is an important member of the team, myself included!

– Mori Peña, 18

– Cristina Cano-Calhoun, SAM Museum Educator for Youth Programs

Photos: Chloe Collyer.

SAM’s Teen Arts Group Meets Artist Dawoud Bey

On a fall day last November, 16 members of SAM’s Teen Arts Group (TAG) gathered around the craft tables of the museum’s Nordstrom Art Studio. Today, instead of making art, they’d be talking art with one of the most significant artists working today, Dawoud Bey.

Bey had traveled to Seattle for SAM’s presentation of Dawoud Bey & Carrie Mae Weems: In Dialogue, an exhibition that brings together the work of the two friends and mutual inspirations for the first time. Bey would be giving a public talk that evening, but during the day, he generously met with these future artists and leaders.

Founded in 2007, TAG is an intensive program for high school-aged youth who are interested in learning about themselves and the world through art. The program cultivates the voice and leadership of diverse young people who share their passion for the power of art to build community. The group comes together in weekly meetings from October to May, learning about the behind-the-scenes work of the museum, making art, and leading tours. Their work culminates in Teen Night Out, a free teens-only event held in May with DJs, live music performances, art tours, workshops, and art-making activities.

Bey talked with the teens about his relationship with art and photography when he was their age and how his passion for music as a young man influenced the way he would make art more than 30 years later. Artists in their own right, TAG members were eager to learn about Bey’s thought process as he positioned a model for his portraits. He revealed that he only ever accentuated a pose or gesture the person was already doing naturally. Bey illustrated the point with program intern Karla Pastrana, encouraging her to bring her relaxed arm more forward for the sake of the shot.

Left to Right: Lila, Sreshta, Cris, Kaz, Faith, Charlotte, Gwyneth, Dawoud Bey, Ronan, Mori, Corrina, Nivedita, Smriti, and Lylah.

Here are some reflections from various TAG members on the experience of meeting Dawoud Bey:

“It was an amazing opportunity to meet an artist like Dawoud Bey in person. It was really cool to get to hear about his story, creative process, and inspirations. I’m personally interested in the arts and museum industry myself so his advice was really insightful and inspiring.”

– Charlotte, 16

“My first impression was that he was a very thoughtful person. He took his time when he sought to communicate something, and did so with purpose. That careful observance was weaved into each of his photographs.”

– Sreshta, 17

“Meeting Dawoud Bey was inspiring for me because we had the opportunity to ask about his life and artistic process. I thought it was interesting to hear about what he was doing when he was a teenager and how he got into the art world by getting his first camera when he was a teen. Getting to talk to an artist like Dawoud Bey, who is so amazing and accomplished, is really incredible because it’s really easy to idolize artists, which they should be, but it’s important to remember that they are people and they started as teens just like us.”

– Lila, 15

Hot tip: Want to join TAG? Applications to join the 2023–24 TAG cohort will be available in spring 2023. Follow @samteens on Instagram for the latest updates!

– Rachel Eggers, SAM Associate Director of Public Relations

Photo Credit: Alborz Kamalizad.

Muse/News: Moments of Grace, Artists in Bridges, & A Hero Rat

SAM News

Fiona Ye of University of Washington’s The Daily interviews artist Barbara Earl Thomas on her upcoming exhibition at SAM, The Geography of Innocence, and talks about the intention behind her new portraits of Black children.

“Its intent is to bring us into contact with the destabilizing forces of our perceptions and biases that disrupt our innocence. It is to make us conscious of our interdependency and marvel at how individual actions can lead to changes that are transformative or disruptive. It is to situate us in a moment of grace.”

Priya Frank, SAM’s Director of Equity, Diversity, and Inclusion, is interviewed for Visit Seattle’s SEAforSHE series, which celebrates women leaders in Seattle.

Gather, the LED-light installation created by Kenzan Tsutakawa-Chinn that graces the renovated and reimagined Seattle Asian Art Museum, recently won an Architectural Lighting (AL) Design Award. While the Asian Art Museum remains closed, you can still engage with virtual programming like the upcoming series on color in Asian art.

Local News

Consider some merch with “a little sass”: Seattle Met’s Nicole Martinson recommends seven salty Seattle pieces, including Tariqa Water’s “NO” tote, available at SAM Shop.

The Stranger’s Jasmyne Keimig sees what’s “currently hanging”: this time, it’s Untitled Anxious Men Drawings by Rashid Johnson, on view virtually from Hauser & Wirth.

Crosscut’s Agueda Pacheco Flores introduces you to the artists making comics in Seattle’s historic drawbridges while living in residence.

“‘I’m really excited,’ Russian says, as cyclists speed by. ‘The University Bridge is a drawbridge, so it’s very dynamic, tons of people walk and run across the bridge every day, plus all the boats going by underneath —’ then a boat’s air horn interrupts them.”

Inter/National News

Alex Greenberger of ARTnews on a new retrospective of Imogen Cunningham and “why the proto-feminist photographer has grown so popular.” The exhibition heads to SAM next fall.

The American Alliance of Museums’ blog talks about children’s museology and the COVID-19 crisis, sharing how museums across the country are working to prioritize young people’s learning. SAM’s Teen Arts Group (TAG) is mentioned.

The New York Times’ Holland Cotter reviews the “stirring” new exhibition at MoMA PS1, Marking Time: Art in the Age of Mass Incarceration, curated by Nicole R. Fleetwood.

“It’s a society in which racism often determines presumption of guilt; in which imprisonment — human disempowerment and erasure — is chosen over righting the inequities that lead to prison. It’s a society in which caging people is big corporate business, with connections reaching everywhere, including the art world.”

And Finally

A medal for Magawa.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Grace, 2019, Barbara Earl Thomas, American, cut paper and hand-printed color, 26 x 40 in., Courtesy of Claire Oliver Gallery, photo: Spike Mafford.
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