records Archives - SAM Stories

Two Sculptural Pair & A Next 50 Affair

Chelsea Werner-Jatzke on Apr 27 2012

There is a display in SAM Downtown’s Wright & Runstad Gallery for African Art holding two pairs of sculptures that provide a transcendent view of “togetherness” and what it means for the spiritual to be connected with the earth. The first is a pair of “Male and Female figures” made by the Baule of central Cote d’Ivoire. The painted wood sculptures represent spirit spouses that inhabit another world parallel to this one, and are prescribed by diviners to promote a healthy living situation between spouses. Imbued with power by the diviner each sculpture is given individual attention by its client in order for the power to be activated. Beside this pair resides a set of Congolese harps carved with faces at the end of their long curving necks to keep their players company and watch their every move. Atop flexed, carved legs their bellies would be filled with sound as the harp couple was played by two musicians travelling as a pair. During their travels the performers recited history as their livelihood and sang legendary epics.

Taken together these objects bring to mind the exhibit Theaster Gates: The Listening Room where objects form a collective history and repurposed materials find new meaning as art. The collection of records taken from Chicago’s now defunct Dr. Wax record store reminds me of the spirit spouses who are deserving of more attention. Giving attention to the records in SAM’s twice monthly DJ sets in the Listening Room (come listen next week May 3 & 6!) has allowed people in our community to come together at SAM through music. Although the spirit spouses must be decommissioned of their power by the diviner before they enter the museum the enduring coolness in their expressions continues to give meaning to their remedial function. Similarly the decommissioned fire hoses lining the walls of the Listening Room evoke memories of the civil rights movement in the 1960s where protestors were sprayed with these high pressure hoses during race riots. Our collective memory is jarred by Theaster Gates who saw value in an art object where others saw scrap material.

Considering this communal environment brings up another project Theaster Gates is involved with – the upcoming performance of “red, black & GREEN: a blues” coming to the Intiman Theater for Seattle Center’s Next 50 festival 30 May – 2 June. The performance is collaborative and interactive, written for the stage by performer, activist, and educator Marc Bamuthi Joseph. Bamuthi is working with a host of talented artists including set design by Gates. Click here to learn more about Marc Bamuthi Joseph and the Living Word Project and watch videos on the performance “red, black & GREEN: a blues.”

The central question addressed by Bamuthi is, “what sustains life in your city?” This is something he asked many people through the Life is Living festivals he has curated since 2008 in various U.S. cities and forms the inspiration that went into writing “red, black & GREEN: a blues.” By incorporating “the voices of people often left out of discussions about living green,” this conversation on the environment succeeds where others have fallen short, and actively seeks a reimagining of where we place value in our community.[i] This forms a collective experience that, through the stories Bamuthi has engaged and the recycled materials of Theaster’s set inspired by row houses, express our social ecology with power, grace, and rhythm. The success of this performance comes from the belief that “ultimately we are interdependent and stronger through collaboration,” which, like the Congolese harps and Ivorian spirit spouses, helps us maintain good relations and feel connected with the earth.

-Ryan R. Peterson, Curatorial + Community Engagement Intern

[i] Source: Mapp international productions website. Artist proframs, artists and projets, Marc Bamuthi Joseph, red, black & GREEN: a blues. Last accessed 24, April, 2012. http://mappinternational.org/programs/view/214

Top photo: “Male and Female Figures,” wood, paint, Ivorian, Baule & “Pair of Harps,” wood, skin, fabric, Congolese, Ngbaka. Photograph by the Author. Taken 4/24/12. JPEG file.

Faith In Analog

Chelsea Werner-Jatzke on Mar 13 2012

Until recently my attachment to records has been more or less superficial, but when I started buying ethnographic records a couple years ago I began to see how they are loaded with cultural significance for both the listener and the cultures producing them. On one such recording, entitled Afro-Cuban Music from the Roots: Tumba Francesca la Caridad de Oriente (subtitled “percussion and voices traditional and experimental”), I heard how a musical performance can be hugely influential to both the tangible and spiritual elements of a culture’s identity. Now, after being a part of the Record Store project and meeting luminaries such as Seattle’s own DJ Riz, known for his role in the independent radio station KEXP, I can firmly say, and I don’t think I’m alone here, Records are my religion.

Afro-Cuba – Tumba Francesca. 2006. Soul Jazz Records. Personal photograph by author. JPEG file.

Records are an audio phenomenon in a vinyl medium. Vinyl is a medium formatted to articulate a musical vision and in exchange the music acts as the idea-force behind the record. The idea of the neighborhood record store, now often a rare survivor of a former era, is a space with the power to put these receptacles of music’s most essential qualities into the world.

Records are indeed objects of beauty, and I would go further to say they are objects with allure and seduction. We are drawn to the music and what it evokes in us when we put a record on a turntable. Through the attraction we are able to relive familiar moments from the past or become familiar with new musics of the world. Part of this draw is how records allow us to derive pleasure from a listening experience and the recognition of our own “place” in that moment in time.

In the same vein architectural space may be viewed as “a setting into work of truth through recognition and orientation.” To quote the architectural historian Alberto Pérez-Gómez, “the space of architecture, always elusive and mysterious, is the space in which we may perceive ourselves, if only for a moment, as whole.”^{^[1]} In his Timaeus Plato names this space the “chora,” or the third element of reality in which we encounter our “other half.” I saw this happen in the Record Store all the time, especially when a slow jam like Bobby Womack’s T.K.O. made its way onto the speakers.

Love Wars by the R&B duo Womack & Womack. 1983. The Listening Room, Seattle, WA. 2 March 2012. Personal photograph by author. JPEG file.

What I see as the real beauty of SAM’s Record Store project is its freedom from monetary distinctions and ability to fully create a Platonic “chora” for anybody who walked through its door. In my own Platonic view – record stores give form to this third dimension of reality in which time becomes endless and determined only by a continuous rotation of sound waves. The neighborhood record store allowed its patrons this perception of completeness through music. I saw this potential realized by one patron of the Record Store who visited almost every day during extended “breaks” away from his job cleaning the streets in Pioneer Square. For him and the rest of us the Record Store became, in the words of Alberto Pérez-Gómez, “a site of resistance against the collapse of desire that drives Modernist technological utopias.”^{^[2]}

Reflecting on my time at the Record Store there is no place I could have better pictured myself after coming out of the ethers of academic life. Although the storefront Record Store is in the process of transformation the idea, like the song, remains the same. In fact you will be able to see the Record Store “popping up” again in the future so stay tuned in to the music.

-Ryan R. Peterson, Curatorial + Community Engagement Intern

^{^[1]} Holl, Steven. 1996. Intertwining. pp. 9-10

^{^[2]} Ibid.

Record Store Listening Party Schedule for January 24-26

Seattle Art Museum on Jan 23 2012

TUESDAY, JANUARY 24

6:30 – 9 pm
Selector: Eric Frederickson, Western Bridge/Seattle Arts Commission
Eric Fredericksen is the director of Western Bridge, Seattle and Chair of the Public Arts Committee for the Seattle Arts Commission. He has curated exhibitions at the Or Gallery, the Bodgers’ and Kludgers’ Co-operative Art Parlour, and the Contemporary Art Gallery, Vancouver. His exhibition Poste Restante has traveled to Artspeak, Vancouver; Limoncello, London; and the Henry Art Gallery, Seattle. His lecture and karaoke evening, “Karaoke and Authenticity,” has been presented at the TBA Festival, Portland; On the Boards, Seattle; and Instant Coffee Light Bar in Vancouver and Victoria, BC.

WEDNESDAY, JANUARY 25

6:30 – 9 pm
Selector: Hollis Wong-Wear + Youth Speaks
Join Hollis Wong-Wear and the incredible voices of Youth Speaks as they get you writing, performing and chanting with them. When you mix young powerful voices, thousands of vinyl LPs and a few seasoned poets/community folks, the end result is a must see. So…come out.

“Hollis Wong-Wear is rebellious, whip-smart and outspoken is a rising star in the Northwest spoken-word poetry scene. She graduated from Seattle University with a degree in History and a minor in Global African Studies. When she’s not performing her work at poetry slams and open mics all over town, she can be found working as a mentor at the literary arts organization Youth Speaks Seattle.”

THURSDAY, JANUARY 26

6:30 – 9 PM
Selectors: Dean Sven Carlson and Brenda “DJ B” Walker of The Recording Academy
Dean Sven Carlson and Brenda “DJ B” Walker share a love of modern global music. Dean is known for his internationally syndicated radio program, Fusion Radio and for his work with the Decibel Festival. DJ B spins a weekly a mix of downtempo, hip hop, world jazz and Latin electronica for WOMR-Provincetown. As Recording Academy governors, they proudly dedicated their night to MusiCares, which provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community.

The Record Store is a temporary extension of the Theaster Gates show housed in a storefront in Pioneer Square. A collaboration between SAM and Olson Kundig Architects, the Record Store is open for the general public to browse the robust collection of records and play albums for the entire store or listen in a small group.

While nothing is for sale in the store, the exchange of ideas and concerns is encouraged. The goal is for the Record Store to function as a cultural commons where ideas, issues and moments in time are discussed, debated or responded to.

The Record Store will feature a series of “listening parties” with guest DJs, artists, community folks, dancers, musicians, urban planners, activists, etc. Each “selector” will borrow from the same collection of LP’s or brings a few of their own records that act as the sound track that illustrates their ideas. Irruptions might take various forms including: debates, writing or dance classes, silent reading, tastings, workshops, to-do-lists or a sermon.

RECORD STORE LOCATION
[storefront] Olson Kundig Architects
406 Occidental Ave. S
Seattle, WA 98104

HOURS
Tues| Wed | Thurs
12 – 4 pm and 6:30 – 9:00 pm

Record Store Listening Party Schedule for January 16−19

Seattle Art Museum on Jan 16 2012

TUES | January 17

6:30 PM – Cancelled due to weather concerns!

Selectors: Jason Plourde and the Three Dollar Bill Cinema Family

Join Jason Plourde, the Programming Director for Seattle’s own Three Dollar Bill Cinema, for an evening of that you will never forget. Three Dollar Bill Cinema provides access to films by, for, and about lesbian, gay, bisexual, and transgender (LGBT) people and their families, and a forum for LGBT filmmakers to share and discuss their work with audiences. We curate themed screenings throughout the year and produce programs in partnership with other arts, cultural, and service delivery organizations in the Greater Seattle area.

WED | January 18

Noon – Cancelled due to weather concerns!

Selector: Karen Toering, Cultural Worker

Karen Toering is back to man the store for the day! She is cultural worker who finds joy in the spaces where justice and art intersect. She is a grant-writing and development consultant for non-profit arts, cultural and social justice organizations. She is Director of GroundUP Organics, an urban farming and food justice program for youth and young adults. Her passion also includes film, where she Program Director of Seattle’s Langston Hughes African American Film Festival and founder of the Gary International Black Film Festival.

6:30 PM – Cancelled due to weather concerns!

Selector: Makoiyo Alley-Barnes and Makers of Note

THURS | January 19

Noon – Cancelled due to weather concerns!

Selectors: Seattle Art Museum Staff/Volunteers

6:30 PM – Cancelled due to weather concerns!

Selector: To Be Announced

RECORD STORE LOCATION
[storefront] Olson Kundig Architects
406 Occidental Ave. S
Seattle, WA 98104

HOURS
Tues| Wed | Thurs
12 – 4 pm and 6:30 – 9:00 pm

Record Store Listening Party Schedule for January 10-13

Seattle Art Museum on Jan 9 2012

TUES | January 10

6:30 PM

Selector: Joshua Kohl, Degenerate Art Ensemble Co-Artistic Director/Co-Founder

Joshua Kohl has created original works for dance, silent film, concert ensembles, “classico-punk-big band” shows and street performances and has collaborated extensively on the creation of invented instruments used in DAE performances. Kohl has performed extensively throughout the U.S., as well as in the Netherlands, Italy, Slovenia, Slovakia, Czech Republic, Poland, Italy, and Germany, with the support of Arts International Fund for U.S. Artists and the Mid-Atlantic States Foundation’s U.S. Artists International. In addition to his work with Degenerate Art Ensemble, Kohl has created scores for the San Francisco-based dance theater company inkBoat; for a commissioned performance of c(h)ord (2008) at the Yerba Buena Center for the Arts, San Francisco; Tale of Two Cities (2007) and Night Flight (2007–2009) for Seattle’s Book-It Repertory Theatre; as well as Twelfth Night (2007) and The Beard of Avon (2007) for Portland Center Stage. In spring 2011 Kohl will perform with Haruko Nishimura at the Center for Performance Research in New York City, and he will be in a residency with DAE at Robert Wilson’s Watermill Center: A Laboratory for Performance, Long Island, New York.

WED | January 11

6:30 PM

Jonathan Cunningham and Rich Jensen, Hollow Earth Radio, Last Night’s Mixtape, Metro Times Music Blog

Cunningham is bound to make you think, talk and move just as he does in on Hollow Earth Radio – the weekly radio show that features music and conversation connected to Seattle’s musical hot bed known as the Central District. Broadcasts “could include anything from Jimi Hendrix to Ernestine Anderson to Ray Charles to Vitamin D to Shabazz Palaces to Wheedle’s Groove or a conversation about gentrification…they aim to unearth a local gem each week from yesteryear that more contemporary listeners need to know.”

THURS | January 12

6:30 PM

Selectors: Randy Engstrom, Founding Director of Youngstown Cultural Arts Center and Chair, Seattle Arts Commission and a Few Good Friends

Randy Engstrom is a dynamic arts leader with a vision for the new frontier. Originally from Chicago, he first arrived in the west in 1995 to attend Evergreen State College and moved on to Seattle post-graduation. During his time in the Pacific Northwest region he has helped found numerous creative ventures and organizations including serving as the Founding Director of the Youngstown Cultural Arts Center and Chair of the Seattle Arts Commission. Randy continues to develop innovative programs that help support and nurture vibrant communities through his consulting practice, Reflex Strategies.

RECORD STORE LOCATION
[storefront] Olson Kundig Architects
406 Occidental Ave. S
Seattle, WA 98104

HOURS
Tues| Wed | Thurs
12 – 4 pm and 6:30 – 9:00 pm

Record Store Listening Party Schedule for January 3-6

Seattle Art Museum on Jan 3 2012

TUES | January 3
6:30 PM

Selector: John Gilbreath, Earshot Jazz and Seattle Art Museum Art of Jazz
Calling all jazz heads to the Record Store for an evening of intense listening, great conversation about jazz and the vinyl record with Seattle’s own Jazz aficionado John Gilbreath. The host of KEXP’s Jazz Theater, Gilbreath has been a rabid jazz fan since childhood. He has been immersed in the local and national jazz and performing arts scene for the last 12 years as executive director of Earshot Jazz, Seattle’s no-profit jazz-support organization. He oversees Earshot’s monthly publication and educational programs, and has produced more than 1,000 far-reaching Read More concerts, including the Seattle’s annual Earshot Jazz Festival each fall. He actively works with various Northwest arts organizations and national jazz consortia and hosts the weekly Caravan show on KBCS, he curates Seattle Art Museum’s Art of Jazz longstanding series and, in his rare spare moments, is a student of stone sculpture.

WED | January 4
6:30 PM

Selectors: Jonathan Cunningham and Rich Jensen, Hollow Earth Radio, Last Night’s Mixtape, Metro Times Music Blog
Cunningham is bound to make you think, talk and move just as he does in on Hollow Earth Radio–the weekly radio show that features music and conversation connected to Seattle’s musical hot bed known as the Central District. Broadcasts “could include anything from Jimi Hendrix to Ernestine Anderson to Ray Charles to Vitamin D to Shabazz Palaces to Wheedle’s Groove or a conversation about gentrification…they aim to unearth a local gem each week from yesteryear that more contemporary listeners need to know.”

THURS | January 5
6:30 PM

Selectors: Davida Ingram (performance artist) and a creative group of friends
C. Davida Ingram (artist/writer) and a few creative friends (Christa Bell and Lara Davis along with Chicago based lyricist Marcus Ulysses Ingram) They’ll use the Record Store collection to explore sampling and loops as a form of social reminiscence and storytelling. Ingram is a cultural worker with a dynamic background. She is bringing a brilliant group of people to the Record Store to ignite participation in unforgettable creative activities that will bring warmth to the first week of the New Year. Other special guests to be announced.

The Record Store is a temporary extension of the Theaster Gates show housed in a storefront in Pioneer Square. A collaboration between SAM and Olson Kundig Architects, the Record Store is open for the general public to browse the robust collection of records and play albums for the entire store or listen in a small group.

RECORD STORE LOCATION
[storefront] Olson Kundig Architects
406 Occidental Ave. S
Seattle, WA 98104

HOURS
Tues| Wed | Thurs
12 – 4 pm and 6:30 – 9:00 pm

Listen Up: Record Store in the Business of Ideas

Seattle Art Museum on Dec 22 2011

I recently volunteered at SAM’s Teen Night Out, and one of my favorite moments was watching the youth interact with the record players in Theaster Gates: The Listening Room. This exhibition features a collection of thousands of records from a defunct record store in Chicago and transforms the gallery into a lounge in which visitors are invited to pick up a record and play.

Many of the teens I observed that night clearly had never seen or handled a record player before, but there was obvious delight in figuring out how to use the machines and of being able to actually touch things at a museum.

Record Store: A Collaboration Between SAM and Olson Kundig Architects Opens Tonight

Seattle Art Museum on Dec 13 2011

By Guest Blogger: Alan Maskin, Partner | Olson Kundig Architects

We created [storefront] Olson Kundig Architects as an experimental work place for our firm’s community collaborations, pro-bono design work, philanthropic and volunteer work, and for design research and the development of design ideas.

The idea to have our [storefront] space become the Record Store occurred when Sandra Jackson-Dumont (Seattle Art Museum’s Kayla Skinner Deputy Director for Education + Public Programs/Adjunct Curator, Modern and Contemporary Art) visited our office to speak about her background and her practice as part of our bi-monthly lecture series. Afterwards, as we toured our office (including our [storefront] space), Sandra mentioned an idea she had for a vinyl record store, or what she calls a “storefront of ideas,” where the public could be invited to curator-led listening parties centered on a large collection of vinyl records.

She talked about it not as a pop-up, which is a popular buzzword these days, but as a social practice project. She imagined it could happen in a space like ours—I thought it was a great idea.

After several weeks of email exchanges with the general theme of “Seriously, we should do this,” it morphed into a project.