SAM Art: A model, a saga, a lecture

The small-scale totem pole is an indigenous genre that pre-dates contact: Captain James Cook personally collected one at Nootka Sound in 1778. Some model poles are diminutive, specific versions of the forty- to sixty-foot poles erected to honor the lineages of deceased chiefs and nobles. Small-scale examples of Native longhouses with totem poles erected in front were commissioned by anthropologists for World’s Fair and museum displays. By the mid-19th century, these easily portable and compelling sculptures were in steady demand by outside buyers, as they are today.

A master carver of ceremonial arts, nearly all of Hemasilakw’s life was shadowed by the potlatch ban. He pushed the traditional origins of his art style toward distinctively modern refinements, evidenced in the bold sculptural forms and exuberant painting of his full-size poles. Even his model poles powerfully convey the personalities of each mythic figure.

Joseph Hillaire and the Saga of the 1962 Seattle World’s Fair Totems with Barbara Brotherton
Members Art History Lecture Series: New Perspectives
March 21, 2012
7:00–9:00 pm
Plestcheeff Auditorium, SAM downtown

Model Totem Pole, early 20th century, Arthur Shaughnessy (Hemasilakw) (Kwakwaka’wakw, Dzawada’enuxw, Kingcome Inlet, 1884–1945), wood and pigment, 36 ¾ x 10 ¼ x 5 ¾ in., Gift of June Bedford in honor of Steve Brown, 2000.51. Currently on view in the Native American Art galleries, third floor, SAM downtown.

 

SAM Art: Model Totem Pole

According to legend, Dan-kea was a grizzly bear hunter who was captured by the bears but escaped and returned home. Trying to quell a fever by sitting in the water, a rival chief got a sea-dog to seize him.  Dan-kea put out his tongue to feel what had touched him and his tongue stuck to the sea-dog, then was drawn out to a great length. This model totem pole has three bears with their eyes, hands and feet inlaid with abalone; the bear at the top is Dan-kea, holding his long tongue in his hands.

The small-scale totem pole is an indigenous genre that pre-dates contact: Captain James Cook personally collected one at Nootka Sound in 1778. Some model poles are diminutive, specific versions of the forty- to sixty-foot versions erected to honor the lineages of deceased chiefs and nobles. By the mid-19th century, these easily portable and compelling sculptures were in steady demand by outside buyers (including museums and World’s Fairs).

“Gyaa.angaa” (Model totem pole), ca. 1890, Haida, yellow cedar, abalone shell, height: 23 ½ in., Gift of John H. Hauberg, 91.1.44. On view in the Native American art galleries, third floor, SAM downtown, starting Wednesday, 24 August.
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