Kazbar Media Archives

Asia Talks: Artist Hung Liu with Laila Kazmi

Chelsea Werner-Jatzke on Sep 23 2020

Learn about the art and experiences of Chinese contemporary artist Hung Liu in this virtual artist talk. Hung Liu immigrated to the U.S. as a young adult to attend art school. Her life and artwork offer incredible perspectives on identity and migration, especially in the way she brings together China’s past with American experiences. While the Asian Art Museum remains closed, the Gardner Center for Asian Art and Ideas continues to offer thought-provoking virtual events featuring prominent contemporary artists speaking on some of today’s most pressing topics. Our hope for this series is that the work and words of the artists can help to sustain us through this difficult time.

Hung Liu is a primarily a painter who works with photography as part of her practice. Recently she has also worked with shaped canvases for painting that are assembled to create 3-dimensional work. She is also Professor Emerita at Mills College, where she began teaching in 1990. The National Portrait Gallery in Washington DC organized a large-scale retrospective exhibition of her work that was planned for this summer, but had to be postponed because of the virus closures. Instead it will be on view there next year, from May 2021 thru Jan 2022, titled Hung Liu: Portraits of Promised Lands, 1968-2020.

Laila Kazmi worked with SAM’s Gardner Center to organize and host this talk. She is an Emmy-award winning filmmaker, a producer, and co-founder of Kazbar Media.

Coming up, the Gardner Center’s popular Saturday University Lecture Series begins October 3. Color in Asian Art: Material and Meaning features eight free talks that dip into dimensions of color and pigment. From legend and ritual, to trade and cultural exchange, to technical innovation and changing artistic practices—the use of bold colors has been considered alternatively excessive, precious, or brilliant throughout history. What rare pigments and closely guarded techniques produced some artworks, and what artistic innovations and social changes produced others? Join us to enjoy a spectrum of talks on colors produced from the earth, sea, fire, plants, and insects.

Asia Talks: Helen Zughaib with Laila Kazmi

Chelsea Werner-Jatzke on Sep 8 2020

“As an Arab American, I hope through my work, to encourage dialogue and bring understanding and acceptance between the people of the Arab world and the United States. Especially since 9/11, our wars in Iraq, Afghanistan, and the more recent revolutions and crises in the Arab world, resulting from the ‘Arab Spring’ that began in late 2010, have led to the civil war in Syria and the massive displacement of people seeking refuge in Europe, the Middle East and America.”
Helen Zughaib

Watch as Helen Zughaib discusses her family’s experiences in Syria and Lebanon, and her current work including “The Syrian Migration Project,” a painting series inspired by “The Migration Series” by artist Jacob Lawrence. In conversation with Laila Kazmi, Kazbar Media, this talk is part of a series of virtual events hosted by SAM’s Gardner Center for Asian Art and Ideas focusing on artists who have immigrated to the US from Asia and the Middle East, on their art, heritage, and coping with the present moment.

Helen Zughaib was born in Beirut, Lebanon, living mostly in the Middle East and Europe before coming to the United States to study art at Syracuse University. She currently lives and works as an artist in Washington, DC. Primarily, she paints in gouache and ink on board and canvas. More recently, she has worked with wood, shoes, and cloth in mixed media installations.

Her work has been widely exhibited in galleries and museums in the United States, Europe, and Lebanon. Her paintings are included in many private and public collections, including the White House, World Bank, Library of Congress, American Embassy in Baghdad, Iraq, and the Minneapolis Institute of Art. Helen has served as Cultural Envoy to Palestine, Switzerland and Saudi Arabia.

Muse/News: Rivers, short films, and the PS22 Chorus

Rachel Eggers on Jul 13 2020

SAM News

Flowing tears, drowning hands, purposeful denial, and a mandala sun: get lost and found in Kimisha Turner’s mural It Ain’t Just A River in Egypt. Commissioned by SAM and paid for by an anonymous donor, the mural is now on view on the plywood-covered facade of the downtown museum. Watch and read all about it from KING’s Evening Magazine and Crosscut.

Kai Curry for Northwest Asian Weekly on SAM’s Asia Talks series; the latest edition has gone virtual, partnering with Kazbar Media to feature three artists who immigrated to the US from Asia and the Middle East.

Local News

The Stranger’s Jasmyne Keimig on the “unwanted layer of sealant” applied to Capitol Hill’s Black Lives Matter mural. The mural’s artists, coming together as the Vivid Matter Collective, are discussing how to proceed and protect the mural.

The Seattle Times’ Brendan Kiley reports on an open letter to Artist Trust charging inequitable practices, spurred in part by a dispute over one of its awards.

Crosscut’s Brangien Davis recommends the many upcoming virtual film screenings, including the Seattle Black Film Festival, which features an emphasis on short films. Bonus popcorn flavoring tip (inquire within for Muse/News’ preferred method!).

“Like the best short stories, short films can pack a punch—sometimes more than a feature length movie. Plus these showcases allow you to experience a huge range of voices and styles, and find new filmmakers you want to follow.”

Inter/National News

Give a listen to Artnet’s podcast, The Art Angle; this episode features Hank Willis Thomas, artist and co-founder of For Freedoms, discussing how he’s “making politics an art form.”

Elizabeth Merritt, director of the Center for the Future of Museums, explores the question of what opportunities for effecting deep structural change in the museum field may now be possible.

As part of Artforum’s ongoing “Project” series, Ja’Tovia Gary selects five artists’ work to highlight; click through to explore the work of Eniola Dawodu, Oroma Elewa, Jazmine Hayes, Fatima Jamal, and Sydney Vernon. By the way: Gary has made her 2019 work, The Giverny Document: Single Channel, available to view.

“Oftentimes, Black women find ourselves at the vanguard whether or not that is our preferred position. Our ways of being, knowing, and seeing have shaped what we know of history and will be absolutely integral as we work to conceptualize and bring forth a more egalitarian future free from bondage and subjugation.”

And Finally

Playlist suggestion: The PS22 Chorus.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: L.Fried