Emma Johnson Archives

The Melodies of Art: Emerging Arts Leader Intern Emma Johnson Reflects

Seattle Art Museum on Jun 7 2023

My first experience with the connective power of the arts was through music. As a child, melodies and lyrics—both new and passed down through generations—shaped my identity and created ties between myself, my family, and my community. In visiting museums like SAM, I feel the same connection to art that I do to musical compositions. With its own harmonies, dissonances, and rhythms, visual art provides me with meaningful experiences and a sense of belonging.

As I grew up, I became increasingly determined to weave the arts into my future career. After graduating with a bachelor’s degree in art history, a minor in music, and building skills through museum volunteering, I was offered the opportunity to join SAM as the Public Engagement Emerging Arts Leader Intern. I was thrilled to start 2023 at my local museum, and I was eager to step into a new area of museum work.

My first day as a SAM intern was surreal. After passing through the staff entrance and finding my place in the fifth-floor offices, I realized my perception of museums was about to change. As part of the public engagement team, I focused on data collection and developing evaluation tools for museum events. I created several post-event surveys intended to collect meaningful feedback that offered a more thorough understanding of SAM’s audience.

Through this research and data collection, I was able to take a deep dive into the goals and values of events and discover the many ways SAM connects with its community. Among them is SAM Remix. SAM Remix is more than a party, it’s an evening dedicated to celebrating art, artists, authentic expression, and community connection. Behind the scenes of the event’s contagious energy are defined goals and aspirations outlined by the public engagement team. I saw a passionate desire to engage with local contemporary artists and strong efforts to reflect the diversity of Seattle’s artistic community through the event’s talented lineup. This experience has inspired me to incorporate community-focused goals into my work’s natural rhythm. I am now driven by questions of how all events can better engage and represent their audience, and ensure every attendee feels welcome, safe, and included. Community events are as vital to the museum as the exhibitions themselves: they truly play a part in connecting art to life. My last day at SAM was filled with heartfelt goodbyes and as a Remix volunteer, the perfect way to witness the result of months of hard work.

Outside of my role on the public engagement team, I was encouraged to connect with staff members across departments and felt the museum valued my voice. As an Emerging Arts Leader Intern, I was able to explore the various facets of the museum by attending and contributing to meetings, shadowing volunteers, witnessing the installation of Ikat: A Compelling World of Cloth, and having the opportunity to write and give a public tour. The tour was one of the most personally impactful parts of my internship. Making room for creative interpretations and passionate research, I was asked to share our perspective on art, leadership, and museum work.

Through this opportunity, I was able to revisit my connection to music, a part of my identity that connects me to many of the works on view, including Mark Rothko’s Untitled (1963) and Naama Tsabar’s Transition (2019). I felt honored to be able to share my own research and perspectives, tell personal stories, discuss the intersection between music and art, and to use my platform to amplify messages I consider important.

Looking back on my time at SAM, I have come to realize that this institution is not static. SAM is alive and possesses a desire for growth and change. Although evident across all departments, I saw this most in the public engagement team’s efforts to put the interests and needs of its community at the forefront of its work. From planning community events like SAM Remix to highlighting the voices and perspectives of emerging arts professionals, SAM has instilled in me an excitement for the future of museums. I am grateful to take with me not only a strengthened skillset, but also ambition, hope, and a passion for public engagement into the next stage of my career.

As my internship (and this blog post) comes to an end, I would like to thank the public engagement team. To Jesse and Jason for their continued guidance and support; to Yaoyao, Erika, and Carrie for offering their perspectives, encouragement, and career advice; and to all of the incredible interns I was able to work alongside, but especially Teagan and Zak.

Finally, thank you to SAM for giving me the opportunity to do what I love and for creating a space that allowed me to form meaningful connections to both art and other museum visitors.

– Emma Johnson, SAM Emerging Arts Leader Intern in Public Engagement

Photos: Alborz Kamalizad.

My Five – an intern shares her favorite things

Seattle Art Museum on Jul 3 2014

Emma Johnson joined us a an intern in Ancient Mediterranean and Islamic Art this June. Today, on her last day with us, I asked her to share her “Five,” her top five favorite objects from our collection. I think her choices are pretty great. Do you? What are your favorite SAM objects?

-Sarah Berman, Curatorial Associate for Collections

After being at SAM for only three short weeks, I didn’t know how I could possibly choose five pieces of art that were my absolute favorite, as my supervisor Sarah Berman had requested. But after wandering through each gallery, several pieces stood out to me. Objects have always caught my eye more than paintings or other mediums so each piece I have selected is an artifact, not something hung on a wall.

Mirror with scene of the Judgment of Paris, 4th-3rd century B.C., Etruscan, `bronze, 10 3/8 x 7 in., Eugene Fuller Memorial Collection, 48.36. Currently on view the Ancient Mediterranean and Islamic Art galleries, 4th floor, Seattle Art Museum.

As a Classics major, ancient Greek myths are pieces of history that I find fascinating. One of my all-time favorite myths has always been the Judgment of Paris, so when I discovered an ancient mirror with the judgment scene etched into the back of it, the piece immediately claimed a position in my “top five.” As the ancient story goes, Athena, Hera, and Aphrodite, three Olympic goddesses, asked Zeus to choose who among them is the ‘fairest of them all.’ Not wanting to create further drama among the goddesses, wise Zeus tells the Trojan mortal, Paris, to make the final decision. Each goddess quickly approaches Paris with a bribe, attempting to win him over in order that he chooses her. Hera offers to make Paris a king. Athena tells Paris she will give him the skills and wisdom every man needs in war. Lastly, Aphrodite promises him the most beautiful woman in all the lands, Helen. Paris excitedly chooses Aphrodite as the winner, as no man could ever turn down beautiful Helen. However, Helen is the wife of the Greek King Menelaus. Angered by this transaction, Menelaus seeks revenge and thus the Trojan War begins.

Ring, Asante, Ghanaian, gold, 1 3/16 x 1 5/8 x 1 1/2 in., Gift of Katherine White and the Boeing Company, 81.17.1684. Currently on view in the African Art galleries, 4th floor, Seattle Art Museum.

In the African art collection, there is a beautiful and intricate gold ring which claimed a place among my favorite pieces once I heard the story behind its creation. There are several Asante proverbs behind the design of the tortoise shell on the ring. The first is along the lines of ‘a tortoise is suffering in its shell,’ meaning that no matter how confident and put-together a person might seem, they are always dealing with issues that you cannot see. The second proverb says, ‘if the tortoise eats the Earth, you eat some too.” This saying explains that if you are ever a visitor, either in someone else’s home or an entirely different country or culture, no matter how strange and foreign their customs seem, you must respect them and take part in them. (As a Classics major, I might phrase it, “When in Rome, do as the Romans do.”) The ring is displayed in a glass case among many other pieces of gold jewelry, and at first I almost overlooked it. However, the story and meaning behind the ring is so powerful to me that it is now in my “top five.”

Kantharos with Satyr and Maenad Heads, ca. 1st century, Roman England, ceramic, 7 1/4 x 6 in., Eugene Fuller Memorial Collection, 47.108. Currently on view in the Ancient Mediterranean and Islamic Art galleries, 4th floor, Seattle Art Museum.

Back in the Greek and Roman collection is another of my favorites, a ‘kantharos’ or cup for wine. On either side of the cup is a head; on one side of a maenad and on the other of a satyr. Both are mythological creatures who are followers of Dionysus, the wine god. I love that on an object made for wine there are the two symbolic representations of drinking. I also find this piece interesting because the satyr and maenad look simple and peaceful while usually they are depicted during a Dionysian rite in which they are in an altered state of mind.

Amulet with mummified monkey, Egyptian, Early Dynastic period (ca. 2920 – 2649 B.C.), wood, 3 3/16 x 11/16 x 7/8 in., Eugene Fuller Memorial Collection, 55.136. Currently on view in the Ancient Mediterranean and Islamic Art galleries, 4th floor, Seattle Art Museum.

On the first day of my internship, a guard pointed out the small amulet of a mummified monkey and informed me it was one of the oldest objects in SAM’s collection. The monkey became a favorite because of its age. Made somewhere between 2920-2649 BC, the old age of it fascinates me. While I do not know much about the monkey, it is still one of my favorites here.

Divination Container (Opon Igede Ifa), Areogun (Yoruba, African, 1880-1954), wood, 21 1/2 in. diam., Gift of Katherine White and the Boeing Company, 81.17.621. Currently on view in the African Art galleries, 4th floor, Seattle Art Museum.

Lastly, a wooden divination container caught my eye as I was walking back from the ancient Mediterranean gallery. The container by Nigerian artist Areogun is easily in my top five favorite pieces at SAM. It is used to hold the diviner’s ritual equipment but is so elaborately decorated. As I looked into more information about the object, I learned that the detail of the carvings were a sign of the diviner’s success. I find it incredible that an everyday object can have such significance in one culture, but be completely mundane in another.

From this assignment, I learned that I cannot simply choose a favorite item solely by looking at the art. My favorites became my favorites once I had learned the story behind each piece and heard the details which made it unique. Learning about all of these objects’ stories, is what made my internship at SAM so useful and interesting.

-Emma Johnson, intern, 2014