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Community Questions: What Equity-Related Content Are You Consuming?

SAM locations are closed but we continue to center diverse voices in everything that SAM does. The SAM Equity Team has asked the staff to share their voices in reflections on how equity and community continuously shape the work of the museum, despite our inability to physically gather at this time. This week, we answer this important question: What social justice-/equity-related content are you consuming during this time and why? 

Yaoyao Liu, SAM Museum Educator, Asian Art Museum

A prominent Asian American film festival is offering virtual (free!) screenings, panels, and programs during May: Los Angeles Asian Pacific Film Festival. I’m particularly excited to tune in for And She Could Be Next, a documentary mini-series about women of color organizers and political candidates across the United States. Another recommendation especially for SAM staff and SAM Blog readers is Mele Murals. Here’s a summary from the web: “Mele Murals is a documentary about the transformative power of art through the unlikely union of graffiti and ancient Hawaiian culture. At the center of this story are the artists Estria Miyashiro (aka Estria) and John Hina (aka Prime), and a group of Native Hawaiian youth from the rural community of Waimea, HI.”

Priya Frank, SAM Associate Director for Community Programs

Priya Frank points at the TV featuring Becoming with Michelle Obama

I am unashamed to say that I have binge watched my way through the last few months. Instead of asking people what they did today, I must know what they are watching. What someone is watching right now is helping me understand where they are coming from, what they are obsessed with, what they hate, and it all comes back to how arts and culture are helping us through this uncharted time. Besides the British murder mysteries I’m obsessed with, these three stuck out to me and brought such joy, inspiration, and connectivity to my world. 

My Netflix Recs: 
Gentefied: I so appreciated the multigenerational perspectives, the way in which each generation’s cultural traditions and history show up, and how that translates within each generation’s ideal of what the “American Dream” looks like. They navigate clashing ideas, their love and loyalty for each other, their food, their art, and Latinx people, all while set amongst the reality of a backdrop addressing the changing neighborhood due to gentrification. It was produced by America Ferrera, and I was uplifted by her interview on Reese Witherspoon’s Shine On (also on Netflix).  

Becoming: I can’t say enough about what this documentary means to me. There are so many lessons that resonate, but the ways Michelle Obama authentically connected with people on her tour, and got to let her real self shine, is so incredible. The fact that she continues to reinvent herself is truly inspiring. She isn’t defining herself by the eight years in the White House. This doc allowed me to think about what I want my own life to look like post-COVID.  How do I want to show up for myself and for those I love? How do I show up for emerging leaders in the arts field and create space that helps folx move beyond the shadow of imposter syndrome and recognize their own greatness?  

Shine On with Reese: I was skeptical about this one, but the episodes were short enough that I was willing to try it out, and I’m so glad I did! Each episode centered around powerful womxn making change from where they are. With episodes centered around folx like Simone Askew, Dolly Parton, and Ava DuVernay, it’s a little peek into the journeys and people who influenced where they are today. My fave episode was the one with Cleo Wade and Elaine Welteroth because it reminded me of me and my BFF Jaimée in how they show up and support each other, build their dreams, and do so via slumber parties!

Noelle Vasquez, SAM Admissions Volunteer Supervisor:

Shows: Never Have I Ever

Books:

  • Betraying Big Brother: The Feminist Awakening in China – Leta Hong Fincher
  • The Poppy War – R.F. Kuang
  • Sex and World Peace – Valerie Hudson, Bonnie Ballif-Spanvill, Mary Caprioli, Chad F. Emmett
  • The Things I Would Tell You: British Muslim Women Write – Sabrina Mahfouz (editor)
  • Memoirs of a Polar Bear – Yoko Tawada

Lauren Farris, SAM Campaign Assistant

I’ve been following a local photographer and activist, Sharon H. Chang, on Instagram for awhile. During this time, I’ve found her “Safety Not Stigma,” very impactful, It’s a “portrait campaign to help combat increased racism against people of color during the pandemic, raise awareness about the disproportionate impacts of coronavirus on communities of color, and prioritize safety instead of stigma by the public,” to be . 

Images: Lauren Farris & Priya Frank

10 Surprising Facts About Artist Mickalene Thomas

If you’ve visited Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas you’re probably as enamored as we are with the larger-than-life paintings hanging in our galleries right now. This month, we’re putting the spotlight on Mickalene Thomas! Learn more about the woman behind the bright patterns, bold colors, and rhinestones with 10 surprising facts about the artist.

1. She painted First Lady Michelle Obama’s first individual portrait in 2008; the painting, titled Michelle O, subsequently went on view at the National Portrait Gallery.

2. Thomas’ mother Sandra Bush, was a fashion model and influenced her aesthetic.

3. In 2011, she participated in an artist’s residency at Monet’s home in Giverny, France.

4. Growing up in the 1970s, Thomas drew inspiration from the bright colors and patterns from her childhood in her art.

5. Her first short-film, Happy Birthday to a Beautiful Woman: A Portrait of My Mother, was about her mother.

6. Fellow artist Kehinde Wiley painted Mickalene Thomas’ portrait for his painting series Trickster.

7. Thomas did a number of odd jobs to support herself in her 20s including fashion modeling.

8. Mickalene Thomas originally pursued a career in law.

9. Thomas ended up getting a BFA in painting at Pratt in Brooklyn and her MFA at Yale.

10. Her commissioned portrait of Solange Knowles was used for the cover of the R&B singer’s 2013 EP True.

If you haven’t visited Figuring History yet, see Thomas’ work through Sunday May 13!

— Nina Dubinsky, SAM Social Media Coordinator

MT Headshot — Topical Cream, 2016, Courtesy of Lyndsy Welgos