Muse/News: Artists Talk, Rail Art, and Blessed Spaces

SAM News

Aesthetica Magazine features the Seattle Asian Art Museum exhibition Beyond the Mountain: Contemporary Chinese Artists on the Classical Forms, including quotes from their interview with FOONG Ping, SAM Foster Foundation Curator of Chinese Art. 

“Both poetic accents and metaphorical embodiments of what lies ahead, geographies appear majestically in Yang Yongliang’s two 4K videos, The Return and The Departure. Here, the artist marries images of cities with organic material to create a kind of dystopia. ‘Besides Yang’s reference to Song Dynasty-era ink paintings, the images speak of Seattle, where new skyscrapers mushroom everyday,’ Foong notes.”

And check out SAM’s video interview with another Beyond the Mountain artist, Lam Tung Pang.

Over at the Seattle Art Museum, Dawoud Bey & Carrie Mae Weems: In Dialogue is on view through January 22! Here’s Faith Noh for the Seattle Medium on the exhibition that “showcases Black life in America.”

“Seattle’s Prince of Plastic”: So Rachel Gallaher dubs artist Anthony White in this Seattle Magazine feature and interview. Don’t miss his SAM solo show, now on view through January 29.

“The ‘I Spy’ nature of the paintings gives them a fun, gamelike quality, while the overcrowded canvases cause a sense of mental overwhelm — the work recreates the experience of navigating the full-throttle, consumeristic society we live in today. We hate ourselves for spending hours scrolling Instagram, yet we cannot put our phones down.”

Oh, by the way, Seattle Magazine readers: Thank you for choosing SAM and SAM Gallery as the city’s best museum and best art gallery!

Local News

Via Crosscut: “Seattle dance company buys a church on Queen Anne.” Yay, Whim W’Him!

Also via Crosscut: A round-up of all the holiday art markets this season. Gift and support artists at the same time!

The Seattle Times’ Brendan Kiley brings you the backstories behind the public art in Seattle’s light rail stations and introduces you to Tim Marsden, Sound Transit’s “art janitor.”

“It’s tricky business—which is why some artworks in Sound Transit’s light rail stations, particularly the more recent ones, are so striking. Unlike many of their earlier, inert cousins, they’re a little strange, unusually absorbing. They want to talk to you, sometimes in a whisper and occasionally like an ancient choir from a distant civilization singing in a long-forgotten key.”

Inter/National News

“How we saw the arts this year”: Revel in these visions from New York Times photographers. 

In Artforum: John Waters’s bonkers list of his favorite films of the year. 

Monica Uszerowicz for Art in America on four artists who “incorporate imagery and ideologies related to various African or Afro-Caribbean spiritual traditions” in their work. 

“When artists fold spiritual practices into their artwork, many withhold explanation—those familiar with the context will understand the symbols, while others will still be privileged to enter what has become a blessed space, even if they’re not aware of its implications.”

And Finally

A gift from Moira Macdonald

 Rachel Eggers, SAM Associate Director of Public Relations

Photo: L. Fried.

Muse/News: Art from Home, Making space, and the John Waters Closet

SAM News

Two months after reopening the downtown museum, all SAM locations are once again closed until further notice. While our doors are closed, we invite you to stay home with SAM as we present live virtual events and engaging content on SAM Blog, including Muse/News.

From bilingual culture-loving site Ici Seattle, notre amis offer this review of City of Tomorrow, currently closed again but waiting for you when SAM reopens.

“More than anything this exhibition shows a highly intelligent woman with a strong love and curiosity for art and artists who chose to share this love with the city of Seattle. An exhibition not to be missed.”

Local News

The Stranger’s Rich Smith on the Pacific Northwest Ballet’s second digital premiere and how they’re “embracing the camera.”

And Seattle Opera held an online premiere for their production of Donizetti’s “The Elixir Love.” Thomas May reviews for the Seattle Times. 

Crosscut’s Margo Vansynghel on the launch of the Cultural Space Agency, a new public development authority (PDA) linking the cultural sector, city government, developers, and donors to “create, purchase, manage and lease property for arts and cultural spaces.” This is the PDA created by the City of Seattle since 1985, to develop the downtown Seattle Art Museum.

“‘The public development authority brings the power of government, the nimbleness of the independent sector and the partnership opportunities of social impact investment all to bear on the same problem,” [Matthew] Richter says.”

Inter/National News

Hilarie M. Sheets for the New York Times on the appointment of Klaudio Rodriguez as director of the Bronx Museum of the Arts; he joins a “growing group” of Latinx art museum directors across the country—including SAM’s director and CEO, Amada Cruz.

Artnet’s Taylor Defoe on a dispute in upstate New York over a mural created by artist Nick Cave for the façade of Jack Shainman outpost The School. Saying “TRUTH BE TOLD” in 25-foot-high black vinyl letters, the mural does not please the village’s mayor, who contends that it is merely a sign and in violation of a local code.

Filmmaker and artist John Waters will give 375 artworks to his hometown Baltimore Museum of Art; his collection includes works by Diane Arbus, Lee Lozano, Christian Marclay, Cindy Sherman, and more. As part of the gift, Waters asked that their restrooms be named in his honor.

“They thought I was kidding and I said, ‘No, I’m serious.’ It’s in the spirit of the artwork I collect, which has a sense of humor and is confrontational and minimalist and which makes people crazy…I have a lot of art that would work in a bathroom.”

And Finally

“A memorial to bad artistic impulses.”

– Rachel Eggers, SAM Associate Director of Public Relations

Installation view of City of Tomorrow: Jinny Wright and the Art That Shaped a New Seattle at Seattle Art Museum, 2020, photo: Natali Wiseman.

SAMBlog