COVID-19 Update: All SAM Locations Currently Closed »

Muse/News: Painting in Motion, Jimi’s Anthem, and Museums’ Role

SAM News

All SAM locations are currently closed until further notice, but we’re still dancing about paintings.

As City of Tomorrow: The Art That Shaped a New Seattle will not reopen to the public, we asked Seattle-based dancers Michele Dooley, Nia-Amina Minor, and Amanda Morgan to reinterpret a work from the exhibition, Cross Section (1956) by Franz Kline. The Stranger’s Jasmyne Keimig shared the video and her reactions (including a perfect soundtrack suggestion).

“In particular, I love the frame above where the crook of Dooley’s elbow and bent hips capture the left side of the painting, while the verticality of Minor’s body captures the right. It’s a dynamic and fun reinterpretation of work that brings new life to Kline’s black and white original.”

Local News

Roxanne Ray for International Examiner interviews Northwest Film Forum executive director Vivian Hua on her two years there bringing together art and social justice.

The Seattle Times’ Michael Rietmulder and Brendan Kiley gather reflections from members of Seattle’s cultural community on last week’s violence at the Capitol Building.

And for her weekly editor’s letter, Crosscut’s Brangien Davis fires up Jimi Hendrix’s iconic Woodstock performance of “The Star-Spangled Banner.”

“Hendrix sometimes called his anthem adaptations ‘This Is America.’ The Woodstock edition is almost straightforward — albeit on a Fender Stratocaster, an American innovation itself — until he reaches ‘the rocket’s red glare.’ That’s when it rips open to reveal the pain and suffering of a nation at war with others, and within.”

Inter/National News

Dance Magazine shares its “25 to Watch” for 2021; on the list are Seattle-based dance artists Amanda Morgan of Pacific Northwest Ballet and The Seattle Project and Nia-Amina Minor of Spectrum Dance Theatre. Don’t miss the embedded video of Minor’s dance response to SAM collection work Trapsprung by Lynette Yiadom-Boakye.

What is the future of museums? Artnet shares excerpts from András Szántó’s forthcoming book in which he interviews museum directors and curators from around the world.

Following last week’s violent events at the Capitol, the American Alliance of Museums, along with a number of affiliates, made a statement about the role museums play in the moment.

“At this dark junction in our nation’s history, museums must lean into their missions and step up to the challenge ahead of us by fighting against white supremacy through educating our communities, building empathy, combating disinformation, and uplifting the stories and voices that have endured in the margins.”

And Finally

The return of Viennetta.

– Rachel Eggers, SAM Associate Director of Public Relations

Image: Cross Section, 1956, Franz Kline, American, 1910–1962, oil on canvas, 53 1/2 x 63 in. Seattle Art Museum, Gift of the Virginia and Bagley Wright Collection, in honor of the 75th Anniversary of the Seattle Art Museum, 2020.15.17. © Artist or Artist’s Estate, Photo: Paul Macapia.

Muse/News: A princess at SAM, Jimi in Seattle, and a return to form

SAM News

Reads this review by Nalini Iyer for The International Examiner of Peacock in the Desert: The Royal Arts of Jodhpur, India.

Peacock in the Desert offers Seattle a wonderful opportunity to experience Indian history, culture, and art and will appeal to visitors of all ages.”

And watch Princess Shivranjani Rajye of Marwar-Jodhpur share why she thinks our exhibition is so special.

Local News

Seattle Magazine has a great list of event recommendations for the month of December—mark your calendars, buy tickets, go to there.

“I Returned to The Nutcracker as an adult.” Seattle Met’s Stefan Milne watches the Pacific Northwest Ballet’s Nutcracker and floats between its various worlds.

Daudi Abe for Crosscut reviewing Bold As Love, the new exhibition at the Northwest African American Museum that explores Jimi Hendrix’s Seattle roots.

“The display highlights Hendrix’s quintessential experience growing up in the Central District—from a photo of 5-year-old Jimi at a family picnic at Leschi Park to some of his impressive drawings that include what appears to be the Miss Circus Circus hydroplane.”

Inter/National News

Mwatana for Human Rights has released a document—titled “The Degradation of History”—that lists 34 archeological and cultural heritage sites that have been damaged in war-torn Yemen.

Artnet reports: “The American sculptor Robert Morris, a shape-shifting artist, `and pioneer of minimalism, has died of pneumonia at an upstate New York hospital. He was 87.”

The New York Times on the just-released report that calls for France to return pieces of African cultural heritage to their home countries; there have already been initial responses from African officials.

“France holds at least 90,000 sub-Saharan artifacts, of which 70,000 are in the Quai Branly Museum. The report estimated that up to 95 percent of Africa’s cultural heritage is held by institutions outside of Africa.”

And Finally

A compelling piece of post-post-modern video art about those now 7-5 (!) Seahawks.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of Peacock in the Desert: the Royal Arts of Jodhpur, India at Seattle Art Museum, 2018, photo: Natali Wiseman