All posts in “Emily Pothast”

Muse/News: Sculptures in fall, erasure poems, and the wonderful Kerry James Marshall

SAM News

Curbed Seattle highlights the Olympic Sculpture Park as one of “26 best places to visit in Seattle this fall,” calling a visit to the sculpture park “the easiest way to feel artsy in Seattle without needing to spend half a day inside a museum.”

Peacock in the Desert: The Royal Arts of Jodhpur, India is featured in the Stranger’s “Complete Guide to October 2018 Events in Seattle.” Diwali Ball, SAM’s annual fundraiser, and Night Heat, the 41st edition of our film noir series, also get mentions.

Did you know that SAM’s design team makes awesome videos? Don’t miss this fantastic My Favorite Things video featuring sailor Marc Onetto talking about the accuracy of Louis-Philippe Crépin’s Shipwreck off the Coast of Alaska, now on view at SAM.

Local News

Mayumi Tsutakawa for the Seattle Globalist on a documentary film about two women who—75 years apart—chronicled the cultures of Melanesia; one of the two held an exhibition on her work at SAM in 1935.

Here’s Emily Pothast for The Stranger on 10 not-to-be-missed gallery shows in Pioneer Square on view in October.

Crosscut’s Brangien Davis has a lovely review of Ballast, the Frye Art Museum’s new exhibition; Quenton Baker’s erasure and invented form poems were inspired by a massive historical research project into a little-known successful 1841 slave revolt.

“On the museum walls, their voices emerge like ghosts from the inky morass: ‘I am a crisis arrived.’ ‘A cargo of alarm.’ ‘Answer me.’”

Inter/National News

Way to go, genius: Three artists, including painter—and SAM Knight Lawrence Prize winner!—Titus Kaphar, were named “genius” grant winners from the John D. & Catherine T. MacArthur Foundation.

Think pink! Hyperallergic’s Dany Chan reviews a new exhibition at the Fashion Institute of Technology exploring the many meanings—from pretty to punk—of the color pink.

I get Google alerts for Kerry James Marshall, and here’s why: this week Hyperallergic shared a wonderful essay he wrote about Bill Traylor, and ARTNews reported his wonderful reaction to Chicago’s sale of one of his murals.

“Considering that only last year Mayor [Rahm] Emanuel and Commissioner [of the Department of Cultural Affairs Mark] Kelly dedicated another mural I designed downtown for which I was asked to accept one dollar, you could say the City of Big Shoulders has wrung every bit of value they could from the fruits of my labor.”

And Finally

Say goodbye to the last good thing on Twitter?

– Rachel Eggers, SAM Manager of Public Relations

Image: Olympic Sculpture Park, 2015, photo: Nina Dubinsky.
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Muse/News: Small but mighty, a black velvet jaguar, and the definitive moment

SAM News

Don’t sleep on SAM: Now on view are several small but mighty installations. Michael Upchurch of Crosscut offers this excellent write-up of In This Imperfect Present Moment, and Seattle Magazine features New Topographics on its list of “13 Best Things To Do in Seattle in September 2018.”

Why, thank you! SAM was voted “Best Art Museum” in Seattle Weekly’s annual “Best of Seattle” readers’ poll.

Sarah Bloom, SAM’s Senior Manager for Teen, Family & Multigenerational Programs and Learning, was interviewed for this ParentMap feature that combines fall arts recommendations for the family with the reasons why exposure to the arts is so important.

“Building the skill of close looking is something we try to instill in children and caregivers together,” Bloom says. “Looking at art is a skill that you build over time.”

Local News

Margo Vansynghel of City Arts speaks with Maja Petrić, whose installation We Are All Made of Light is now on view at MadArt; it’s the latest of her “immersive experiences that get at the core of shared experience.”

Crosscut’s Brangien Davis on the Bellwether Festival, which debuts a revamped format this year with more happenings and a companion show at Bellevue Art Museum; I definitely want to see Tariqa Waters’ giant pack of Quilted Northern.

Emily Pothast of the Stranger reviews Pocket Full of Posies, Juventino Aranda’s first solo museum exhibition, now on view at the Frye Art Museum.

“Aranda’s work follows the magic all the way to its source, pointing to a reality where every manufactured object may be read as a text containing layers of history and meaning.”

Inter/National News

The United States Tennis Association has commissioned artist-designed tennis courts in celebration of the US Open’s 50th anniversary.

Manhattan’s High Line will debut a section devoted to art, with a new commission every 18 months. Up first: Simone Leigh’s Brick House, a 16-foot-tall bronze bust of combining human and architectural elements.

LaToya Ruby Frazier contributes to The Guardian’s “My Best Shot” series; the winner of the 2013 Gwendolyn Knight and Jacob Lawrence Prize talks about how she captured this photo of her “guardian angel” grandmother.

“I set up the camera and the moment she came into the frame, I moved in, sat next to her and asked her to look at the lens. I had no idea what her expression was, I just turned and pressed the shutter release – you can see it in my right hand.”

And Finally

The Louvre can have Beyoncé and Jay-Z; SAM has Saeed and Isaac! Keep an eye out in September for Buzzfeed’s AM2DM road trip stories from Seattle, including their visit to the museum.

– Rachel Eggers, SAM Manager of Public Relations

Image: Installation view of In This Imperfect Present Moment at Seattle Art Museum, 2018, photo: Natali Wiseman.
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Chiyo Ishikawa visits #InfiniteKusama!

Muse/News: Art News from SAM, Seattle, and Beyond

Welcome to our newest blog series, Muse/News—your weekly recap of what’s happening in art news at the Seattle Art Museum and across the world. Check back Mondays for updates on the artists and events making headlines around the world. With the Seattle Art Fair come and gone over the weekend, there’s plenty to digest and our PR Manager, Rachel Eggers delivers the scoop here in a perfect bite size. Enjoy!

All was fair in the city this past week as the Seattle Art Fair breezed into town for the third year in a row. What initially seemed an ambitious experiment is quickly becoming a welcome mainstay of the Seattle cultural calendar.

SAM News

Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture (phew!) has been named Best Curator in Seattle Weekly’s annual readers’ poll. We’re glad everyone loves her as much as we do. Congrats, Chiyo!

Loved this substantial dive into the tensions of “selfie obliteration” in the Yayoi Kusama: Infinity Mirrors exhibition by Erin Langner for ARCADE.

“…Kusama’s inclination to control and present her own image in the 1960s seems well ahead of its time. Accepting the way images are consumed, she chose to control the construction, proliferation, and obliteration of hers rather than allowing someone else to do so. Some of her true self was left out in the fiction of the performance. But, she also ensured the performance was conveyed the way she envisioned it. To this end, maybe taking selfies, in an Infinity Mirror Room or elsewhere, can have meaning when done with similar intent—when they give us the chance to perform and let go of ourselves at the same time.”

Local News

Emily Pothast of the Stranger offered compelling thoughts on the fair and offered her five don’t-miss highlights.

SAM staff got out and about this weekend; check out tips for the Seattle Art Fair from SAM’s Chiyo Ishikawa in Crosscut and David Rue in CityArts.

Michael Upchurch of the Seattle Times recently reviewed the Henry show on local sculptor Doris Totten Chase (looks groovy!).

Inter/National News

Are you “here for the right reasons”? The New York Times visits a rose-filled one-night show. After the recent casting call here, maybe we’ll see a Seattleite embark on the “journey” next season (ugh, you know you’ll watch again).

Artist Julie Mehretu, represented in SAM’s collection, is working on a monumental commission for the San Francisco MoMA; her paintings “are trying to make sense of where we are in our country right now.”

“What should one do when faced with images of violence?” That’s the question writer and critical theorist Sarah Sentilles took up this week for the New Yorker. She appears tonight at Elliott Bay Book Company to discuss her new book, Draw Your Weapons.

– Rachel Eggers, Manager of Public Relations

Photo: Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture, dresses the part while considering Kusama’s multiverse.
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