Art Zodiac: The Balanced Ballerina of Libra

For Libra season I’ve chosen to discuss Lynette Yiadom-Boakye. A British artist whose work focuses on people of color, Yiadom-Boakye’s painting, Trapsprung is currently on view on SAM’s third floor. The subject of the painting is a ballerina with her back to you one leg effortlessly lifted into the air in a battement to the side. More than a painting of grace, Yiadom-Boakye is calling attention to the lack of women of color in ballet, in depictions of ballerinas, and to the racism that accompanies a dark-skinned woman in that métier. Listen to choreographer, Donald Byrd on Trapsprung to hear more about the painting.

Yiadom-Boakye was born in 1977. And guess what? Pluto was in Libra from 1971 to 1983 (excluding a part of 1972 when it retrograded into Virgo for a hot minute)! As I mentioned in last month’s article, in evolutionary astrology, Pluto represents the structure of our soul. It is our actions and thoughts, strengths and weaknesses, all accumulated from our previous incarnations. Because Yiadom-Boakye’s soul is represented by Libra, her paintings can be seen as realizing the need to seek justice for the underrepresented and undervalued black body. Yiadom-Boakye wants to bring balance through social justice. This is what the ultimate Libra archetype strives towards. 

Libra is the 7th sign of the zodiac, and the sun transits the Libra constellation from September 23 to October 22. Libras like to get everyone’s input before they make a decision because they are the sign of “we” as opposed to Aries, the sign of “me.” Libras want fairness most of all. They ask all involved their opinions and needs, and then think through the impact on the group. Once things are balanced in their minds, they make a decision that best fits everyone. Libras use their verbal dexterity and charm to cajole others into agreement so a calm resolution is achieved. If you aren’t being treated fairly, then Libra is the friend to call because they will use their diplomacy and tact to help you out. Libra wants equality so that peace can reign. 

Yiadom-Boakye’s soul-need isn’t to prove herself or be seen for her own power, rather she strives to support equity and social justice through her work.

– Amy Domres, SAM’s Director of Admissions 
Amy is also a Psychospiritual Evolutionary Astrologer and Healer at Emerald City Astrology

Image: Trapsprung, 2013, Lynette Yiadom-Boakye, oil on canvas78 3/4 × 70 7/8 in., General Acquisition Fund, 2014.11 © Lynette Yiadom-Boakye. Courtesy of the artist, Jack Shainman Gallery, New York and Corvi-Mora, London

Art Zodiac: Victorian Radicals

Were the Pre-Raphaelites into astrology? 

There’s a hint in Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement that some were. That hint is in Edward Burne-Jones stained-glass piece, St. Mark, which depicts the saint evangelizing what would become his gospel with a winged lion above him, a representation of his strong character. What is interesting is that the lion is resting his paw on a stylistic blue wave which contains the astrological glyph of Leo slyly repeated in it. Coincidence? I think not.   

It seems that Edward Burne-Jones gave a shout-out to the astrology world.  During the Victorian era advancements were made in astronomy and Alan Leo, a British astrologer who is often referred to as the father of modern astrology, was born in 1860. Seances, salons, and the occult were all the rage during this time and the first Ouija Board was commercially produced in 1890. Astrology could have been a serious topic of discussion in their group. 

via GIPHY

Needless to say, Victorian Radicals contains a fair amount of beautifully-painted depictions of myths that astrologers use to explain and interpret planets and asteroids in charts: Medea, Iris, Pandora, Venus, Cupid, and Psyche are some of the few. Any astrologer can pick out paintings in this exhibition and tie them easily to the planets’ mythology because they are so symbolic and integral to our work. 

I would be remiss not to mention that I picked St. Mark because we are in the middle Leo season right now, and Leos are synonymous with lions, although not flying lions, but you could make a case that a Leo Sun/Neptune conjunction could produce one (Mic drop! Where my astrologers at?). Each year between July 23 and August 22, the sun transits across the sky through the Leo constellation. Leos are one of the three fire signs in the zodiac, Aries and Sagittarius being the other two, which lends to traits of passion, spontaneity, and playfulness. Lions are also the proud, strong, loyal, and loving ones living among us. 

If you haven’t seen the exhibition, visit on September 5 when the rates are reduced to $9.99 and below for first Thursday. Also, there is a painting of Morgan Le Fay by Frederick Sandys which calls to mind the book Mists of Avalon by Marion Zimmer Bradly and calls on anyone who loves witchcraft to come see their pagan roots immortalized in it. This exhibition is a woo-woo lovers’ paradise packed with supernatural aspects. 

– Amy Domres, SAM’s Director of Admissions
Amy is also a Psychospiritual Evolutionary Astrologer and Healer at Emerald City Astrology

Image: Saint Mark, 1883 (designed 1874), Edward Burne-Jones, British, 1833–1898, stained, painted, and leaded glass, 58 × 25 1/4 × 1 in., Lent by Birmingham Museums Trust on behalf of Birmingham City Council, Bequeathed by J R Holliday, 1927M1016, © Birmingham Museums Trust, Courtesy American Federation of Arts Installation view of Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement at Seattle Art Museum, 2019, © Seattle Art Museum, photo: Mark Woods

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