Flowing tears, drowning hands, purposeful denial, and a mandala sun: get lost and found in Kimisha Turner’s mural It Ain’t Just A River in Egypt. Commissioned by SAM and paid for by an anonymous donor, the mural is now on view on the plywood-covered facade of the downtown museum. Watch and read all about it from KING’s Evening Magazine and Crosscut.
Kai Curry for Northwest Asian Weekly on SAM’s Asia Talks series; the latest edition has gone virtual, partnering with Kazbar Media to feature three artists who immigrated to the US from Asia and the Middle East.
The Stranger’s Jasmyne Keimig on the “unwanted layer of sealant” applied to Capitol Hill’s Black Lives Matter mural. The mural’s artists, coming together as the Vivid Matter Collective, are discussing how to proceed and protect the mural.
The Seattle Times’ Brendan Kiley reports on an open letter to Artist Trust charging inequitable practices, spurred in part by a dispute over one of its awards.
Crosscut’s Brangien Davis recommends the many upcoming virtual film screenings, including the Seattle Black Film Festival, which features an emphasis on short films. Bonus popcorn flavoring tip (inquire within for Muse/News’ preferred method!).
“Like the best short stories, short films can pack a punch—sometimes more than a feature length movie. Plus these showcases allow you to experience a huge range of voices and styles, and find new filmmakers you want to follow.”
Give a listen to Artnet’s podcast, The Art Angle; this episode features Hank Willis Thomas, artist and co-founder of For Freedoms, discussing how he’s “making politics an art form.”
Elizabeth Merritt, director of the Center for the Future of Museums, explores the question of what opportunities for effecting deep structural change in the museum field may now be possible.
As part of Artforum’s ongoing “Project” series, Ja’Tovia Gary selects five artists’ work to highlight; click through to explore the work of Eniola Dawodu, Oroma Elewa, Jazmine Hayes, Fatima Jamal, and Sydney Vernon. By the way: Gary has made her 2019 work, The Giverny Document: Single Channel, available to view.
“Oftentimes, Black women find ourselves at the vanguard whether or not that is our preferred position. Our ways of being, knowing, and seeing have shaped what we know of history and will be absolutely integral as we work to conceptualize and bring forth a more egalitarian future free from bondage and subjugation.”
Playlist suggestion: The PS22 Chorus.
– Rachel Eggers, SAM Associate Director of Public Relations