TAG Talks Archives

Teens Look Forward: Emerging Arts Leader Karla Pastrana Reflects

Seattle Art Museum on Apr 19 2024

“What do you want to be when you grow up?”

I have been asked this question since I was a child. Now, as a junior at the University of Washington Tacoma, that question has evolved:

“What do you want to do after college?”

No matter how it’s phrased, the question still sends a wave of nerves down my body. Growing up, there were high expectations for me to excel. As the only US citizen in my family, I wanted to show my parents that their sacrifices were worth something; as a student with a learning disability, I have struggled to catch up to my classmates; as an early-career professional, I constantly face uncertainty about what success looks like for me. Whenever I am asked who I want to be, I am reminded of my childhood fears—of the dark, the unknown, and what the future holds for all of us.

I joined SAM’s Teen Arts Group (TAG) in 2020 as a senior in high school, and just recently wrapped up my second year as an intern helping to oversee the same program. As part of SAM’s education team, my goal was to provide youths with the same community experiences and leadership opportunities I received when I was a TAG member.

I joined TAG at the start of the COVID-19 pandemic. During that time, I was beyond scared about my future. I knew I wanted to go to college and get a degree in writing, but I was uncertain about where to take that experience afterward. While serving as a TAG leader, I learned that there were many opportunities out there which combined my passions for art, writing, and creating inclusive community programs.

After graduating high school, I decided I was interested in learning more about museum education. More specifically, I wanted to play an active role in creating artistic and educational opportunities for young students of color, populations who—like myself—have been historically excluded from art museums as a result of income inequality and systemic racism. Throughout 2020, TAG meetings were often spent discussing this issue because many of us had personally experienced exclusivity from art institutions. We made it our goal to prioritize inclusion across all our events, encouraging BIPOC teens from all social backgrounds to showcase their art and feel welcome at the museum. This led to On The Verge, a teens-only exhibition featuring artists whose perspectives and identities are shaped by race, gender, ethnicity, and social background. This exhibit was free, accessible, and open to the public—all of which helped artists, and my TAG colleagues, feel seen and valued at the museum.

As I have grown into my role as the Teen and Family Programs Intern, I have learned so much about how TAG is planned and executed behind the scenes. On the same day I am writing this reflection, I am also helping develop TAG’s yearly and weekly schedules, lead discussions and presentations with TAG participants, create content for @SAMTeens on Instagram, plan icebreakers and team-building activities, coordinate guest speakers, and provide mentorship opportunities for this year’s cohort of teens.

TAG is intended to help teens explore their passions and build leadership skills that will benefit them long after their time at SAM. I know how confusing and stressful it can be to navigate life after high school, and know how vital it is for teens to have a safe place to learn, ask questions, and make mistakes. As a TAG mentor, I’ve encouraged teens to anticipate problems, discuss questions, and think deeply about their short- and long-term goals—all of which are skills I have found helpful in my work as an Emerging Arts Leader.

My internship experience at SAM has expanded my view of what art and museums can be. By collaboratively planning projects and facilitating group discussions, I came to realize how great diversity leads to greater inclusion in museums. The teens I work with all come from different backgrounds, use different art mediums, and have different styles of leadership that shape their worldview.

I still have much to learn about running a community program like TAG, but my experience so far has shown me that I am on the right path in achieving my goals and overcoming my uncertainties about the future. Now when I get asked what I want to do when I grow up, I can confidently say: “I’d like to work for an amazing organization like SAM, making sure art is accessible and inclusive to all.”

– Karla Pastrana, SAM Emerging Arts Leader in Teen Programs

Photos: Chloe Collyer.

TAG Talks: An Ancient Tour of Achaemenid Arts and Culture

Seattle Art Museum on Feb 13 2024

SAM’s Teen Arts Group (TAG) is an intensive internship program for high school-aged youth who are eager to learn about themselves and the world through art, and are excited to make SAM a fun and engaging space for teens. TAG members meet weekly from October to May to learn about the behind-the-scenes work of an art museum, lead engaging gallery tours, plan Teen Night Out, and so much more. TAG Talks is an ongoing SAM Blog series on SAM Blog that serves as a space for SAM’s teen leaders to express themselves and their love of art. Keep up with all TAG adventures by following @samteens on Instagram and stay tuned for more TAG Talks to come!

I’m assuming you are confused as to what is happening. Where you are, how you will get back, why you are here, all these questions are dancing in your mind. It’s okay, all will make sense in due time. Here are the basics we should begin with. Yesterday, on your way home from work, you stumbled upon a rectangular, wooden box. The box had the symbol of a lion and a sun engraved on its wooden exterior. Naturally curious, you opened the box and saw spinning gears. The gears seemed to get faster as you continually observed them. That can’t be right; there was nothing powering the box. Yet it was. The gears kept accelerating until they vanished completely and the box was left empty. Confused, you placed your hand inside. This was the turning point.

Sucked into a cloud of debris, your senses blurred, losing contact with the physical realm. The sensation of disconnect lasted for five or so minutes. Covered in dust, you tumbled to the foot of an elderly woman dressed in robes draped in sweeping folds. Are you beginning to remember now?

I am the woman you met. I welcome you to the sixth century BC Achaemenid Empire. You are one of the first to make it here successfully. I know you may be scared; the Greeks painted our history to be uncivilized compared to their own. Under Cyrus the Great however, our reign has promoted religious tolerance and human rights regardless of nationality. We also contributed to innovations in commerce and trading networks, as well as funding for public works to improve the lives of our people. But that’s all textbook information I doubt you care for. Your purpose here is to travel and explore, that’s it. You’ll be home before you realize, so make the most of your stay.

Our empire is in the lands you now call Egypt, Eastern Europe, and east of Asia to the Balkans. It will go on to be considered one of the largest empires of the ancient world. Even as a resident, I can’t help but marvel at the sheer magnificence of what we have. While you’re visiting, I recommend you see Persepolis, the ceremonial capital of our empire. Thank goodness you are arriving in the springtime. Due to the remoteness of the region, travel is often difficult here during the rainy Persian winters. The mountainous terrain, however, allows the city to remain a secret from the outside world, protecting our art, artifacts, archives, and royal treasury.

Here you’ll also find residential quarters, a treasury, and ceremonial palaces. One palace you can’t miss is the Apādana Receiving Hall. Built by Darius I, the roof of the structure is supported by 72 columns each standing at 24 meters, with the whole palace having the footprint of 1,000 square meters. The column capitals are either twin headed bulls, eagles, or lions to represent authority and kingship. The monumental stairways on the North and East sides depict 23 subject nations bearing gifts to the King. If you tell the King I sent you, he will take you as a guest. Don’t forget to bring some form of tribute though. A cypress tree will do.

One final thing – you will need money and proper clothing. I will give you some gold coins known as daric. Use these at the market and buy yourself some long robes. As the palace welcomes you, you shall be greeted with lavish feasts, drinks, and games. Do wander into the sensuous gardens and hunt if you so please. Alright, now I believe my job here is done. I recommend you embrace the chaos and uncertainty this land will reveal. I’ll send you the box once when you’re ready to go. I wish you the best on your journey.

– Smriti Tiwari (she/her), 16, Second-Year Teen Arts Group Leader

Photos: Chloe Collyer.

TAG Talks: A Well-Known Wave and My Newfound Appreciation

Seattle Art Museum on Dec 6 2023

The iconography of the woodblock print Under the Wave off Kanagawa by Katsushika Hokusai, commonly referred to as the Great Wave, is omnipresent.

I was initially turned off by the Great Wave’s ubiquity in the public sphere. Growing up surrounded by lovers of niche art, the Great Wave never struck me as anything special. It’s become so commercialized that even my friends far outside of the art scene have tote bags or stickers sporting the iconic image. Thinking its presence in the media was tacky and overused, I failed to truly look closely or consider the print’s value.

Although I was never the Great Wave’s biggest fan, I am an artist and printmaker myself and love to study Japanese printmaking techniques. I was excited to see the Great Wave’s creator and prolific printmaker Katsushika Hokusai’s work in person in Hokusai: Inspiration and Influence from the Collection of the Museum of Fine Arts, Boston at the SAM. Anticipating the visit, I told my partner about the exhibition, highlighting everything except the Great Wave. Upon hearing I would see the famous print, he had a much more emotional response than I was expecting. I asked him how the art made him feel. He said, “It feels like ripping.”

The print depicts three boats cradled in the belly of a giant cresting wave framing Mount Fuji. The wave is a great magnanimous force, the boats borrow the ocean’s space. For the moment, the boats seem to become the wave. It is from the series Thirty-Six Views of Mount Fuji, each piece featuring a different landscape framing the mountain. The subjects of the 36 prints interact with the landscape harmoniously, human technology and nature are connected in this beautiful cycle and struggle. The Great Wave stands out from the rest because it is separate from the human ego. The wave doesn’t care what might be in its way; it tears. A beautiful reminder that humans are not gods, we cannot stop a wave from crashing down on us.

The Great Wave reminds us of the physicality and brutality of nature. There’s no room for metaphor or projection onto the ocean—it just is. The wave neither combats nor engages in human invention; it simply exists.

With my cohort of peers in SAM’s Teen Arts Group (TAG), we had the pleasure of learning from teaching artist Juliana Kang Robinson about woodblock carving and printing. I love linoleum carving and have spent years making prints, usually to put on my clothing or bags. Learning wood printing was special to me as there is something magical about how one has to work with the grain of the wood when they carve. It was an extra challenge for me, who was used to the careful precision I could execute on plastic, but it added so much life and character to have places where the wood texture was present. I am so grateful for this experience and encourage teens to not be afraid to branch out into exploring new mediums of art.

– Gwyneth Febus, 18, Third-Year Teen Arts Group Leader

Images: L. Fried. Under the Wave off Kanagawa (Kanagawa-oki nami-ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), about 1830–31 (Tenpō 1–2), Katsushika Hokusai, Japanese, 1760–1849, woodblock print (nishiki-e); ink and color on paper, Museum of Fine Arts, Boston, William Sturgis Bigelow Collection, Photograph ©️ Museum of Fine Arts, Boston.

Introducing TAG Talks: A Space for SAM Teens to Express Themselves and Their Love of Art

Seattle Art Museum on Oct 24 2023

Teens always have a place at the Seattle Art Museum! Whether it’s enjoying the galleries over spring break, or offering their incredible talents through a variety of artistic programs, the voices of young people have helped to shape the museum in countless ways. SAM’s Teen Arts Group (TAG) is just one example of the critical role teens play at SAM.

TAG is an intensive internship program for high school-aged youth who are eager to learn about themselves and the world through art, and want to make SAM an engaging place for teens. This cohort of young minds meets weekly from October through May to plan teen-friendly museum events and programs, discuss professional development in the arts, and connect around their shared appreciation for SAM’s vast collection. Additionally, and perhaps most notably, TAG members plan every aspect of Teen Night Out, SAM’s annual celebration where teens take over the museum.

TAG offers an environment for current high school-aged youth to safely challenge themselves and others, try something new, and accept failure as an opportunity for growth. TAG Talks, the newest SAM Blog series, is a space for these leaders to reflect on their adventures in the year ahead, offering first-hand accounts of the ways they are stewarding SAM’s mission of connecting art to life.

TAG leaders outline their community agreements at the second meeting of the 2023–2024 school year.

Among its many incredible objectives, one particularly exciting aspect of TAG is the cohort’s undertaking of a yearlong project that demonstrates the skills they’ve learned throughout their time at SAM. In 2023, members worked fiercely to complete two concurrent projects: an illustrated TAG zine highlighting Seattle’s sights and scenes that any teen can enjoy, and a multimedia exhibition, Home Is Where the Heart Is, featuring the artwork of teens from across the region. This year, TAG will be working hard to develop engaging content that SAM visitors will enjoy for years to come. This top secret project will make its public debut on Friday, May 3, 2024 at Teen Night Out, so stay tuned for this exciting reveal.

SAM Teen Programs Intern Mori Peña sits beside artist Dawoud Bey as he speaks with TAG leaders in November 2022.

As a former TAG member and current SAM Teen Programs Intern, Mori Peña is no stranger to the inner workings of the program. Mori is excited to be working alongside this year’s cohort and is especially looking forward to watching the group’s plotting and masterminding unfold. This year’s top secret yearlong project is one that SAM staff have been entertaining for the last few years and for Mori, it’s thrilling to see the pieces finally fall into place. Alongside eagerly returning members, the 2023–2024 cohort is filled with many new faces—we can’t wait to see what new ideas and perspectives they all bring to TAG!

SAM Educator for Youth Programs Cristina Cano-Calhoun in conversation with TAG leaders at their second meeting of the 2023–2024 school year.

Over the 2023–2024 school year, we’ll be sharing original content created by TAG members here on SAM Blog under the series title TAG Talks. As a teaser for what’s to come, you can look forward to a behind-the-scenes look at the installation of an upcoming SAM exhibition, TAG members discussing objects on view in our permanent galleries, and reflections from a hands-on workshop with a teaching artist. As we kick off another session of TAG this month, you can also expect a more active and ever-expanding presence on our Instagram. So, follow us at @samteens and stay tuned for the next installment of TAG Talks!

– Cristina Cano-Calhoun, SAM Educator for Youth Programs & Mori Peña, SAM Teen Programs Intern

Photos: Chloe Collyer & Alborz Kamalizad.