Muse/News: Interesting Pictures, Ritual Objects, and Girls in Windows

SAM News

Here’s Margo Vansynghel of the Seattle Times with arts recommendations for December, including Elizabeth Malaska: All Be Your Mirror. The solo show features tour-de-force paintings by the 2022 winner of SAM’s annual prize for Northwest artists, the Betty Bowen Award.

“Malaska’s brushwork is at once vigorous, detailed and patterned, then loose and almost abstract or even droopy and distorted. The result is beautiful, unsettling and varied — and paints a much more interesting picture.”

“A theatrical new Calder exhibition staged in Seattle”: Don’t miss Elena Goukassian’s take for The Art Newspaper on Calder: In Motion, The Shirley Family Collection. She highlights the thoughtful curatorial choice to “frame his works as a delightfully subtle kind of performance.” ) She also mentions the playlist drawn from Calder’s own record collection.)

“These are all displayed in a newly configured gallery that features individual “stages” for the larger works, vitrines for the smaller ones and “overlook” balcony views—all with an eye towards spotlighting their theatrical nature.”

For the subscriber-only Airmail, Osman Can Yerebakan interviews the Shirleys and relays the story of the first time they heard Dispersed Objects with Brass Gong make a sound. (Are you patient enough to wait to hear it in the galleries?)

ICYMI! “Legendary Children Brought the House Down”: Jas Keimig and Susan Fried capture the magic for South Seattle Emerald.

Local News

It’s dark. Seattle Met helps with “Where to See Holiday Lights in Seattle.”

For her weekly ArtSEA post, Crosscut Brangien Davis features “art, film, and food to honor Native American Heritage Month.”

“Chehalis artist explores cultural appropriation of Native regalia”: Gayle Clemans for The Seattle Times on Selena Kearney: object/ritual, now on view at Solas Gallery.

“After shifting to a more conceptual art practice, Kearney has thought carefully about how much information to reveal in an image and how much to conceal. In this series, all of the photographs are taken in crisp detail with vivid color, as if they are beautiful documents of cheap, often offensive cultural relics.”

Inter/National News

Via Artnet: “5 Massive Pop Culture Moments From 2023 That Remind Us of Renaissance Paintings.”

Via Artdaily: The first New York solo exhibition for Natalie Ball—featuring never-before-seen works—just opened at the Whitney Museum of American Art. Ball was the winner of SAM’s 2018 Betty Bowen Award and her work is now on view at SAM. 

David Segal for The New York Times on Girls in the Windows (1960) by Ormond Gigli, a photograph that people keep buying and buying.

“He’s working without an assignment because he wants to memorialize those buildings, which stand directly across the street from his home studio. What he doesn’t know is that the image will become one of the most collected photographs in the history of the medium.”

And Finally

Another video from the Calder Foundation archives: The first performance of Work in Progress at Teatro dell’Opera, 1967–68.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Alborz Kamalizad.

Muse/News: Blockbuster Photos, Blanket Transformations, and An Art Carnival

SAM News

“Blockbuster photography”: Crosscut’s Margo Vansynghel appears on KUOW to share some arts picks, including Dawoud Bey & Carrie Mae Weems: In Dialogue, which opened last week at SAM.

“There’s a lot of variety… you’ll see portraits, you’ll see really cool street photography—which is among my favorites—but also really solemn landscapes and more conceptual works made from the 1970s to today.”

“Give experiences, not things”: We couldn’t have said it better. Seattle’s Child recommends memberships to buy as gifts this season, including a Seattle Art Museum membership, which you can score at a 20% discount through November 28.

Local News

For the Seattle’s Times’ holiday events coverage, here’s Jerald Pierce with “6 exhibitions featuring WA-based artists to catch in December 2022.”

The Stranger’s Matt Baume on the 5th Avenue Theatre’s First Draft program, whose goal is to “nurture theater arts in previously-overlooked communities.” 

“Meet the Chehalis artist weaving a new Native narrative,” invites Crosscut’s Margo Vansynghel in her article on Seattle-based photographer Selena Kearney’s curatorial debut.

“‘A gallery wall is not their primary destination,’ Kearney says about the blankets, which hang on rods all around her during a recent gallery visit. ‘These are made for ceremony and transformation. When you put a blanket on, you transform into something else.’”

Inter/National News

Via Artnet’s Sarah Cascone: “Artist Paul Rucker Has Received $2 Million in Grants to Open a Permanent Museum About the History of Racism in the U.S.” The space, called Cary Forward, will be in Richmond, Virginia; the artist worked and showed art in Seattle for many years.

Daniel Cassady for ARTnews on the announcement by the Fondation Giacometti that they plan to open a museum dedicated to Alberto Giacometti in Paris in 2026. Housed at the under-renovation Invalides train station, it will also include a school.

Joe Coscarelli for the New York Times on the rebirth of Luna Luna, a “long-lost art carnival” that’s being brought back to life thanks in large part to the rapper Drake and his DreamCrew. 

“In his typically lyrical telling, [Luna Luna creator André] Heller compared DreamCrew swooping in to ‘when you promise your child a swimming pool and then somebody comes and is like, ‘Wouldn’t you like to have the Mediterranean Sea?’”

And Finally

For those who can’t make it to NYC: A virtual tour of The Tudors at the Met

 Rachel Eggers, SAM Associate Director of Public Relations

Photo: Chloe Collyer.

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