Volunteer Spotlight: Jody Tate

Did you know that many of Seattle Art Museum’s day-to-day operations rely on the commitment and knowledge of volunteers? When Jody Tate began volunteering three years ago, he dreaded being asked what to see while visiting the museum. Now he enjoys asking questions to help people define their own interests in art and connect to art that they will think about for the rest of their lives! Our Manager of Volunteers asked Jody some questions so you can get to know him and learn more about the important role of SAM’s volunteers.
SAM: What is your current role?
Jody Tate: I’m a SAMbassador and very excited this year to be Vice Chair of the SAM Volunteer Association Executive Committee.
How long have you been volunteering at SAM?
Roughly three years. I had a year-long stint around 2010 and then started up again in 2016.
Why is SAM important to you?
SAM has the most historically diverse range of culturally significant artifacts in all of Seattle—where else under one roof can you see a painting by Amy Sherald, a sculpture by Cy Twombly, and Coast Salish art?
What is one of your favorite artworks in SAM’s collection, and why?
One of many favorites is Mann und Maus. I’ve had more conversations about it than anything else. It’s both approachable and petrifying. Some children toddle up exclaiming to a parent they’ve found Mickey Mouse, while some adults call it a nightmare rat. As for me, I can’t see it and not think of the Holocaust. Nazi propaganda depicted Jews as mice (if you haven’t read Art Spiegelman’s Maus, you should) and Auschwitz’s gas chambers used Zyklon B, a pesticide. If we set aside historical atrocities for a moment, my favorite response to Mann und Maus was a little girl who told her father firmly: “Too big.”
When not at SAM, what do you do for fun?
I like to read (just about anything), write (poetry), cook, and just wander the city on foot.
What is something that most people might not immediately know about you?
In a former life, I was an academic. I did a PhD on Shakespeare at the University of Washington. Also, when I was supposed to be finishing that PhD, I procrastinated by editing a collection of essays on the band Radiohead.
What is a simple hack, trick, or advice that you’ve used over time to help you better fulfill your role?
I think some of the best SAMbassadors I’ve shadowed know how to ask questions that can help a patron begin answering her own questions. For example, an open-ended question I dreaded when I started volunteering was, “Where should I start?” Instead of having a rehearsed answer that’s one-size-fits-all, asking a patron what they’re interested in helps me come up with a possible starting point for a more personalized experience in the museum.
– Danie Alliance, Manager of Volunteer Programs
Photo: Natali Wiseman

Get to Know SAM’s VSOs: Kittie McAllister

Kittie (known as Katie by her family) grew up on a beautiful farm in Carnation, Washington, riding horses and exploring the woods with her dog. As part of her Associate of Arts and Sciences Degree at Bellevue College, she excelled in hand-drawn animation classes (and was published in her mentor Tony White’s book, How to Make Animated Films) but decided she wanted to be an oil painter. She received her Bachelor of Fine Arts Degree in Studio Art from Central Washington University in 2016, where she discovered her love of making three-dimensional objects and using her painting skills to give them sophisticated surface qualities. Working as a Visitor Services Officer in the galleries of the Seattle Art Museum keeps her engaged in her greatest interest—art history.

SAM: Jacob Lawrence’s The Migration Series opened January 21 and is running until April 23. What is your favorite piece in this series?

McAllister: Every painting in The Migration Series is full of earth tones, so Panel 5 struck me for its vibrant colors and total absence of browns. A black locomotive speeding through the deep blue night, with its yellow bell swinging in the force of the wind and light penetrating the darkness ahead, gleams like an emblem of hope for the migrants leaving deplorable living situations behind. The yellow paint of the bell is even brighter than the bold yellow seen throughout the series, perhaps emphasizing it as a symbol of liberty and progress.

What is your favorite piece of art currently on display at SAM?

The huge Mann und Maus sculpture by Katharina Fritsch, for the BIG reactions it always gets! I often hear adults say that waking up to giant vermin on their bed is their worst nightmare, while children perceive the “mousy” as cute and funny; one child thought he got so big from eating too much cheese! I see dark symbolism in the piece and feel a little uneasy when posted in its imposing presence.

Who is your favorite artist?

As I delved deeper into John Lennon’s music, I became curious about the woman he wrote such desperate love songs about, and I discovered the avant-garde artist Yoko Ono. Her sculptures and poems are minimalistic and give simple commands to the viewer—the act of physically, or mentally, carrying out those actions focuses your cognizance in the moment. A brief writing example of Yoko’s:

LIGHTING PIECE

Light a match and watch till it goes out.

1955 autumn

One of my favorite works is a white ladder that, when you climb to the top and look through a magnifying glass hanging by a delicate chain, you can find the tiny word, “Yes” written on the white ceiling. John Lennon fell in love with Yoko when he felt refreshed by her positive message in this interactive art piece.

What advice can you offer to guests visiting SAM?

Make a day of it! I always recommend starting back in time on the fourth floor with our most ancient art objects, and working your way back to the present with our more contemporary works on the third floor. SAM celebrates diversity and is a safe space to be yourself and unabashedly explore the eccentric world of art.

Tell us more about you! When you’re not at SAM, what do you spend your time doing?

Recently I had a painting in the Erotica exhibition on Capitol Hill for Second Thursday Art Walk—it was such a hoot! Now that I’m finished with school I have time to get back into my guitar and I love spending lazy days just journaling. My shorthaired black cat, Tobias Funke, always demands my attention, and I’m simply enjoying my time with friends and family now that I’m back in Seattle. I’m always making little plans and schemes for my creative notions—working at Seattle Art Museum keeps my creativity fueled!

Katherine Humphreys, SAM Visitor Services Officer

Photo: Natali Wiseman.
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