Muse/News: Impressive SAM, Not Static, and Baltimore Queen

SAM News

“Art-loving families should visit the Seattle Art Museum” this summer, says Mark Sissons for Vancouver’s VITA Magazine, thanks to our “impressive” collection galleries and our summer exhibition Poke in the Eye: Art of the West Coast Counterculture, which opens this week on Thursday, June 20!

Nick Hilden for The Observer comes to town to discover “Where to See the Best Art in Seattle” and while at SAM finds that “the museum boasts an impressively eclectic range of works.” 

Via Nura Ahmed for South Seattle Emerald: “Tacoma Artist Anida Yoeu Ali Demands to Be Seen.”

Local News

Have you been keeping up with this season of Cascade PBS’s Black Arts Legacies? They’ve rolled out eight incredible profiles; earlier we shared the one of Gwendolyn Knight Lawrence, but you won’t want to miss the ones of DJ Riz Rollins, painter Moses Sun, glass artist Debra Moore, and more.

Sara Jean Green of The Seattle Times reports on the “long-promised Super Block” coming to the Central District that will feature a public art installation on the neighborhood’s history.

Via Rachel Gallaher for Seattle Magazine: “Tacoma Art Museum’s latest show reconsiders the meaning of Western American art.”

“The four curators are giving space to 17 contemporary artists whose work is often excluded in the context of collections like the Haub. ‘The art of the American West is not static,’ [curator Faith] Brower says. ‘There are many artists creating work that will further our understanding and deepen our connections to this iconic region.’”

Inter/National News

“I can act a fool, I can be delirious, I can give into anger, I can give into joy, into love”: Anthony Hudson AKA Carla Rossi interviews Jeffrey Gibson for BOMB Magazine. While you’re at it, rewatch this video of Carla’s visit to Like a Hammer (it’s our…52nd rewatch? But who’s counting?). 

Arun Kakar for Artsy with “The 10 Best Booths at Art Basel 2024,” including works by Jaune Quick-to-See Smith at Garth Greenan Gallery’s booth.

“How an Artist Became the Queen of Baltimore”: Aruna D’Souza of The New York Times spends the day in Baltimore with Joyce J. Scott on the occasion of her career retrospective, which is co-organized by BAM and SAM and travels to Seattle this fall.

“She sees her life as an artist as modeling for others another way of being and living,” said Catharina Manchanda, a curator at the Seattle Art Museum. “She has an incredibly strong conviction that every artwork has a role in bringing people together and offering people an opportunity to learn together, but she also models a whole new way of being an artist within a community. It’s not as much a career for her as a way of life.”

And Finally

“A Photographer Wins a Top Prize in an A.I. Competition for His Non-A.I. Image.”

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Alborz Kamalizad.

Muse/News: Essential Summer, Hooked on Clay, and Pointed Playful

SAM News

The Seattle Times staff recommends “8 essential things to do during summer in Seattle,” including a visit to the Olympic Sculpture Park, especially during Summer at SAM. The annual free series of performances, tours, and activities takes place every Thursday night and Saturday morning between July 11 and August 11.

In South Seattle Emerald’s “Arts in the South End: June 2024 Roundup,” Jas Keimig recommends an upcoming show at SAM. Jacob Lawrence: American Storyteller features 13 works on paper by the celebrated modern artist; it opens June 28.

Local News

Via Catalina Gaitán for The Seattle Times: “Seattle now has two of the largest outdoor murals in North America.”

Artists Anida Yoeu Ali and Kamari Bright were announced as the recipients of the 2024 Arts Innovator Award. Both artists will receive $25,000 to continue their practices. You can see Ali’s work at the Seattle Asian Art Museum in Hybrid Skin, Mythical Presence through July 7.

The June issue of University of Washington Magazine has a profile on artist Patti Warashina by writer Hannelore Suderman that reveals the ceramic artist’s original plan for her studies… click to find out just how lucky we are that she discovered clay. You can see examples in Poke in the Eye: Art of the West Coast Counterculture, which opens at SAM on Friday, June 21. 

“She loved the tactile experience of throwing clay on a wheel and was hooked on creating, pushing the limits of clay and taking inspiration from her classmates.”

Inter/National News

Via Artnet: “A Major Restoration Breathes New Life Into Giuseppe Arcimboldo’s Iconic Seasons.”

Holland Cotter of The New York Times recommends several shows to see in NYC galleries this month, including a solo show for Xenobia Bailey at Venus Over Manhattan. You can see the Seattle-born artist’s Afrofuturist fiber crochet work on view in Poke in the Eye: Art of the West Coast Counterculture, beginning Friday, June 21.

Art in America’s Andy Battaglia interviews Joyce J. Scott on the occasion of her retrospective, Walk a Mile in My Dreams, which debuted at the Baltimore Museum of Art and opens at SAM this fall.

“Time and again, Scott’s colorful creations stare down histories of racism, classism, and sexism with steely eyes and an impish grin. She takes a pointed and playful approach to bracing subject matter, the small-mindedness and absurdity of which she exposes as abhorrent and just plain dumb.”

And Finally

“Oh Happy Day” 30 years later.

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Chloe Collyer.

Muse/News: Spring Into Fall, Gwen’s Care, and Steely Watt

SAM News

Artnet has you covered with “9 Must-See Shows Around the U.S. This Spring,” including one for an artist who “tackles the weight of history with humor and wit.” Joyce J. Scott: Walk a Mile in My Dreams is now on view at the Baltimore Museum of Art; Seattle audiences get to see it this fall when the retrospective—co-organized by the BMA and SAM—travels here.

Local News

Rachel Gallaher for Seattle Magazine on Subterranean Ceremonies, the solo show of Sky Hopinka on view now through May 26 at the Frye Art Museum. 

Isabella Breda of the Seattle Times on the work of Children of the Setting Sun, an Indigenous-led and -centered nonprofit based in Bellingham that “defies the traditional categories of a ‘media’ group.”  

Black Arts Legacies, a project of Cascade PBS, debuts its third season of stories of Black artists and arts organizations in Seattle. Don’t miss this feature by Jas Keimig about Gwendolyn Knight Lawrence: her young life in Harlem, independent artistic vision, and long partnership with husband Jacob Lawrence. 

“The emotional quality of this work — the gaze, the moody colors, the otherworldliness of its background — shows Knight’s signature attentiveness, the great care she afforded all of her subjects.”

Inter/National News

Via Artnet: “Why Does the Louvre Want to Give the Mona Lisa Her Own Room?”

Via Howard Halle for ARTnews: “As Surrealism Turns 100, a Look at Its Enduring Legacy.”

Via Leslie Wayne for the New York Times: “At the Carnegie Museum of Art, an installation by the artist Marie Watt celebrates the region’s industrial history with I-beams and glass.” Watt’s Blanket Stories is a beloved work in SAM’s collection.

“Steel fits right in with her vision: It was steel from Pittsburgh that helped build the Empire State Building and the George Washington Bridge in New York, and many other famous structures. And it was Mohawk Native Americans, who have been celebrated in her past works, who worked on many of those projects, earning them the moniker ‘skywalkers’ for their daring feats on steel beams.”

And Finally

“Dropping Stitches at Knit Night.”

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: Chloe Collyer.

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