Playfully Irreverent, Intentionally Weird: An Inside Look at Poke in the Eye at SAM

This summer, dive into an oft-overlooked chapter in art history: the aesthetics that emerged on the West Coast in the 1960s and ’70s as a counter to the prevailing artistic practices of the time. Reacting against the sleekness, formality, and coldness of New York minimalism and other dominant modes of abstraction, many artists on the West Coast, particularly in Seattle and the Bay Area, began creating artwork that was intentionally more offbeat.

Instead of sleek, hard surfaces, artists opted to make work that was lumpy, tactile, and boldly colored. Instead of pure abstraction, they depicted human figures, animal caricatures, and fantastical narratives. Rejecting industrial materials, they embraced traditional craft techniques, especially ceramics, subverting divisions between “high” and “low” art. In many cases, these artists refused to take themselves or their work too seriously, by intentionally employing an irreverent sense of humor and wit.

Taken together, these strategies represented a tongue-in-cheek anti-establishment rebuttal to the dominant art market engine. Though this genre of work is often described as “Funk art,” after the seminal 1967 Funk exhibition at UC University Berkeley that brought several of these artists together for the first time, Poke in the Eye: Art of the West Coast Counterculture takes a broader view. Here you’ll find that the aesthetic of this time and place was not a strictly delineated “movement,” but a moment: an organic and informal counterculture vision that continues to resonate today.

As one of the focal points of this West Coast aesthetic, Seattle is the ideal location to tell this story, and SAM has a particular strength in telling it—the depth and breadth of our permanent collection. Poke in the Eye is drawn primarily from SAM’s collection, mining works that visitors may have never seen before to uncover one of the legacies of our region. Experience collection favorites in a new light, discover new surprises for the first time, and learn a fresh version of art history in which SAM and Seattle play an integral role.

This article first appeared in the June through September 2024 edition of SAM Magazine and has been edited for our online readers. Become a SAM member today to receive our quarterly magazine delivered directly to your mailbox and other exclusive member perks!

Photos: Chloe Collyer.

Muse/News: Weird and Wild, Fan Service, and Double Takes

SAM News

Lights, camera, action! Poke in the Eye: Art of the West Coast Counterculture opened last week at the Seattle Art Museum, and Carrie Dedon, Associate Curator of Modern and Contemporary Art, appeared on KING5 programs New Day NW and Evening to talk about curating an exhibition of offbeat art from SAM’s collection. 

“Feeling a little rebellious?” asks Alina Hunter-Grah of SEAtoday. If so, she promises you’ll fit right in at the exhibition.

And here’s Destiny Valencia of 425 Magazine on “Visiting the SAM’s Weird, Wild, and Wacky ‘Poke in the Eye’ Exhibit.”

“How one interprets art is, of course, inescapably subjective. Poke in the Eye: Art of the West Coast Counterculture at the Seattle Art Museum makes that implicit truth unusually explicit by prompting visitors to ponder what, exactly, they consider to be fine art.”

Local News

Cascade PBS’s Brangien Davis seeks out “the downtown Seattle art collection hiding in plain sight.”

For Seattle Magazine, Rachel Gallaher profiles dancer and performance artist Lavinia Vago

Special to The Seattle Times, T.S. Flock writes “Seattle’s MadArt holds its last show, celebrating its legacy.”

“Someone walking into MadArt for the first time may wonder what ties them all together, even if they delight in the objects. Put simply, the show succeeds as a fan-service anthology, in which audiences can relive experiences they’ve had with MadArt’s projects.”

Inter/National News

Stewed eels, rum punch, and a dessert known as “The Convent Serpent”: Artnet’s Andrew Russeth goes inside Henri de Toulouse-Lautrec’s recipe collection.

Via ARTnews’ Alex Greenberger: “Carrie Mae Weems Returns to ‘Kitchen Table Series,’ This Time with A$AP Rocky, for Bottega Veneta.”

Rowland Bagnall for The Art Newspaper on Teju Cole’s latest photobook, Pharmakon, which features photographs of “unpeopled scenarios” accompanied by short texts.

“Cole frequently presents a pair of images, the same scene photographed from slightly different angles, moments apart, the gesture (literally) of a double take, illustrating, possibly, the two modes they exist in: peaceful, disturbing. Self-consciously oblique, almost withholding, Cole’s photographs invite us to consider not only what but how we see, through whose lens, when, for what, and why.”

And Finally

“Miss Piggy Has a Mother.”

– Rachel Eggers, SAM Associate Director of Public Relations

Photo: L. Fried.

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